-
396
Digitised materials
Members of Southern Artists Salon, Sun Yat-sen University, Guangzhou, 1986
Allocated
南方藝術家沙龍成員1986年在廣州中山大學
5604
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Photographs 照片
online
1986/__/__
Members of Southern Artists Salon, Sun Yat-sen University, Guangzhou, 1986, 南方藝術家沙龍成員1986年在廣州中山大學
China
china
In Copyright
personal record
Wang Du
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/46094.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-photographs/object/members-of-southern-artists-salon-sun-yat-sen-university-guangzhou-1986-1986
-
675
Digitised materials
Southern Artists Salon Bulletin
Translated
南方藝術家沙龍簡報
5605
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Documents 文件
onsite
1986/__/__
Southern Artists Salon Bulletin, 南方藝術家沙龍簡報
China
china
In Copyright
bulletin/newsletter
Wang Du
Chinese - Simplified
Author:CHEN Jie, 陳皆, China, Author:LIN Yilin, 林一林, 1964, China, Author:WANG Du, 王度, 1956, China, Wuhan (王度), Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-documents/object/southern-artists-salon-bulletin
-
678
Digitised materials
Perpetual Movement IV
Allocated
永恆的動力之四
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1989/__/__
Perpetual Movement IV, 永恆的動力之四
Elastic Band
In Copyright
artwork documentation
Boriana Song
Hangzhou and Leeds - Twin Cities Art Exhibition
Author:Maryn VARBANOV, 萬曼, Bulgaria
Mouvement Perpetuel IV
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47990.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/perpetual-movement-iv
-
681
Digitised materials
He and She
Allocated
他 x 她
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1987/__/__
He and She, 他 x 她
350cm x 650cm
China
china
In Copyright
artwork documentation
Boriana Song
Author:GU Wenda, 谷文達, 1955, China (谷文達)
Ta x Ta
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47979.TIF.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/he-and-she-x
-
682
Digitised materials
Maryn Varbanov
Allocated
萬曼
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov, 萬曼
In Copyright
personal record
Boriana Song
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47962.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov
-
685
Digitised materials
Maryn Varbanov, Song Huaikuei, and a Friend
Allocated
萬曼,宋懷桂與友人的合照
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov, Song Huaikuei, and a Friend, 萬曼,宋懷桂與友人的合照
Photograph of Maryn Varbanov, Song Huaikuei and a friend. (First from right: Maryn Varbanov. Middle: Song Huaikuei. ) 萬曼,宋懷桂與友人的合照。(右起一:萬曼。 中間:宋懷桂)
In Copyright
personal record
Boriana Song
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria, Practitioner:SONG Huaikuei, 宋懷桂, China
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47964.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-song-huaikuei-and-a-friend
-
1304
Digitised materials
Members of Southern Artists Salon at Sun Yat-sen University, Guangzhou, 1986
Allocated
南方藝術家沙龍成員1986年在廣州中山大學
5604
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Photographs 照片
online
1986/__/__
Members of Southern Artists Salon at Sun Yat-sen University, Guangzhou, 1986, 南方藝術家沙龍成員1986年在廣州中山大學
China
china
In Copyright
personal record
Lin Yilin
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47104.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-photographs/object/members-of-southern-artists-salon-at-sun-yat-sen-university-guangzhou-1986-1986
-
1305
Digitised materials
Southern Artists Salon Activity Notice, 20 March 1987
Translated
南方藝術家沙龍活動通知, 1987年3月20日
5605
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Documents 文件
onsite
1987/__/__
Southern Artists Salon Activity Notice, 20 March 1987, 南方藝術家沙龍活動通知, 1987年3月20日
China
china
In Copyright
others
Wang Du
Chinese - Simplified
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-documents/object/southern-artists-salon-activity-notice-20-march-1987-1987320
-
1840
Digitised materials
Why was there no New Wave Movement in Guangdong? 25 Responses
Translated
為什麼廣東沒有新潮美術運動? 25種回答
5601
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Articles 文章
onsite
1991/__/__
Why was there no New Wave Movement in Guangdong? 25 Responses, 為什麼廣東沒有新潮美術運動? 25種回答
The article was edited by Chen Tong. 本篇文章由陳侗編輯。
Painter Magazine
畫家
44
China
china
Guangzhou
1991-05
In Copyright
essay
Materials of the Future
Chinese - Simplified
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-articles/object/why-was-there-no-new-wave-movement-in-guangdong-25-responses-25
-
1951
Digitised materials
Southern Artists Salon Report (May 1986)
Allocated
南方藝術家沙龍簡報 (1986年5月)
5605
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Documents 文件
onsite
1986/__/__
Southern Artists Salon Report (May 1986), 南方藝術家沙龍簡報 (1986年5月)
China
china
In Copyright
Wang Du
report
Wang Du
Chinese - Simplified
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-documents/object/southern-artists-salon-report-may-1986-19865
-
2041
Digitised materials
Beyond What's Popular in Art — Several Factors that Affect Art in Guangzhou
Translated
在藝術時尚的背後 — 影響廣州藝術的若干因素
5601
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Articles 文章
onsite
1995/__/__
Beyond What's Popular in Art — Several Factors that Affect Art in Guangzhou, 在藝術時尚的背後 — 影響廣州藝術的若干因素
Page 30 to 31 are missed.
Painter Magazine
畫家
44
China
china
Guangzhou
16
1995-05
In Copyright
essay
Materials of the Future
Chinese - Simplified
Author:YANG Xiaoyan, 楊小彥, China (Olivien Yang)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-articles/object/beyond-whats-popular-in-art-several-factors-that-affect-art-in-guangzhou
-
2369
Digitised materials
Video Documentation of The First Experimental Show of the Southern Artists Salon
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
onsite
Video Documentation of The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
artwork documentation, event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/video-documentation-of-the-first-experimental-show-of-the-southern-artists-salon
-
2372
Digitised materials
Language, Communication, Man
Translated
話 · 對 · 人
5602
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Language, Communication, Man 話﹒對﹒人
onsite
Language, Communication, Man, 話 · 對 · 人
Documentation of a performance by Hou Hanru, Yang Jiechang, Chen Tong, Tang Songwu, and others. 一個行為演出的記錄,參加者包括侯瀚如、楊詰蒼、陳侗、唐頌武等。
In Copyright
artwork documentation, event photograph/recording
Hou Hanru
Cantonese, Mandarin
Practitioner:TANG Songwu, 唐頌武, 1966, China, Practitioner:CHEN Tong, 陳侗, China, Practitioner:YANG Jiechang, 楊詰蒼, 1956, China (Yang Jiecang, Jiecang Yang, Yang Jie Chang, Jie Chang YANG, 楊杰昌, 楊詰昌), Practitioner:HOU Hanru, 侯瀚如, 1963, China (HOU Han Ru, Han Ru HOU, HOU Han-Ru, Han-Ru HOU)
話 · 人 · 對
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-language-communication-man/object/language-communication-man
-
2854
Digitised materials
Maryn Varbanov
Allocated
萬曼
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov, 萬曼
In Copyright
personal record
Boriana Song
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47967.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-2854
-
2857
Digitised materials
Bed / Nature Series No. 10
Allocated
床/自然系列 No.10
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1993/__/__
1999/__/__
Bed / Nature Series No. 10, 床/自然系列 No.10
Installation (charred copper, silk)
800cm x 200cm (44 pieces)
In Copyright
artwork documentation
Boriana Song
Author:LIANG Shaoji, 梁紹基, 1945, China
Chuang / Zi Ran Xi Lie No.10
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47951.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/bed-nature-series-no-10-no-10
-
2860
Digitised materials
Maryn Varbanov and Friends
Allocated
萬曼與友人
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov and Friends, 萬曼與友人
Photograph of Maryn Varbanov and friends. (Second from left: Maryn Varbanov) 萬曼與友人合照。(左起二:萬曼)
In Copyright
personal record
Boriana Song
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47968.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-and-friends
-
2863
Digitised materials
Maryn Varbanov and Friends
Allocated
萬曼與友人
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov and Friends, 萬曼與友人
Photograph of Maryn Varbanov and friends. (First From left: Cai Liang. Third from left: Maryn Varbanov) 萬曼生活照。(左起一:蔡亮。左起三:萬曼)
In Copyright
personal record
Boriana Song
Practitioner:CAI Liang, 蔡亮, 1932, China, Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47973.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-and-friends-2863
-
2873
Digitised materials
Gu Wenda and Maryn Varbanov in Front of Wisdom from Silence
Allocated
谷文達與萬曼在作品《靜·則·生·靈》前
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1987/__/__
Gu Wenda and Maryn Varbanov in Front of Wisdom from Silence, 谷文達與萬曼在作品《靜·則·生·靈》前
China
china
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
Practitioner:GU Wenda, 谷文達, 1955, China (谷文達), Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47936.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/gu-wenda-and-maryn-varbanov-in-front-of-wisdom-from-silence
-
2876
Digitised materials
Bell (Work in Progress)
Allocated
鈴鐺(製作過程)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1979/__/__
Bell (Work in Progress), 鈴鐺(製作過程)
Photograph of Maryn Varbanov's artwork Bell. 萬曼作品《鈴鐺》的方案模型的照片。
400cm
In Copyright
Boriana Song
artwork documentation
Boriana Song
Author:Maryn VARBANOV, 萬曼, Bulgaria
Ling Dang (Zhi Zuo Guo Cheng)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47993.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/bell-work-in-progress
-
2879
Digitised materials
Maryn Varbanov at The Institute of Art Tapestry Varbanov (IATV)
Allocated
萬曼在藝術壁掛研究所
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov at The Institute of Art Tapestry Varbanov (IATV), 萬曼在藝術壁掛研究所
In Copyright
personal record
Boriana Song
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47918.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-at-the-institute-of-art-tapestry-varbanov-iatv
-
2887
Digitised materials
Maryn Varbanov in Hong Kong
Allocated
萬曼在香港
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov in Hong Kong, 萬曼在香港
In Copyright
personal record
Boriana Song
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47974.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-in-hong-kong
-
2893
Digitised materials
Maryn Varbanov and Cai Liang
Allocated
萬曼與蔡亮
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov and Cai Liang, 萬曼與蔡亮
In Copyright
personal record
Boriana Song
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria, Practitioner:CAI Liang, 蔡亮, 1932, China
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47970.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-and-cai-liang
-
2896
Digitised materials
Members of Southern Artists Salon at Sun Yat-sen University, Guangzhou, 1986
南方藝術家沙龍成員1986年在廣州中山大學
5604
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Photographs 照片
online
Members of Southern Artists Salon at Sun Yat-sen University, Guangzhou, 1986, 南方藝術家沙龍成員1986年在廣州中山大學
In Copyright
personal record
Lin Yilin
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47205.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-photographs/object/members-of-southern-artists-salon-at-sun-yat-sen-university-guangzhou-1986-1986-2896
-
2899
Digitised materials
Perpetual Movement II (Partial)
Allocated
永恆的動力之二(局部)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1989/__/__
Perpetual Movement II (Partial), 永恆的動力之二(局部)
Elastic Band
In Copyright
artwork documentation
Boriana Song
Hangzhou and Leeds - Twin Cities Art Exhibition
Author:Maryn VARBANOV, 萬曼, Bulgaria
Mouvement Perpetuel II (Partial)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47946.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/perpetual-movement-ii-partial
-
2902
Digitised materials
Members of Southern Artists Salon at Sun Yat-sen University, Guangzhou, 1986
南方藝術家沙龍成員1986年在廣州中山大學
5604
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Photographs 照片
online
1986/__/__
Members of Southern Artists Salon at Sun Yat-sen University, Guangzhou, 1986, 南方藝術家沙龍成員1986年在廣州中山大學
China
china
In Copyright
personal record
Lin Yilin
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47204.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-photographs/object/members-of-southern-artists-salon-at-sun-yat-sen-university-guangzhou-1986-1986-2902
-
2905
Digitised materials
Tapestry Studio in 1986
Allocated
壁掛工作室
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Tapestry Studio in 1986, 壁掛工作室
In Copyright
personal record
Boriana Song
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47921.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/tapestry-studio-in-1986
-
2918
Digitised materials
Longevity (Work in Progress)
Allocated
壽(製作過程)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Longevity (Work in Progress), 壽(製作過程)
In Copyright
artwork documentation
Boriana Song
Author:ZHU Wei, 朱偉, China (Zhu Wei, Wei Zhu, 朱偉), Author:SHI Hui, 施慧, 1955, China (施慧)
Shou (Zhi Zuo Guo Cheng)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47940.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/longevity-work-in-progress
-
2921
Digitised materials
Silk & Bamboo Constitution (Work in Progress)
Allocated
絲竹·構成(製作過程)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1986/__/__
Silk & Bamboo Constitution (Work in Progress), 絲竹·構成(製作過程)
470cm x 200cm
China
china
In Copyright
artwork documentation
Boriana Song
Author:XU Jin, 徐進, 1958, China (徐進)
Si Zhu·Gou Cheng (Zhi Zuo Guo Cheng); Silk & Bamboo · Constitution
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47978.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/silk-bamboo-constitution-work-in-progress
-
2931
Digitised materials
Artwork by Shi Hui
Allocated
施慧作品
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Artwork by Shi Hui, 施慧作品
In Copyright
artwork documentation
Boriana Song
Author:SHI Hui, 施慧, 1955, China (施慧)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47935.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/artwork-by-shi-hui
-
2940
Digitised materials
Perpetual Movement II (Partial)
Allocated
永恆的動力之二(局部)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1989/__/__
Perpetual Movement II (Partial), 永恆的動力之二(局部)
Elastic Band
In Copyright
artwork documentation
Boriana Song
Hangzhou and Leeds - Twin Cities Art Exhibition
Author:Maryn VARBANOV, 萬曼, Bulgaria
Mouvement Perpetuel II (Partial)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47945.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/perpetual-movement-ii-partial-2940
-
2989
Digitised materials
Artwork by Liang Shaoji (Partial)
Allocated
梁紹基作品(局部)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Artwork by Liang Shaoji (Partial), 梁紹基作品(局部)
In Copyright
artwork documentation
Boriana Song
Author:LIANG Shaoji, 梁紹基, 1945, China
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47947.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/artwork-by-liang-shaoji-partial
-
2992
Digitised materials
Artwork by Maryn Varbanov (Work in Progress)
Allocated
萬曼作品(製作中)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1989/__/__
Artwork by Maryn Varbanov (Work in Progress), 萬曼作品(製作中)
Elastic band
In Copyright
artwork documentation
Boriana Song
Author:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47953.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/artwork-by-maryn-varbanov-work-in-progress
-
3022
Digitised materials
Perpetual Movement VII
Allocated
永恆的動力之七
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1989/__/__
Perpetual Movement VII, 永恆的動力之七
Elastic Band
In Copyright
Mouvement Perpetuel VII
artwork documentation
Boriana Song
Hangzhou and Leeds - Twin Cities Art Exhibition
Author:Maryn VARBANOV, 萬曼, Bulgaria
Mouvement Perpetuel VII
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47991.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/perpetual-movement-vii
-
3252
Digitised materials
Contemporary China Tapestry Exhibition in 1987
Allocated
1987年中國現代壁掛藝術展覽
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Contemporary China Tapestry Exhibition in 1987, 1987年中國現代壁掛藝術展覽
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47914.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contemporary-china-tapestry-exhibition-in-1987-1987
-
3253
Digitised materials
Contemporary China Tapestry Exhibition in 1987
Allocated
1987年中國現代壁掛藝術展覽
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Contemporary China Tapestry Exhibition in 1987, 1987年中國現代壁掛藝術展覽
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47915.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contemporary-china-tapestry-exhibition-in-1987-1987-3253
-
3254
Digitised materials
Contrast (Partial)
Allocated
對比(局部)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1987/__/__
Contrast (Partial), 對比(局部)
400cm x 210cm x 80cm
China
china
In Copyright
Boriana Song
artwork documentation
Boriana Song
Contemporary China Tapestry Exhibition
Author:Maryn VARBANOV, 萬曼, Bulgaria
Dui Bi (Ju Bu)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47925.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contrast-partial
-
3256
Digitised materials
Contemporary China Tapestry Exhibition in 1987
Allocated
1987年中國現代壁掛藝術展覽
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Contemporary China Tapestry Exhibition in 1987, 1987年中國現代壁掛藝術展覽
Photograph of Xie Lijuan, Vice Mayor of Shanghai, attending the opening ceremony of the 'Contemporary China Tapestry Exhibition' in 1987. 上海市副市長謝麗娟出席1987年《中國現代壁掛藝術展覽》開幕式的照片。
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47916.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contemporary-china-tapestry-exhibition-in-1987-1987-3256
-
3257
Digitised materials
Contemporary China Tapestry Exhibition in 1987
Allocated
1987年中國現代壁掛藝術展覽
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Contemporary China Tapestry Exhibition in 1987, 1987年中國現代壁掛藝術展覽
Photograph of Jiang Zemin, the mayor of Shanghai, attending the opening ceremony of 'Contemporary China Tapestry Exhibition' in 1987. 上海市市長江澤民出席1987年《中國現代壁掛藝術展覽》開幕式的照片。
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47917.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contemporary-china-tapestry-exhibition-in-1987-1987-3257
-
3258
Digitised materials
Contemporary China Tapestry Exhibition in 1987
Allocated
1987年中國現代壁掛藝術展覽
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Contemporary China Tapestry Exhibition in 1987, 1987年中國現代壁掛藝術展覽
Photograph of Jiang Zemin, the mayor of Shanghai, attending the opening ceremony of 'Contemporary China Tapestry Exhibition' in 1987. 上海市市長江澤民出席1987年《中國現代壁掛藝術展覽》開幕式的照片。
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47975.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contemporary-china-tapestry-exhibition-in-1987-1987-3258
-
3260
Digitised materials
Contemporary China Tapestry Exhibition in 1987
Allocated
1987年中國現代壁掛藝術展覽
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1987/__/__
Contemporary China Tapestry Exhibition in 1987, 1987年中國現代壁掛藝術展覽
Photo of Wang Yibo and Liu Zheng in front of their work 'Shang'86'. 王一波、劉正在作品《商'86》前合照。
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
Practitioner:WANG Yibo, 王一波, China
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47976.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contemporary-china-tapestry-exhibition-in-1987-1987-3260
-
3261
Digitised materials
Contemporary China Tapestry Exhibition in 1987
Allocated
1987年中國壁掛藝術展覽
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Contemporary China Tapestry Exhibition in 1987, 1987年中國壁掛藝術展覽
Photograph of Xiao Feng delivering a speech in the 'Contemporary China Tapestry Exhibition' in 1987. 肖峰在1987年《中國壁掛藝術展覽》開幕現場致詞的照片。
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
Practitioner:XIAO Feng, 肖峰, China
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47928.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contemporary-china-tapestry-exhibition-in-1987-1987-3261
-
3265
Digitised materials
Contemporary China Tapestry Exhibition in 1987 (Exhibition View)
Allocated
1987年中國現代壁掛藝術展覽(展覽現場)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Contemporary China Tapestry Exhibition in 1987 (Exhibition View), 1987年中國現代壁掛藝術展覽(展覽現場)
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47971.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contemporary-china-tapestry-exhibition-in-1987-exhibition-view-1987
-
3266
Digitised materials
Forum at New Direction of Chinese Contemporary Art Tapestry
Allocated
中國現代壁掛藝術展研討會
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Forum at New Direction of Chinese Contemporary Art Tapestry, 中國現代壁掛藝術展研討會
Photograph of the forum held during the 'New Direction of Chinese Contemporary Art Tapestry' curated by Mrs. Alice King in Hong Kong.
In Copyright
event photograph/recording
Boriana Song
New Direction of Chinese Contemporary Art Tapestry, 中國現代壁掛藝術展
Practitioner:Alice KING, 董建平, Hong Kong (金董建平, TUNG Kinping, Kinping TUNG, DONG Jianping, Jianping DONG, Alice King, KING TUNG Kinping, Kinping KING TUNG, JIN DONG Jianping, Jianping, JIN DONG)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47972.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/forum-at-new-direction-of-chinese-contemporary-art-tapestry
-
3267
Digitised materials
Contemporary China Tapestry Exhibition in 1987
Allocated
1987年中國現代壁掛藝術展覽
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Contemporary China Tapestry Exhibition in 1987, 1987年中國現代壁掛藝術展覽
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47929.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contemporary-china-tapestry-exhibition-in-1987-1987-3267
-
3283
Digitised materials
Perpetual Movement III (Work in Progress)
Allocated
永恆的動力之三(製作過程)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1989/__/__
Perpetual Movement III (Work in Progress), 永恆的動力之三(製作過程)
Elastic Band
In Copyright
Boriana Song
artwork documentation
Boriana Song
Hangzhou and Leeds - Twin Cities Art Exhibition
Author:Maryn VARBANOV, 萬曼, Bulgaria
Mouvement Perpetuel III (Work in Progress)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47943.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/perpetual-movement-iii-work-in-progress
-
3284
Digitised materials
Perpetual Movement II (Partial)
Allocated
永恆的動力之二(局部)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1989/__/__
Perpetual Movement II (Partial), 永恆的動力之二(局部)
Elastic Band
In Copyright
artwork documentation, event photograph/recording
Boriana Song
Hangzhou and Leeds - Twin Cities Art Exhibition
Author:Maryn VARBANOV, 萬曼, Bulgaria
Mouvement Perpetuel II (Partial)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47944.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/perpetual-movement-ii-partial-3284
-
3285
Digitised materials
Perpetual Movement II
Allocated
永恆的動力之二
Chinese - Traditional
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1989/__/__
Perpetual Movement II, 永恆的動力之二
Elastic Band
In Copyright
Boriana Song
artwork documentation
Boriana Song
Hangzhou and Leeds - Twin Cities Art Exhibition
Author:Maryn VARBANOV, 萬曼, Bulgaria
Mouvement Perpetuel II
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47954.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/perpetual-movement-ii
-
3288
Digitised materials
Contrast
Allocated
對比
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1987/__/__
Contrast, 對比
400cm x 210cm x 80cm
China
china
In Copyright
Boriana Song
artwork documentation
Boriana Song
China Tapestry Art Exhibition 1987 中國壁掛藝術展覽1987
Author:Maryn VARBANOV, 萬曼, Bulgaria
Dui Bi
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47926.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contrast
-
3289
Digitised materials
Wisdom from Silence (Work in Progress)
Allocated
靜·則·生·靈(製作過程)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1987/__/__
Wisdom from Silence (Work in Progress), 靜·則·生·靈(製作過程)
Photograph of Maryn Varbanov and Gu Wenda installing Gu's work Wisdom from Silence. 萬曼與谷文達在佈置谷文達的作品《靜·則·生·靈》的照片。
500cm x 800cm
China
china
In Copyright
artwork documentation
Boriana Song
Contemporary China Tapestry Exhibition
Author:GU Wenda, 谷文達, 1955, China (谷文達), Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
Jing·Ze·Sheng·Ling (Zhi Zuo Guo Cheng)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47963.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/wisdom-from-silence-work-in-progress
-
3291
Digitised materials
Column Series
Allocated
柱陣系列
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1976/__/__
Column Series, 柱陣系列
Column Series by Maryn Varbanov exhibited in the studio at Cite Internationale des Arts (The International Art Site 巴黎國際藝術城的工作室) in Paris.
380cm
In Copyright
artwork documentation
Boriana Song
Author:Maryn VARBANOV, 萬曼, Bulgaria
Couronnes
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47985.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/column-series
-
3292
Digitised materials
Column Series
Allocated
柱陣系列
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1976/__/__
Column Series, 柱陣系列
Column Series by Maryn Varbanov exhibited in the studio at Cite Internationale des Arts (The International Art Site 巴黎國際藝術城的工作室) in Paris.
380cm
In Copyright
Boriana Song
artwork documentation
Boriana Song
Author:Maryn VARBANOV, 萬曼, Bulgaria
Couronnes
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47986.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/column-series-3292
-
3293
Digitised materials
Column Series
Allocated
柱陣系列
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1976/__/__
Column Series, 柱陣系列
Column Series by Maryn Varbanov exhibited in the studio at Cite Internationale des Arts (The International Art Site 巴黎國際藝術城的工作室) in Paris.
380cm
In Copyright
Boriana Song
artwork documentation
Boriana Song
Author:Maryn VARBANOV, 萬曼, Bulgaria
Couronnes
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47987.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/column-series-3293
-
3294
Digitised materials
Palm II
Allocated
棕系列之二
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1988/__/__
Palm II, 棕系列之二
300cm x 800cm
In Copyright
artwork documentation
Boriana Song
Author:Maryn VARBANOV, 萬曼, Bulgaria
Palme II
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47988.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/palm-ii
-
3334
Digitised materials
Longevity (Partial)
Allocated
壽(局部)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1986/__/__
Longevity (Partial), 壽(局部)
560cm x 400cm
China
china
In Copyright
artwork documentation
Boriana Song
Author:ZHU Wei, 朱偉, China (Zhu Wei, Wei Zhu, 朱偉), Author:SHI Hui, 施慧, 1955, China (施慧)
Shou (Ju Bu)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47937.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/longevity-partial
-
3335
Digitised materials
Maryn Varbanov and Gu Wenda's Work Wisdom from Silence
Allocated
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1987/__/__
Maryn Varbanov and Gu Wenda's Work Wisdom from Silence
Photograph of Maryn Varbanov directing the photographing of eight modern tapestries in front of Gu Wenda's work Wisdom from Silence at the library of Zhejiang Academy of Fine Arts. (Third From left: Maryn Varbanov) 萬曼在淅江美術學院圖書館谷文達作品《靜·則·生·靈》前指導拍攝八件大型現代壁掛的照片。(左起三:萬曼)
China
china
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria, Practitioner:GU Wenda, 谷文達, 1955, China (谷文達)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47934.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-and-gu-wendas-work-wisdom-from-silence
-
3336
Digitised materials
Longevity
Allocated
壽
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1986/__/__
Longevity, 壽
The Official of '13e Biennale International De La Tapisserie' (13th International Biennial of Tapestry), Lausanne, Switzerland, announces Longevity by Shi Hui and Zhu Wei has been selected to the exhibition. Exhibition was opened on 19 June 1987. 施慧、朱偉作品《壽》於入選了瑞士洛桑《第十三屆國際壁掛雙年展》。展覽開幕於1987年6月19日。
560cm x 400cm
China
china
In Copyright
artwork documentation
Boriana Song
Author:ZHU Wei, 朱偉, China (Zhu Wei, Wei Zhu, 朱偉), Author:SHI Hui, 施慧, 1955, China (施慧)
Shou
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47939.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/longevity
-
3337
Digitised materials
Implications (Exhibition View)
Allocated
蘊(展覽現場)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1988/__/__
Implications (Exhibition View), 蘊(展覽現場)
Photograph of Implications by Shi Hui being shown at the 'Contemporary Chinese Art Exhibition' in Gifu in Japan in November 1988. 施慧作品《蘊》於1988年11月在日本岐阜「中國現代美術展」展出的照片。
In Copyright
event photograph/recording
Boriana Song
Author:SHI Hui, 施慧, 1955, China (施慧)
Yun (Zhan Lan Xian Chang)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47938.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/implications-exhibition-view
-
3338
Digitised materials
Implications
Allocated
蘊
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1988/__/__
Implications, 蘊
Six pieces of works by The Institute of Art Tapestry Varbanov (IATV) are presented in the 'Contemporary Chinese Art Exhibition'. 萬曼壁掛研究所中六件作品也參展於中國現代美術展。
245cm x 400cm
In Copyright
artwork documentation
Boriana Song
Author:SHI Hui, 施慧, 1955, China (施慧)
Yun
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47981.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/implications
-
3339
Digitised materials
Gu Wenda in Front of His Work He and She
Allocated
谷文達在作品《他 x 她》前
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1987/__/__
Gu Wenda in Front of His Work He and She, 谷文達在作品《他 x 她》前
China
china
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
Author:GU Wenda, 谷文達, 1955, China (谷文達)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47941.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/gu-wenda-in-front-of-his-work-he-and-she-x
-
3340
Digitised materials
Maryn Varbanov and Xiao Feng
Allocated
萬曼與肖峰
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov and Xiao Feng, 萬曼與肖峰
In Copyright
personal record
Boriana Song
Practitioner:XIAO Feng, 肖峰, China, Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47982.TIF.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-and-xiao-feng
-
3440
Digitised materials
Contemporary China Tapestry Exhibition in 1987
Allocated
1987年中國現代壁掛藝術展覽
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Contemporary China Tapestry Exhibition in 1987, 1987年中國現代壁掛藝術展覽
Photograph of Maryn Varbanov introducing his artworks at 'Contemporary China Tapestry Exhibition' in 1987. (Front row from left: Maryn Varbanov, Xie Lijuan, Xiao Feng) 萬曼於1987年《中國壁掛藝術展覽》現場介紹作品的照片。(前排左起:萬曼、謝麗娟、肖峰)
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria, Practitioner:XIAO Feng, 肖峰, China
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47930.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contemporary-china-tapestry-exhibition-in-1987-1987-3440
-
3441
Digitised materials
Perpetual Movement II (Work in Progress)
Allocated
永恆的動力之二(製作過程)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1989/__/__
Perpetual Movement II (Work in Progress), 永恆的動力之二(製作過程)
Elastic Band
In Copyright
artwork documentation
Boriana Song
Hangzhou and Leeds - Twin Cities Art Exhibition
Author:Maryn VARBANOV, 萬曼, Bulgaria
Mouvement Perpetuel II (Work in Progress)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47942.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/perpetual-movement-ii-work-in-progress
-
3442
Digitised materials
Perpetual Movement II
Allocated
永恆的動力之二
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1989/__/__
Perpetual Movement II, 永恆的動力之二
Elastic Band
In Copyright
artwork documentation
Boriana Song
Hangzhou and Leeds - Twin Cities Art Exhibition
Author:Maryn VARBANOV, 萬曼, Bulgaria
Mouvement Perpetuel II
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47955.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/perpetual-movement-ii-3442
-
3444
Digitised materials
Contemporary China Tapestry Exhibition in 1987
Allocated
1987年中國現代壁掛藝術展覽
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Contemporary China Tapestry Exhibition in 1987, 1987年中國現代壁掛藝術展覽
Photograph of Maryn Varbanov introducing his artworks at 'Contemporary China Tapestry Exhibition' in 1987. (Third from left: Maryn Varbanov. Fourth from left: Xie Lijuan. Fifth from left: Zhu Wei) 萬曼於1987年《中國壁掛藝術展覽》 (左起三:萬曼。左起四:謝麗娟。左起五:朱偉)
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
Practitioner:ZHU Wei, 朱偉, 1966, China (Zhu Wei, 朱偉), Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47932.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contemporary-china-tapestry-exhibition-in-1987-1987-3444
-
3445
Digitised materials
Perpetual Movement VI (Partial)
Allocated
永恆的動力之六(局部)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1989/__/__
Perpetual Movement VI (Partial), 永恆的動力之六(局部)
Elastic Band
In Copyright
Boriana Song
artwork documentation
Boriana Song
Hangzhou and Leeds - Twin Cities Art Exhibition
Author:Maryn VARBANOV, 萬曼, Bulgaria
Mouvement Perpetuel VI (Partial)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47950.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/perpetual-movement-vi-partial
-
3446
Digitised materials
Artwork by Maryn Varbanov (Work in Progress)
Allocated
萬曼作品(製作中)
Chinese - Traditional
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1989/__/__
Artwork by Maryn Varbanov (Work in Progress), 萬曼作品(製作中)
Elastic band
In Copyright
artwork documentation
Boriana Song
Author:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47952.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/artwork-by-maryn-varbanov-work-in-progress-3446
-
3476
Digitised materials
The Tapestry Weaving Workshop at the Zhejiang Academy of Fine Arts
Allocated
浙江美術學院壁掛編織車間
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
The Tapestry Weaving Workshop at the Zhejiang Academy of Fine Arts, 浙江美術學院壁掛編織車間
Photograph of Maryn Varbanov supervising students to create Longevity in the tapestry weaving workshop at the Zhejiang Academy of Fine Arts. (From right: Shi Hui, Maryn Varbanov) 萬曼在浙江美術學院壁掛編織車間指導學生製作作品《壽》時的照片。(右起:施慧、萬曼)
In Copyright
personal record
Boriana Song
Practitioner:SHI Hui, 施慧, 1955, China (施慧), Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/48001.TIF.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/the-tapestry-weaving-workshop-at-the-zhejiang-academy-of-fine-arts
-
3477
Digitised materials
The Anniversary Ceremony of The Institute of Art Tapestry Varbanov (IATV)
Allocated
萬曼藝術壁掛研究所一周年慶典
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
The Anniversary Ceremony of The Institute of Art Tapestry Varbanov (IATV), 萬曼藝術壁掛研究所一周年慶典
Photograph of The Anniversary of The Institute of Art Tapestry Varbanov (IATV) being held at Shangri-La Hotel, Hangzhou on 10 October 1987. (Front row: Song Huaikuei. Back row from left: Maryn Varbanov) 1987年10月10日,萬曼藝術壁掛研究所一周年慶典在杭州香格里拉飯店舉行時的照片。(前排:宋懷桂。後排左起二:萬曼)
In Copyright
event photograph/recording
Boriana Song
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria, Practitioner:SONG Huaikuei, 宋懷桂, China
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47960.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/the-anniversary-ceremony-of-the-institute-of-art-tapestry-varbanov-iatv
-
3533
Digitised materials
Concept of The First Experimental Show of the Southern Artists Salon
Translated
南方藝術家沙龍第一回實驗展構想; 南方藝術家沙龍第一回實驗展: 構想(粗略)
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
onsite
1986/__/__
Concept of The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展構想; 南方藝術家沙龍第一回實驗展: 構想(粗略)
Dated June 1986.
China
china
In Copyright
artist statement/manifesto
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
Chinese - Simplified
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/concept-of-the-first-experimental-show-of-the-southern-artists-salon
-
3534
Digitised materials
Members of Southern Artists Salon at Sun Yat-sen University, Guangzhou, 1986
南方藝術家沙龍成員1986年在廣州中山大學
5604
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Photographs 照片
online
1986/__/__
Members of Southern Artists Salon at Sun Yat-sen University, Guangzhou, 1986, 南方藝術家沙龍成員1986年在廣州中山大學
China
china
In Copyright
personal record
Lin Yilin
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47206.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-photographs/object/members-of-southern-artists-salon-at-sun-yat-sen-university-guangzhou-1986-1986-3534
-
3541
Digitised materials
The First Experimental Show of the Southern Artists Salon — Invitation
南方藝術家沙龍第一回實驗展 — 邀請函
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
1986/__/__
The First Experimental Show of the Southern Artists Salon — Invitation, 南方藝術家沙龍第一回實驗展 — 邀請函
China
china
In Copyright
event ephemera
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
Chinese - Simplified
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47107.pdf
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-invitation
-
3542
Digitised materials
Design Sketches of The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展設計手稿
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
onsite
1986/__/__
Design Sketches of The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展設計手稿
China
china
In Copyright
proposal, sketch/sketchbook
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
Chinese - Simplified
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/design-sketches-of-the-first-experimental-show-of-the-southern-artists-salon
-
3545
Digitised materials
Artists on the Stage of The First Experimental Show of the Southern Artists Salon
Allocated
藝術家在南方藝術家沙龍第一回實驗展的舞台上
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Artists on the Stage of The First Experimental Show of the Southern Artists Salon, 藝術家在南方藝術家沙龍第一回實驗展的舞台上
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47221.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/artists-on-the-stage-of-the-first-experimental-show-of-the-southern-artists-salon
-
3546
Digitised materials
Backstage Preparation for The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展後台預備
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Backstage Preparation for The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展後台預備
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47159.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/backstage-preparation-for-the-first-experimental-show-of-the-southern-artists-salon
-
3549
Digitised materials
Forum at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展的論壇
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Forum at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展的論壇
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47210.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/forum-at-the-first-experimental-show-of-the-southern-artists-salon
-
3550
Digitised materials
Forum at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展的論壇
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Forum at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展的論壇
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47212.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/forum-at-the-first-experimental-show-of-the-southern-artists-salon-3550
-
3551
Digitised materials
Forum at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展的論壇
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Forum at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展的論壇
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47213.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/forum-at-the-first-experimental-show-of-the-southern-artists-salon-3551
-
3554
Digitised materials
Group Photo of Artists and Performers at The First Experimental Show of the Southern Artists Salon
Allocated
藝術家與表演者在南方藝術家沙龍第一回實驗展上的合照
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Group Photo of Artists and Performers at The First Experimental Show of the Southern Artists Salon, 藝術家與表演者在南方藝術家沙龍第一回實驗展上的合照
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47231.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/group-photo-of-artists-and-performers-at-the-first-experimental-show-of-the-southern-artists-salon
-
3555
Digitised materials
Group Photo of Artists and Performers at The First Experimental Show of the Southern Artists Salon
Allocated
藝術家與表演者在南方藝術家沙龍第一回實驗展上的合照
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Group Photo of Artists and Performers at The First Experimental Show of the Southern Artists Salon, 藝術家與表演者在南方藝術家沙龍第一回實驗展上的合照
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47235.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/group-photo-of-artists-and-performers-at-the-first-experimental-show-of-the-southern-artists-salon-3555
-
3556
Digitised materials
Group Photo of Artists at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展 上的藝術家合照
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Group Photo of Artists at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展 上的藝術家合照
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47229.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/group-photo-of-artists-at-the-first-experimental-show-of-the-southern-artists-salon
-
3558
Digitised materials
Group Photo of Artists at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展 上的藝術家合照
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Group Photo of Artists at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展 上的藝術家合照
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47220.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/group-photo-of-artists-at-the-first-experimental-show-of-the-southern-artists-salon-3558
-
3559
Digitised materials
Group Photo of Artists at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展 上的藝術家合照
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Group Photo of Artists at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展 上的藝術家合照
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47222.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/group-photo-of-artists-at-the-first-experimental-show-of-the-southern-artists-salon-3559
-
3560
Digitised materials
Group Photo of Artists at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展 上的藝術家合照
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Group Photo of Artists at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展 上的藝術家合照
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47216.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/group-photo-of-artists-at-the-first-experimental-show-of-the-southern-artists-salon-3560
-
3562
Digitised materials
Group Photo of Artists at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展 上的藝術家合照
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Group Photo of Artists at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展 上的藝術家合照
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47218.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/group-photo-of-artists-at-the-first-experimental-show-of-the-southern-artists-salon-3562
-
3563
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47306.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon
-
3564
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47308.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3564
-
3566
Digitised materials
Maryn Varbanov and Friends
Allocated
萬曼與友人
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov and Friends, 萬曼與友人
Photograph of Maryn Varbanov and friends at Shanghai Exhibition Centre. (First and second from left: Boriana Song and Maryn Varbanov) 萬曼與友人在上海展覽中心合照。(左起一及二:宋小虹與萬曼)
In Copyright
personal record
Boriana Song
China Tapestry Art Exhibition 1987 中國壁掛藝術展覽1987
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47956.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-and-friends-3566
-
3567
Digitised materials
Maryn Varbanov, His Colleagues and Students
Allocated
萬曼和同事及學生
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov, His Colleagues and Students, 萬曼和同事及學生
Photograph of Maryn Varbanov and his colleagues and students at Jinjiang Hotel during the 'China Tapestry Art Exhibition 1987'. (Row 1: Wang Yibo. Row 2 from left: Xu Jin, Boryana Varbanov, Li Jianjian, Liang Shaoji, Cai Bing. Row 3 from left: Cai Meng, Cai Liang, Maryn Varbanov, Zhu Wei, Shi Hui, Gu Wenda and Lu Rulai.) 萬曼和他的同事及學生在上海《中國壁掛藝術展覽》期間合於上海錦江飯店的合照。 (第一排:王一波;第二排左起:徐進、宋小虹、李健健、梁紹基、蔡兵;第三排左起:蔡萌、蔡亮、萬曼、朱偉、施慧、谷文達、盧如來)
In Copyright
personal record
Boriana Song
Practitioner:GU Wenda, 谷文達, 1955, China (谷文達), Practitioner:SHI Hui, 施慧, 1955, China (施慧), Practitioner:ZHU Wei, 朱偉, 1966, China (Zhu Wei, 朱偉), Practitioner:LIANG Shaoji, 梁紹基, 1945, China, Practitioner:XU Jin, 徐進, 1958, China (徐進), Practitioner:WANG Yibo, 王一波, China, Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47994.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-his-colleagues-and-students
-
3568
Digitised materials
Maryn Varbanov and Members of the Studio of the Institute of Art Tapestry Varbanov
Allocated
萬曼與萬曼壁掛研究所工作室成員
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov and Members of the Studio of the Institute of Art Tapestry Varbanov, 萬曼與萬曼壁掛研究所工作室成員
Photograph of Maryn Varbanov and members of the studio of the Institute of Art Tapestry Varbanov. (From left: Shi Hui, Chen Zhongchang, Liu Zheng, Maryn Varbanov, Wang Yibo, Jeane Pannier, Lu Rulai, Zhu Wei, Li Jianjian and Cao Weihong) 萬曼與萬曼壁掛研究所工作室成員的合照。(左起:施慧、陳仲常、劉正、萬曼、王一波、冉娜‧班尼爾、盧如來、朱偉、李健健、曹衛紅)
In Copyright
personal record
Boriana Song
Practitioner:ZHU Wei, 朱偉, 1966, China (Zhu Wei, 朱偉), Practitioner:WANG Yibo, 王一波, China, Practitioner:CHEN Zhongchang, 陳仲常, 1933, China, Practitioner:SHI Hui, 施慧, 1955, China (施慧), Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47996.TIF.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-and-members-of-the-studio-of-the-institute-of-art-tapestry-varbanov
-
3570
Digitised materials
Maryn Varbanov and Friends in Hong Kong
Allocated
萬曼與友人在香港
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov and Friends in Hong Kong, 萬曼與友人在香港
Photograph of Maryn Varbanov, his wife, and friends in Hong Kong during the 'New Direction of Chinese Contemporary Art Tapestry'. (Row 1 from left: Wang Baozheng, Alice King, Song Huaikuei, Zhang Meixi, Wang Zifan. Row 2 from left: Zheng Shengtian, Huang Heiman, Xiao Feng, Maryn Varbanov and Huang Yongyu. 萬曼夫婦出席《中國壁掛藝術展覽》期間與友人在香港合照。 (第一排左起:王葆真、金董建平、宋懷桂、張梅溪、王子凡;第二排左起:鄭勝天、黃黑蠻、肖峰、萬曼、黃永玉)
In Copyright
personal record
Boriana Song
Practitioner:HUANG Yongyu, 黃永玉, 1924, China (HUANG Yong Yu, Yong Yu HUANG), Practitioner:XIAO Feng, 肖峰, China, Practitioner:ZHENG Shengtian, 鄭勝天, 1938, China (Shengtien ZHENG, Sheng Tien ZHENG, Sheng Tian ZHENG), Practitioner:SONG Huaikuei, 宋懷桂, China, Practitioner:Alice KING, 董建平, Hong Kong (金董建平, TUNG Kinping, Kinping TUNG, DONG Jianping, Jianping DONG, Alice King, KING TUNG Kinping, Kinping KING TUNG, JIN DONG Jianping, Jianping, JIN DONG), Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47995.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-and-friends-in-hong-kong
-
3571
Digitised materials
Maryn Varbanov and Colleagues
Allocated
萬曼與同事
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov and Colleagues, 萬曼與同事
Photograph of Maryn Varbanov and colleagues in front of In China · Bamboo Forest Associations by Jeanne Pannier. (Second from left: Hou Hanru. Third from left: Jeanne Pannier. Fourth from left: Maryn Varbanov) 萬曼與同事在作品《在中國·竹林的聯想》前合照。 (左起二:侯瀚如。 左起三:冉娜‧班尼爾。 左起四:萬曼)
In Copyright
personal record
Boriana Song
Practitioner:HOU Hanru, 侯瀚如, 1963, China (HOU Han Ru, Han Ru HOU, HOU Han-Ru, Han-Ru HOU), Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47959.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-and-colleagues
-
3572
Digitised materials
Maryn Varbanov and Colleagues at Zhejiang Art Carpet Factory
Allocated
萬曼與同事於浙江美術地毯廠合照
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov and Colleagues at Zhejiang Art Carpet Factory, 萬曼與同事於浙江美術地毯廠合照
Photograph of Maryn Varbanov and colleagues at Zhejiang Art Carpet Factory. (Second from left: Jeanne Pannier. Fourth from left: Maryn Varbanov. Fifth from left: Xiao Feng) 萬曼與友人於浙江美術地毯廠合照。(左起二:冉娜‧班尼爾。 左起四:萬曼。 左起五:肖峰)
In Copyright
personal record
Boriana Song
China Tapestry Art Exhibition 1987 中國壁掛藝術展覽1987
Practitioner:XIAO Feng, 肖峰, China, Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47998.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-and-colleagues-at-zhejiang-art-carpet-factory
-
3574
Digitised materials
Inaugural Meeting of The Institute of Art Tapestry Varbanov (IATV)
Allocated
萬曼藝術壁掛研究所成立大會
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Inaugural Meeting of The Institute of Art Tapestry Varbanov (IATV), 萬曼藝術壁掛研究所成立大會
Photograph of Inaugural Meeting of the Institute of Art Tapestry Varbanov (IATV) held at the library of Zhejiang Academy of Fine Arts on 20 September 1986. Maryn Varbanov chairs the IATV with deputies Gao Eryi and Wang Zifan. 萬曼藝術壁掛研究所成立大會於1986年9月20日在浙江美術學院圖書館舉行的照片。萬曼為主任教授,高而頤、王子凡為副主任。
In Copyright
event photograph/recording
Boriana Song
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47957.TIF.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/inaugural-meeting-of-the-institute-of-art-tapestry-varbanov-iatv
-
3575
Digitised materials
Maryn Varbanov and Professors of China Academy of Art
Allocated
萬曼與中國美術學院老師
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1986/__/__
Maryn Varbanov and Professors of China Academy of Art, 萬曼與中國美術學院老師
Photograph of Maryn Varbanov and professors of China Academy of Art. (Front row from left: First: Song Xueshan. Second: Xu Yongxiang. Third: Xiao Feng. Fourth: Maryn Varbanov. Back row: Hu Zhenyu) 萬曼與中國美術學院老師合照。(第一排左起一:宋學善。 第一排左起二:徐永祥。 第一排左起三:肖峰。 第一排左起四:萬曼。 後排:胡振宇)
China
china
In Copyright
personal record
Boriana Song
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria, Practitioner:HU Zhenyu, 胡振宇, 1939, China (胡振宇), Practitioner:XIAO Feng, 肖峰, China
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47961.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-and-professors-of-china-academy-of-art
-
3576
Digitised materials
Maryn Varbanov
Allocated
萬曼
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov, 萬曼
In Copyright
personal record
Boriana Song
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47958.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-3576
-
3772
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47462.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3772
-
3773
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47459.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3773
-
3774
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47460.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3774
-
3777
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47461.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3777
-
3778
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47328.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3778
-
3779
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47329.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3779
-
3782
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47492.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3782
-
3783
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47332.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3783
-
3784
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47494.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3784
-
3787
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47495.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3787
-
3788
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47493.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3788
-
3789
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47497.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3789
-
3792
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47498.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3792
-
3797
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47435.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3797
-
3803
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47500.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3803
-
3804
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47291.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3804
-
3805
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47473.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3805
-
3814
Digitised materials
Our Thoughts, Speech by Wang Du at the Inaugural Ceremony of Southern Artists Salon
Translated
我們的思想,在南方藝術家沙龍成立會上的發言
5605
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Documents 文件
onsite
1986/__/__
Our Thoughts, Speech by Wang Du at the Inaugural Ceremony of Southern Artists Salon, 我們的思想,在南方藝術家沙龍成立會上的發言
China
china
In Copyright
artist statement/manifesto
Wang Du
Chinese - Simplified
Author:WANG Du, 王度, 1956, China, Wuhan (王度), Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
'Our Thoughts', Speech by Wang Du at the inaugural ceremony of Southern Artists Salon
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-documents/object/our-thoughts-speech-by-wang-du-at-the-inaugural-ceremony-of-southern-artists-salon
-
3844
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47501.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3844
-
3845
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47472.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3845
-
3846
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47474.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3846
-
3849
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47283.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3849
-
3850
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47512.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3850
-
3851
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47284.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3851
-
3857
Digitised materials
Group Photo of Artists at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展 上的藝術家合照
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Group Photo of Artists at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展 上的藝術家合照
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47219.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/group-photo-of-artists-at-the-first-experimental-show-of-the-southern-artists-salon-3857
-
3858
Digitised materials
Forum at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展的論壇
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Forum at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展的論壇
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47214.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/forum-at-the-first-experimental-show-of-the-southern-artists-salon-3858
-
3859
Digitised materials
Forum at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展的論壇
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Forum at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展的論壇
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47211.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/forum-at-the-first-experimental-show-of-the-southern-artists-salon-3859
-
3862
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47287.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3862
-
3863
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47288.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3863
-
3864
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47282.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3864
-
3867
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47466.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-3867
-
3868
Digitised materials
Chen Shaoxiong During the Preparation of The First Experimental Show of the Southern Artists Salon
Allocated
陳劭雄,於南方藝術家沙龍第一回實驗展準備期間
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Chen Shaoxiong During the Preparation of The First Experimental Show of the Southern Artists Salon, 陳劭雄,於南方藝術家沙龍第一回實驗展準備期間
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47252.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/chen-shaoxiong-during-the-preparation-of-the-first-experimental-show-of-the-southern-artists-salon
-
3869
Digitised materials
Chen Shaoxiong During the Preparation of The First Experimental Show of the Southern Artists Salon
Allocated
陳劭雄,於南方藝術家沙龍第一回實驗展準備期間
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Chen Shaoxiong During the Preparation of The First Experimental Show of the Southern Artists Salon, 陳劭雄,於南方藝術家沙龍第一回實驗展準備期間
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47254.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/chen-shaoxiong-during-the-preparation-of-the-first-experimental-show-of-the-southern-artists-salon-3869
-
3888
Digitised materials
Contemporary China Tapestry Exhibition in 1987
Allocated
1987年中國現代壁掛藝術展
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Contemporary China Tapestry Exhibition in 1987, 1987年中國現代壁掛藝術展
Photograph of Xie Lijuan, Vice Mayor of Shanghai, attending the opening ceremony of the 'Contemporary China Tapestry Exhibition in 1987' in 1987. 上海市副市長謝麗娟出席1987年《中國現代壁掛藝術展覽》開幕式的照片。
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47969.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contemporary-china-tapestry-exhibition-in-1987-1987-3888
-
4031
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47335.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4031
-
4032
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47320.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4032
-
4033
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47319.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4033
-
4036
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47333.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4036
-
4037
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47321.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4037
-
4038
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47336.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4038
-
4041
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47437.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4041
-
4042
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47446.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4042
-
4043
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47447.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4043
-
4046
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47448.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4046
-
4047
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47445.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4047
-
4048
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47442.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4048
-
4051
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47440.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4051
-
4052
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47475.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4052
-
4053
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47464.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4053
-
4056
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47443.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4056
-
4057
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47449.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4057
-
4058
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47441.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4058
-
4061
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47322.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4061
-
4062
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47324.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4062
-
4063
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47326.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4063
-
4066
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47327.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4066
-
4067
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47438.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4067
-
4068
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47458.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4068
-
4071
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47499.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4071
-
4072
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47476.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4072
-
4073
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47477.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4073
-
4076
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47511.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4076
-
4077
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47480.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4077
-
4078
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47479.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4078
-
4081
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47491.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4081
-
4082
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47478.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4082
-
4083
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47481.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4083
-
4086
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47482.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4086
-
4087
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47508.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4087
-
4088
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47486.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4088
-
4091
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47487.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4091
-
4092
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47488.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4092
-
4093
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47489.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4093
-
4096
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47490.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4096
-
4097
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47502.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4097
-
4098
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47503.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4098
-
4101
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47510.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4101
-
4102
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47505.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4102
-
4103
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47504.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4103
-
4106
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47507.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4106
-
4107
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47509.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4107
-
4108
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47506.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4108
-
4111
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47285.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4111
-
4121
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47290.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4121
-
4122
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47304.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4122
-
4123
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47305.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4123
-
4126
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47312.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4126
-
4127
Digitised materials
Forum at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展的論壇
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Forum at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展的論壇
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47109.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/forum-at-the-first-experimental-show-of-the-southern-artists-salon-4127
-
4128
Digitised materials
Stage Set of The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展佈景
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Stage Set of The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展佈景
In Copyright
artwork documentation
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47110.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/stage-set-of-the-first-experimental-show-of-the-southern-artists-salon
-
4130
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47313.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4130
-
4131
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47314.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4131
-
4132
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47315.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4132
-
4135
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47316.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4135
-
4136
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47317.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4136
-
4137
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47325.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4137
-
4140
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47444.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4140
-
4141
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47436.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4141
-
4142
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47463.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4142
-
4145
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47457.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4145
-
4146
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47456.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4146
-
4147
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47455.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4147
-
4203
Digitised materials
Studio of The Institute of Art Tapestry Varbanov
Allocated
萬曼藝術壁掛研究所工作室
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Studio of The Institute of Art Tapestry Varbanov, 萬曼藝術壁掛研究所工作室
In Copyright
personal record
Boriana Song
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47933.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/studio-of-the-institute-of-art-tapestry-varbanov
-
4204
Digitised materials
The Spinning Room at Zhejiang Art Carpet Factory
Allocated
浙江美術地毯廠車間
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
The Spinning Room at Zhejiang Art Carpet Factory, 浙江美術地毯廠車間
Photograph of the spinning room at Zhejiang Art Carpet Factory. When Maryn Varbanov was the director of the Institute of Art Tapestry Varbanov (IATV), he was teaching and creating artworks in the Spinning Room at the Zhejiang Art Carpet Factory. 浙江美術地毯廠車間的照片。在萬曼主持壁掛研究所工作期間,該廠一直是研究所的教學和創作的合作基地。
The Institute of Art Tapestry Varbanov (IATV) is co-founded by the Zhejiang Academy of Fine Arts and the Zhejiang Art Carpet Factory. 淅江美術學院與浙江美術地毯廠聯合創辦萬曼主持壁掛研究所。
In Copyright
personal record
Boriana Song
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47919.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/the-spinning-room-at-zhejiang-art-carpet-factory
-
4208
Digitised materials
Textile Factory That Worked with The Institute of Art Tapestry Varbanov
Allocated
與萬曼壁掛研究所合作生產的一家紡織廠
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Textile Factory That Worked with The Institute of Art Tapestry Varbanov, 與萬曼壁掛研究所合作生產的一家紡織廠
In Copyright
personal record
Boriana Song
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47922.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/textile-factory-that-worked-with-the-institute-of-art-tapestry-varbanov
-
4209
Digitised materials
Maryn Varbanov and Other Members of The Institute of Art Tapestry Varbanov
Allocated
萬曼與萬曼壁掛研究所的其他成員
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Maryn Varbanov and Other Members of The Institute of Art Tapestry Varbanov, 萬曼與萬曼壁掛研究所的其他成員
Photograph of Maryn Varbanov exchanging ideas with colleagues and students at the Anniversary of The Institute of Art Tapestry Varbanov (IATV). (From Left: Jeanne Pannier, Shi Hui, Zhu Wei, Maryn Varbanov and Zheng Fengxian) 萬曼與同事和學生在萬曼壁掛研究所交流時的照片。(左起:冉娜‧班尼爾、施慧、朱偉、萬曼、鄭鳳仙)
In Copyright
personal record
Boriana Song
Practitioner:ZHU Wei, 朱偉, China (Zhu Wei, Wei Zhu, 朱偉), Practitioner:SHI Hui, 施慧, 1955, China (施慧), Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47992.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/maryn-varbanov-and-other-members-of-the-institute-of-art-tapestry-varbanov
-
4212
Digitised materials
Textile Factory That Worked with The Institute of Art Tapestry Varbanov
Allocated
與萬曼壁掛研究所合作生產的一家紡織廠
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Textile Factory That Worked with The Institute of Art Tapestry Varbanov, 與萬曼壁掛研究所合作生產的一家紡織廠
In Copyright
personal record
Boriana Song
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47923.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/textile-factory-that-worked-with-the-institute-of-art-tapestry-varbanov-4212
-
4213
Digitised materials
The Anniversary Ceremony of The Institute of Art Tapestry Varbanov (IATV)
Allocated
萬曼藝術壁掛研究所一周年慶典
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
The Anniversary Ceremony of The Institute of Art Tapestry Varbanov (IATV), 萬曼藝術壁掛研究所一周年慶典
Photograph of Xiao Feng delivering a speech at the Anniversary of The Institute of Art Tapestry Varbanov (IATV), which is held at Shangri-La Hotel, Hangzhou on 10 October 1987. 1987年10月10日, 藝術壁掛研究所一周年慶典在杭州香格里拉飯店舉行時, 肖峰在台上致詞時的照片。
In Copyright
event photograph/recording
Boriana Song
Practitioner:XIAO Feng, 肖峰, China, Practitioner:SONG Huaikuei, 宋懷桂, China, Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47965.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/the-anniversary-ceremony-of-the-institute-of-art-tapestry-varbanov-iatv-4213
-
4214
Digitised materials
The Anniversary Ceremony of The Institute of Art Tapestry Varbanov (IATV)
Allocated
萬曼藝術壁掛研究所一周年慶典
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
The Anniversary Ceremony of The Institute of Art Tapestry Varbanov (IATV), 萬曼藝術壁掛研究所一周年慶典
Photograph of Xiao Feng delivering a speech at the Anniversary of The Institute of Art Tapestry Varbanov (IATV), which is held at Shangri-La Hotel, Hangzhou on 10 October 1987. 1987年10月10日, 藝術壁掛研究所一周年慶典在杭州香格里拉飯店舉行時, 肖峰在台上致詞時的照片。
In Copyright
event photograph/recording
Boriana Song
Practitioner:XIAO Feng, 肖峰, China, Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47966.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/the-anniversary-ceremony-of-the-institute-of-art-tapestry-varbanov-iatv-4214
-
4457
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47297.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4457
-
4458
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47293.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4458
-
4459
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47286.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4459
-
4462
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47300.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4462
-
4463
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47301.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4463
-
4464
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47302.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4464
-
4467
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47303.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4467
-
4468
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47307.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4468
-
4469
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47309.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4469
-
4470
Digitised materials
Contrast (Partial)
Allocated
對比(局部)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1987/__/__
Contrast (Partial), 對比(局部)
400cm x 210cm x 80cm
China
china
In Copyright
Boriana Song
artwork documentation
Boriana Song
Contemporary China Tapestry Exhibition
Author:Maryn VARBANOV, 萬曼, Bulgaria
Dui Bi (Ju Bu)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47927.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contrast-partial-4470
-
4471
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47310.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4471
-
4472
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47298.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4472
-
4473
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47439.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4473
-
4476
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47434.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4476
-
4477
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47299.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4477
-
4478
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47311.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4478
-
4481
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47465.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4481
-
4482
Digitised materials
Contemporary China Tapestry Exhibition in 1987
Allocated
1987年中國現代壁掛藝術展覽
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
Contemporary China Tapestry Exhibition in 1987, 1987年中國現代壁掛藝術展覽
Photograph of Maryn Varbanov and his colleagues and students in front of the banner of 'Contemporary China Tapestry Exhibition'. (From left to right: Li Jianjian, Cai Meng, Zhu Wei, Wang Zifen, Gu Wenda, Maryn Varbanov,Wang Yibo, Boryana Varbanov, Shi Hui, Cai Liang, Xu Jin, Liang Shaoji, Luo Dali.) 萬曼和他的同事及學生在1987年《中國現代壁掛藝術展覽》橫幅前的合影。(左起:李健健、蔡萌、朱偉、王子凡、谷文達、萬曼、王一波、宋小虹、施慧、蔡亮、徐進、梁紹基、羅大立。)
In Copyright
event photograph/recording
Boriana Song
Contemporary China Tapestry Exhibition
Practitioner:LUO Dali, 羅大立, Practitioner:LIANG Shaoji, 梁紹基, 1945, China, Practitioner:XU Jin, 徐進, 1958, China (徐進), Practitioner:CAI Liang, 蔡亮, 1932, China, Practitioner:SHI Hui, 施慧, 1955, China (施慧), Practitioner:WANG Yibo, 王一波, China, Practitioner:Maryn VARBANOV, 萬曼, Bulgaria, Practitioner:GU Wenda, 谷文達, 1955, China (谷文達), Practitioner:ZHU Wei, 朱偉, 1966, China (Zhu Wei, 朱偉), Practitioner:TSAI Meng, 蔡萌, China (Cai Meng, Meng Cai)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47913.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/contemporary-china-tapestry-exhibition-in-1987-1987-4482
-
4485
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47292.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4485
-
4486
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47433.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4486
-
4487
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47471.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4487
-
4492
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47318.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4492
-
4496
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47334.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-4496
-
4519
Digitised materials
Lin Yilin During the Preparation for The First Experimental Show of the Southern Artists Salon
Allocated
林一林, 於南方藝術家沙龍第一回實驗展準備期間
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Lin Yilin During the Preparation for The First Experimental Show of the Southern Artists Salon, 林一林, 於南方藝術家沙龍第一回實驗展準備期間
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47225.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/lin-yilin-during-the-preparation-for-the-first-experimental-show-of-the-southern-artists-salon
-
4520
Digitised materials
Lin Yilin During the Preparation for The First Experimental Show of the Southern Artists Salon
Allocated
林一林,於南方藝術家沙龍第一回實驗展準備期間
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Lin Yilin During the Preparation for The First Experimental Show of the Southern Artists Salon, 林一林,於南方藝術家沙龍第一回實驗展準備期間
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47253.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/lin-yilin-during-the-preparation-for-the-first-experimental-show-of-the-southern-artists-salon-4520
-
4521
Digitised materials
Wang Du During the Preparation for The First Experimental Show of the Southern Artists Salon
Allocated
王度,於南方藝術家沙龍第一回實驗展準備期間
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Wang Du During the Preparation for The First Experimental Show of the Southern Artists Salon, 王度,於南方藝術家沙龍第一回實驗展準備期間
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47246.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/wang-du-during-the-preparation-for-the-first-experimental-show-of-the-southern-artists-salon
-
5349
Digitised materials
Backstage Preparation for The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展後台預備
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Backstage Preparation for The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展後台預備
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47164.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/backstage-preparation-for-the-first-experimental-show-of-the-southern-artists-salon-5349
-
5350
Digitised materials
Backstage Preparation for The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展後台預備
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Backstage Preparation for The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展後台預備
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47160.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/backstage-preparation-for-the-first-experimental-show-of-the-southern-artists-salon-5350
-
5351
Digitised materials
Backstage Preparation for The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展後台預備
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Backstage Preparation for The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展後台預備
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47158.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/backstage-preparation-for-the-first-experimental-show-of-the-southern-artists-salon-5351
-
5354
Digitised materials
Backstage Preparation for The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展後台預備
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Backstage Preparation for The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展後台預備
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47163.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/backstage-preparation-for-the-first-experimental-show-of-the-southern-artists-salon-5354
-
5355
Digitised materials
Backstage Preparation for The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展後台預備
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Backstage Preparation for The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展後台預備
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47165.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/backstage-preparation-for-the-first-experimental-show-of-the-southern-artists-salon-5355
-
5356
Digitised materials
Backstage Preparation for The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展後台預備
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Backstage Preparation for The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展後台預備
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47108.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/backstage-preparation-for-the-first-experimental-show-of-the-southern-artists-salon-5356
-
5357
Digitised materials
Member List of Southern Artists Salon
Translated
南方藝術家沙龍成員表
5605
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Documents 文件
onsite
Member List of Southern Artists Salon, 南方藝術家沙龍成員表
China
china
In Copyright
others
Wang Du
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-documents/object/member-list-of-southern-artists-salon
-
5358
Digitised materials
Backstage Preparation for The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展後台預備
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Backstage Preparation for The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展後台預備
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47157.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/backstage-preparation-for-the-first-experimental-show-of-the-southern-artists-salon-5358
-
5359
Digitised materials
Backstage Preparation for The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展後台預備
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Backstage Preparation for The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展後台預備
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47161.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/backstage-preparation-for-the-first-experimental-show-of-the-southern-artists-salon-5359
-
5360
Digitised materials
Backstage Preparation for The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展後台預備
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Backstage Preparation for The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展後台預備
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47162.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/backstage-preparation-for-the-first-experimental-show-of-the-southern-artists-salon-5360
-
5361
Digitised materials
Report of the Zhuhai Conference
Allocated
珠海會議簡報
5605
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Documents 文件
online
1986/__/__
Report of the Zhuhai Conference, 珠海會議簡報
China
china
In Copyright
bulletin/newsletter
Wang Du
Chinese - Simplified
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47090.pdf
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-documents/object/report-of-the-zhuhai-conference
-
5362
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47250.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-5362
-
5363
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47265.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-5363
-
5364
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47264.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-5364
-
5365
Digitised materials
Vertical Triptych (Exhibition View)
Allocated
豎式三聯(展覽現場)
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
online
1987/__/__
Vertical Triptych (Exhibition View), 豎式三聯(展覽現場)
400cm
In Copyright
artwork documentation
Boriana Song
Contemporary China Tapestry Exhibition
Author:Maryn VARBANOV, 萬曼, Bulgaria
Triptique Vertcal (Exhibition View)
cdn.aaa.org.hk/_tiff_jpg/digital_collection/fedora_extracted/47989.tif.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/vertical-triptych-exhibition-view
-
5366
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47260.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-5366
-
5367
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47258.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-5367
-
5368
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47281.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-5368
-
5371
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47256.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-5371
-
5372
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47259.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-5372
-
5373
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47289.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-5373
-
5376
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47296.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-5376
-
5377
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47294.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-5377
-
5378
Digitised materials
The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47295.JPG
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/the-first-experimental-show-of-the-southern-artists-salon-5378
-
5381
Digitised materials
Forum at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展的論壇
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Forum at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展的論壇
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47209.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/forum-at-the-first-experimental-show-of-the-southern-artists-salon-5381
-
5382
Digitised materials
Forum at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展的論壇
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Forum at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展的論壇
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47207.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/forum-at-the-first-experimental-show-of-the-southern-artists-salon-5382
-
5383
Digitised materials
Forum at The First Experimental Show of the Southern Artists Salon
Allocated
南方藝術家沙龍第一回實驗展的論壇
5606
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.The First Experimental Show of the Southern Artists Salon 南方藝術家沙龍第一回實驗展
online
Forum at The First Experimental Show of the Southern Artists Salon, 南方藝術家沙龍第一回實驗展的論壇
In Copyright
event photograph/recording
Wang Du
The First Experimental Show of Southern Artists Salon, 南方藝術家沙龍第一回實驗展
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/47208.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-the-first-experimental-show-of-the-southern-artists-salon/object/forum-at-the-first-experimental-show-of-the-southern-artists-salon-5383
-
6433
Digitised materials
Interview with Joan Lebold Cohen
11389
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Cohen, Joan Lebold
onsite
Interview with Joan Lebold Cohen
The interview was conducted in New York on 15 October 2009.Biography:Joan Lebold Cohen is a photographer and art historian who specializes in Chinese art and film.A regular visitor to Asia since 1961, Cohen has lived for some time in Japan, Hong Kong and China, where she was witness to the post-Cultural Revolution period of 1979 to 1981. Her book The New Chinese Painting, 1949–1986 was one of the first English-language publications to introduce recent generations of Chinese artists to the West.Cohen has served as a curator for several exhibitions of new Chinese art in the United States as well as for the photographic exhibition ‘New York, the City and Its People’, in Beijing. Following a 22-year career as a lecturer at Tufts University’s School of the Museum of Fine Arts in Boston, Ms Cohen is now a Research Fellow at Harvard University’s Fairbank Center for East Asian Studies, as well as an Associate of Columbia University’s Modern China Seminar.簡歷︰Joan Lebold Cohen, 攝影家和藝術史學者,從事中國藝術及電影研究。自1961年始,Cohen多次前往亞洲,曾旅居日本、香港及中國大陸,在1979–1981年間在大陸,見證了處於後文革時期的中國。她的《The New Chinese Painting, 1949–1986》 (New York: Harry N. Abrams, 1987)是最早於西方出版、介紹新中國藝術的英文著作。 Cohen在美國策劃過數個新中國藝術的展覽,亦在北京策劃過攝影展覽, 如《New York, the City and Its People》。Cohen在波士頓塔夫茲夫茲大學美術館分院任教二十二年之久,現任哈佛大學費正清東亞研究中心及哥倫比亞大學現代中國研究協會研究員。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Joan Lebold Cohen
event photograph/recording, interview documentation
Asia Art Archive
English
Speaker:Joan LEBOLD COHEN, United States (Joan COHEN)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-cohen-joan-lebold/object/interview-with-joan-lebold-cohen
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Digitised materials
Interview: Huang Yongping (English subtitles)
11403
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Yongping 黃永砅
online
Interview: Huang Yongping (English subtitles)
This interview was conducted at Asia Art Archive, Hong Kong on 3 March 2008. Biography: Huang Yongping (b.1954, Xiamen, Fujian) is a Paris-based artist. In 1977, Huang entered the Department of Oil Painting at the Zhejiang Academy of Fine Arts (now the China Academy of Art), as one among the first group of students to enroll there since the Cultural Revolution. In 1981, for his thesis project, Huang produced a series of paintings made with industrial paint sprayers. After graduating, Huang became a secondary school teacher in Xiamen. There he organized a number of experimental art events, including the ‘Five-Person Exhibition’ (1983), the ‘Xiamen Dada Exhibition’ (1986) in which the Huang and his artists colleagues burned their own artwork, and an exhibition of scrap material at the Fujian Provincial Museum (1986). For the ‘China/Avant-Garde Exhibition’ in 1989, Huang exhibited A History of Chinese Painting and A Concise History of Modern Painting Washed in a Washing Machine for Two Minutes. That same year, Huang was invited to participate in ‘Magiciens de la Terre’ at the Centre Pompidou in Paris, a city which he soon made his home. In 1990, Huang participated in ‘Chine Demain pour Hier’, curated by Fei Dawei, and in 1999, Huang represented France in the Venice Biennale. In 2005, the Walker Art Center in Minneapolis organized ‘The House of Oracles: A Huang Yongping Retrospective’ in conjunction with a comprehensive catalogue of his work. In 2008, the exhibition was presented at the Ullens Center for Contemporary Art in Beijing.簡歷︰黃永砅,1954年生於福建廈門。藝術家,現居巴黎。1977年入讀浙江美術學院(現杭州中國美術學院)油畫系,為文革後第一批學生。1981年畢業,畢業作品為以大型工業噴槍製作的繒畫。畢業後被分配往廈門,于任教中學,並在廈門進行活動,包括1983年的《五人藝術展》、1986年的《廈門達達展》(焚燒事件)及《發生在福建省美術展覽館內的事件展覽》。1989年的《中國現代藝術展》,展出了黃永砅的作品〈《中國繪畫史》和《現代繪畫簡史》在洗衣機裡攪拌兩分鐘〉。1989年獲邀請參加《大地魔術師》(1989,法國龐比杜文化藝術中心),此後定居巴黎。後來又參加了費大為策劃的《獻給昨天的中國明天》(1990,法國南部)。在2005年美國明尼蘇達Walker Art Center策劃了黃永砅的回顧展《占卜者之屋》,並出版詳盡畫冊。此展覽在2008年巡迴至北京尤倫斯當代藝術中心展出。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Huang Yongping and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:HUANG Yong Ping, 黃永砅, 1954, China, Xiamen (黃永砯, HUANG Yong Ping, Huang Yongping, Yongping Huang)
cdn.aaa.org.hk/_source/hypiml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26486.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-yongping/object/interview-huang-yongping-english-subtitles
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14662
Digitised materials
Southern Artists Salon Activity Notice, 1 January 1987
Translated
南方藝術家沙龍活動通知, 1987年1月1日
5605
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Documents 文件
onsite
1987/__/__
Southern Artists Salon Activity Notice, 1 January 1987, 南方藝術家沙龍活動通知, 1987年1月1日
China
china
In Copyright
others
Wang Du
Chinese - Simplified
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-documents/object/southern-artists-salon-activity-notice-1-january-1987-198711
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14757
Digitised materials
From Jean-Paul Sartre to Teresa Teng: Cantonese Contemporary Art in the 1980s (English subtitles)
5170
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Documentary Film 紀錄片
online
2010/__/__
From Jean-Paul Sartre to Teresa Teng: Cantonese Contemporary Art in the 1980s (English subtitles)
Written, directed and produced by AAA, this documentary explores the impact of books, magazines and popular culture on the development of experimental art in Southern China in the 1980s. The 1980s was a seminal period in the history of contemporary art in China. However, the contribution and experimentalism of the art scene in South China, in particular, Guangzhou and Shenzhen, have generally been overlooked. Due to the proximity of Hong Kong, western ideas from translated books and articles, as well as popular culture in the form of TV shows and Canto pop, flooded over the border to Guangdong at the end of the Cultural Revolution. This influx of new ideas and popular culture sparked great excitement, debate and experimentation in the arts. Based on primary research, rare film footage and personal interviews with key artists, this documentary bears witness not only to the reading fever that gripped the Chinese art world in the 1980s, but also highlights the experimentalism and verve of artists and critics in South China whose contributions to the development of contemporary art have been long lasting and fundamental.
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Asia Art Archive
documentary, event photograph/recording
English
Cantonese, Mandarin
Director:Anthony YUNG, 翁子健, Hong Kong (WENG Zijian, Zijian WENG, Tszkin Yung, Yung Tszkin, Yung Tsz Kin, Tsz Kin Yung, Yung Anthony), Director:Phoebe WONG, 黃小燕, Hong Kong, Director:Claire HSU, 徐文玠, Hong Kong, Director:Jane DEBEVOISE, 杜柏貞, United States, Practitioner:YANG Xiaoyan, 楊小彥, China (Olivien Yang), Practitioner:YANG Jiechang, 楊詰蒼, 1956, China (Yang Jiecang, Jiecang Yang, Yang Jie Chang, Jie Chang YANG, 楊杰昌, 楊詰昌), Practitioner:XU Tan, 徐坦, 1957, China (徐坦), Practitioner:WANG Huangsheng, 王璜生, 1957, China (王璜生), Practitioner:WANG Du, 王度, 1956, China, Wuhan (王度), Practitioner:SHAO Hong, 邵宏, China (邵宏), Practitioner:LIN Yilin, 林一林, 1964, China, Practitioner:LI Zhengtian, 李正天, China, Practitioner:HUANG Xiaopeng, 黃小鵬, 1960, China (黃小鵬), Practitioner:HOU Hanru, 侯瀚如, 1963, China (HOU Han Ru, Han Ru HOU, HOU Han-Ru, Han-Ru HOU), Practitioner:FENG Yuan, 馮原, China, Practitioner:DENG Jianjin, 鄧箭今, 1961, China (鄧箭今), Practitioner:CHEN Tong, 陳侗, China, Practitioner:CHEN Shaoxiong, 陳劭雄, 1962 - 2016, China (CHEN Shao Xiong, Shao Xiong CHEN, 陳邵雄), Publisher:Asia Art Archive, 亞洲藝術文獻庫, Hong Kong, Hong Kong
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/29644.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-documentary-film/object/from-jean-paul-sartre-to-teresa-teng-cantonese-contemporary-art-in-the-1980s-english-subtitles
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14763
Digitised materials
From Jean-Paul Sartre to Teresa Teng: Cantonese Contemporary Art in the 1980s (Chinese subtitles)
薩特與鄧麗君:1980年代的廣東當代藝術
5170
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Documentary Film 紀錄片
online
2010/__/__
From Jean-Paul Sartre to Teresa Teng: Cantonese Contemporary Art in the 1980s (Chinese subtitles), 薩特與鄧麗君:1980年代的廣東當代藝術
Written, directed and produced by AAA, this documentary explores the impact of books, magazines and popular culture on the development of experimental art in Southern China in the 1980s. The 1980s was a seminal period in the history of contemporary art in China. However, the contribution and experimentalism of the art scene in South China, in particular, Guangzhou and Shenzhen, have generally been overlooked. Due to the proximity of Hong Kong, western ideas from translated books and articles, as well as popular culture in the form of TV shows and Canto pop, flooded over the border to Guangdong at the end of the Cultural Revolution. This influx of new ideas and popular culture sparked great excitement, debate and experimentation in the arts. Based on primary research, rare film footage and personal interviews with key artists, this documentary bears witness not only to the reading fever that gripped the Chinese art world in the 1980s, but also highlights the experimentalism and verve of artists and critics in South China whose contributions to the development of contemporary art have been long lasting and fundamental. 由亞洲藝術文獻庫編導,本片探討在八十年代時期,書籍、報刊、以至普及文化如何影響南中國實驗藝術的發展。 八十年代是中國當代藝術的啟蒙時代。今天,儘管有很多關於八十年代中國藝術的研究,有一部份的歷史是往往被忽略的,即八十年代在廣東、特別是廣州和深圳的實驗藝術。在文化大革命結束後、改革開放政策實行之初,由於廣東與香港接壤,外國文化資訊,包括翻譯書籍和文章,還有像電視和流行歌等流行文化產物,都通過香港大量湧進廣東。這些新思潮、新文化大大衝擊了廣東的藝術家,引發了很多新的創作、爭論和實驗。 《薩特與鄧麗君》一片中包括珍貴的原始文獻及與14位藝術家、評論人及策展人的訪談。影片不單描述了八十年代席捲中國的「讀書熱」,更說明了當時在廣東的特殊文化氛圍,呈現出在該時代開始萌芽的、始終極具實驗精神的廣東當代藝術。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Asia Art Archive
documentary, event photograph/recording
Chinese - Simplified
Cantonese, Mandarin
Author:Anthony YUNG, 翁子健, Hong Kong (WENG Zijian, Zijian WENG, Tszkin Yung, Yung Tszkin, Yung Tsz Kin, Tsz Kin Yung, Yung Anthony), Author:Phoebe WONG, 黃小燕, Hong Kong, Author:Claire HSU, 徐文玠, Hong Kong, Author:Jane DEBEVOISE, 杜柏貞, United States, Practitioner:YANG Xiaoyan, 楊小彥, China (Olivien Yang), Practitioner:YANG Jiechang, 楊詰蒼, 1956, China (Yang Jiecang, Jiecang Yang, Yang Jie Chang, Jie Chang YANG, 楊杰昌, 楊詰昌), Practitioner:XU Tan, 徐坦, 1957, China (徐坦), Practitioner:WANG Huangsheng, 王璜生, 1957, China (王璜生), Practitioner:WANG Du, 王度, 1956, China, Wuhan (王度), Practitioner:SHAO Hong, 邵宏, China (邵宏), Practitioner:LIN Yilin, 林一林, 1964, China, Practitioner:LI Zhengtian, 李正天, China, Practitioner:HUANG Xiaopeng, 黃小鵬, 1960, China (黃小鵬), Practitioner:HOU Hanru, 侯瀚如, 1963, China (HOU Han Ru, Han Ru HOU, HOU Han-Ru, Han-Ru HOU), Practitioner:FENG Yuan, 馮原, China, Practitioner:DENG Jianjin, 鄧箭今, 1961, China (鄧箭今), Practitioner:CHEN Tong, 陳侗, China, Practitioner:CHEN Shaoxiong, 陳劭雄, 1962 - 2016, China (CHEN Shao Xiong, Shao Xiong CHEN, 陳邵雄), Publisher:Asia Art Archive, 亞洲藝術文獻庫, Hong Kong, Hong Kong
Sa te yu deng li jun: 1980 nian dai de guang dong dang dai yi shu
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/29643.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-documentary-film/object/from-jean-paul-sartre-to-teresa-teng-cantonese-contemporary-art-in-the-1980s-chinese-subtitles-1980
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15531
Digitised materials
Interview: Huang Yongping (Chinese subtitles)
訪問:黃永砅
11403
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Yongping 黃永砅
online
Interview: Huang Yongping (Chinese subtitles), 訪問:黃永砅
This interview was conducted at Asia Art Archive, Hong Kong on 3 March 2008. Biography: Huang Yongping (b.1954, Xiamen, Fujian) is a Paris-based artist. In 1977, Huang entered the Department of Oil Painting at the Zhejiang Academy of Fine Arts (now the China Academy of Art), as one among the first group of students to enroll there since the Cultural Revolution. In 1981, for his thesis project, Huang produced a series of paintings made with industrial paint sprayers. After graduating, Huang became a secondary school teacher in Xiamen. There he organized a number of experimental art events, including the ‘Five-Person Exhibition’ (1983), the ‘Xiamen Dada Exhibition’ (1986) in which the Huang and his artists colleagues burned their own artwork, and an exhibition of scrap material at the Fujian Provincial Museum (1986). For the ‘China/Avant-Garde Exhibition’ in 1989, Huang exhibited A History of Chinese Painting and A Concise History of Modern Painting Washed in a Washing Machine for Two Minutes. That same year, Huang was invited to participate in ‘Magiciens de la Terre’ at the Centre Pompidou in Paris, a city which he soon made his home. In 1990, Huang participated in ‘Chine Demain pour Hier’, curated by Fei Dawei, and in 1999, Huang represented France in the Venice Biennale. In 2005, the Walker Art Center in Minneapolis organized ‘The House of Oracles: A Huang Yongping Retrospective’ in conjunction with a comprehensive catalogue of his work. In 2008, the exhibition was presented at the Ullens Center for Contemporary Art in Beijing.簡歷︰黃永砅,1954年生於福建廈門。藝術家,現居巴黎。1977年入讀浙江美術學院(現杭州中國美術學院)油畫系,為文革後第一批學生。1981年畢業,畢業作品為以大型工業噴槍製作的繒畫。畢業後被分配往廈門,于任教中學,並在廈門進行活動,包括1983年的《五人藝術展》、1986年的《廈門達達展》(焚燒事件)及《發生在福建省美術展覽館內的事件展覽》。1989年的《中國現代藝術展》,展出了黃永砅的作品〈《中國繪畫史》和《現代繪畫簡史》在洗衣機裡攪拌兩分鐘〉。1989年獲邀請參加《大地魔術師》(1989,法國龐比杜文化藝術中心),此後定居巴黎。後來又參加了費大為策劃的《獻給昨天的中國明天》(1990,法國南部)。在2005年美國明尼蘇達Walker Art Center策劃了黃永砅的回顧展《占卜者之屋》,並出版詳盡畫冊。此展覽在2008年巡迴至北京尤倫斯當代藝術中心展出。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Huang Yongping and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:HUANG Yong Ping, 黃永砅, 1954, China, Xiamen (黃永砯, HUANG Yong Ping, Huang Yongping, Yongping Huang)
Fang Wen: Huang Yong Ping
cdn.aaa.org.hk/_source/hypiml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26485.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-yongping/object/interview-huang-yongping-chinese-subtitles
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16372
Digitised materials
Interview: Hou Hanru (English subtitles)
11397
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Hou Hanru 侯瀚如
online
Interview: Hou Hanru (English subtitles)
This interview was conducted at Asia Art Archive, Hong Kong on 9 January 2008. Biography: Hou Hanru (b. 1963, Guangzhou) is an internationally renowned art critic and curator. In the 1980s, Hou studied Art History at the Central Academy of Fine Arts (CAFA) in Beijing. In 1985, Hou assisted Maryn Varbanov in organizing the ‘Tapestry Art Exhibition’ in the National Art Museum of China (NAMOC). In 1988, alongside Yang Jiechang, Chen Tong and Tang Songwu and others, Hou staged the performance Language, Communication, Man in the Sun Yat-Sen Library in Guangzhou. That same year, he translated and published Concepts of Modern Art by Nikos Stangos, and the following year, he was one of the organizers of the ‘China/Avant-Garde Exhibition’ in Beijing. After moving to Paris in 1990, Hou became an active curator and has organized and co-organized numerous important exhibitions such as ‘Cities on the Move’ (Vienna, Bordeaux, New York Long Island, Denmark, London, Bangkok and Helsinki, 1997–2000); the second Johannesburg Biennale (1997); the Venice Biennale’s French Pavilion (1999); ‘Z.O.U. – Zone Of Urgency’ at the Venice Biennale (2003); the Chinese Pavilion’s ‘Everyday Miracles’ at the Venice Biennale (2007); the third Asia-Pacific Triennial of Contemporary Art (Australia, 1999); the third Shanghai Biennial (2000); the Gwangju Biennial (South Korea, 2002); the second Guangzhou Triennial (2005); the 10th Istanbul Biennial (2007); and the 10th Lyon Biennale (France, 2009).簡歷︰侯瀚如,1963年生於廣州,國際知名獨立策展人及藝評家。1981年在中央美術學院主修藝術史,從事藝術及建築相關的研究,並於1988年取得碩士學位。1990年移居巴黎,現任羅馬當代美術館MAXXI的藝術總監。 八十年代,侯瀚如主要活躍於北京。1985年11月協助萬曼先生(Maryn Varbanov)在中國美術館舉辦《壁掛藝術展》。1989年為《中國現代藝術展》組織者之一。另外,他還保持與廣州的關係,特別是1988年與楊詰蒼、陳侗、唐頌武在廣州中山圖書館舉行了行為演出⟨話•對•人⟩。他並在1988年出版了譯作《現代藝術觀念》(Nikos Stangos, Concepts of Modern Art)(四川:四川美术出版社,1988)。 移居巴黎後, 1997—2000年間,侯瀚如與漢斯•烏爾裡希•奧布裡斯特合作,策劃世界巡迴展《運動中的城市》,先後於世界七大城市,包括維也納、波爾多、紐約、路易斯安那、倫敦、曼谷及赫爾辛基。侯瀚如曾策劃的其他展覽包括:第二屆《約翰內斯堡雙年展》(1997);《威尼斯雙年展》(1999,法國館;2003,《緊急地帶》 主題展;2007中國館《日常奇蹟》);第三屆《亞太藝術三年展》(1999);第三屆《上海雙年展》(2000);韓國《2002光州雙年展》(2002);第二屆《廣州三年展》(2005);第二屆《地拉那雙年展》(2005,阿爾巴尼亞);第十屆《伊斯坦堡雙年展》(2007);第十屆《里昂雙年展》(2009)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Hou Hanru and Asia Art Archive
event photograph/recording, interview documentation
Cantonese
Speaker:HOU Hanru, 侯瀚如, 1963, China (HOU Han Ru, Han Ru HOU, HOU Han-Ru, Han-Ru HOU)
cdn.aaa.org.hk/_source/hhriml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26477.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-hou-hanru/object/interview-hou-hanru-english-subtitles
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16378
Digitised materials
Interview: Lu Peng (Chinese subtitles)
訪問:呂澎
11579
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Lu Peng 呂澎
online
Interview: Lu Peng (Chinese subtitles), 訪問:呂澎
This interview was conducted at Lu Peng's home in Chengdu on 1 March 2010. For more information, please visit the Materials of the Future website. Biography: Lu Peng (b. 1956, Chongqing) is an art historian and curator, and currently lives and works in Chengdu. Lu graduated from the Political Education Department at Sichuan Normal University in 1982. He then became an editor for the magazine Theatre and Film (Xiju yu dianying), where he worked for three years. In the 1980s, Lu focused his research on Western art history and helped put several publications together, including Correspondences of Cezanne, Van Gogh, Gauguin (1986), Wassily Kandinsky’s The Spirit in Art (1986) and Kenneth Clark’s Landscape into Art (1988). From 1986 to 1991, Lu was the deputy secretary-general of the Sichuan Dramatists Association and coordinated the oil painting exhibition ‘1988 Southwest Art’ (1988). From 1990 to 1993, Lu became the executive editor of Art and Market (Yishu shichang) magazine. In 1992, he was one of the main organizers of the first Guangzhou Biennial. Lu has produced a number of books on contemporary Chinese art. In 1992, he published A History of Modern Art in China, 1979–1989 (written with Yi Dan), followed in 2000 by A History of Contemporary Art in China, 1990–1999. Other notable publications are Art Operation (Yishu caozuo) (1994), and more recently, A History of Art in Twentieth-Century China (2009).簡歷︰呂澎,1956年出生於重慶。藝術史學者及策展人,居於成都。 1977—1982年在四川師範學院政治教育系讀書。1982—1985年任《戲劇與電影》雜誌社編輯。早期研究西方藝術史,譯作有:《塞尚、凡•高、高更書信選》(成都:四川美術出版社,1986)、《論藝術的精神》(The Spirit in Art by W. Kandinsky,成都:四川美術出版社,1986)、《風景進入藝術》(Landscape into Art by K. Clark,成都:四川美術出版社,1988)等。 1986—1991年任四川戲劇家協會副秘書長,在1988年促成及統籌了在成都舉行的《西南藝術展》。1990—1993年任《藝術•市場》雜誌執行主編。1992年為《廣州雙年展》藝術主持。著作包括:《中國現代藝術史:1979—1989》(與易丹合著,長沙:湖南美術出版社,1992)、《藝術操作》(成都:成都出版社,1994)、《中國當代藝術史:1990—1999》(長沙:湖南美術出版社,2000)、《20世紀中國藝術史》(北京:北京大學出版社,2009)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Lu Peng and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:LU Peng, 呂澎, 1956, China (呂澎, Lv Peng)
Fang Wen: Lu Peng
cdn.aaa.org.hk/_source/lpiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26640.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-lu-peng/object/interview-lu-peng-chinese-subtitles
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16382
Digitised materials
Interview: Hou Hanru (Chinese subtitles)
訪問:侯瀚如
11397
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Hou Hanru 侯瀚如
online
Interview: Hou Hanru (Chinese subtitles), 訪問:侯瀚如
This interview was conducted at Asia Art Archive, Hong Kong on 9 January 2008. For more information please visit the Materials of the Future website. 此訪談於2008年1月9日在香港亞洲藝術文獻庫進行。詳情請瀏覽此頁。 Biography: Hou Hanru (b. 1963, Guangzhou) is an internationally renowned art critic and curator. In the 1980s, Hou studied Art History at the Central Academy of Fine Arts (CAFA) in Beijing. In 1985, Hou assisted Maryn Varbanov in organizing the ‘Tapestry Art Exhibition’ in the National Art Museum of China (NAMOC). In 1988, alongside Yang Jiechang, Chen Tong and Tang Songwu and others, Hou staged the performance Language, Communication, Man in the Sun Yat-Sen Library in Guangzhou. That same year, he translated and published Concepts of Modern Art by Nikos Stangos, and the following year, he was one of the organizers of the ‘China/Avant-Garde Exhibition’ in Beijing. After moving to Paris in 1990, Hou became an active curator and has organized and co-organized numerous important exhibitions such as ‘Cities on the Move’ (Vienna, Bordeaux, New York Long Island, Denmark, London, Bangkok and Helsinki, 1997–2000); the second Johannesburg Biennale (1997); the Venice Biennale’s French Pavilion (1999); ‘Z.O.U. – Zone Of Urgency’ at the Venice Biennale (2003); the Chinese Pavilion’s ‘Everyday Miracles’ at the Venice Biennale (2007); the third Asia-Pacific Triennial of Contemporary Art (Australia, 1999); the third Shanghai Biennial (2000); the Gwangju Biennial (South Korea, 2002); the second Guangzhou Triennial (2005); the 10th Istanbul Biennial (2007); and the 10th Lyon Biennale (France, 2009).簡歷︰侯瀚如,1963年生於廣州,國際知名獨立策展人及藝評家。1981年在中央美術學院主修藝術史,從事藝術及建築相關的研究,並於1988年取得碩士學位。1990年移居巴黎,現任羅馬當代美術館MAXXI的藝術總監。 八十年代,侯瀚如主要活躍於北京。1985年11月協助萬曼先生(Maryn Varbanov)在中國美術館舉辦《壁掛藝術展》。1989年為《中國現代藝術展》組織者之一。另外,他還保持與廣州的關係,特別是1988年與楊詰蒼、陳侗、唐頌武在廣州中山圖書館舉行了行為演出⟨話•對•人⟩。他並在1988年出版了譯作《現代藝術觀念》(Nikos Stangos, Concepts of Modern Art)(四川:四川美术出版社,1988)。 移居巴黎後, 1997—2000年間,侯瀚如與漢斯•烏爾裡希•奧布裡斯特合作,策劃世界巡迴展《運動中的城市》,先後於世界七大城市,包括維也納、波爾多、紐約、路易斯安那、倫敦、曼谷及赫爾辛基。侯瀚如曾策劃的其他展覽包括:第二屆《約翰內斯堡雙年展》(1997);《威尼斯雙年展》(1999,法國館;2003,《緊急地帶》 主題展;2007中國館《日常奇蹟》);第三屆《亞太藝術三年展》(1999);第三屆《上海雙年展》(2000);韓國《2002光州雙年展》(2002);第二屆《廣州三年展》(2005);第二屆《地拉那雙年展》(2005,阿爾巴尼亞);第十屆《伊斯坦堡雙年展》(2007);第十屆《里昂雙年展》(2009)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Hou Hanru and Asia Art Archive
event photograph/recording, interview documentation
Cantonese
Speaker:HOU Hanru, 侯瀚如, 1963, China (HOU Han Ru, Han Ru HOU, HOU Han-Ru, Han-Ru HOU)
Fang Wen: Hou Han Ru
cdn.aaa.org.hk/_source/hhriml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26476.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-hou-hanru/object/interview-hou-hanru-chinese-subtitles
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16387
Digitised materials
Interview: Gu Wenda
11395
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Gu Wenda 谷文達
online
Interview: Gu Wenda
This interview was conducted in Brooklyn, New York on 4 November 2009. For more information, please visit the Materials of the Future website. Biography: Gu Wenda (b. 1955, Shanghai) is an artist and currently resides in Brooklyn, New York. He also maintains studio practices in Shanghai and Xi’an. In 1976, Gu graduated from the Shanghai School of Arts and Crafts, and in 1981, from the Zhejiang Academy of Fine Arts, Hangzhou (now the China Academy of Art), where he studied traditional Chinese landscape painting under Lu Yanshao. Gu moved to the United States in 1987 and has been a frequent exhibitor in international exhibitions and biennials in China, Japan, Australia, South Africa, Italy, Poland and the United States, among others. In his early career, Gu was known for his experimentations in installation and performance art and for his creative subversion of China’s millennia-old traditions of calligraphy and ink painting. Later on, Gu gained a reputation for his large-scale projects, and in particular, his use of human hair in installations such as his multi-year United Nations Project. Since 2005, Gu has focused on public, site-specific art and has recently displayed installations such as Heavenly Lanterns: Tea Palace in Brussels, and China Park in Shanghai.簡歷︰谷文達,1955年生於上海,現居紐約,並於上海及西安設工作室。1976年畢業於上海工藝美術學院,其後入讀浙江美術學院(今中國美術學院),隨陸儼少習中國畫,1981年畢業,獲碩士學位。1987年移居美國,積極參與國際性展覽及雙年展,作品於在中國、日本、澳洲大利亚、南非、意大利、波蘭及美國等地展出。谷文達的早期創作中,以裝置及行為的新方法演繹中國傳統書法及水墨畫。移居美國後,他的大型作品引起國際關注,其中作品包括製作歷時多年的、以頭髮製作的《聯合國》。2005年以來,谷文達創作大型公共作品,如在布鲁塞尔的《天堂紅燈-茶宮》及在上海的《中園》。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Gu Wenda and Asia Art Archive
event photograph/recording, interview documentation
English
Speaker:GU Wenda, 谷文達, 1955, China (谷文達)
cdn.aaa.org.hk/_source/gwdiml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26470.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-gu-wenda/object/interview-gu-wenda
-
16392
Digitised materials
Interview: Gu Wenda (Chinese subtitles)
訪問:谷文達
11395
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Gu Wenda 谷文達
online
Interview: Gu Wenda (Chinese subtitles), 訪問:谷文達
This interview was conducted in Brooklyn, New York on 4 November 2009. For more information, please visit the Materials of the Future website. 此訪談於2009年11月4日在紐約布魯克林進行。詳情請瀏覽此頁。 Biography: Gu Wenda (b. 1955, Shanghai) is an artist and currently resides in Brooklyn, New York. He also maintains studio practices in Shanghai and Xi’an. In 1976, Gu graduated from the Shanghai School of Arts and Crafts, and in 1981, from the Zhejiang Academy of Fine Arts, Hangzhou (now the China Academy of Art), where he studied traditional Chinese landscape painting under Lu Yanshao. Gu moved to the United States in 1987 and has been a frequent exhibitor in international exhibitions and biennials in China, Japan, Australia, South Africa, Italy, Poland and the United States, among others. In his early career, Gu was known for his experimentations in installation and performance art and for his creative subversion of China’s millennia-old traditions of calligraphy and ink painting. Later on, Gu gained a reputation for his large-scale projects, and in particular, his use of human hair in installations such as his multi-year United Nations Project. Since 2005, Gu has focused on public, site-specific art and has recently displayed installations such as Heavenly Lanterns: Tea Palace in Brussels, and China Park in Shanghai.簡歷︰谷文達,1955年生於上海,現居紐約,並於上海及西安設工作室。1976年畢業於上海工藝美術學院,其後入讀浙江美術學院(今中國美術學院),隨陸儼少習中國畫,1981年畢業,獲碩士學位。1987年移居美國,積極參與國際性展覽及雙年展,作品於在中國、日本、澳洲大利亚、南非、意大利、波蘭及美國等地展出。谷文達的早期創作中,以裝置及行為的新方法演繹中國傳統書法及水墨畫。移居美國後,他的大型作品引起國際關注,其中作品包括製作歷時多年的、以頭髮製作的《聯合國》。2005年以來,谷文達創作大型公共作品,如在布鲁塞尔的《天堂紅燈-茶宮》及在上海的《中園》。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Gu Wenda and Asia Art Archive
event photograph/recording, interview documentation
English
Speaker:GU Wenda, 谷文達, 1955, China (谷文達)
Fang Wen: Gu Wen Da
cdn.aaa.org.hk/_source/gwdiml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26457.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-gu-wenda/object/interview-gu-wenda-chinese-subtitles
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16399
Digitised materials
Interview: Fei Dawei (English subtitles)
11393
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Fei Dawei 費大為
online
Interview: Fei Dawei (English subtitles)
This interview was conducted at Fei Dawei's home in Beijing on 18 March 2009. Biography: Fei Dawei (b. 1954, Shanghai) is an independent art critic and curator, currently based in Paris and Beijing. During the Cultural Revolution, Fei worked at a jade factory in Shanghai. In 1981, he enrolled in the Art History Department at the Central Academy of Fine Arts in Beijing. As a student, he extensively studied the philosophy of Henri Bergson, and after graduating in 1985, became an editor of the Academy’s journal Art Research. In October 1986, Fei participated in an eight-month exchange program in France organized by the French Ministry of Culture, at which time he visited art schools and museums and lectured on avant-garde art in China. The following year Fei returned to China and travelled with Jean-Hubert Martin, then-director of the Centre Pompidou, visiting artists in preparation for the exhibition ‘Magiciens de la Terre’. In 1989, Fei helped to organize the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China, before returning to France for an international forum held in connection with ‘Magiciens de la Terre’. In 1990, Fei curated ‘Chine Demain pour Hier’ in Pourrières, France, which presented the work of Huang Yongping, Gu Wenda, Yan Peiming, Chen Zhen, Yang Jiechang and Cai Guoqiang. In 1991, he curated ‘Exceptional Passage’, an exhibition held in Fukuoka, Japan. In October 2002, Fei became the director of The Guy and Myriam Ullens Foundation. Between 2007 and 2008, Fei Dawei served as the director of the Ullens Center for Contemporary Art in Beijing. He curated the Center’s first exhibition, ‘'85 New Wave’, a large-scale historical retrospective, and later presented ‘House of Oracles: A Huang Yongping Retrospective’, an exhibition originally shown at the Walker Art Center in Minnesota.簡歷︰費大為,1954年生於上海,文革期間於上海玉石雕刻工廠做工人。1981年入讀北京中央美術學院美術史系,早年主力研究亨利·柏格森的哲學。1985年畢業留校任《美術研究》雜誌編輯。1986 年十月接受法國文化部的邀請到法國講學、工作八個月,期間大量介紹中國前衛藝術。1987年回中國,並協助龐比杜藝術中心館長馬爾丹到各地訪問中國藝術家,為後來的《大地魔术师》展覽準備。1989年,為在北京中國美術館舉行之《中國現代藝術展》的組織者之一。同年赴法參加《大地魔術師》展之國際研討會,後留居法國。1990年在法國南部策劃了《獻給昨天的中國明天》展覽,參加的藝術家有黃永砅、谷文達、嚴培明、陳箴、楊詰蒼及蔡國強;1991年在日本福岡策劃了《非常口》展覽,此後在國際上陸續策劃中國當代藝術展覽,並參與各種學術活動。2002年10月,費大為出任尤倫斯基金會主任,負責建立中國當代藝術的收藏,大量贊助並參與中國當代藝術在海外的展覽活動。2007年,費大為在北京創辦尤倫斯當代藝術中心(UCCA)並擔任館長,策劃了該館的開幕展《八五新潮》,為歷來最大型的八五新潮回顧展。後又將美國Walker Art Center 舉辦的《占卜者之屋──黃永砅回顧展》巡迴至北京展出。2008年離任,繼續獨立策展及評論之工作,現居巴黎及北京。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Fei Dawei and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:FEI Dawei, 費大為, 1954, China
cdn.aaa.org.hk/_source/fdwiml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26456.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-fei-dawei/object/interview-fei-dawei-english-subtitles
-
16405
Digitised materials
Interview: Fei Dawei (Chinese subtitles)
訪問:費大為
11393
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Fei Dawei 費大為
online
Interview: Fei Dawei (Chinese subtitles), 訪問:費大為
This interview was conducted at Fei Dawei's home in Beijing on 18 March 2009. Biography: Fei Dawei (b. 1954, Shanghai) is an independent art critic and curator, currently based in Paris and Beijing. During the Cultural Revolution, Fei worked at a jade factory in Shanghai. In 1981, he enrolled in the Art History Department at the Central Academy of Fine Arts in Beijing. As a student, he extensively studied the philosophy of Henri Bergson, and after graduating in 1985, became an editor of the Academy’s journal Art Research. In October 1986, Fei participated in an eight-month exchange program in France organized by the French Ministry of Culture, at which time he visited art schools and museums and lectured on avant-garde art in China. The following year Fei returned to China and travelled with Jean-Hubert Martin, then-director of the Centre Pompidou, visiting artists in preparation for the exhibition ‘Magiciens de la Terre’. In 1989, Fei helped to organize the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China, before returning to France for an international forum held in connection with ‘Magiciens de la Terre’. In 1990, Fei curated ‘Chine Demain pour Hier’ in Pourrières, France, which presented the work of Huang Yongping, Gu Wenda, Yan Peiming, Chen Zhen, Yang Jiechang and Cai Guoqiang. In 1991, he curated ‘Exceptional Passage’, an exhibition held in Fukuoka, Japan. In October 2002, Fei became the director of The Guy and Myriam Ullens Foundation. Between 2007 and 2008, Fei Dawei served as the director of the Ullens Center for Contemporary Art in Beijing. He curated the Center’s first exhibition, ‘'85 New Wave’, a large-scale historical retrospective, and later presented ‘House of Oracles: A Huang Yongping Retrospective’, an exhibition originally shown at the Walker Art Center in Minnesota.簡歷︰費大為,1954年生於上海,文革期間於上海玉石雕刻工廠做工人。1981年入讀北京中央美術學院美術史系,早年主力研究亨利·柏格森的哲學。1985年畢業留校任《美術研究》雜誌編輯。1986 年十月接受法國文化部的邀請到法國講學、工作八個月,期間大量介紹中國前衛藝術。1987年回中國,並協助龐比杜藝術中心館長馬爾丹到各地訪問中國藝術家,為後來的《大地魔术师》展覽準備。1989年,為在北京中國美術館舉行之《中國現代藝術展》的組織者之一。同年赴法參加《大地魔術師》展之國際研討會,後留居法國。1990年在法國南部策劃了《獻給昨天的中國明天》展覽,參加的藝術家有黃永砅、谷文達、嚴培明、陳箴、楊詰蒼及蔡國強;1991年在日本福岡策劃了《非常口》展覽,此後在國際上陸續策劃中國當代藝術展覽,並參與各種學術活動。2002年10月,費大為出任尤倫斯基金會主任,負責建立中國當代藝術的收藏,大量贊助並參與中國當代藝術在海外的展覽活動。2007年,費大為在北京創辦尤倫斯當代藝術中心(UCCA)並擔任館長,策劃了該館的開幕展《八五新潮》,為歷來最大型的八五新潮回顧展。後又將美國Walker Art Center 舉辦的《占卜者之屋──黃永砅回顧展》巡迴至北京展出。2008年離任,繼續獨立策展及評論之工作,現居巴黎及北京。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Fei Dawei and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:FEI Dawei, 費大為, 1954, China
Fang Wen: Fei Da Wei
cdn.aaa.org.hk/_source/fdwiml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26455.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-fei-dawei/object/interview-fei-dawei-chinese-subtitles
-
17182
Digitised materials
Interview: Ding Yi (English subtitles)
11391
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ding Yi 丁乙
online
Interview: Ding Yi (English subtitles)
This interview was conducted at Ding Yi's studio in Shanghai on 26 November 2008. For more information visit the Materials of the Future website. Biography: Ding Yi (b. 1962, Shanghai) is an artist and has been a professor at the Shanghai Institute of Visual Arts at Fudan University since 2005. Between 1980 and 1983, Ding was enrolled at the Shanghai College of Arts and Crafts, an important art school in Shanghai at the time. Other noteworthy members of this school include Yu Youhan, Chen Zhen and Wang Ziwei to name a few. After graduating, Ding became a designer in the Number 12 Toy Factory in Shanghai, and he began to experiment with abstract oil paintings. In 1986, Ding exhibited his work at the first ‘Concave-Convex' exhibition, one of the first showcases for experimental art in Shanghai. In 1988, Ding began to use an abstract pattern of crosses in his paintings, which later developed into his celebrated series Appearance of Crosses. Ding continues to paint and exhibit widely, both internationally and in China. Most recently, his work appeared in a group show called ‘Shanghai’ held at the San Francisco Asian Art Museum (2010).簡歷︰丁乙,藝術家,1962年生於上海。2005年至今在,任復旦大學上海視覺藝術學院任教授。丁乙在1980年入讀上海市工藝美術學校。當時的工藝美術學校是上海的重要的美術學校,其時的老師中有余友涵,學生有陳箴、王子衛等。1983年畢業后,在上海玩具十二廠擔任設計師。同時開始創作抽象油畫。1986年參加上海新潮美術的重要展覽《凹凸展》。1988年起在畫中使用十字圖案,並借用印刷術語「十示」以命名,成為藝術家最廣為人知的系列作品。丁乙在中國及海外展出頻繁。最近,舊金山亞洲藝術博物館策劃展覽《上海》(2010年),丁乙是參展藝術家之一。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Ding Yi and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:DING Yi, 丁乙, 1962, China
cdn.aaa.org.hk/_source/dyiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26439.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ding-yi/object/interview-ding-yi-english-subtitles
-
17183
Digitised materials
Interview: Ding Fang (English subtitles)
11385
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ding Fang 丁方
online
Interview: Ding Fang (English subtitles)
This interview was conducted at Ding Fang's studio in Nanjing on 5 March 2009. Biography: Ding Fang (b. 1956, Shanxi Province) is an artist, living and working in Beijing and Nanjing. Between 1978 and 1982, Ding studied at the Nanjing Arts Institute and specialized in traditional Chinese figure painting. He then switched to oil painting to pursue his master’s degree under the supervision of Su Tianci, a well-known painter at the Institute. In the mid-1980s, Ding, along with Yang Zhilun, Xu Lei, Chai Xiaogang and others, formed the Red Brigade Group in Nanjing, which quickly gained recognition as one of the distinctive regional art groups in Jiangsu. From 1988 to 1990, Ding served as an editor of the influential art newspaper Fine Arts in China (Zhongguo meishubao).簡歷︰丁方,1956年生於陝西。1978-—1982年間就讀於南京藝術學院工藝美術系,專攻傳統人物繪畫。1983年攻讀該院美術系油畫專業研究生,師從著名畫家蘇天賜教授,並於1986年獲碩士學位。與此同時,丁方與南京藝術家楊志麟、徐累、柴小剛等,成立「紅色.旅」群體,成為85新潮江蘇地區具代表性的藝術群體。於1988-—1990年間受聘,任《中國美術報》的執行編輯。八十年代至今,丁方一直從事油畫創作,現生活及工作於北京及南京。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Ding Fang and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:DING Fang, 丁方, 1956, China (丁方)
cdn.aaa.org.hk/_source/dfiml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26432.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ding-fang/object/interview-ding-fang-english-subtitles
-
17186
Digitised materials
Interview: Ding Yi (Chinese subtitles)
訪問:丁乙
11391
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ding Yi 丁乙
online
Interview: Ding Yi (Chinese subtitles), 訪問:丁乙
This interview was conducted at Ding Yi's studio in Shanghai on 26 November 2008. For more information visit the Materials of the Future website. 此訪談於2008年11月26日在丁乙位於上海的工作室進行。詳情請瀏覽此頁。 Biography: Ding Yi (b. 1962, Shanghai) is an artist and has been a professor at the Shanghai Institute of Visual Arts at Fudan University since 2005. Between 1980 and 1983, Ding was enrolled at the Shanghai College of Arts and Crafts, an important art school in Shanghai at the time. Other noteworthy members of this school include Yu Youhan, Chen Zhen and Wang Ziwei to name a few. After graduating, Ding became a designer in the Number 12 Toy Factory in Shanghai, and he began to experiment with abstract oil paintings. In 1986, Ding exhibited his work at the first ‘Concave-Convex' exhibition, one of the first showcases for experimental art in Shanghai. In 1988, Ding began to use an abstract pattern of crosses in his paintings, which later developed into his celebrated series Appearance of Crosses. Ding continues to paint and exhibit widely, both internationally and in China. Most recently, his work appeared in a group show called ‘Shanghai’ held at the San Francisco Asian Art Museum (2010).簡歷︰丁乙,藝術家,1962年生於上海。2005年至今在,任復旦大學上海視覺藝術學院任教授。丁乙在1980年入讀上海市工藝美術學校。當時的工藝美術學校是上海的重要的美術學校,其時的老師中有余友涵,學生有陳箴、王子衛等。1983年畢業后,在上海玩具十二廠擔任設計師。同時開始創作抽象油畫。1986年參加上海新潮美術的重要展覽《凹凸展》。1988年起在畫中使用十字圖案,並借用印刷術語「十示」以命名,成為藝術家最廣為人知的系列作品。丁乙在中國及海外展出頻繁。最近,舊金山亞洲藝術博物館策劃展覽《上海》(2010年),丁乙是參展藝術家之一。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Ding Yi and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:DING Yi, 丁乙, 1962, China
Fang Wen: Ding Yi
cdn.aaa.org.hk/_source/dyiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26437.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ding-yi/object/interview-ding-yi-chinese-subtitles
-
17190
Digitised materials
Interview: Ding Fang (Chinese subtitles)
訪問:丁方
11385
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ding Fang 丁方
online
Interview: Ding Fang (Chinese subtitles), 訪問:丁方
This interview was conducted at Ding Fang's studio in Nanjing on 5 March 2009. Biography: Ding Fang (b. 1956, Shanxi Province) is an artist, living and working in Beijing and Nanjing. Between 1978 and 1982, Ding studied at the Nanjing Arts Institute and specialized in traditional Chinese figure painting. He then switched to oil painting to pursue his master’s degree under the supervision of Su Tianci, a well-known painter at the Institute. In the mid-1980s, Ding, along with Yang Zhilun, Xu Lei, Chai Xiaogang and others, formed the Red Brigade Group in Nanjing, which quickly gained recognition as one of the distinctive regional art groups in Jiangsu. From 1988 to 1990, Ding served as an editor of the influential art newspaper Fine Arts in China (Zhongguo meishubao).簡歷︰丁方,1956年生於陝西。1978-—1982年間就讀於南京藝術學院工藝美術系,專攻傳統人物繪畫。1983年攻讀該院美術系油畫專業研究生,師從著名畫家蘇天賜教授,並於1986年獲碩士學位。與此同時,丁方與南京藝術家楊志麟、徐累、柴小剛等,成立「紅色.旅」群體,成為85新潮江蘇地區具代表性的藝術群體。於1988-—1990年間受聘,任《中國美術報》的執行編輯。八十年代至今,丁方一直從事油畫創作,現生活及工作於北京及南京。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Ding Fang and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:DING Fang, 丁方, 1956, China (丁方)
Fang Wen: Ding Fang
cdn.aaa.org.hk/_source/dfiml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26430.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ding-fang/object/interview-ding-fang-chinese-subtitles
-
17191
Digitised materials
Interview: Chen Aikang (Chinese subtitles)
訪問:陳愛康
11383
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Chen Aikang 陳愛康
online
Interview: Chen Aikang (Chinese subtitles), 訪問:陳愛康
This interview with Chen Aikang was filmed in Brooklyn, New York on 31 Oct 2009. Biography:Chen Aikang (b. 1945, Yan’an) is an artist and art teacher, based in Vancouver.From 1959 to 1964, Chen studied in the Central Academy's High School in Beijing. From 1965 to 1970, she enrolled as an undergraduate in the Oil Painting Department at the Academy’s Hangzhou campus. When university education resumed in China following a break during the Cultural Revolution, Chen returned to her alma mater to teach in the Oil Painting Department. Among her students were many artists now well known, including Huang Yongping, Wang Guangyi and Zhang Peili, to name a few.Since 1990, Chen has lived and worked in Vancouver where she also teaches art.簡歷︰陳愛康,藝術家兼繪畫教師,1945年生於陝西延安。1959至1964年就讀於中央美術學院附中。1965-—1970年於杭州浙江美術學院(現中國美術學院)油畫系學習。文革後,陳愛康任教於浙江美術學院油畫系,也是77屆油畫班的班主任。八十年代在浙江美術學院讀書、今天已成為著名藝術家的,包括黃永砅、王廣義、張培力等,很多都曾是她的學生。陳愛康自1990年起移居加拿大,現居溫哥華。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Chen Aikang and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:CHEN Aikang, 陳愛康, China
Fang Wen: Chen Ai Kang
cdn.aaa.org.hk/_source/cakiml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26341.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-chen-aikang/object/interview-chen-aikang-chinese-subtitles
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17194
Digitised materials
Interview: Chen Aikang (English subtitles)
11383
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Chen Aikang 陳愛康
online
Interview: Chen Aikang (English subtitles)
This interview with Chen Aikang was filmed in Brooklyn, New York on 31 Oct 2009. Biography:Chen Aikang (b. 1945, Yan’an) is an artist and art teacher, based in Vancouver.From 1959 to 1964, Chen studied in the Central Academy's High School in Beijing. From 1965 to 1970, she enrolled as an undergraduate in the Oil Painting Department at the Academy’s Hangzhou campus. When university education resumed in China following a break during the Cultural Revolution, Chen returned to her alma mater to teach in the Oil Painting Department. Among her students were many artists now well known, including Huang Yongping, Wang Guangyi and Zhang Peili, to name a few.Since 1990, Chen has lived and worked in Vancouver where she also teaches art.簡歷︰陳愛康,藝術家兼繪畫教師,1945年生於陝西延安。1959至1964年就讀於中央美術學院附中。1965-—1970年於杭州浙江美術學院(現中國美術學院)油畫系學習。文革後,陳愛康任教於浙江美術學院油畫系,也是77屆油畫班的班主任。八十年代在浙江美術學院讀書、今天已成為著名藝術家的,包括黃永砅、王廣義、張培力等,很多都曾是她的學生。陳愛康自1990年起移居加拿大,現居溫哥華。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Chen Aikang and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:CHEN Aikang, 陳愛康, China
cdn.aaa.org.hk/_source/cakiml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26342.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-chen-aikang/object/interview-chen-aikang-english-subtitles
-
23150
Digitised materials
Interview: Zhu Qingsheng (Chinese subtitles)
訪問: 朱青生
11647
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhu Qingsheng 朱青生
online
Interview: Zhu Qingsheng (Chinese subtitles), 訪問: 朱青生
This interview was conducted at the Chinese Modern Art Archive, Beijing University on 17 March 2009. Biography: Zhu Qingsheng (b. 1957, Zhenjiang) is an artist and professor at the School of Arts of Peking University. Zhu studied oil painting at Nanjing Normal University between 1978 and 1982 and gained his M.A. in Art History in 1985 from the Central Academy of Fine Arts (CAFA). Zhu remained at CAFA as a teaching assistant, and in 1986 initiated the Chinese Modern Art Archive. Between 1990 and 1995, Zhu pursued his Ph.D. under the supervision of Professor Lothar Ledderose in the Institute for East Asian Art History at the University of Heidelberg. In addition to his teaching and archiving work, Zhu continues to paint and exhibit widely.簡歷︰朱青生,1957年生於江苏鎮江。藝術家,北京大學藝術學院教授。1978—1982年於南京師範大學油畫專業就讀學士學位,1982—1985年於中央美術學院美術史系修讀碩士,導師為邵大箴。畢業後留校担任助教,並於1986—1987年間創立「中國現代藝術檔案」。1990—1995年間前往德國海德堡大學美術史研究所修讀博士學位,導師為雷德侯教授。 教學及存檔工作以外,亦持續創作,作品見於海內外展覽。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhu Qingsheng and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHU Qingsheng, 朱青生, 1957, China (朱青生, Lao Zhu, Zhu Lao, LaoZhu)
Fang Wen: Zhu Qing Sheng
cdn.aaa.org.hk/_source/zqs.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35693.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhu-qingsheng/object/interview-zhu-qingsheng-chinese-subtitles
-
23449
Digitised materials
Interview: Zhang Xiaogang (Chinese subtitles)
訪問:張曉剛
11639
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Xiaogang 張曉剛
online
Interview: Zhang Xiaogang (Chinese subtitles), 訪問:張曉剛
This interview was conducted at Zhang Xiaogang's studio in Beijing on 9 July 2009. Biography: Zhang Xiaogang (b. 1958, Kunming, Yunnan Province) is an artist and currently lives and works in Beijing. Zhang studied oil painting at the Sichuan Fine Arts Institute (SFAI) between 1978 and 1982. In 1985, Zhang collaborated with Mao Xuhui, Pan Dehai, Hou Wenyi, Zhang Long and others to organize the ‘New Concrete Image' exhibition in Shanghai and Nanjing, one of the earliest self-financed exhibitions of the ’85 New Wave. Zhang also helped to establish the Southwestern Art Research Group with friends in Kunming, and lectured at SFAI. In 1989, his work was exhibited in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing. In the early '90s, Zhang began to develop his painting series The Big Family, which referenced photographs taken during the Cultural Revolution. Zhang’s works have been collected by museums, galleries and private collectors, and are exhibited widely. Selected exhibitions include the Guangzhou Biennial (1992), ‘China’s New Art, Post-1989’ (Hong Kong, 1993), the 22nd Sao Paulo Biennial (Brazil, 1994) and the 46th Venice Biennale (1995), to name a few.簡歷︰張曉剛,1958年生於昆明。藝術家,現在北京生活及工作。1978—1982年間就讀於四川美術學院油畫系。1985年張曉剛與毛旭輝、潘德海等自費在上海、南京舉辦展覽《新具象》畫展,這是「八五新潮」中最早的自費展覽之一。隨後他又與朋友在昆明成立「西南藝術研究群體」,後參與了在北京中國美術館舉行的《中國現代藝術展》。自九十年代開始,他按舊照片創作⟨大家庭⟩系列,以表現革命時代的臉譜化肖像。 張晓刚多次參加國內外藝術展覽,作品被國內外多家美術館、畫廊及私人收藏。重要展覽包括《廣州 雙年展》(1992,廣州);《後八九中國新藝術展》(1993,香港);第22屆《聖保羅雙年展》(1994,巴西聖保羅);第46屆《威尼斯雙年展》(1995,威尼斯)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhang Xiaogang and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHANG Xiaogang, 張曉剛, 1958, China, Kunming (張曉剛, 张晓刚)
Fang Wen: Zhang Xiao Gang
cdn.aaa.org.hk/_source/zxgiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35653.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-xiaogang/object/interview-zhang-xiaogang-chinese-subtitles
-
23456
Digitised materials
Interview: Zhang Xiaogang (English subtitles)
11639
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Xiaogang 張曉剛
online
Interview: Zhang Xiaogang (English subtitles)
This interview was conducted at Zhang Xiaogang's studio in Beijing on 9 July 2009. Biography: Zhang Xiaogang (b. 1958, Kunming, Yunnan Province) is an artist and currently lives and works in Beijing. Zhang studied oil painting at the Sichuan Fine Arts Institute (SFAI) between 1978 and 1982. In 1985, Zhang collaborated with Mao Xuhui, Pan Dehai, Hou Wenyi, Zhang Long and others to organize the ‘New Concrete Image' exhibition in Shanghai and Nanjing, one of the earliest self-financed exhibitions of the ’85 New Wave. Zhang also helped to establish the Southwestern Art Research Group with friends in Kunming, and lectured at SFAI. In 1989, his work was exhibited in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing. In the early '90s, Zhang began to develop his painting series The Big Family, which referenced photographs taken during the Cultural Revolution. Zhang’s works have been collected by museums, galleries and private collectors, and are exhibited widely. Selected exhibitions include the Guangzhou Biennial (1992), ‘China’s New Art, Post-1989’ (Hong Kong, 1993), the 22nd Sao Paulo Biennial (Brazil, 1994) and the 46th Venice Biennale (1995), to name a few.簡歷︰張曉剛,1958年生於昆明。藝術家,現在北京生活及工作。1978—1982年間就讀於四川美術學院油畫系。1985年張曉剛與毛旭輝、潘德海等自費在上海、南京舉辦展覽《新具象》畫展,這是「八五新潮」中最早的自費展覽之一。隨後他又與朋友在昆明成立「西南藝術研究群體」,後參與了在北京中國美術館舉行的《中國現代藝術展》。自九十年代開始,他按舊照片創作⟨大家庭⟩系列,以表現革命時代的臉譜化肖像。 張晓刚多次參加國內外藝術展覽,作品被國內外多家美術館、畫廊及私人收藏。重要展覽包括《廣州 雙年展》(1992,廣州);《後八九中國新藝術展》(1993,香港);第22屆《聖保羅雙年展》(1994,巴西聖保羅);第46屆《威尼斯雙年展》(1995,威尼斯)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhang Xiaogang and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHANG Xiaogang, 張曉剛, 1958, China, Kunming (張曉剛, 张晓刚)
cdn.aaa.org.hk/_source/zxgiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35652.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-xiaogang/object/interview-zhang-xiaogang-english-subtitles
-
23457
Digitised materials
Interview: Zhang Wei (Chinese subtitles)
訪問:張偉
11637
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Wei 張偉
online
Interview: Zhang Wei (Chinese subtitles), 訪問:張偉
This interview was conducted at Zhang Wei's studio in Beijing on 9 July 2009. Biography: Zhang Wei (b. 1952, Beijing) is an artist and is based in Beijing. After returning from ‘re-education’ during the Cultural Revolution, Zhang met Zhao Wenliang, Yang Yushu, Shi Zhenyu and others and in 1971 became a member of the No Name Group. When their first exhibition was stopped by government authorities, Zhang organized an unofficial exhibition for the group on 31 December 1974 at his home in Beijing’s Western District. In 1986, along with ten other artists, Zhang made his first trip to the United States. He subsequently settled in the United States, but has returned to China and has made his base in Beijing.簡歷︰張偉,1952年出生於北京。畫家,現居北京。文革時期曾插隊,回京後自學畫畫。後認識趙文量、楊雨澍和石振宇等人,並於1971年加入「無名畫會」這一民間藝術組織。畫會首個展覽遭政府禁令後,1974年12月31日,張偉安排畫會將展覽在其家中舉行(西城區),是為「地下」展覽。 1986年,張偉連同十位中國的藝術家,應美國紐約藝術機構之邀,前往美國。此後於美國居留。近年返國,現居北京。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhang Wei and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHANG Wei, 張偉, 1968, China (張偉)
Fang Wen: Zhang Wei
cdn.aaa.org.hk/_source/zwiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35651.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-wei/object/interview-zhang-wei-chinese-subtitles
-
23458
Digitised materials
Interview: Wang Keping (Chinese subtitles)
訪問:王克平
11613
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Keping 王克平
online
Interview: Wang Keping (Chinese subtitles), 訪問:王克平
This interview was conducted at 10 Chancery Lane Gallery, Hong Kong on 28 March 2009. Biography: Wang Keping (b. 1949, Beijing) is an artist who currently lives and works in France. As one of the initial members of the Stars Group, Wang helped organize the 'Stars' exhibitions of 1979 and 1980, where he also showed his works. Wang works primarily in sculpture, and was an important artist of post-Mao China. From 1983 onwards, Wang’s sculpture has been exhibited in numerous international exhibitions and also collected by the Paris Municipal Government, la Musée d’Art Moderne de la Ville de Paris, the Seoul Olympic Park, Boston University, the Taiwan Museum of Art and by private collectors worldwide.簡歷︰王克平,1949生於北京。雕塑家,居於法國。文革後一位重要藝術家、雕塑家,亦曾從事戲劇工作。「星星畫會」發起人之一,於1979及1980年舉辦和參展《星星美展》,引起各界哄動。後移居法國,作品被巴黎市政府、巴黎市現代美術館、首爾奧林匹克公園、台灣美術館收藏。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Wang Keping and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:WANG Keping, 王克平, 1949, China (王克平)
Fang Wen: Wang Ke Ping
cdn.aaa.org.hk/_source/wkpiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35500.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-keping/object/interview-wang-keping-chinese-subtitles
-
23463
Digitised materials
Interview: Wang Keping (English subtitles)
11613
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Keping 王克平
online
Interview: Wang Keping (English subtitles)
This interview was conducted at 10 Chancery Lane Gallery, Hong Kong on 28 March 2009. Biography: Wang Keping (b. 1949, Beijing) is an artist who currently lives and works in France. As one of the initial members of the Stars Group, Wang helped organize the 'Stars' exhibitions of 1979 and 1980, where he also showed his works. Wang works primarily in sculpture, and was an important artist of post-Mao China. From 1983 onwards, Wang’s sculpture has been exhibited in numerous international exhibitions and also collected by the Paris Municipal Government, la Musée d’Art Moderne de la Ville de Paris, the Seoul Olympic Park, Boston University, the Taiwan Museum of Art and by private collectors worldwide.簡歷︰王克平,1949生於北京。雕塑家,居於法國。文革後一位重要藝術家、雕塑家,亦曾從事戲劇工作。「星星畫會」發起人之一,於1979及1980年舉辦和參展《星星美展》,引起各界哄動。後移居法國,作品被巴黎市政府、巴黎市現代美術館、首爾奧林匹克公園、台灣美術館收藏。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Wang Keping and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:WANG Keping, 王克平, 1949, China (王克平)
cdn.aaa.org.hk/_source/wkpiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35499.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-keping/object/interview-wang-keping-english-subtitles
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23464
Digitised materials
Interview: Wang Gongyi (English subtitles)
11611
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Gongyi 王公懿
online
Interview: Wang Gongyi (English subtitles)
This interview was conducted at the UC Berkeley Art Museum, Berkeley on 7 April 2011. For more information please visit the Materials of the Future website. Biography: Wang Gongyi (b. 1946) is an artist who lives in Portland, Oregon, in the United States. Wang Gongyi graduated in 1962 from the Affiliated High School of the Central Academy of Fine Arts in Beijing. She joined the Tianjin People’s Fine Arts Publishing House as an editor the following year. In 1978, she entered the Printmaking Department of the Zhejiang Academy of Fine Arts (now the China Academy of Fine Arts), and after receiving her degree there she remained as a teacher. In 1980, Wang was awarded the grand prize for her Qiu Jin series of woodcut prints at the ‘Second National Youth Art Exhibition’. Six years later, she set out to France on a cultural exchange programme. By 2001, the artist had moved to the United States. In 1992, Wang was awarded a scholarship from the French Ministry of Education. She met and worked with artists at L’école supérieure d’art d’Aix-en-Provence, and subsequently worked and studied at URDLA – Centre International Estampes & Livres (International Centre for Prints and Books) and ALMA Printmaking Studio in Lyon, France.簡歷︰王公懿,1946出生,藝術家,現居美國波特蘭。1962年中央美術學院附中畢業,1973年入天津人民美術出版社,1978年入中國美術學院版畫研究班,畢業後留系任教。1980年憑木刻組畫《秋瑾》獲全國第二屆青年美展大獎。1986年王公懿赴法國參加交流活動。1992年獲法國教育部獎學金,Aix美校訪問藝術家,在里昂的URDLA及ALMA版畫工作室工作、學習。2001年始旅居美國。近年在中國舉行的個展包括《王公懿版畫回顧展1979-2002》(2006年,廣東美術館),《王公懿藝術展》(2010年,天津美術學院美術館;2011年,中國美術學院)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Wang Gongyi and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:WANG Gongyi, 王公懿, 1946, China, Tianjin (王公懿)
cdn.aaa.org.hk/_source/wang-gongyi-cover.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35497.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-gongyi/object/interview-wang-gongyi-english-subtitles
-
23465
Digitised materials
Interview: Wang Gongyi (Chinese subtitles)
Allocated
訪問:王公懿
Chinese - Traditional
11611
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Gongyi 王公懿
online
Interview: Wang Gongyi (Chinese subtitles), 訪問:王公懿
This interview was conducted at the UC Berkeley Art Museum, Berkeley on 7 April 2011. For more information please visit the Materials of the Future website. 此訪談於2011年4月7日在加州大學伯克利分校藝術博物館進行。詳情請瀏覽此頁。 Biography: Wang Gongyi (b. 1946) is an artist who lives in Portland, Oregon, in the United States. Wang Gongyi graduated in 1962 from the Affiliated High School of the Central Academy of Fine Arts in Beijing. She joined the Tianjin People’s Fine Arts Publishing House as an editor the following year. In 1978, she entered the Printmaking Department of the Zhejiang Academy of Fine Arts (now the China Academy of Fine Arts), and after receiving her degree there she remained as a teacher. In 1980, Wang was awarded the grand prize for her Qiu Jin series of woodcut prints at the ‘Second National Youth Art Exhibition’. Six years later, she set out to France on a cultural exchange programme. By 2001, the artist had moved to the United States. In 1992, Wang was awarded a scholarship from the French Ministry of Education. She met and worked with artists at L’école supérieure d’art d’Aix-en-Provence, and subsequently worked and studied at URDLA – Centre International Estampes & Livres (International Centre for Prints and Books) and ALMA Printmaking Studio in Lyon, France.簡歷︰王公懿,1946出生,藝術家,現居美國波特蘭。1962年中央美術學院附中畢業,1973年入天津人民美術出版社,1978年入中國美術學院版畫研究班,畢業後留系任教。1980年憑木刻組畫《秋瑾》獲全國第二屆青年美展大獎。1986年王公懿赴法國參加交流活動。1992年獲法國教育部獎學金,Aix美校訪問藝術家,在里昂的URDLA及ALMA版畫工作室工作、學習。2001年始旅居美國。近年在中國舉行的個展包括《王公懿版畫回顧展1979-2002》(2006年,廣東美術館),《王公懿藝術展》(2010年,天津美術學院美術館;2011年,中國美術學院)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Wang Gongyi and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:WANG Gongyi, 王公懿, 1946, China, Tianjin (王公懿)
Fang Wen: Wang Gong Yi
cdn.aaa.org.hk/_source/wang-gongyi-cover.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35498.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-gongyi/object/interview-wang-gongyi-chinese-subtitles
-
24588
Digitised materials
Interview: Zhu Qingsheng (English subtitles)
11647
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhu Qingsheng 朱青生
online
Interview: Zhu Qingsheng (English subtitles)
This interview was conducted at the Chinese Modern Art Archive, Beijing University on 17 March 2009. For more information please visit the Materials of the Future website. Biography: Zhu Qingsheng (b. 1957, Zhenjiang) is an artist and professor at the School of Arts of Peking University. Zhu studied oil painting at Nanjing Normal University between 1978 and 1982 and gained his M.A. in Art History in 1985 from the Central Academy of Fine Arts (CAFA). Zhu remained at CAFA as a teaching assistant, and in 1986 initiated the Chinese Modern Art Archive. Between 1990 and 1995, Zhu pursued his Ph.D. under the supervision of Professor Lothar Ledderose in the Institute for East Asian Art History at the University of Heidelberg. In addition to his teaching and archiving work, Zhu continues to paint and exhibit widely.簡歷︰朱青生,1957年生於江苏鎮江。藝術家,北京大學藝術學院教授。1978—1982年於南京師範大學油畫專業就讀學士學位,1982—1985年於中央美術學院美術史系修讀碩士,導師為邵大箴。畢業後留校担任助教,並於1986—1987年間創立「中國現代藝術檔案」。1990—1995年間前往德國海德堡大學美術史研究所修讀博士學位,導師為雷德侯教授。 教學及存檔工作以外,亦持續創作,作品見於海內外展覽。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhu Qingsheng and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHU Qingsheng, 朱青生, 1957, China (朱青生, Lao Zhu, Zhu Lao, LaoZhu)
cdn.aaa.org.hk/_source/zqs.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35692.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhu-qingsheng/object/interview-zhu-qingsheng-english-subtitles
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24589
Digitised materials
Interview: Zhou Yan (Chinese subtitles)
訪問:周彥
11645
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhou Yan 周彥
online
Interview: Zhou Yan (Chinese subtitles), 訪問:周彥
This interview was conducted at Gao Minglu's studio in Beijing on 10 July 2009. Biography: Zhou Yan (b. 1954, Hunan Province) is a scholar, art critic and curator. He received his B.A. in Philosophy from the Sun Yat-Sen University in Guangzhou, his M.A. in Art History from the Central Academy of Fine Arts in Beijing, and his Ph.D. in Art History from Ohio State University in Columbus, Ohio. Zhou was one of the leading critics in the ’85 New Wave and a key organizer of the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing (1989). Zhou currently teaches the History of Chinese Art in Modern and Contemporary Times at Kenyon College in Ohio, where he is an Adjunct Professor of Art History and Curator of its Visual Resources Center. In addition to teaching, he publishes widely on topics relating to public art, urbanism and globalization.簡歷︰周彥,湖南人。學者、藝術批評家、策展人。廣州中山大學哲學學士,中央美術學院美術史系碩士,後於美國俄亥俄州立大學獲藝術史博士學位。 ’85新潮時期主要的批評家之一,1989年《中國現代藝術展》組委會成員。曾任北京中央美術學院講師,現為美國俄亥俄肯尼恩文理學院美術史系教授,教授中國美術史、中國現代及當代美術史;並任視覺資料室主任。出版多本著作,探索公共藝術範疇、地域性及全球化等主題
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhou Yan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHOU Yan, 周彥, China
Fang Wen: Zhou Yan
cdn.aaa.org.hk/_source/zyiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35691.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhou-yan/object/interview-zhou-yan-chinese-subtitles
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24590
Digitised materials
Interview: Zhou Yan (English subtitles)
11645
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhou Yan 周彥
online
Interview: Zhou Yan (English subtitles)
This interview was conducted at Gao Minglu's studio in Beijing on 10 July 2009. Biography: Zhou Yan (b. 1954, Hunan Province) is a scholar, art critic and curator. He received his B.A. in Philosophy from the Sun Yat-Sen University in Guangzhou, his M.A. in Art History from the Central Academy of Fine Arts in Beijing, and his Ph.D. in Art History from Ohio State University in Columbus, Ohio. Zhou was one of the leading critics in the ’85 New Wave and a key organizer of the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing (1989). Zhou currently teaches the History of Chinese Art in Modern and Contemporary Times at Kenyon College in Ohio, where he is an Adjunct Professor of Art History and Curator of its Visual Resources Center. In addition to teaching, he publishes widely on topics relating to public art, urbanism and globalization.簡歷︰周彥,湖南人。學者、藝術批評家、策展人。廣州中山大學哲學學士,中央美術學院美術史系碩士,後於美國俄亥俄州立大學獲藝術史博士學位。 ’85新潮時期主要的批評家之一,1989年《中國現代藝術展》組委會成員。曾任北京中央美術學院講師,現為美國俄亥俄肯尼恩文理學院美術史系教授,教授中國美術史、中國現代及當代美術史;並任視覺資料室主任。出版多本著作,探索公共藝術範疇、地域性及全球化等主題
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhou Yan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHOU Yan, 周彥, China
cdn.aaa.org.hk/_source/zyiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35690.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhou-yan/object/interview-zhou-yan-english-subtitles
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24591
Digitised materials
Interview: Zhang Wei (English subtitles)
11637
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Wei 張偉
online
Interview: Zhang Wei (English subtitles)
This interview was conducted at Zhang Wei's studio in Beijing on 9 July 2009. Biography: Zhang Wei (b. 1952, Beijing) is an artist and is based in Beijing. After returning from ‘re-education’ during the Cultural Revolution, Zhang met Zhao Wenliang, Yang Yushu, Shi Zhenyu and others and in 1971 became a member of the No Name Group. When their first exhibition was stopped by government authorities, Zhang organized an unofficial exhibition for the group on 31 December 1974 at his home in Beijing’s Western District. In 1986, along with ten other artists, Zhang made his first trip to the United States. He subsequently settled in the United States, but has returned to China and has made his base in Beijing.簡歷︰張偉,1952年出生於北京。畫家,現居北京。文革時期曾插隊,回京後自學畫畫。後認識趙文量、楊雨澍和石振宇等人,並於1971年加入「無名畫會」這一民間藝術組織。畫會首個展覽遭政府禁令後,1974年12月31日,張偉安排畫會將展覽在其家中舉行(西城區),是為「地下」展覽。 1986年,張偉連同十位中國的藝術家,應美國紐約藝術機構之邀,前往美國。此後於美國居留。近年返國,現居北京。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhang Wei and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHANG Wei, 張偉, 1968, China (張偉)
cdn.aaa.org.hk/_source/zwiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35650.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-wei/object/interview-zhang-wei-english-subtitles
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24594
Digitised materials
Interview: Zheng Shengtian
11643
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Shengtian 鄭勝天
online
Interview: Zheng Shengtian
This interview was conducted in Brooklyn, New York on 31 October 2009. Biography: Zheng Shengtian (b. 1938, Henan Province) is an artist, writer and curator now based in Vancouver, Canada. Zheng graduated in 1958 from the Zhejiang Acadmy of Art in Hangzhou (now China Academy of Art), where he worked for more than thirty years as a professor and chair of the Oil Painting Department. He was also a visiting professor at the University of Minnesota and at San Diego State University in the 1980s. Zheng moved to Canada in 1990. From 1996 to 2000, he was Secretary of the Annie Wong Art Foundation and Director of the Art Beatus Gallery in Vancouver. Since 2002, he has been the Managing Editor of Yishu: Journal of Contemporary Chinese Art, the only English-language journal on contemporary Chinese art. He has also been a founding member and Board Director of the Vancouver International Centre for Contemporary Asian Art since 1999. As an independent curator, he has organized and curated numerous exhibitions including ‘Jiangnan: Modern and Contemporary Chinese Art' (Vancouver), the ‘Art of the Proletarian Cultural Revolution’ (Vancouver, Toronto, Winnipeg, Canada), ‘Shanghai Modern’ (Munich, Kiel, Germany), the Shanghai Biennale (Shanghai, 2004), ‘China Trade’ (Vancouver), ‘Reincarnation’ (Toronto) and ‘Art and China’s Revolution’ (New York). 簡歷︰鄭勝天,1938年生,河南人。華裔加拿大學者、策展人和油畫家。1958年畢業於杭州浙江美術學院(中國美術學院)。曾任中國美術學院油畫系主任、美國明尼蘇達大學和聖地牙哥州立大學客座教授、梁潔華藝術基金會秘書長。自2002年起擔任英文當代中國藝術學刊《YISHU》(典藏國際版)的總策劃。兼任溫哥華當代亞洲藝術國際中心創會理事、 上海《藝術當代》編委。 近年策劃的重要活動與展覽有《江南:現代和當代華人藝術展覽與國際學術研討會》(溫哥華);《無產階級文化大革命的藝術》(溫哥華,多倫多,溫尼帕);《上海摩登》(慕尼克,基爾);2004上海雙年展;《中國生意》(溫哥華);《轉世》(多倫多);《藝術和中國革命》(紐約)等。現擔任溫哥華雙年展亞洲資深策展人。論著經常在中外刊物上發表。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zheng Shengtian and Asia Art Archive
event photograph/recording, interview documentation
English
Speaker:ZHENG Shengtian, 鄭勝天, 1938, China (Shengtien ZHENG, Sheng Tien ZHENG, Sheng Tian ZHENG)
cdn.aaa.org.hk/_source/zstiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35688.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-shengtian/object/interview-zheng-shengtian
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24595
Digitised materials
Interview: Zheng Shengtian (Chinese subtitles)
訪問:鄭勝天
11643
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Shengtian 鄭勝天
online
Interview: Zheng Shengtian (Chinese subtitles), 訪問:鄭勝天
This interview was conducted in Brooklyn, New York on 31 October 2009. Biography: Zheng Shengtian (b. 1938, Henan Province) is an artist, writer and curator now based in Vancouver, Canada. Zheng graduated in 1958 from the Zhejiang Acadmy of Art in Hangzhou (now China Academy of Art), where he worked for more than thirty years as a professor and chair of the Oil Painting Department. He was also a visiting professor at the University of Minnesota and at San Diego State University in the 1980s. Zheng moved to Canada in 1990. From 1996 to 2000, he was Secretary of the Annie Wong Art Foundation and Director of the Art Beatus Gallery in Vancouver. Since 2002, he has been the Managing Editor of Yishu: Journal of Contemporary Chinese Art, the only English-language journal on contemporary Chinese art. He has also been a founding member and Board Director of the Vancouver International Centre for Contemporary Asian Art since 1999. As an independent curator, he has organized and curated numerous exhibitions including ‘Jiangnan: Modern and Contemporary Chinese Art' (Vancouver), the ‘Art of the Proletarian Cultural Revolution’ (Vancouver, Toronto, Winnipeg, Canada), ‘Shanghai Modern’ (Munich, Kiel, Germany), the Shanghai Biennale (Shanghai, 2004), ‘China Trade’ (Vancouver), ‘Reincarnation’ (Toronto) and ‘Art and China’s Revolution’ (New York).簡歷︰鄭勝天,1938年生,河南人。華裔加拿大學者、策展人和油畫家。1958年畢業於杭州浙江美術學院(中國美術學院)。曾任中國美術學院油畫系主任、美國明尼蘇達大學和聖地牙哥州立大學客座教授、梁潔華藝術基金會秘書長。自2002年起擔任英文當代中國藝術學刊《YISHU》(典藏國際版)的總策劃。兼任溫哥華當代亞洲藝術國際中心創會理事、 上海《藝術當代》編委。 近年策劃的重要活動與展覽有《江南:現代和當代華人藝術展覽與國際學術研討會》(溫哥華);《無產階級文化大革命的藝術》(溫哥華,多倫多,溫尼帕);《上海摩登》(慕尼克,基爾);2004上海雙年展;《中國生意》(溫哥華);《轉世》(多倫多);《藝術和中國革命》(紐約)等。現擔任溫哥華雙年展亞洲資深策展人。論著經常在中外刊物上發表。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zheng Shengtian and Asia Art Archive
event photograph/recording, interview documentation
English
Speaker:ZHENG Shengtian, 鄭勝天, 1938, China (Shengtien ZHENG, Sheng Tien ZHENG, Sheng Tian ZHENG)
Fang Wen: Zheng Sheng Tian
cdn.aaa.org.hk/_source/zstiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35689.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-shengtian/object/interview-zheng-shengtian-chinese-subtitles
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24596
Digitised materials
Interview: Zhao Chuan (Chinese subtitles)
訪問:趙川
11641
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhao Chuan 趙川
online
Interview: Zhao Chuan (Chinese subtitles), 訪問:趙川
This interview was conducted in Shanghai on 9 June 2011. Biography: Zhao Chuan (b. 1967, Shanghai) is a writer and art critic who is also actively involved in the theatre scene. After graduating from the Affiliated Art High School of Shanghai University School of Fine Art in 1987, Zhao Chuan continued his studies in Australia. Zhao began writing professionally since 2000. His novella Mandarin Ducks and Butterflies won the Unitas Fiction Newcomer Award in 2001. In the following year, he was invited by the Cultural Affairs Bureau of Taipei City Government and Asialink of Australia, to partake in the Asialink Writing Residency Program in Taipei. Together with Tong Ren, Zhao founded the theatre troupe ‘Grass Stage’ in Shanghai in 2005, with a mission to promote new forms of social theater movement, to organize non-profit theater performances, and to encourage both national and international exchange activities. Zhao has published numerous novels and essays. His main focus in recent years has been the development of contemporary art in Shanghai since the late 70s. Published works include Shanghai Abstract Story.簡歷︰趙川,1967年出生於上海。作家、戲劇工作者以及藝術批評家。1987年畢業於上海大學美術學院附中,1988年赴澳大利亞留學。於2000年開始專事寫作,中篇小說《鴛鴦蝴蝶》獲2001年台灣《聯合文學》小說新人獎。 2002年獲台北市政府文化局邀請及澳洲Asialink委派,任台北駐市作家。 2005年,趙川與同仁於在上海創立「草台班」,致力推動新形式的社會劇場運動,策劃非營利的戲劇演出及國內國際互動。他已出版小說和隨筆集等多種,近年常撰寫關於早期上海當代藝術之文章,已出版有《上海抽象故事》等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhao Chuan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHAO Chuan, 趙川, China (ZHAO Chuan)
Fang Wen: Zhao Chuan
cdn.aaa.org.hk/_source/zhc.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35687.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhao-chuan/object/interview-zhao-chuan-chinese-subtitles
-
24598
Digitised materials
Interview: Zhao Chuan (English subtitles)
11641
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhao Chuan 趙川
online
Interview: Zhao Chuan (English subtitles)
This interview was conducted in Shanghai on 9 June 2011. Biography: Zhao Chuan (b. 1967, Shanghai) is a writer and art critic who is also actively involved in the theatre scene. After graduating from the Affiliated Art High School of Shanghai University School of Fine Art in 1987, Zhao Chuan continued his studies in Australia. Zhao began writing professionally since 2000. His novella Mandarin Ducks and Butterflies won the Unitas Fiction Newcomer Award in 2001. In the following year, he was invited by the Cultural Affairs Bureau of Taipei City Government and Asialink of Australia, to partake in the Asialink Writing Residency Program in Taipei. Together with Tong Ren, Zhao founded the theatre troupe ‘Grass Stage’ in Shanghai in 2005, with a mission to promote new forms of social theater movement, to organize non-profit theater performances, and to encourage both national and international exchange activities. Zhao has published numerous novels and essays. His main focus in recent years has been the development of contemporary art in Shanghai since the late 70s. Published works include Shanghai Abstract Story.簡歷︰趙川,1967年出生於上海。作家、戲劇工作者以及藝術批評家。1987年畢業於上海大學美術學院附中,1988年赴澳大利亞留學。於2000年開始專事寫作,中篇小說《鴛鴦蝴蝶》獲2001年台灣《聯合文學》小說新人獎。 2002年獲台北市政府文化局邀請及澳洲Asialink委派,任台北駐市作家。 2005年,趙川與同仁於在上海創立「草台班」,致力推動新形式的社會劇場運動,策劃非營利的戲劇演出及國內國際互動。他已出版小說和隨筆集等多種,近年常撰寫關於早期上海當代藝術之文章,已出版有《上海抽象故事》等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhao Chuan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHAO Chuan, 趙川, China (ZHAO Chuan)
cdn.aaa.org.hk/_source/zhc.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35686.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhao-chuan/object/interview-zhao-chuan-english-subtitles
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24602
Digitised materials
Interview: Zhang Jianjun (English subtitles)
11633
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Jianjun 張健君
online
Interview: Zhang Jianjun (English subtitles)
This interview was conducted at East China Normal University, Shanghai on 3 March 2009. Biography: Zhang Jianjun (b. 1955, Shanghai) is an artist and professor in the Department of Art and Art Professions at New York University’s (NYU) Steinhardt School and is also involved with the Shanghai Center of NYU’s Shanghai campus. In 1978, Zhang graduated from the Department of Fine Arts at the Shanghai Drama Institute. In 1983, he participated in the ‘’83 Experimental Painting' exhibition held at Fudan University in Shanghai. In 1987, Zhang became an assistant to the Director of the Shanghai Art Museum and received a fellowship from the Asian Cultural Council to visit the United States. Upon his return to Shanghai, Zhang took part in the performance The Last Supper and participated in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing (1989). Zhang moved to New York in 1989 and began teaching at NYU’s Steinhardt School in 1997. Since 2007, he has been teaching at NYU’s New York and Shanghai campuses. In addition to his teaching responsibilities, he continues to make art and recently participated in ‘Turn to Abstract: A Retrospective of Shanghai Experimental Art from 1976 to 1985’ (Shanghai, 2008).簡歷︰張健君,1955年生於上海。藝術家,現居紐約。1978年畢業於上海戲劇學院美術系油畫專業。1983年參與在上海復旦大學舉行的《’83階段——繪畫實驗展》。1987年出任上海美術館館長助理。1987年,受美國亞洲文化協會之資助赴美,從事當代藝術的考察與創作,1988年,返回中國;是年年底參加⟨最後的晚餐⟩行為演出。1989年参加在中國美術館舉辦的《中國現代藝術展》。1989年再次赴美國。 1997年起,在美國紐約大學Steinhardt School任教。2007年,紐約大學於上海設立教學中心,張健君也來往兩地教學。教學之外,亦持續創作。近年參與的展覽包括《轉向抽象:1976—1985上海實驗藝術回顧展》(2008,上海)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhang Jianjun and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHANG Jianjun, 張健君, 1955, China, Shanghai (張健君, 張建君, ZHANG Jianjun, Jianjun ZHANG, ZHANG Jian Jun, Jian Jun ZHANG, 健君, Jian Jun)
cdn.aaa.org.hk/_source/zjjiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35601.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-jianjun/object/interview-zhang-jianjun-english-subtitles
-
25259
Digitised materials
Interview: Zhang Peili (Chinese subtitles)
訪問:張培力
11635
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Peili 張培力
online
Interview: Zhang Peili (Chinese subtitles), 訪問:張培力
This interview was conducted at the China Academy of Art and Zhang Peili's studio in Hangzhou on 23 November 2008. For more information please visit the Materials of the Future website. 此訪談於2008年11月23日在杭州中國美術學院新媒體系和張培力工作室進行。詳情請瀏覽此頁。 Biography: Zhang Peili (b. 1957, Hangzhou) is an artist and Head of the New Media Department at the China Academy of Art in Hangzhou. Zhang graduated from the Oil Painting Department at the Zhejiang Academy of Fine Arts (now the China Academy of Art) in 1984. The following year, he helped organize the exhibition ‘New Space' in which his oil paintings, including Midsummer Swimmers, Please Enjoy Some Jazz and Interval, were also shown. In 1986, Zhang helped form the Pond Society with Geng Jianyi, Wang Qiang, Song Ling, Bao Jianfei, Cao Xuelei and others. In the late 1980s, he created a series of groundbreaking works like Yang’s Tai Chi, an innovative outdoor work, and two early experiments in conceptual, text-based art, About X?: Exhibition Procedures and Art Project No. 2. Zhang also created 30X30, a video work now recognized as the first video art piece in the history of Chinese contemporary art. In the early '90s, Zhang founded the New Media Department at the China Academy of Art, the first of its kind in China’s art academy system. He has also been an active participant in international exhibitions. In 2008, OCAT Shenzhen held a solo exhibition for Zhang, in conjunction with a comprehensive monograph entitled Artistic Working Manual of Zhang Peili.簡歷︰張培力,1957年生於杭州。藝術家,中國美術學院新媒體系主任。1984年畢業於浙江美院油畫系。1985年參與組織杭州《新空間畫展》,展出油畫作品⟨仲夏的泳者⟩、⟨水中的泳者⟩、⟨請你欣賞爵士⟩和⟨休止音符⟩。1986年參與組織「池社」(成員有耿建翌、王强、宋陵、包劍斐、曹學雷等);這期間創作的多個具突破意義的作品,包括⟨楊氏太極⟩是實驗性的公共作品、⟨關於X-先奏後斬的計劃⟩及⟨藝術計劃第二號⟩是文本藝術的早期實驗,⟨30X30⟩更可視為中國當代藝術中首個錄像作品。 九十年代初在中國美術學院創辦中國首個新媒體系。張培力的作品見於海內外;2008年在深圳OCAT舉辦個人展《靜音》,並出版檔案式專集《張培力︰藝術工作手冊》。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhang Peili and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHANG Peili, 張培力, 1957, China (Zhang Pei Li)
Fang Wen: Zhang Pei Li
cdn.aaa.org.hk/_source/zpliml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35604.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-peili/object/interview-zhang-peili-chinese-subtitles
-
25262
Digitised materials
Interview: Zhang Peili (English subtitles)
11635
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Peili 張培力
online
Interview: Zhang Peili (English subtitles)
This interview was conducted at the China Academy of Art and Zhang Peili's studio in Hangzhou on 23 November 2008. For more information please visit the Materials of the Future website. Biography: Zhang Peili (b. 1957, Hangzhou) is an artist and Head of the New Media Department at the China Academy of Art in Hangzhou. Zhang graduated from the Oil Painting Department at the Zhejiang Academy of Fine Arts (now the China Academy of Art) in 1984. The following year, he helped organize the exhibition ‘New Space' in which his oil paintings, including Midsummer Swimmers, Please Enjoy Some Jazz and Interval, were also shown. In 1986, Zhang helped form the Pond Society with Geng Jianyi, Wang Qiang, Song Ling, Bao Jianfei, Cao Xuelei and others. In the late 1980s, he created a series of groundbreaking works like Yang’s Tai Chi, an innovative outdoor work, and two early experiments in conceptual, text-based art, About X?: Exhibition Procedures and Art Project No. 2. Zhang also created 30X30, a video work now recognized as the first video art piece in the history of Chinese contemporary art. In the early '90s, Zhang founded the New Media Department at the China Academy of Art, the first of its kind in China’s art academy system. He has also been an active participant in international exhibitions. In 2008, OCAT Shenzhen held a solo exhibition for Zhang, in conjunction with a comprehensive monograph entitled Artistic Working Manual of Zhang Peili.簡歷︰張培力,1957年生於杭州。藝術家,中國美術學院新媒體系主任。1984年畢業於浙江美院油畫系。1985年參與組織杭州《新空間畫展》,展出油畫作品⟨仲夏的泳者⟩、⟨水中的泳者⟩、⟨請你欣賞爵士⟩和⟨休止音符⟩。1986年參與組織「池社」(成員有耿建翌、王强、宋陵、包劍斐、曹學雷等);這期間創作的多個具突破意義的作品,包括⟨楊氏太極⟩是實驗性的公共作品、⟨關於X-先奏後斬的計劃⟩及⟨藝術計劃第二號⟩是文本藝術的早期實驗,⟨30X30⟩更可視為中國當代藝術中首個錄像作品。 九十年代初在中國美術學院創辦中國首個新媒體系。張培力的作品見於海內外;2008年在深圳OCAT舉辦個人展《靜音》,並出版檔案式專集《張培力︰藝術工作手冊》。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhang Peili and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHANG Peili, 張培力, 1957, China (Zhang Pei Li)
cdn.aaa.org.hk/_source/zpliml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35603.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-peili/object/interview-zhang-peili-english-subtitles
-
25265
Digitised materials
Interview: Zhang Jianjun (Chinese subtitles)
訪問:張健君
11633
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Jianjun 張健君
online
Interview: Zhang Jianjun (Chinese subtitles), 訪問:張健君
This interview was conducted at East China Normal University, Shanghai on 3 March 2009. Biography: Zhang Jianjun (b. 1955, Shanghai) is an artist and professor in the Department of Art and Art Professions at New York University’s (NYU) Steinhardt School and is also involved with the Shanghai Center of NYU’s Shanghai campus. In 1978, Zhang graduated from the Department of Fine Arts at the Shanghai Drama Institute. In 1983, he participated in the ‘’83 Experimental Painting' exhibition held at Fudan University in Shanghai. In 1987, Zhang became an assistant to the Director of the Shanghai Art Museum and received a fellowship from the Asian Cultural Council to visit the United States. Upon his return to Shanghai, Zhang took part in the performance The Last Supper and participated in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing (1989). Zhang moved to New York in 1989 and began teaching at NYU’s Steinhardt School in 1997. Since 2007, he has been teaching at NYU’s New York and Shanghai campuses. In addition to his teaching responsibilities, he continues to make art and recently participated in ‘Turn to Abstract: A Retrospective of Shanghai Experimental Art from 1976 to 1985’ (Shanghai, 2008).簡歷︰張健君,1955年生於上海。藝術家,現居紐約。1978年畢業於上海戲劇學院美術系油畫專業。1983年參與在上海復旦大學舉行的《’83階段——繪畫實驗展》。1987年出任上海美術館館長助理。1987年,受美國亞洲文化協會之資助赴美,從事當代藝術的考察與創作,1988年,返回中國;是年年底參加⟨最後的晚餐⟩行為演出。1989年参加在中國美術館舉辦的《中國現代藝術展》。1989年再次赴美國。 1997年起,在美國紐約大學Steinhardt School任教。2007年,紐約大學於上海設立教學中心,張健君也來往兩地教學。教學之外,亦持續創作。近年參與的展覽包括《轉向抽象:1976—1985上海實驗藝術回顧展》(2008,上海)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhang Jianjun and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHANG Jianjun, 張健君, 1955, China, Shanghai (張健君, 張建君, ZHANG Jianjun, Jianjun ZHANG, ZHANG Jian Jun, Jian Jun ZHANG, 健君, Jian Jun)
Fang Wen: Zhang Jian Jun
cdn.aaa.org.hk/_source/zjjiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35602.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-jianjun/object/interview-zhang-jianjun-chinese-subtitles
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25272
Digitised materials
Interview: Zhang Hongtu (Chinese subtitles)
訪問:張宏圖
11631
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Hongtu 張宏圖
online
Interview: Zhang Hongtu (Chinese subtitles), 訪問:張宏圖
This interview was conducted at Zhang Hongtu's studio in Brooklyn, New York on 14 October 2009. Biography: Zhang Hongtu (b. 1943, Pingliang, Gansu Province) is a New York-based artist. Zhang studied at the Central Academy of Arts and Crafts in Beijing and moved to New York in 1982, where he helped build a community for immigrant Chinese artists through the Chinese United Overseas Artists Association in 1987. Some of Zhang’s works use Mao's image to reference communist China, whilst other works, like his repainted shan-shui projects combine Chinese and Western imagery and technique. His most recent works focus on the relationship between nature and the human condition. Zhang has exhibited extensively, with shows at the Princeton University Art Museum, the Guangzhou Triennial, the Havana Biennial, PS1 New York, and the New Museum in New York.簡歷︰張宏圖,1943年出生於甘肅平涼,現居紐約。張宏圖早年就讀於中央工藝美術學院(北京),自1982年移居美國,為協助在海外的中國藝術家,他參與創立了Chinese United Overseas Artists Association(中國海外藝術家協會)。 張宏圖的早期作品中,運用毛澤東的形象以表達他對共產主義中國的感受。他的⟨山水畫再製⟩系列則重疊了中國山水大師的作品與西方風格,使這熟悉但陌生的兩者,產生混血的效果。他的近作則更多地關注自然和人類生存環境的關係。他的作品曾經在以下幾處展出:普林斯頓大學美術館,廣州三年展,哈瓦那雙年展,PS1美術館,新美術館等等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhang Hongtu and Asia Art Archive
event photograph/recording, interview documentation
English
Speaker:ZHANG Hongtu, 張宏圖, 1943, China (張宏圖)
Fang Wen: Zhang Hong Tu
cdn.aaa.org.hk/_source/zhtiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35600.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-hongtu/object/interview-zhang-hongtu-chinese-subtitles
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25273
Digitised materials
Interview: Zhang Hongtu
11631
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Hongtu 張宏圖
online
Interview: Zhang Hongtu
This interview was conducted at Zhang Hongtu's studio in Brooklyn, New York on 14 October 2009. Biography: Zhang Hongtu (b. 1943, Pingliang, Gansu Province) is a New York-based artist. Zhang studied at the Central Academy of Arts and Crafts in Beijing and moved to New York in 1982, where he helped build a community for immigrant Chinese artists through the Chinese United Overseas Artists Association in 1987. Some of Zhang’s works use Mao's image to reference communist China, whilst other works, like his repainted shan-shui projects combine Chinese and Western imagery and technique. His most recent works focus on the relationship between nature and the human condition. Zhang has exhibited extensively, with shows at the Princeton University Art Museum, the Guangzhou Triennial, the Havana Biennial, PS1 New York, and the New Museum in New York.簡歷︰張宏圖,1943年出生於甘肅平涼,現居紐約。張宏圖早年就讀於中央工藝美術學院(北京),自1982年移居美國,為協助在海外的中國藝術家,他參與創立了Chinese United Overseas Artists Association(中國海外藝術家協會)。 張宏圖的早期作品中,運用毛澤東的形象以表達他對共產主義中國的感受。他的⟨山水畫再製⟩系列則重疊了中國山水大師的作品與西方風格,使這熟悉但陌生的兩者,產生混血的效果。他的近作則更多地關注自然和人類生存環境的關係。他的作品曾經在以下幾處展出:普林斯頓大學美術館,廣州三年展,哈瓦那雙年展,PS1美術館,新美術館等等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhang Hongtu and Asia Art Archive
event photograph/recording, interview documentation
English
Speaker:ZHANG Hongtu, 張宏圖, 1943, China (張宏圖)
cdn.aaa.org.hk/_source/zhtiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35599.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-hongtu/object/interview-zhang-hongtu
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25275
Digitised materials
Interview: Yu Youhan (Chinese subtitles)
訪問:余友涵
11627
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Yu Youhan 余友涵
online
Interview: Yu Youhan (Chinese subtitles), 訪問:余友涵
This interview was conducted at Yu Youhan's home in Shanghai on 3 March 2009. Biography: Yu Youhan (b. 1943, Shanghai) is an artist and currently lives and works in Shanghai. In 1973, after graduating from the Central Academy of Arts and Crafts in Beijing, Yu became a teacher at the Shanghai College of Arts and Crafts. His Mao series, which he developed in 1988, attracted international attention and in the 1990s became some of the most recognizable images of political pop in China. Yu’s works have appeared in many international exhibitions, including the 45th Venice Biennale (1993), the ‘China Avant-Garde Exhibition’ (Germany, 1993) and the 22nd Sao Paulo Biennial (1994), to name a few. Yu continues to paint and also exhibits widely.簡歷︰余友涵,1943年生於上海。藝術家,居於上海。1973年畢業於北京中央工藝美術學院藝術設計專業,其後獲分配到上海市工藝美術學校任教。1988年開始以波普方式創作,開展了他的《毛澤東》系列。九十年代,余友涵的《毛澤東》系列在國際藝術界嶄露頭角,成為中國政治波普最為人所知的代表之一。 余友涵的作品見於海內外,曾參與第45屆《威尼斯雙年展》(1993);《中國前衛藝術展》(1993,德國);第22屆《聖保羅雙年展》(1994)等重要展覽。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Yu Youhan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:YU Youhan, 余友涵, 1943, China (余友涵)
Fang Wen: Yu You Han
cdn.aaa.org.hk/_source/yyhiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35591.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-yu-youhan/object/interview-yu-youhan-chinese-subtitles
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25276
Digitised materials
Interview: Zhang Dali (Chinese subtitles)
訪問:張大力
11629
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Dali 張大力
online
Interview: Zhang Dali (Chinese subtitles), 訪問:張大力
This interview was conducted at Zhang Dali's studio in Beijing on 18 July 2009. Biography: Zhang Dali (b. 1963, Harbin, Heilongjiang Province) is an artist currently residing in Beijing. In 1983, Zhang was admitted to the Department of Book Design at the Central Academy of Arts and Crafts in Beijing. Zhang worked from 1987 to 1989 as a professional painter in the area adjacent to the Old Summer Palace in Beijing’s Haidian District. In July 1989, Zhang moved to Bologna, Italy. In 1992, Zhang Dali began spray-painting human head profiles onto buildings in the city of Bologna, a practice which developed into his series Dialogue. After returning to Beijing in 1995, Zhang continued to work on this project, and in 1998, he began hollowing out some of his spray-painted profiles, which evolved into his Demolition series. In 2002, Zhang began a new project called One Hundred Chinese, in which he created resin models of the heads of a hundred immigrant workers in Beijing.簡歷︰張大力,1963年生於黑龍江哈爾濱。藝術家,現居於北京。張氏於1983年考入北京中央工藝美術學院書藉裝幀藝術系。1987至1989年間,他於北京海澱區圓明園作職業畫家。後於1989年7月旅居意大利北部城市波倫尼亞。 自1992年開始,張大力於波倫尼亞城塗鴉人頭像,並命名為⟨對話⟩。1995年回北京後,他繼續從事⟨對話⟩的創作;並於1998年開始開鑿人頭像,命名為⟨拆⟩。自2002年開始,張氏以石灰「拓」下100名北京民工的頭像,並把這些頭像結集成《一百個中國人》。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhang Dali and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHANG Dali, 張大力, 1963, China (張大力)
Fang Wen: Zhang Da Li
cdn.aaa.org.hk/_source/zdliml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35593.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-dali/object/interview-zhang-dali-chinese-subtitles
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25279
Digitised materials
Interview: Zhang Dali (English subtitles)
11629
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Dali 張大力
online
Interview: Zhang Dali (English subtitles)
This interview was conducted at Zhang Dali's studio in Beijing on 18 July 2009. Biography: Zhang Dali (b. 1963, Harbin, Heilongjiang Province) is an artist currently residing in Beijing. In 1983, Zhang was admitted to the Department of Book Design at the Central Academy of Arts and Crafts in Beijing. Zhang worked from 1987 to 1989 as a professional painter in the area adjacent to the Old Summer Palace in Beijing’s Haidian District. In July 1989, Zhang moved to Bologna, Italy. In 1992, Zhang Dali began spray-painting human head profiles onto buildings in the city of Bologna, a practice which developed into his series Dialogue. After returning to Beijing in 1995, Zhang continued to work on this project, and in 1998, he began hollowing out some of his spray-painted profiles, which evolved into his Demolition series. In 2002, Zhang began a new project called One Hundred Chinese, in which he created resin models of the heads of a hundred immigrant workers in Beijing.簡歷︰張大力,1963年生於黑龍江哈爾濱。藝術家,現居於北京。張氏於1983年考入北京中央工藝美術學院書藉裝幀藝術系。1987至1989年間,他於北京海澱區圓明園作職業畫家。後於1989年7月旅居意大利北部城市波倫尼亞。 自1992年開始,張大力於波倫尼亞城塗鴉人頭像,並命名為⟨對話⟩。1995年回北京後,他繼續從事⟨對話⟩的創作;並於1998年開始開鑿人頭像,命名為⟨拆⟩。自2002年開始,張氏以石灰「拓」下100名北京民工的頭像,並把這些頭像結集成《一百個中國人》。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Zhang Dali and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:ZHANG Dali, 張大力, 1963, China (張大力)
cdn.aaa.org.hk/_source/zdliml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35592.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-dali/object/interview-zhang-dali-english-subtitles
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25283
Digitised materials
Interview: Ye Yongqing (Chinese subtitles)
訪問:葉永青
11625
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ye Yongqing 葉永青
online
Interview: Ye Yongqing (Chinese subtitles), 訪問:葉永青
This interview was conducted at the Hong Kong Arts Centre on 5 April 2008. For more information please visit the Materials of the Future website. 此訪談於2009年3月5日在香港藝術中心進行。詳情請瀏覽此頁。 Biography: Ye Yongqing (b. 1958, Kunming, Yunnan Province) is an artist and currently lives and works in Beijing. He also teaches at the Sichuan Fine Arts Institute (SFAI). Ye graduated from SFAI in 1982, and by the mid-'80s was a leading artist in the Southwestern region of China. His paintings demonstrated his ability to unite Western art techniques with Chinese traditional painting practices. Apart from his art and teaching practices, Ye has also engaged in curatorial projects, as well as helping to organize the Upriver Club in Kunming (Yunnan), one of the earliest independent contemporary art spaces in China in the 1990s. Ye is a member of the Chinese Artists Association and continues to exhibit widely.簡歷︰葉永青,1958年生於雲南昆明。藝術家,居於北京。1982年毕业於四川美術學院油畫系。葉永青是八十年代中期「西南藝術家研究群體」的成員,是西南地區的重要藝術家。葉氏的繪畫以在中國傳統繪畫中注入西畫技法見稱。除創作外,葉氏自九十年代開始,參與多個藝術活動之策展及組織工作。1999年於雲南創建上河會館,是中國較早的非官方藝術文化組織之一。葉氏的作品見於海內外。現為中國美術家協會會員及四川美術學院教授。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Ye Yongqing and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:YE Yongqing, 葉永青, 1958, China (葉永青, YE Yongqing)
Fang Wen: Ye Yong Qing
cdn.aaa.org.hk/_source/yyqiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35587.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ye-yongqing/object/interview-ye-yongqing-chinese-subtitles
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25284
Digitised materials
Interview: Yu Youhan (English subtitles)
11627
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Yu Youhan 余友涵
online
Interview: Yu Youhan (English subtitles)
This interview was conducted at Yu Youhan's home in Shanghai on 3 March 2009. Biography: Yu Youhan (b. 1943, Shanghai) is an artist and currently lives and works in Shanghai. In 1973, after graduating from the Central Academy of Arts and Crafts in Beijing, Yu became a teacher at the Shanghai College of Arts and Crafts. His Mao series, which he developed in 1988, attracted international attention and in the 1990s became some of the most recognizable images of political pop in China. Yu’s works have appeared in many international exhibitions, including the 45th Venice Biennale (1993), the ‘China Avant-Garde Exhibition’ (Germany, 1993) and the 22nd Sao Paulo Biennial (1994), to name a few. Yu continues to paint and also exhibits widely.簡歷︰余友涵,1943年生於上海。藝術家,居於上海。1973年畢業於北京中央工藝美術學院藝術設計專業,其後獲分配到上海市工藝美術學校任教。1988年開始以波普方式創作,開展了他的《毛澤東》系列。九十年代,余友涵的《毛澤東》系列在國際藝術界嶄露頭角,成為中國政治波普最為人所知的代表之一。 余友涵的作品見於海內外,曾參與第45屆《威尼斯雙年展》(1993);《中國前衛藝術展》(1993,德國);第22屆《聖保羅雙年展》(1994)等重要展覽。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Yu Youhan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:YU Youhan, 余友涵, 1943, China (余友涵)
cdn.aaa.org.hk/_source/yyhiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35590.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-yu-youhan/object/interview-yu-youhan-english-subtitles
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25287
Digitised materials
Interview: Yang Xiaoyan (English subtitles)
11623
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Yang Xiaoyan 楊小彥
online
Interview: Yang Xiaoyan (English subtitles)
This interview was conducted at Yang Xiaoyan's studio in Guangzhou on 19 January 2008. For more information please visit the Materials of the Future website. Biography: Yang Xiaoyan (b. 1957, Guangzhou) is an art theorist and critic who works in Guangzhou. Yang studied in the Department of Oil Painting at the Guangzhou Academy of Fine Arts (GAFA) between 1978 and 1982, and continued at GAFA to receive his master’s degree in 1987. Over the years, he has held a number of key editorial positions at the Huacheng Publishing House (1982–1984); the Lingnan Art Publishing House in Guangzhou (1984–1987); and was chief editor of Art Gallery (Hualang) magazine between 1993 and 1998. Between 1999 and 2004, Yang pursued his doctoral degree on the theory of architecture in the School of Architecture at the South China University of Technology. Yang’s studies and critiques have contributed greatly to the fields of art, photography and journalism. His publications include Art History and Its Significance (Yishushi de yiyi, in collaboration with Shao Hong) (2001) and Sixty Years of Chinese Photography (Xinzhongguo sheying liushinian) (2009).簡歷︰楊小彥,1957年生於廣州。藝術理論及批評家,現居廣州。1978—1982年間於廣州美術學院油畫系作本科生,畢業後兩年任花城出版社編輯。1984年攻讀廣州美術學院美術史碩士研究生課程,三年後獲碩士學位。畢業後於嶺南美術出版社任多個編輯職位,至1988年;1993—1998年間亦曾任《畫廊》雜誌主編。 1999—2004年間於華南理工大學建築學院建築學系,攻讀建築理論與歷史,並獲工學博士學位。畢業後任中山大學傳播與設計學院新聞傳播學系主任、教授至今。 楊小彥的研究及評論涉足美術、攝影和傳播領域。著作有《藝術史的意義》(與邵宏合著,藝術史的意義,2001)、《新中國攝影六十年》(石家莊:河北美術出版社,2009)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Yang Xiaoyan and Asia Art Archive
event photograph/recording, interview documentation
Cantonese
Speaker:YANG Xiaoyan, 楊小彥, China (Olivien Yang)
cdn.aaa.org.hk/_source/yxy.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35583.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-yang-xiaoyan/object/interview-yang-xiaoyan-english-subtitles
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25288
Digitised materials
Interview: Ye Yongqing (English subtitles)
11625
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ye Yongqing 葉永青
online
Interview: Ye Yongqing (English subtitles)
This interview was conducted at the Hong Kong Arts Centre on 5 April 2008. For more information please visit the Materials of the Future website. Biography: Ye Yongqing (b. 1958, Kunming, Yunnan Province) is an artist and currently lives and works in Beijing. He also teaches at the Sichuan Fine Arts Institute (SFAI). Ye graduated from SFAI in 1982, and by the mid-'80s was a leading artist in the Southwestern region of China. His paintings demonstrated his ability to unite Western art techniques with Chinese traditional painting practices. Apart from his art and teaching practices, Ye has also engaged in curatorial projects, as well as helping to organize the Upriver Club in Kunming (Yunnan), one of the earliest independent contemporary art spaces in China in the 1990s. Ye is a member of the Chinese Artists Association and continues to exhibit widely.簡歷︰葉永青,1958年生於雲南昆明。藝術家,居於北京。1982年毕业於四川美術學院油畫系。葉永青是八十年代中期「西南藝術家研究群體」的成員,是西南地區的重要藝術家。葉氏的繪畫以在中國傳統繪畫中注入西畫技法見稱。除創作外,葉氏自九十年代開始,參與多個藝術活動之策展及組織工作。1999年於雲南創建上河會館,是中國較早的非官方藝術文化組織之一。葉氏的作品見於海內外。現為中國美術家協會會員及四川美術學院教授。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Ye Yongqing and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:YE Yongqing, 葉永青, 1958, China (葉永青, YE Yongqing)
cdn.aaa.org.hk/_source/yyqiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35586.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ye-yongqing/object/interview-ye-yongqing-english-subtitles
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25289
Digitised materials
Interview: Yang Jiechang (Chinese subtitles)
訪問:楊詰蒼
11621
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Yang Jiechang 楊詰蒼
online
Interview: Yang Jiechang (Chinese subtitles), 訪問:楊詰蒼
This interview was conducted at the Guangzhou Academy of Fine Arts, Guangzhou on 25 October 2007. For more information please visit the Materials of the Future website. 此訪談於2007年10月25日在廣州美術學院進行。詳情請瀏覽此頁。 Biography: Yang Jiechang (b. 1956, Foshan, Guangdong Province) is an artist who lives and works in Paris, France, and Heidelberg, Germany. In the 1970s, Yang studied at the Foshan Folk Art Research Institute, and in 1978, he entered the Chinese Painting Department at the Guangzhou Academy of Fine Arts (GAFA). After graduating, he became a teacher at GAFA, and during the mid-1980s, he studied Zen Buddhism and Taoism. In 1988, Yang, along with Hou Hanru, Chen Tong, Tang Songwu, and others engaged in the performance Language, Communication, Man at the Sun Yat-Sen Library in Guangzhou. In 1989, Yang was invited to participate in the exhibition ‘Magiciens de la Terre’ in Paris. Yang continues to work as an artist and exhibits widely. Selected exhibitions include the Venice Biennale (2003), the second Guangzhou Triennial (2005), the Liverpool Biennial (UK, 2006) and the Istanbul Biennial (2007).簡歷︰楊詰蒼,1956年出生,廣東佛山人。 藝術家,現於海德堡及巴黎生活及工作。七十年代,楊詰蒼於佛山民間藝術研究社學習,奠定了中國傳統媒介的基礎;1978年入讀廣州美術學院國畫系,1982 年畢業後任教於廣州美术学院。八十年代中期研習禪宗及道家思想,影響了其對藝術的觀念。1988年與侯瀚如、陳侗、唐頌武在廣州中山圖書館創作了⟨話•對•人⟩行為演出。1989年應邀往巴黎龐比杜中心參加《大地魔術師》展,後移居歐洲。 楊詰蒼的作品見於海內外。近年曾參與重要展覽包括:第50屆《威尼斯雙年展》(2003);第二屆《廣州三年展》(2005);《利物浦雙年展》(2006)及《伊斯坦堡雙年展》(2007)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Yang Jiechang and Asia Art Archive
event photograph/recording, interview documentation
Cantonese
Speaker:YANG Jiechang, 楊詰蒼, 1956, China (Yang Jiecang, Jiecang Yang, Yang Jie Chang, Jie Chang YANG, 楊杰昌, 楊詰昌)
Fang Wen: Yang Jie Chang
cdn.aaa.org.hk/_source/yjciml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35582.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-yang-jiechang/object/interview-yang-jiechang-chinese-subtitles
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25294
Digitised materials
Interview: Yang Xiaoyan (Chinese subtitles)
訪問:楊小彥
11623
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Yang Xiaoyan 楊小彥
online
Interview: Yang Xiaoyan (Chinese subtitles), 訪問:楊小彥
This interview was conducted at Yang Xiaoyan's studio in Guangzhou on 19 January 2008. For more information please visit the Materials of the Future website. 此訪談於2008年1月19日在楊小彥位於廣州的工作室進行。詳情請瀏覽此頁。 Biography: Yang Xiaoyan (b. 1957, Guangzhou) is an art theorist and critic who works in Guangzhou. Yang studied in the Department of Oil Painting at the Guangzhou Academy of Fine Arts (GAFA) between 1978 and 1982, and continued at GAFA to receive his master’s degree in 1987. Over the years, he has held a number of key editorial positions at the Huacheng Publishing House (1982–1984); the Lingnan Art Publishing House in Guangzhou (1984–1987); and was chief editor of Art Gallery (Hualang) magazine between 1993 and 1998. Between 1999 and 2004, Yang pursued his doctoral degree on the theory of architecture in the School of Architecture at the South China University of Technology. Yang’s studies and critiques have contributed greatly to the fields of art, photography and journalism. His publications include Art History and Its Significance (Yishushi de yiyi, in collaboration with Shao Hong) (2001) and Sixty Years of Chinese Photography (Xinzhongguo sheying liushinian) (2009).簡歷︰楊小彥,1957年生於廣州。藝術理論及批評家,現居廣州。1978—1982年間於廣州美術學院油畫系作本科生,畢業後兩年任花城出版社編輯。1984年攻讀廣州美術學院美術史碩士研究生課程,三年後獲碩士學位。畢業後於嶺南美術出版社任多個編輯職位,至1988年;1993—1998年間亦曾任《畫廊》雜誌主編。 1999—2004年間於華南理工大學建築學院建築學系,攻讀建築理論與歷史,並獲工學博士學位。畢業後任中山大學傳播與設計學院新聞傳播學系主任、教授至今。 楊小彥的研究及評論涉足美術、攝影和傳播領域。著作有《藝術史的意義》(與邵宏合著,藝術史的意義,2001)、《新中國攝影六十年》(石家莊:河北美術出版社,2009)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Yang Xiaoyan and Asia Art Archive
event photograph/recording, interview documentation
Cantonese
Speaker:YANG Xiaoyan, 楊小彥, China (Olivien Yang)
Fang Wen: Yang Xiao Yan
cdn.aaa.org.hk/_source/yxy.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35584.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-yang-xiaoyan/object/interview-yang-xiaoyan-chinese-subtitles
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25299
Digitised materials
Interview: Xu Tan (Chinese subtitles)
訪問:徐坦
11619
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Xu Tan 徐坦
online
Interview: Xu Tan (Chinese subtitles), 訪問:徐坦
This interview was conducted at Beijing Normal University, Zhuhai on 28 October 2007. Biography: Xu Tan (b. 1957, Wuhan, Hubei Province) is an artist who lives and works in Guangzhou and Shenzhen. In 1979, Xu was admitted to the Guangzhou Academy of Fine Arts, where he received his B.A. and M.A. degrees in Oil Painting in 1983 and 1989 respectively. In 1993, Xu joined the Big-Tail Elephant Group, organized by Chen Shaoxiong, Lin Yilin and Liang Juhui, among others. Xu participated in two 'Big-Tail Elephant Group' exhibitions held in 1994 and 1996. Xu often uses text, images, video, performance and installation in his work to express his concern for a range of social issues. Xu’s works have appeared in major exhibitions such as ‘Cities on the Move’ (Vienna, Bordeaux, New York, Copenhagen, Bangkok and Thailand, 1997–1999), the 1998 Taipei Biennial, the third Asia-Pacific Triennial of Contemporary Art (Brisbane, 1999), the second Berlin Biennial (2002), the fourth Gwangju Biennale (South Korea, 2002), the second Guangzhou Triennial (2005), and the 50th and 53rd Venice Biennales (2003, 2009).簡歷︰徐坦,1957年生於湖北武漢。藝術家,現於廣州及深圳生活和工作。1979年入讀廣州美術學院油畫系,分別於1983及1989年獲得學士及碩士學位。1993年加入由陳劭雄、林一林、梁鉅輝組成的「大尾象工作組」,並於《沒有空間:大尾象》(1994,廣州)及《可能性:大尾象》(1996,廣州中心大廈)展出作品。 徐坦從事多種媒介的創作,包括文字、圖片、錄像、行為、裝置、網絡等。 徐坦的作品自九十年代在多個大型展覽中展出,包括《運動中的城市》(1997-1999,維也納,波而多,紐約,哥本哈根,倫敦,曼谷);《1998台北雙年展》(1998);第三屆《亞太當代藝術三年展》(1999,昆士蘭);第二屆《柏林雙年展》(2002);第四屆《光州雙年展》(2002);第二屆《廣州三年展》(2005)及第50屆、第53屆《威尼斯雙年展》(2003,2009)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Xu Tan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:XU Tan, 徐坦, 1957, China (徐坦)
Fang Wen: Xu Tan
cdn.aaa.org.hk/_source/xtiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35580.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-xu-tan/object/interview-xu-tan-chinese-subtitles
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25300
Digitised materials
Interview: Yang Jiechang (English subtitles)
11621
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Yang Jiechang 楊詰蒼
online
Interview: Yang Jiechang (English subtitles)
This interview was conducted at the Guangzhou Academy of Fine Arts, Guangzhou on 25 October 2007. For more information please visit the Materials of the Future website. Biography: Yang Jiechang (b. 1956, Foshan, Guangdong Province) is an artist who lives and works in Paris, France, and Heidelberg, Germany. In the 1970s, Yang studied at the Foshan Folk Art Research Institute, and in 1978, he entered the Chinese Painting Department at the Guangzhou Academy of Fine Arts (GAFA). After graduating, he became a teacher at GAFA, and during the mid-1980s, he studied Zen Buddhism and Taoism. In 1988, Yang, along with Hou Hanru, Chen Tong, Tang Songwu, and others engaged in the performance Language, Communication, Man at the Sun Yat-Sen Library in Guangzhou. In 1989, Yang was invited to participate in the exhibition ‘Magiciens de la Terre’ in Paris. Yang continues to work as an artist and exhibits widely. Selected exhibitions include the Venice Biennale (2003), the second Guangzhou Triennial (2005), the Liverpool Biennial (UK, 2006) and the Istanbul Biennial (2007).簡歷︰楊詰蒼,1956年出生,廣東佛山人。 藝術家,現於海德堡及巴黎生活及工作。七十年代,楊詰蒼於佛山民間藝術研究社學習,奠定了中國傳統媒介的基礎;1978年入讀廣州美術學院國畫系,1982 年畢業後任教於廣州美术学院。八十年代中期研習禪宗及道家思想,影響了其對藝術的觀念。1988年與侯瀚如、陳侗、唐頌武在廣州中山圖書館創作了⟨話•對•人⟩行為演出。1989年應邀往巴黎龐比杜中心參加《大地魔術師》展,後移居歐洲。 楊詰蒼的作品見於海內外。近年曾參與重要展覽包括:第50屆《威尼斯雙年展》(2003);第二屆《廣州三年展》(2005);《利物浦雙年展》(2006)及《伊斯坦堡雙年展》(2007)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Yang Jiechang and Asia Art Archive
event photograph/recording, interview documentation
Cantonese
Speaker:YANG Jiechang, 楊詰蒼, 1956, China (Yang Jiecang, Jiecang Yang, Yang Jie Chang, Jie Chang YANG, 楊杰昌, 楊詰昌)
cdn.aaa.org.hk/_source/yjciml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35581.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-yang-jiechang/object/interview-yang-jiechang-english-subtitles
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25302
Digitised materials
Interview: Xu Tan (English subtitles)
11619
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Xu Tan 徐坦
online
Interview: Xu Tan (English subtitles)
This interview was conducted at Beijing Normal University, Zhuhai on 28 October 2007. Biography: Xu Tan (b. 1957, Wuhan, Hubei Province) is an artist who lives and works in Guangzhou and Shenzhen. In 1979, Xu was admitted to the Guangzhou Academy of Fine Arts, where he received his B.A. and M.A. degrees in Oil Painting in 1983 and 1989 respectively. In 1993, Xu joined the Big-Tail Elephant Group, organized by Chen Shaoxiong, Lin Yilin and Liang Juhui, among others. Xu participated in two 'Big-Tail Elephant Group' exhibitions held in 1994 and 1996. Xu often uses text, images, video, performance and installation in his work to express his concern for a range of social issues. Xu’s works have appeared in major exhibitions such as ‘Cities on the Move’ (Vienna, Bordeaux, New York, Copenhagen, Bangkok and Thailand, 1997–1999), the 1998 Taipei Biennial, the third Asia-Pacific Triennial of Contemporary Art (Brisbane, 1999), the second Berlin Biennial (2002), the fourth Gwangju Biennale (South Korea, 2002), the second Guangzhou Triennial (2005), and the 50th and 53rd Venice Biennales (2003, 2009).簡歷︰徐坦,1957年生於湖北武漢。藝術家,現於廣州及深圳生活和工作。1979年入讀廣州美術學院油畫系,分別於1983及1989年獲得學士及碩士學位。1993年加入由陳劭雄、林一林、梁鉅輝組成的「大尾象工作組」,並於《沒有空間:大尾象》(1994,廣州)及《可能性:大尾象》(1996,廣州中心大廈)展出作品。 徐坦從事多種媒介的創作,包括文字、圖片、錄像、行為、裝置、網絡等。 徐坦的作品自九十年代在多個大型展覽中展出,包括《運動中的城市》(1997-1999,維也納,波而多,紐約,哥本哈根,倫敦,曼谷);《1998台北雙年展》(1998);第三屆《亞太當代藝術三年展》(1999,昆士蘭);第二屆《柏林雙年展》(2002);第四屆《光州雙年展》(2002);第二屆《廣州三年展》(2005)及第50屆、第53屆《威尼斯雙年展》(2003,2009)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Xu Tan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:XU Tan, 徐坦, 1957, China (徐坦)
cdn.aaa.org.hk/_source/xtiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35579.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-xu-tan/object/interview-xu-tan-english-subtitles
-
25307
Digitised materials
Interview: Xu Bing (Chinese subtitles)
訪問:徐冰
11617
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Xu Bing 徐冰
online
Interview: Xu Bing (Chinese subtitles), 訪問:徐冰
This interview was conducted at Today Art Museum, Beijing on 18 July 2009. Biography: Xu Bing (b. 1955, Chongqing) is an artist and the current Vice President of the Central Academy of Fine Arts in Beijing. Xu grew up in Beijing and graduated in 1981 from the Department of Printmaking at the Central Academy of Fine Arts) where he pursued his M.A. degree from 1984 to 1987. In 1987, Xu began working on the project A Book from the Sky, which featured the invention of more than two thousand pseudo-Chinese characters. The following year, Xu organized an exhibition of his own work at the National Art Museum of China, where he showed the first completed section of A Book from the Sky. He also exhibited the piece in the ‘China/Avant-Garde Exhibition’ in 1989. The next year, Xu began working on Ghosts Pounding the Wall (Gui daqiang), a large-scale, outdoor ink-on-paper rubbing from Beijing’s Jinshanling section of the Great Wall. In 1990, Xu accepted an invitation from the University of Wisconsin-Madison to visit the United States as an honorary fellow. Xu’s work has been widely exhibited, and in 1999, he was awarded a MacArthur Fellowship. He returned to China in 2008.簡歷︰徐冰,1955年生於重慶,在北京長大。藝術家,时任中央美術學院副院長。1977—1981年間就讀於中央美術學院版畫系。1984年開始攻讀該院碩士研究生, 1987年獲該院碩士學位。畢業後,徐冰開始設計及刻製兩千餘「偽漢字」,是為⟨天書⟩的組成部分。1988年在北京中國美術館舉行《徐冰版畫展》,並首次展出⟨天書⟩的第一階段。1989年在《中國現代藝術展》上也展出了⟨天書⟩。 1990年與學生和助手在北京金山嶺長城開始巨型作品⟨鬼打牆⟩的野外拓印工作。翌年,接受美國麥迪森 - 威斯康辛大學邀請,作榮譽藝術家赴美。自此旅居美國。九十年代及2000年代間,徐冰於歐美參與及舉行不少展覽,蜚聲國際。1999年獲得美國文化界最高獎:麥克•亞瑟獎(MacArthur Foundation ‘genius’ award)。2008年回到中國,出任中央美術學院副院長一職。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Xu Bing and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:XU Bing, 徐冰, 1955, China (徐冰)
Fang Wen: Xu Bing
cdn.aaa.org.hk/_source/xbiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35578.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-xu-bing/object/interview-xu-bing-chinese-subtitles
-
25308
Digitised materials
Interview: Xu Bing (English subtitles)
11617
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Xu Bing 徐冰
online
Interview: Xu Bing (English subtitles)
This interview was conducted at Today Art Museum, Beijing on 18 July 2009. Biography: Xu Bing (b. 1955, Chongqing) is an artist and the current Vice President of the Central Academy of Fine Arts in Beijing. Xu grew up in Beijing and graduated in 1981 from the Department of Printmaking at the Central Academy of Fine Arts) where he pursued his M.A. degree from 1984 to 1987. In 1987, Xu began working on the project A Book from the Sky, which featured the invention of more than two thousand pseudo-Chinese characters. The following year, Xu organized an exhibition of his own work at the National Art Museum of China, where he showed the first completed section of A Book from the Sky. He also exhibited the piece in the ‘China/Avant-Garde Exhibition’ in 1989. The next year, Xu began working on Ghosts Pounding the Wall (Gui daqiang), a large-scale, outdoor ink-on-paper rubbing from Beijing’s Jinshanling section of the Great Wall. In 1990, Xu accepted an invitation from the University of Wisconsin-Madison to visit the United States as an honorary fellow. Xu’s work has been widely exhibited, and in 1999, he was awarded a MacArthur Fellowship. He returned to China in 2008.簡歷︰徐冰,1955年生於重慶,在北京長大。藝術家,时任中央美術學院副院長。1977—1981年間就讀於中央美術學院版畫系。1984年開始攻讀該院碩士研究生, 1987年獲該院碩士學位。畢業後,徐冰開始設計及刻製兩千餘「偽漢字」,是為⟨天書⟩的組成部分。1988年在北京中國美術館舉行《徐冰版畫展》,並首次展出⟨天書⟩的第一階段。1989年在《中國現代藝術展》上也展出了⟨天書⟩。 1990年與學生和助手在北京金山嶺長城開始巨型作品⟨鬼打牆⟩的野外拓印工作。翌年,接受美國麥迪森 - 威斯康辛大學邀請,作榮譽藝術家赴美。自此旅居美國。九十年代及2000年代間,徐冰於歐美參與及舉行不少展覽,蜚聲國際。1999年獲得美國文化界最高獎:麥克•亞瑟獎(MacArthur Foundation ‘genius’ award)。2008年回到中國,出任中央美術學院副院長一職。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Xu Bing and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:XU Bing, 徐冰, 1955, China (徐冰)
cdn.aaa.org.hk/_source/xbiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35577.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-xu-bing/object/interview-xu-bing-english-subtitles
-
25309
Digitised materials
Interview: Wu Liang (Chinese subtitles)
訪問:吳亮
11615
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wu Liang 吳亮
online
Interview: Wu Liang (Chinese subtitles), 訪問:吳亮
This interview was conducted at the Shanghai Writers Association, Shanghai on 4 March 2009. For more information please visit the Materials of the Future website. 此訪談於2009年3月4日在上海作家協會進行。詳情請瀏覽此頁。 Biography: Wu Liang (b. 1955, Shanghai) is an art and literary critic, and Chief Editor of Shanghai Culture (Shanghai wenhua). In the 1980s, Wu was well known in literary circles for his biting commentary. In the 1990s, as he became increasingly drawn to art and artists, Wu turned his commentary towards the visual arts. Recently, he has resumed his interest in literature and cultural studies. Some of his notable publications include Literature Selections (Wenxue de xuanze) (1985), Conversations between the Artist and a Friend (Yige yishujia yu youren de tanhua) (1987), Discovering Criticism (Piping de faxian) (1988), Autumn Monologue (Qiutian de dubai) (1988), Notes of a City (Chengshi biji) (1990) and The Past and the Dream (Wangshi yu mengxiang) (1991).簡歷︰吳亮,廣東潮陽人,1955年生於上海。文學批評家及藝術批評家,當代文學批評雜誌《上海文化》主編。八十年代以辛辣文字見稱於學界。九十年代開始由文學轉向藝術,關注中國畫家及其作品。吳亮活躍於文學及文化現象領域,發表了一系列有影響力的批評作品,當中包括《文學的選擇》(1985)、《藝術家與友人的談話》(上海:上海文藝出版社,1987)、《批評的發現》(1988)、《秋天的獨白》(杭州:浙江文藝出版社,1988)、《城市筆記》(杭州:浙江文藝出版社,1990)、《往事與夢想》(上海:上海人民出版社,1991) 等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Wu Liang and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:WU Liang, 吳亮, China
Fang Wen: Wu Liang
cdn.aaa.org.hk/_source/wliml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35560.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wu-liang/object/interview-wu-liang-chinese-subtitles
-
25310
Digitised materials
Interview: Wu Liang (English subtitles)
11615
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wu Liang 吳亮
online
Interview: Wu Liang (English subtitles)
This interview was conducted at the Shanghai Writers Association, Shanghai on 4 March 2009. For more information please visit the Materials of the Future website. Biography: Wu Liang (b. 1955, Shanghai) is an art and literary critic, and Chief Editor of Shanghai Culture (Shanghai wenhua). In the 1980s, Wu was well known in literary circles for his biting commentary. In the 1990s, as he became increasingly drawn to art and artists, Wu turned his commentary towards the visual arts. Recently, he has resumed his interest in literature and cultural studies. Some of his notable publications include Literature Selections (Wenxue de xuanze) (1985), Conversations between the Artist and a Friend (Yige yishujia yu youren de tanhua) (1987), Discovering Criticism (Piping de faxian) (1988), Autumn Monologue (Qiutian de dubai) (1988), Notes of a City (Chengshi biji) (1990) and The Past and the Dream (Wangshi yu mengxiang) (1991).簡歷︰吳亮,廣東潮陽人,1955年生於上海。文學批評家及藝術批評家,當代文學批評雜誌《上海文化》主編。八十年代以辛辣文字見稱於學界。九十年代開始由文學轉向藝術,關注中國畫家及其作品。吳亮活躍於文學及文化現象領域,發表了一系列有影響力的批評作品,當中包括《文學的選擇》(1985)、《藝術家與友人的談話》(上海:上海文藝出版社,1987)、《批評的發現》(1988)、《秋天的獨白》(杭州:浙江文藝出版社,1988)、《城市筆記》(杭州:浙江文藝出版社,1990)、《往事與夢想》(上海:上海人民出版社,1991) 等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Wu Liang and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:WU Liang, 吳亮, China
cdn.aaa.org.hk/_source/wliml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35559.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wu-liang/object/interview-wu-liang-english-subtitles
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25880
Digitised materials
Interview: Shen Yuan (Chinese subtitles)
訪問:沈遠
11593
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shen Yuan 沈遠
online
Interview: Shen Yuan (Chinese subtitles), 訪問:沈遠
This interview was conducted at Asia Art Archive, Hong Kong on 3 March 2008. Biography: Shen Yuan (b. 1959, Xianyou, Fujian Province) is an artist who lives and works in Paris. Shen was in the first group of students admitted to Zhejiang Academy of Fine Arts (now the China Academy of Art) after the Cultural Revolution. She studied Chinese painting, and on graduating in 1982, took part in many of the experimental art activities in Xiamen in the mid-1980s. In 1989, her work Water Bed was shown in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China (Beijing, 1989). In 1990, Shen moved to Paris with her partner, Huang Yongping. Since then, she has participated in many international exhibitions, including ‘Cities on the Move’ (Vienna, Bordeaux, New York, Copenhagen, London, Bangkok and Helsinki, 1997–1999), the second Guangzhou Triennial (2005), the 52nd Venice Biennale (2007) and the ‘’85 New Wave’ (Beijing, 2007–2008).簡歷︰沈遠,1959年出生於福建仙游。藝術家,現居巴黎。沈遠是文化大革命後第一屆考入浙江美術學院(現中國美術學院)國畫系的學生,於1982年畢業。八十年代中期參加在廈門發生的激進藝術活動。她的作品⟨水床⟩參加1989年《中國現代藝術展》(北京中國美術館)。1990年與丈夫黃永砅移居法國巴黎。自九十年代開始,她參與的國際性大型展覽包括:《運動中的城市》(1997—1999,維也納,波爾多,紐約,哥本哈根,倫敦,曼谷,赫爾辛基);第二屆《廣州三年展》(2005,廣州);第52屆《威尼斯雙年展》(2007,威尼斯)及《’85新潮》(2007—2008,北京)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Shen Yuan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:SHEN Yuan, 沈遠, 1959, China
Fang Wen: Shen Yuan
cdn.aaa.org.hk/_source/shy.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35262.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shen-yuan/object/interview-shen-yuan-chinese-subtitles
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25883
Digitised materials
Interview: Ma Kelu (Chinese subtitles)
訪問:馬可魯
11581
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ma Kelu 馬可魯
online
Interview: Ma Kelu (Chinese subtitles), 訪問:馬可魯
This interview was conducted at Ma Kelu's studio in Beijing on 18 March 2009. For more information please visit the Materials of the Future website. 此訪談於2009年3月18日在馬可魯北京的工作室進行。詳情請瀏覽此頁。 Biography: Ma Kelu (b. 1954, Shanghai) is an artist living and working in Beijing. After being sent to the countryside for ‘re-education’ during the Cultural Revolution, Ma studied painting in Beijing from 1973 to 1974. During the late 1970s and early 1980s, Ma was an active member of the No Name Group. After meeting Zhao Wenliang and Yang Yushu in 1974, Ma took part in a series of unofficial exhibitions, including the ‘Eleven Persons' exhibition held in Zhang Wei’s apartment (1985), the ‘Beijing Landscape' painting exhibition (Jingshan Park, Beijing, 1978), the first and second 'No Name Group' exhibitions (1979, 1981), the ‘Ten Persons' painting exhibition (Chaoyang Theatre, Beijing, 1985) and the ‘Seven Persons' painting exhibition held in an American journalist’s apartment in Beijing (1985). After moving to New York City in 1987, he returned in 2006 to Beijing where he continues to live and work as an artist.簡歷︰馬可魯,1954 出生上海。藝術家,現居北京。馬可鲁於1960年隨父移居北京。文革時期曾下鄉插隊,其間堅持作畫。後於1973—1974年間在北京文化宮美術學習班学习繪畫。馬可魯是七、八十年代「無名畫會」的重要成員。自1974年認識趙文量及楊雨澍等畫家後,他積極參與各類非官方畫展,其中包括《十一人地下畫展》(1985,張偉家)、《北京風景畫展》(1978,北京景山公園)、無名畫會第一、二屆公開畫展(1979、1981,北海畫舫齋)、《塗畫展覽會十人畫展》(1985,北京朝陽劇場)、《七人畫展》(1985,美國記者何模樂的公寓)等。1987年,馬可魯旅居紐約,並參加國外展覽。2006年開始於北京生活及工作。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Ma Kelu and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:MA Kelu, 馬可魯, 1954, China (MA Ke Lu, Ke Lu MA, 馬克魯)
Fang Wen: Ma Ke Lu
cdn.aaa.org.hk/_source/mkliml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26642.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ma-kelu/object/interview-ma-kelu-chinese-subtitles
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25884
Digitised materials
Interview: Shen Yuan (English subtitles)
11593
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shen Yuan 沈遠
online
Interview: Shen Yuan (English subtitles)
This interview was conducted at Asia Art Archive, Hong Kong on 3 March 2008. Biography: Shen Yuan (b. 1959, Xianyou, Fujian Province) is an artist who lives and works in Paris. Shen was in the first group of students admitted to Zhejiang Academy of Fine Arts (now the China Academy of Art) after the Cultural Revolution. She studied Chinese painting, and on graduating in 1982, took part in many of the experimental art activities in Xiamen in the mid-1980s. In 1989, her work Water Bed was shown in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China (Beijing, 1989). In 1990, Shen moved to Paris with her partner, Huang Yongping. Since then, she has participated in many international exhibitions, including ‘Cities on the Move’ (Vienna, Bordeaux, New York, Copenhagen, London, Bangkok and Helsinki, 1997–1999), the second Guangzhou Triennial (2005), the 52nd Venice Biennale (2007) and the ‘’85 New Wave’ (Beijing, 2007–2008).簡歷︰沈遠,1959年出生於福建仙游。藝術家,現居巴黎。沈遠是文化大革命後第一屆考入浙江美術學院(現中國美術學院)國畫系的學生,於1982年畢業。八十年代中期參加在廈門發生的激進藝術活動。她的作品⟨水床⟩參加1989年《中國現代藝術展》(北京中國美術館)。1990年與丈夫黃永砅移居法國巴黎。自九十年代開始,她參與的國際性大型展覽包括:《運動中的城市》(1997—1999,維也納,波爾多,紐約,哥本哈根,倫敦,曼谷,赫爾辛基);第二屆《廣州三年展》(2005,廣州);第52屆《威尼斯雙年展》(2007,威尼斯)及《’85新潮》(2007—2008,北京)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Shen Yuan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:SHEN Yuan, 沈遠, 1959, China
cdn.aaa.org.hk/_source/shy.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35278.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shen-yuan/object/interview-shen-yuan-english-subtitles
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25886
Digitised materials
Interview: Liao Wen (English subtitles)
11569
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Liao Wen 廖雯
online
Interview: Liao Wen (English subtitles)
This interview was conducted at Liao Wen's home in Beijing on 6 November 2007. Biography: Liao Wen (b. 1961, Beijing) is an independent curator and art critic whose art interest includes the intersection of art and feminism. Liao graduated from the Department of Chinese Language at the Capital Normal University in 1984, and in 1987, was appointed as a journalist and editor of Fine Arts in China (Zhongguo meishubao). Liao helped to arrange the exhibition ‘China’s New Art, Post-1989’ (Hong Kong, 1993) and organized the exhibitions ‘Women’s Approach to Chinese Contemporary Art’ (1995), ‘Woman and Flowers’ (1997), ‘Personal Touch’ (1998), ‘Ouh La La Kitsch’ (1999), ‘Eros Untimely Death’ (2005) and ‘Floweriness’ (2006). Some of her publications include a book on feminism and women’s art (Nuxing zhuyi zuowei fangshi: nuxing yishu) (1999), No More Nice Girls: Interviews with the American Feminist Critics and Artists (2001) and a recent book about the female in the art of antiquity (Lufei hongshou: gudai xingxiang he guige yishu) (2005).簡歷︰廖雯,1961年生於北京。獨立策展人、批評家,女性藝術研究者。1984年畢業於北京首都師範大學中文系,1987年任《中國美術報》專職記者兼編輯。1993年起成為獨立策劃人和批評家。曾參與策劃的展覽包括《後八九中國新藝術展》(1993);《中國當代藝術中的女性方式》(1995);《女性與花》(1997);《兩性平臺》(1998);《跨世紀彩虹:艷俗藝術》(1999);《性殤》(2005);《花非花》(2006)等。主要著述有《女性主義作為方式:女性藝術》(吉林:吉林美術出版社,1999)、《不再有好女孩了:美國女性主義藝術家訪談錄》(河北:河北教育出版社,2001)及《綠肥紅瘦:古代藝術中的女性形像和閨閣藝術》(重慶:重慶出版社,2005)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
(CC BY-NC-ND) Attribution-NonCommercial-NoDerivatives 4.0 International
Liao Wen and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:LIAO Wen, 廖雯, China
cdn.aaa.org.hk/_source/lwiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26635.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-liao-wen/object/interview-liao-wen-english-subtitles
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26067
Digitised materials
Interview: Wang Du (Chinese subtitles)
訪問:王度
11609
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Du 王度
online
Interview: Wang Du (Chinese subtitles), 訪問:王度
This interview was conducted at Borges Libreria Institute for Contemporary Art, Guangzhou on 18 January 2008. Biography: Wang Du (b. 1956, Wuhan) is a Paris-based artist and exhibits widely. Wang began his art studies at the Department of Sculpture in the Guangzhou Academy of Fine Arts (GAFA) in 1981. In 1986, he helped establish the Southern Artists Salon, in which Huang Xiaopeng, Chen Shaoxiong and Lin Yilin, among others, were also active members. They co-organized a showing of their work at the first ‘Experimental Show of the Southern Artists Salon’ at the Sun Yat-Sen University in Guangzhou. Since moving to Paris in 1990, his work has been featured in many international exhibitions such as the 48th Venice Biennale’s French Pavilion (1999), the Taipei Biennial: The Sky is the Limit (2000), the exhibition ‘Contemporary Chinese Art in 2000: Time of Reviving’ (Chengdu, China, 2000) and the 10th Istanbul Biennial (2007).簡歷︰王度,1956年生於湖北武漢。藝術家,現於巴黎生活及工作。王度于1981年入讀廣州美術學院雕塑系。1986年創立「南方藝術家沙龍」﹝成員包括黃小鵬、陳劭雄及林一林等﹞,並策劃了在中山大學校園內進行的《南方藝術家沙龍第一回实验展》。 自1990年移居巴黎。近年參加的展覽包括第48屆《威尼斯雙年展──法國館》(1999);《台北雙年展:無法無天》(2000);《轉世時代: 2000中國當代藝術展》(2000,成都);第10屆《伊斯坦堡雙年展》(2007)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Wang Du and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:WANG Du, 王度, 1956, China, Wuhan (王度)
Fang Wen: Wang Du
cdn.aaa.org.hk/_source/wdiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35496.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-du/object/interview-wang-du-chinese-subtitles
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26071
Digitised materials
Interview: Wang Du (English subtitles)
11609
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Du 王度
online
Interview: Wang Du (English subtitles)
This interview was conducted at Borges Libreria Institute for Contemporary Art, Guangzhou on 18 January 2008. Biography: Wang Du (b. 1956, Wuhan) is a Paris-based artist and exhibits widely. Wang began his art studies at the Department of Sculpture in the Guangzhou Academy of Fine Arts (GAFA) in 1981. In 1986, he helped establish the Southern Artists Salon, in which Huang Xiaopeng, Chen Shaoxiong and Lin Yilin, among others, were also active members. They co-organized a showing of their work at the first ‘Experimental Show of the Southern Artists Salon’ at the Sun Yat-Sen University in Guangzhou. Since moving to Paris in 1990, his work has been featured in many international exhibitions such as the 48th Venice Biennale’s French Pavilion (1999), the Taipei Biennial: The Sky is the Limit (2000), the exhibition ‘Contemporary Chinese Art in 2000: Time of Reviving’ (Chengdu, China, 2000) and the 10th Istanbul Biennial (2007).簡歷︰王度,1956年生於湖北武漢。藝術家,現於巴黎生活及工作。王度于1981年入讀廣州美術學院雕塑系。1986年創立「南方藝術家沙龍」﹝成員包括黃小鵬、陳劭雄及林一林等﹞,並策劃了在中山大學校園內進行的《南方藝術家沙龍第一回实验展》。 自1990年移居巴黎。近年參加的展覽包括第48屆《威尼斯雙年展──法國館》(1999);《台北雙年展:無法無天》(2000);《轉世時代: 2000中國當代藝術展》(2000,成都);第10屆《伊斯坦堡雙年展》(2007)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Wang Du and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:WANG Du, 王度, 1956, China, Wuhan (王度)
cdn.aaa.org.hk/_source/wdiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35495.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-du/object/interview-wang-du-english-subtitles
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26075
Digitised materials
Interview: Song Yongping (English subtitles)
11597
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Song Yongping 宋永平
online
Interview: Song Yongping (English subtitles)
This interview was conducted at Song Yongping's studio in Beijing on 11 July 2009. For more information please visit the Materials of the Future website. Biography: Song Yongping (b. 1961, Taiyuan, Shanxi) is an artist who works with a variety of media including photography, painting and performance. Song graduated from the Painting Department at the Tianjin Academy of Fine Arts in 1983. In 1985, he organized the ‘Seven Persons Modern Art Exhibition’ in Shanxi, and in the following year, the ‘Modern Ceramics’ exhibition and ‘Art Events in the Village’. In 1986, Song partnered with China Central Television (CCTV) to film art activities in Shanxi for a proposed television program about New Wave Art. He also exhibited at the ‘China/Avant-Garde Exhibition’ held at the National Art Museum of China (Beijing, 1989). Song currently works in Beijing and exhibits widely.簡歷︰宋永平,1961年生於山西。畫家,現居北京。宋永平於1983年在天津美術學院繪畫系畢業。1985及1986年,他分別在山西太原組織了《七人現代藝術展》和《現代陶藝展》。1986年,宋氏組織了「鄉村藝術活動」,又配合中央電視台《新潮美術》攝制組拍攝了山西的群體活動。在1989年的《中國現代藝術展》上,宋永平展出了一幅帶血腥感的三聯油畫作品。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Song Yongping and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:SONG Yongping, 宋永平, 1961, China (宋永平)
cdn.aaa.org.hk/_source/sypiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35376.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-song-yongping/object/interview-song-yongping-english-subtitles
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26079
Digitised materials
Interview: Peng De (Chinese subtitles)
訪問:彭德
11589
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Peng De 彭德
online
Interview: Peng De (Chinese subtitles), 訪問:彭德
This interview was conducted at Xi'an Academy of Arts, Xi'an on 18 September 2009. For more information please visit the Materials of the Future website. 此訪談於2009年9月18日在西安美術學院進行。詳情請瀏覽此頁。 Biography: Peng De (b. 1946, Hubei Province) is a renowned art critic. He lives and works in Xi’an and teaches at the Xi’an Academy of Fine Arts. Peng De graduated from the Department of Chinese at Huazhong Normal University in 1970. In 1985, Peng helped found Art Trends (Meishu sichao) magazine where he served as chief editor until 1989, when the publication ceased. Art Trends was one of the most influential magazines of the 1980s focusing on experimental art and ideas. Peng has published several books including The Visual Revolution (Shijue geming, 1990) and Chinese Style Criticism (Zhongshi piping, 2002). He is currently based in Xi’an where he continues to write and teach.簡歷︰彭德,1946年生於湖北。藝術評論家,居於西安,現為西安美術學院教授。彭德1970年畢業於華中師範大學中文系。1985年創辦《美術思潮》雜誌,並擔任主編,直至1989年停刊。《美術思潮》是八十年代最重要的美術雜誌之一,積極推動美術實驗及思辯。 出版文集包括:《視覺革命》(南京:江蘇美術出版社,1990)、《走出冷宮的雅藝術》(南京:江蘇美術出版社,2001)及《中式批評》(長沙:湖南美術出版社,2002)。現居西安,從事藝術評論及教學工作。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Peng De and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:PENG De, 彭德, 1946, China (PENG De, De PENG, 彭德, 楚遲, CHU Chi, Chi CHU)
Fang Wen: Peng De
cdn.aaa.org.hk/_source/pdiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35201.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-peng-de/object/interview-peng-de-chinese-subtitles
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26089
Digitised materials
Interview: Tang Qingnian (Chinese subtitles)
訪問:唐慶年
11599
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Tang Qingnian 唐慶年
online
Interview: Tang Qingnian (Chinese subtitles), 訪問:唐慶年
This interview was conducted on 15 July 2011 in Beijing. For more information please visit the Materials of the Future website. 此訪談於2011年7月15日在北京進行。詳情請瀏覽此頁。 Biography: Tang Qingnian (b.1956, Beijing) is an artist and art critic based in Los Angeles, in the United States. Tang Qingnian graduated in 1984 from the Central Academy of Arts and Crafts in Beijing. He subsequently became an editor of Meishu magazine, where he reported and commented on the New Wave art phenomenon that was emerging in the mid-1980s. By 1989, Tang became the Deputy Director of Meishu’s Editorial Department and was also a member of the organizing committee of the seminal 'China/Avant-Garde Exhibition'. In 1991, Tang played a role in organizing the exhibition 'I Don't Want to Play Cards With Cezanne' and 'Other Works: Selections from the Chinese 'New Wave' and 'Avant-Garde' Art of the Eighties' at the Pacific Asia Museum, Pasedena, California. In the same year, he moved to the United States. Tang continues to live and work in Los Angeles.簡歷︰唐慶年,1956年出生於北京,藝術家及批評家。1984年畢業於中央工藝美術學院,後任《美術》雜誌編輯,期間致力於報導及評論八十年代中期出現的新潮美術現象。1989年,他任《美術》雜誌編輯部副主任,是《中國現代藝術展》組織委員會成員和展覽負責人之一。1991年幫助美國亞太博物館舉辦《不與塞尚玩牌——中國新潮藝術展》。1991年移居美國,從事多種不同媒介的視覺創意。現居美國洛杉磯。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Tang Qingnian and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:TANG Qingnian, 唐慶年, China
Fang Wen: Tang Qing Nian
cdn.aaa.org.hk/_source/tqn-1-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35377.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-tang-qingnian/object/interview-tang-qingnian-chinese-subtitles
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26092
Digitised materials
Interview: Tang Qingnian (English subtitles)
11599
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Tang Qingnian 唐慶年
online
Interview: Tang Qingnian (English subtitles)
This interview was conducted on 15 July 2011 in Beijing. For more information please visit the Materials of the Future website. Biography: Tang Qingnian (b.1956, Beijing) is an artist and art critic based in Los Angeles, in the United States. Tang Qingnian graduated in 1984 from the Central Academy of Arts and Crafts in Beijing. He subsequently became an editor of Meishu magazine, where he reported and commented on the New Wave art phenomenon that was emerging in the mid-1980s. By 1989, Tang became the Deputy Director of Meishu’s Editorial Department and was also a member of the organizing committee of the seminal 'China/Avant-Garde Exhibition'. In 1991, Tang played a role in organizing the exhibition 'I Don't Want to Play Cards With Cezanne' and 'Other Works: Selections from the Chinese 'New Wave' and 'Avant-Garde' Art of the Eighties' at the Pacific Asia Museum, Pasedena, California. In the same year, he moved to the United States. Tang continues to live and work in Los Angeles.簡歷︰唐慶年,1956年出生於北京,藝術家及批評家。1984年畢業於中央工藝美術學院,後任《美術》雜誌編輯,期間致力於報導及評論八十年代中期出現的新潮美術現象。1989年,他任《美術》雜誌編輯部副主任,是《中國現代藝術展》組織委員會成員和展覽負責人之一。1991年幫助美國亞太博物館舉辦《不與塞尚玩牌——中國新潮藝術展》。1991年移居美國,從事多種不同媒介的視覺創意。現居美國洛杉磯。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Tang Qingnian and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:TANG Qingnian, 唐慶年, China
cdn.aaa.org.hk/_source/tqn-1-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35378.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-tang-qingnian/object/interview-tang-qingnian-english-subtitles
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26093
Digitised materials
Interview: Song Yongping (Chinese subtitles)
訪問:宋永平
11597
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Song Yongping 宋永平
online
Interview: Song Yongping (Chinese subtitles), 訪問:宋永平
This interview was conducted at Song Yongping's studio in Beijing on 11 July 2009. For more information please visit the Materials of the Future website. 此訪談於2009年7月11日在宋永平位於北京的工作室進行。詳情請瀏覽此頁。 Biography: Song Yongping (b. 1961, Taiyuan, Shanxi) is an artist who works with a variety of media including photography, painting and performance. Song graduated from the Painting Department at the Tianjin Academy of Fine Arts in 1983. In 1985, he organized the ‘Seven Persons Modern Art Exhibition’ in Shanxi, and in the following year, the ‘Modern Ceramics’ exhibition and ‘Art Events in the Village’. In 1986, Song partnered with China Central Television (CCTV) to film art activities in Shanxi for a proposed television program about New Wave Art. He also exhibited at the ‘China/Avant-Garde Exhibition’ held at the National Art Museum of China (Beijing, 1989). Song currently works in Beijing and exhibits widely.簡歷︰宋永平,1961年生於山西。畫家,現居北京。宋永平於1983年在天津美術學院繪畫系畢業。1985及1986年,他分別在山西太原組織了《七人現代藝術展》和《現代陶藝展》。1986年,宋氏組織了「鄉村藝術活動」,又配合中央電視台《新潮美術》攝制組拍攝了山西的群體活動。在1989年的《中國現代藝術展》上,宋永平展出了一幅帶血腥感的三聯油畫作品。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Song Yongping and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:SONG Yongping, 宋永平, 1961, China (宋永平)
Fang Wen: Song Yong Ping
cdn.aaa.org.hk/_source/sypiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35375.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-song-yongping/object/interview-song-yongping-chinese-subtitles
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26097
Digitised materials
Interview: Shu Qun (Chinese subtitles)
訪問:舒群
11595
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shu Qun 舒群
online
Interview: Shu Qun (Chinese subtitles), 訪問:舒群
This interview was conducted at OCAT, Shenzhen on 18 June 2009. For more information please visit the Material of the Future website. 此訪談於2009年6月18日在深圳OCAT當代藝術中心進行。詳情請瀏覽此頁。 Biography: Shu Qun (b. 1958, Jilin Province) is an artist, and in 1984, was one of the founders of the Northern Art Group, along with Wang Guangyi, Ren Jian and Liu Yan, among others. In 1982, Shu graduated from the Lu Xun Academy of Fine Arts in Shenyang. In the mid-1980s, he helped organize conferences and exhibitions, including the 'Large-Scale Slide Exhibition of New Wave Art' at the Zhuhai Conference (1986) and the Northern Art Group Biennale (Jilin College of the Arts, Changchun, 1987). In 1987, Shu was interviewed by China Central Television (CCTV), and in 1989, he participated in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing. In addition, Shu published numerous articles in the 1980s and early 1990s, such as ‘Form Follows Content’ in Art (Meishu) magazine (no. 7, 1986), ‘A Monologue about Rational Painting’ in Jiangsu Pictorial (Jiangsu huakan) (no. 9, 1989) and ‘Rational Painting’ in Art Panorama (Yishu guangjiao) (no. 5, 1991). Shu continues to work as an artist in Chengdu and exhibits widely.簡歷︰舒群,1958年生於吉林。藝術家,現活躍於成都。1982年畢業於魯迅美術學院中國畫系。在1984年與王廣義、任戬、劉彥等藝術家組織「北方藝術群體」。八十年代中期,舒群積極參與和舉辦各大型展覽和研討會活動,其中包括參與組織《85青年美術思潮大型幻燈展暨學術研討會》(1986,珠海會議)。1987年,組織《北方藝術群體雙年展》(吉林藝術學院,长春),並接受中央電視台專題采訪。1989年參加《中國現代藝術展》(北京中國美術館)。 舒群發表的文章包括:⟨內容決定形式⟩(《美術》第7期,1986),⟨理性繪畫自白⟩(《江蘇畫刊》第9期專欄,1989),⟨理性繪畫⟩(《藝術廣角》第5期專欄,1991)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Shu Qun and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:SHU Qun, 舒群, China
Fang Wen: Shu Qun
cdn.aaa.org.hk/_source/shq-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35373.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shu-qun/object/interview-shu-qun-chinese-subtitles
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26098
Digitised materials
Interview: Shao Dazhen (English subtitles)
11591
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shao Dazhen 邵大箴
online
Interview: Shao Dazhen (English subtitles)
This interview was conducted on 18 March 2009 at the Central Academy of Fine Arts, Beijing. For more information please visit the Materials of the Future website. Biography: Shao Dazhen (b. 1934, Jiangsu Province) is an art historian, art critic and Professor at the Central Academy of Fine Arts. Shao studied art history at an art school in Leningrad (now St. Petersburg) from 1955 to 1960. After returning to China, he became a professor of art history at the Central Academy of Fine Arts in Beijing. Shao has also been the secretary of the Chinese Artists Association and is currently the Director of its Theory Committee. In his roles as editor of both World Art (Shijie meishu) and Art (Meishu) magazines in the 1980s, Shao was an important figure in the development of contemporary Chinese art. Over the last decades, he has been researching the history of Western art and modern Chinese art and his published works include Brief Discussion on Modern Art (1982), Traditional Art and Modern Art (1983), Western Modern Art Thought (1990) and The Nude in Oil Paintings from China (1993).簡歷︰邵大箴,1934年出生,江蘇鎮江人。中國美術史學家,美術評論家。現任中央美術學院教授,及中國美術家協會美術理論委員會主任。1955—1960年間,邵大箴赴蘇聯列寧格勒列賓美術學院(現為俄羅斯聖彼得堡美術學院),修讀美術史系。畢業回國後,在中央美術學院美術史系任教。曾任中國美術家協會書記處書記,及《世界美術》和《美術》雜誌的主編,是主催當代藝術發展的重要人物。 多年來,邵大箴從事西方美術史和中國現代美術的研究,部份著作包括《現代派美術淺議》(石家莊:河北美術出版社,1982)、《傳統美術與現代派》(成都:四川人民出版社,1983)、《西方現代美術思潮》(成都:四川美術出版社,1990)、《大陸人體油畫》(臺北:藝術圖書公司,1993)、《霧裡看花·當代中國美術問題》(廣西︰廣西美術出版社,1999)、《藝術格調·邵大箴論藝術》(濟南: 山東美術出版社,2002)及《美術:穿越中西》(北京︰首都師範大學出版社,2009)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Shao Dazhen and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:SHAO Dazhen, 邵大箴, 1934, China (邵大箴)
cdn.aaa.org.hk/_source/sdziml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35259.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shao-dazhen/object/interview-shao-dazhen-english-subtitles
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26099
Digitised materials
Interview: Peng De (English subtitles)
11589
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Peng De 彭德
online
Interview: Peng De (English subtitles)
This interview was conducted at Xi'an Academy of Arts, Xi'an on 18 September 2009. For more information please visit the Materials of the Future website. Biography: Peng De (b. 1946, Hubei Province) is a renowned art critic. He lives and works in Xi’an and teaches at the Xi’an Academy of Fine Arts. Peng De graduated from the Department of Chinese at Huazhong Normal University in 1970. In 1985, Peng helped found Art Trends (Meishu sichao) magazine where he served as chief editor until 1989, when the publication ceased. Art Trends was one of the most influential magazines of the 1980s focusing on experimental art and ideas. Peng has published several books including The Visual Revolution (Shijue geming, 1990) and Chinese Style Criticism (Zhongshi piping, 2002). He is currently based in Xi’an where he continues to write and teach.簡歷︰彭德,1946年生於湖北。藝術評論家,居於西安,現為西安美術學院教授。彭德1970年畢業於華中師範大學中文系。1985年創辦《美術思潮》雜誌,並擔任主編,直至1989年停刊。《美術思潮》是八十年代最重要的美術雜誌之一,積極推動美術實驗及思辯。 出版文集包括:《視覺革命》(南京:江蘇美術出版社,1990)、《走出冷宮的雅藝術》(南京:江蘇美術出版社,2001)及《中式批評》(長沙:湖南美術出版社,2002)。現居西安,從事藝術評論及教學工作。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Peng De and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:PENG De, 彭德, 1946, China (PENG De, De PENG, 彭德, 楚遲, CHU Chi, Chi CHU)
cdn.aaa.org.hk/_source/pdiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35202.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-peng-de/object/interview-peng-de-english-subtitles
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26100
Digitised materials
Interview: Mao Xuhui (English subtitles)
11583
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Mao Xuhui 毛旭輝
online
Interview: Mao Xuhui (English subtitles)
This interview was conducted at Mao Xuhui's home in Kunming on 17 September 2009. Biography: Mao Xuhui (b. 1956, Chongqing) is an artist who currently lives in Kunming and teaches at the Yunnan Academy of Art and Design. Mao graduated from the Oil Painting Department at the Yunnan Academy of Fine Arts in 1982 and became the art director of a film company in Kunming. Mao, along with Zhang Xiaogang, Hou Wenyi, Zhang Long, Pan Dehai and others, organized one of the first self-funded exhibitions in China, titled the ‘New Concrete Image' (Shanghai, 1985). This exhibition was later shown in Nanjing, Kunming and Chongqing, with the inclusion of additional works by young artists from the southwestern region. In 1986, Mao introduced the works of artists from the southwestern region at the ‘Large-Scale Slide Exhibition of ’85 New Wave Art’ at the 1986 Zhuhai Conference, and with Pan Dehai, Zhang Xiaogang and Ye Yongqing, formed the Southwestern Art Research Group. Works by Mao, Pan, Zhang, and Ye were shown at the ‘China/Avant-Garde Exhibition’ in Beijing (National Art Museum of China, 1989). Mao continues to work as an artist and exhibits widely.簡歷︰毛旭輝,1956年生於重慶。藝術家,現居昆明,任教於雲南大學藝術與設計學院。1982年畢業於雲南藝術學院美術系油畫專業,後於昆明市電影公司任美術師。1985年,毛旭輝與朋友張曉剛、潘德海,及在上海的候文怡、張隆等合作,自費在上海舉辦了第一次《新具象》展。此展覽後來在南京、昆明及重慶展出,加入了其他在西南地區從事現代藝術創作的青年藝術家。 1986年,毛旭輝參加「珠海會議」幻燈交流會,介紹西南地區的現代藝術。其後,他與潘德海、張曉剛、葉永青組成了「西南藝術家研究群體」;1989年,四人參加了在北京舉行的《中國現代藝術展》。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Mao Xuhui and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:MAO Xuhui, 毛旭輝, 1956, China (毛旭輝)
cdn.aaa.org.hk/_source/mxhiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26645.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-mao-xuhui/object/interview-mao-xuhui-english-subtitles
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26105
Digitised materials
Interview: Shu Qun (English subtitles)
11595
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shu Qun 舒群
online
Interview: Shu Qun (English subtitles)
This interview was conducted at OCAT, Shenzhen on 18 June 2009. For more information please visit the Material of the Future website. Biography: Shu Qun (b. 1958, Jilin Province) is an artist, and in 1984, was one of the founders of the Northern Art Group, along with Wang Guangyi, Ren Jian and Liu Yan, among others. In 1982, Shu graduated from the Lu Xun Academy of Fine Arts in Shenyang. In the mid-1980s, he helped organize conferences and exhibitions, including the 'Large-Scale Slide Exhibition of New Wave Art' at the Zhuhai Conference (1986) and the Northern Art Group Biennale (Jilin College of the Arts, Changchun, 1987). In 1987, Shu was interviewed by China Central Television (CCTV), and in 1989, he participated in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing. In addition, Shu published numerous articles in the 1980s and early 1990s, such as ‘Form Follows Content’ in Art (Meishu) magazine (no. 7, 1986), ‘A Monologue about Rational Painting’ in Jiangsu Pictorial (Jiangsu huakan) (no. 9, 1989) and ‘Rational Painting’ in Art Panorama (Yishu guangjiao) (no. 5, 1991). Shu continues to work as an artist in Chengdu and exhibits widely.簡歷︰舒群,1958年生於吉林。藝術家,現活躍於成都。1982年畢業於魯迅美術學院中國畫系。在1984年與王廣義、任戬、劉彥等藝術家組織「北方藝術群體」。八十年代中期,舒群積極參與和舉辦各大型展覽和研討會活動,其中包括參與組織《85青年美術思潮大型幻燈展暨學術研討會》(1986,珠海會議)。1987年,組織《北方藝術群體雙年展》(吉林藝術學院,长春),並接受中央電視台專題采訪。1989年參加《中國現代藝術展》(北京中國美術館)。 舒群發表的文章包括:⟨內容決定形式⟩(《美術》第7期,1986),⟨理性繪畫自白⟩(《江蘇畫刊》第9期專欄,1989),⟨理性繪畫⟩(《藝術廣角》第5期專欄,1991)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Shu Qun and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:SHU Qun, 舒群, China
cdn.aaa.org.hk/_source/shq-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35374.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shu-qun/object/interview-shu-qun-english-subtitles
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26125
Digitised materials
Southern Artists Salon Activity Notice, 28 November 1986
Translated
南方藝術家沙龍活動通知,1986年11月28日
5605
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Documents 文件
onsite
1986/__/__
Southern Artists Salon Activity Notice, 28 November 1986, 南方藝術家沙龍活動通知,1986年11月28日
China
china
In Copyright
others
Wang Du
Chinese - Simplified
Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-documents/object/southern-artists-salon-activity-notice-28-november-1986-19861128
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26148
Digitised materials
Irreversible Trends
Translated
不可逆的趨勢
5603
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990.Manuscripts 手稿
onsite
Irreversible Trends, 不可逆的趨勢
China
china
In Copyright
essay, manuscript
Wang Du
Chinese - Simplified
Author:WANG Du, 王度, 1956, China, Wuhan (王度), Practitioner:Southern Artists Salon, 南方藝術家沙龍, China (Southern Artists Salon, 南方藝術家沙龍, Southern Salon, 南方沙龍)
Bu Ke Ni De Qu Shi
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-manuscripts/object/irreversible-trends
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26224
Digitised materials
Interview: Shao Dazhen (Chinese subtitles)
訪問:邵大箴
11591
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shao Dazhen 邵大箴
online
Interview: Shao Dazhen (Chinese subtitles), 訪問:邵大箴
This interview was conducted on 18 March 2009 at the Central Academy of Fine Arts, Beijing. For more information please visit the Materials of the Future website. 此訪談於2009年3月18日在北京中央美術學院進行。詳情請瀏覽此頁。 Biography: Shao Dazhen (b. 1934, Jiangsu Province) is an art historian, art critic and Professor at the Central Academy of Fine Arts. Shao studied art history at an art school in Leningrad (now St. Petersburg) from 1955 to 1960. After returning to China, he became a professor of art history at the Central Academy of Fine Arts in Beijing. Shao has also been the secretary of the Chinese Artists Association and is currently the Director of its Theory Committee. In his roles as editor of both World Art (Shijie meishu) and Art (Meishu) magazines in the 1980s, Shao was an important figure in the development of contemporary Chinese art. Over the last decades, he has been researching the history of Western art and modern Chinese art and his published works include Brief Discussion on Modern Art (1982), Traditional Art and Modern Art (1983), Western Modern Art Thought (1990) and The Nude in Oil Paintings from China (1993).簡歷︰邵大箴,1934年出生,江蘇鎮江人。中國美術史學家,美術評論家。現任中央美術學院教授,及中國美術家協會美術理論委員會主任。1955—1960年間,邵大箴赴蘇聯列寧格勒列賓美術學院(現為俄羅斯聖彼得堡美術學院),修讀美術史系。畢業回國後,在中央美術學院美術史系任教。曾任中國美術家協會書記處書記,及《世界美術》和《美術》雜誌的主編,是主催當代藝術發展的重要人物。 多年來,邵大箴從事西方美術史和中國現代美術的研究,部份著作包括《現代派美術淺議》(石家莊:河北美術出版社,1982)、《傳統美術與現代派》(成都:四川人民出版社,1983)、《西方現代美術思潮》(成都:四川美術出版社,1990)、《大陸人體油畫》(臺北:藝術圖書公司,1993)、《霧裡看花·當代中國美術問題》(廣西︰廣西美術出版社,1999)、《藝術格調·邵大箴論藝術》(濟南: 山東美術出版社,2002)及《美術:穿越中西》(北京︰首都師範大學出版社,2009)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Shao Dazhen and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:SHAO Dazhen, 邵大箴, 1934, China (邵大箴)
Fang Wen: Shao Da Zhen
cdn.aaa.org.hk/_source/sdziml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35258.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shao-dazhen/object/interview-shao-dazhen-chinese-subtitles
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26357
Digitised materials
Interview: Michael Murray (Chinese subtitles)
訪問:Michael Murray
11585
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Murray, Michael
online
Interview: Michael Murray (Chinese subtitles), 訪問:Michael Murray
This interview was conducted at Michael Murray's home in New York City on 31 October 2009. Biography: Michael Murray is a Professor of Philosophy at Vassar College, New York. Murray received his Ph.D. in Philosophy from Yale University in 1968, his M.A. from the University of Texas in 1965 and his B.A. from the University of Notre Dame in 1963. As Professor of Philosophy at Vassar College since 1970, Murray has specialized in Continental Philosophy (the work of Hegel, Nietzsche, Heidegger, Foucault and Derrida) with current interests in the philosophy of art, deconstruction, ethics and queer theory. He has also held visiting appointments at Yale University, the University of Turin (Italy) and Peking University. Murray is the author of several books, including Heidegger: Critical Essays (editor and contributor), Modern Critical Theory and Recent Developments in Aesthetics: Hermeneutics and Deconstruction (in Chinese, and originally entitled Hermeneutics, Deconstruction and the Great Wall of China). In the 1980s, Murray lectured at Peking University on Western philosophy and curated one of the earliest exhibitions of experimental art from China, called 'Avant-Garde Chinese Art: Beijing/New York' at the City Gallery in New York (1986).簡歷︰Michael Murray 是紐約瓦瑟學院的哲學教授。Murray 於1963年聖母大學獲文學士學位、1965年在德克薩斯州立大學獲碩士學位、1968年獲得耶魯大學哲學博士學位。1970年起任瓦瑟學院哲學教授,教授歐陸哲學(黑格爾、尼采、海德格爾、福柯、德理達等著作),尤其關注哲學裡的藝術、解構、道德及酷兒理論等議題。他也是耶魯大學、都靈大學、北京大學的訪問學者。 Murray 的著作包括 Heidegger: Critical Essays (任編輯及作者之一)、Modern Critical Theory 及 Recent Developments in Aesthetics: Hermeneutics and Deconstruction (原題目為 Hermeneutics, Deconstruction and the Great Wall of China)。 八十年代Murray 在北京大學主講西方哲學講座。1986年,他在紐約City Gallery策劃了《Avant-Garde Chinese Art - Beijing-New York》展,是在紐約最早的中國前衛藝術展之一。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Michael Murray and Asia Art Archive
event photograph/recording, interview documentation
English
Speaker:Michael MURRAY, United States
Fang Wen: Michael Murray
cdn.aaa.org.hk/_source/mmiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35099.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-murray-michael/object/interview-michael-murray-chinese-subtitles-michael-murray
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26358
Digitised materials
Interview: Michael Murray
11585
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Murray, Michael
online
Interview: Michael Murray
This interview was conducted at Michael Murray's home in New York City on 31 October 2009. Biography: Michael Murray is a Professor of Philosophy at Vassar College, New York. Murray received his Ph.D. in Philosophy from Yale University in 1968, his M.A. from the University of Texas in 1965 and his B.A. from the University of Notre Dame in 1963. As Professor of Philosophy at Vassar College since 1970, Murray has specialized in Continental Philosophy (the work of Hegel, Nietzsche, Heidegger, Foucault and Derrida) with current interests in the philosophy of art, deconstruction, ethics and queer theory. He has also held visiting appointments at Yale University, the University of Turin (Italy) and Peking University. Murray is the author of several books, including Heidegger: Critical Essays (editor and contributor), Modern Critical Theory and Recent Developments in Aesthetics: Hermeneutics and Deconstruction (in Chinese, and originally entitled Hermeneutics, Deconstruction and the Great Wall of China). In the 1980s, Murray lectured at Peking University on Western philosophy and curated one of the earliest exhibitions of experimental art from China, called 'Avant-Garde Chinese Art: Beijing/New York' at the City Gallery in New York (1986).簡歷︰Michael Murray 是紐約瓦瑟學院的哲學教授。Murray 於1963年聖母大學獲文學士學位、1965年在德克薩斯州立大學獲碩士學位、1968年獲得耶魯大學哲學博士學位。1970年起任瓦瑟學院哲學教授,教授歐陸哲學(黑格爾、尼采、海德格爾、福柯、德理達等著作),尤其關注哲學裡的藝術、解構、道德及酷兒理論等議題。他也是耶魯大學、都靈大學、北京大學的訪問學者。 Murray 的著作包括 Heidegger: Critical Essays (任編輯及作者之一)、Modern Critical Theory 及 Recent Developments in Aesthetics: Hermeneutics and Deconstruction (原題目為 Hermeneutics, Deconstruction and the Great Wall of China)。 八十年代Murray 在北京大學主講西方哲學講座。1986年,他在紐約City Gallery策劃了《Avant-Garde Chinese Art - Beijing-New York》展,是在紐約最早的中國前衛藝術展之一。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Michael Murray and Asia Art Archive
event photograph/recording, interview documentation
English
Speaker:Michael MURRAY, United States
cdn.aaa.org.hk/_source/mmiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/35100.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-murray-michael/object/interview-michael-murray
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26359
Digitised materials
Interview: Mao Xuhui (Chinese subtitles)
訪問:毛旭輝
11583
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Mao Xuhui 毛旭輝
online
Interview: Mao Xuhui (Chinese subtitles), 訪問:毛旭輝
This interview was conducted at Mao Xuhui's home in Kunming on 17 September 2009. Biography: Mao Xuhui (b. 1956, Chongqing) is an artist who currently lives in Kunming and teaches at the Yunnan Academy of Art and Design. Mao graduated from the Oil Painting Department at the Yunnan Academy of Fine Arts in 1982 and became the art director of a film company in Kunming. Mao, along with Zhang Xiaogang, Hou Wenyi, Zhang Long, Pan Dehai and others, organized one of the first self-funded exhibitions in China, titled the ‘New Concrete Image' (Shanghai, 1985). This exhibition was later shown in Nanjing, Kunming and Chongqing, with the inclusion of additional works by young artists from the southwestern region. In 1986, Mao introduced the works of artists from the southwestern region at the ‘Large-Scale Slide Exhibition of ’85 New Wave Art’ at the 1986 Zhuhai Conference, and with Pan Dehai, Zhang Xiaogang and Ye Yongqing, formed the Southwestern Art Research Group. Works by Mao, Pan, Zhang, and Ye were shown at the ‘China/Avant-Garde Exhibition’ in Beijing (National Art Museum of China, 1989). Mao continues to work as an artist and exhibits widely.簡歷︰毛旭輝,1956年生於重慶。藝術家,現居昆明,任教於雲南大學藝術與設計學院。1982年畢業於雲南藝術學院美術系油畫專業,後於昆明市電影公司任美術師。1985年,毛旭輝與朋友張曉剛、潘德海,及在上海的候文怡、張隆等合作,自費在上海舉辦了第一次《新具象》展。此展覽後來在南京、昆明及重慶展出,加入了其他在西南地區從事現代藝術創作的青年藝術家。 1986年,毛旭輝參加「珠海會議」幻燈交流會,介紹西南地區的現代藝術。其後,他與潘德海、張曉剛、葉永青組成了「西南藝術家研究群體」;1989年,四人參加了在北京舉行的《中國現代藝術展》。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Mao Xuhui and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:MAO Xuhui, 毛旭輝, 1956, China (毛旭輝)
Fang Wen: Mao Xu Hui
cdn.aaa.org.hk/_source/mxhiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26644.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-mao-xuhui/object/interview-mao-xuhui-chinese-subtitles
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26361
Digitised materials
Interview: Lu Peng (English subtitles)
11579
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Lu Peng 呂澎
online
Interview: Lu Peng (English subtitles)
This interview was conducted at Lu Peng's home in Chengdu on 1 March 2010. For more information, please visit the Materials of the Future website. Biography: Lu Peng (b. 1956, Chongqing) is an art historian and curator, and currently lives and works in Chengdu. Lu graduated from the Political Education Department at Sichuan Normal University in 1982. He then became an editor for the magazine Theatre and Film (Xiju yu dianying), where he worked for three years. In the 1980s, Lu focused his research on Western art history and helped put several publications together, including Correspondences of Cezanne, Van Gogh, Gauguin (1986), Wassily Kandinsky’s The Spirit in Art (1986) and Kenneth Clark’s Landscape into Art (1988). From 1986 to 1991, Lu was the deputy secretary-general of the Sichuan Dramatists Association and coordinated the oil painting exhibition ‘1988 Southwest Art’ (1988). From 1990 to 1993, Lu became the executive editor of Art and Market (Yishu shichang) magazine. In 1992, he was one of the main organizers of the first Guangzhou Biennial. Lu has produced a number of books on contemporary Chinese art. In 1992, he published A History of Modern Art in China, 1979–1989 (written with Yi Dan), followed in 2000 by A History of Contemporary Art in China, 1990–1999. Other notable publications are Art Operation (Yishu caozuo) (1994), and more recently, A History of Art in Twentieth-Century China (2009).簡歷︰呂澎,1956年出生於重慶。藝術史學者及策展人,居於成都。 1977—1982年在四川師範學院政治教育系讀書。1982—1985年任《戲劇與電影》雜誌社編輯。早期研究西方藝術史,譯作有:《塞尚、凡•高、高更書信選》(成都:四川美術出版社,1986)、《論藝術的精神》(The Spirit in Art by W. Kandinsky,成都:四川美術出版社,1986)、《風景進入藝術》(Landscape into Art by K. Clark,成都:四川美術出版社,1988)等。 1986—1991年任四川戲劇家協會副秘書長,在1988年促成及統籌了在成都舉行的《西南藝術展》。1990—1993年任《藝術•市場》雜誌執行主編。1992年為《廣州雙年展》藝術主持。著作包括:《中國現代藝術史:1979—1989》(與易丹合著,長沙:湖南美術出版社,1992)、《藝術操作》(成都:成都出版社,1994)、《中國當代藝術史:1990—1999》(長沙:湖南美術出版社,2000)、《20世紀中國藝術史》(北京:北京大學出版社,2009)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Lu Peng and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:LU Peng, 呂澎, 1956, China (呂澎, Lv Peng)
cdn.aaa.org.hk/_source/lpiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26641.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-lu-peng/object/interview-lu-peng-english-subtitles
-
26364
Digitised materials
Interview: Ma Kelu (English subtitles)
11581
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ma Kelu 馬可魯
online
Interview: Ma Kelu (English subtitles)
This interview was conducted at Ma Kelu's studio in Beijing on 18 March 2009. For more information please visit the Materials of the Future website. Biography: Ma Kelu (b. 1954, Shanghai) is an artist living and working in Beijing. After being sent to the countryside for ‘re-education’ during the Cultural Revolution, Ma studied painting in Beijing from 1973 to 1974. During the late 1970s and early 1980s, Ma was an active member of the No Name Group. After meeting Zhao Wenliang and Yang Yushu in 1974, Ma took part in a series of unofficial exhibitions, including the ‘Eleven Persons' exhibition held in Zhang Wei’s apartment (1985), the ‘Beijing Landscape' painting exhibition (Jingshan Park, Beijing, 1978), the first and second 'No Name Group' exhibitions (1979, 1981), the ‘Ten Persons' painting exhibition (Chaoyang Theatre, Beijing, 1985) and the ‘Seven Persons' painting exhibition held in an American journalist’s apartment in Beijing (1985). After moving to New York City in 1987, he returned in 2006 to Beijing where he continues to live and work as an artist.簡歷︰馬可魯,1954 出生上海。藝術家,現居北京。馬可鲁於1960年隨父移居北京。文革時期曾下鄉插隊,其間堅持作畫。後於1973—1974年間在北京文化宮美術學習班学习繪畫。馬可魯是七、八十年代「無名畫會」的重要成員。自1974年認識趙文量及楊雨澍等畫家後,他積極參與各類非官方畫展,其中包括《十一人地下畫展》(1985,張偉家)、《北京風景畫展》(1978,北京景山公園)、無名畫會第一、二屆公開畫展(1979、1981,北海畫舫齋)、《塗畫展覽會十人畫展》(1985,北京朝陽劇場)、《七人畫展》(1985,美國記者何模樂的公寓)等。1987年,馬可魯旅居紐約,並參加國外展覽。2006年開始於北京生活及工作。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Ma Kelu and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:MA Kelu, 馬可魯, 1954, China (MA Ke Lu, Ke Lu MA, 馬克魯)
cdn.aaa.org.hk/_source/mkliml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26643.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ma-kelu/object/interview-ma-kelu-english-subtitles
-
26365
Digitised materials
Interview: Liu Xiaochun (English subtitles)
11571
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Liu Xiaochun 劉驍純
online
Interview: Liu Xiaochun (English subtitles)
This interview was conducted at Liu Xiaochun's home in Beijing on 5 November 2007. Biography: Liu Xiaochun (b. 1941, Luoyang, Henan Province) is an art critic and co-founder of the 1980s newspaper Fine Arts in China (Zhongguo meishubao). Liu graduated from the Department of Art History at the Central Academy of Fine Arts in 1966. In 1979 he began studying for his postgraduate degree at the Chinese National Academy of Arts and received his M.A. and Ph.D. degrees in 1981 and 1985, respectively. In 1985, together with other art historians including Zhang Qiang, Liu founded Fine Arts in China (Zhongguo meishubao) and engaged Li Xianting as a fulltime editor. Liu has published over 200 books, articles and critical writings on art. Some of his significant works include ‘From Animal Pleasure to Human Aesthetics’ (Cong dongwu kuaigan dao ren de meigan) (doctoral dissertation, 1986) and Deconstruction and Reconstruction: About Chinese Contemporary Art (1996).簡歷︰劉驍純,1941年生於河南洛陽。藝術批評家,居於北京。1966年畢業於中央美術學院美術史系。1979年在中國藝術研究院研究生院攻讀美術學,並先後在1981及1985年獲碩士和博士學位。1985年,劉驍純與其他青年美術史學者如張薔等創辦《中國美術報》,並聘栗憲庭任專職編輯。 劉氏已發表的論著、論文、評論有200餘篇,代表作包括《從動物快感到人的美感》(博士論文)(濟南:山東文藝出版社,1987)、《解體與重建:論中國當代美術》(南京:江蘇美術出版社,1993)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Liao Xiaochun and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:LIU Xiaochun, 劉驍純, 1941, China (劉驍純)
cdn.aaa.org.hk/_source/lxciml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26637.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-liu-xiaochun/object/interview-liu-xiaochun-english-subtitles
-
26367
Digitised materials
Interview: Liu Xiaodong (Chinese subtitles)
訪問:劉小東
11577
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Liu Xiaodong 劉小東
online
Interview: Liu Xiaodong (Chinese subtitles), 訪問:劉小東
This interview was conducted at Liu Xiaodong's studio in Beijing on 9 July 2009. For more information please visit the Materials of the Future website. 此訪談於2009年7月9日在劉小東位於北京的工作室進行。詳情請瀏覽此頁。 Biography: Liu Xiaodong (b. 1963, Liaoning Province) is an oil painter and teaches at the Central Academy of Fine Arts in Beijing. Liu received his B.A. and M.F.A. from the Department of Oil Painting at the Central Academy of Fine Arts in Beijing in 1985 and 1995, respectively. Early on in his career, during the late 1980s, Liu developed his signature style of oil paintings, which has been described as neo-academicism. Some of his earliest group exhibitions were ‘Sketch’ (Beijing, 1988), the ‘China/Avant-Garde Exhibition’ (National Art Museum of China, Beijing, 1989), the ‘Annual Exhibition of Chinese Oil Painting’ and ‘20th-Century China’ (Beijing, 1991). In 1992, Liu was the art director for the movie Beijing Bastards, and the following year, director Wang Xiaoshi cast him in the lead role of the movie The Days. Since 1994, Liu has been teaching at the Department of Oil Painting at the Central Academy of Fine Arts.簡歷︰劉小東,1963年生於遼寧。藝術家,並任教於中央美術學院油畫系。劉小東分別於1988年及1995年取得中央美術學院油畫系學士及碩士學位。劉小东自八十年代末發展起來的獨特油畫風格被評為「新學院派」。早期曾參與的群展包括《素描大展》(1988,北京中國美術館);《中國現代藝術展》(1988,北京中國美術館);《中國油畫年展》 (1991,北京中國美術館)和《二十世紀》(1991,北京中國美術館)。劉小东曾於1992年擔任電影《北京雜種》的美術指導,并於1993年主演王小帥導演的電影《冬春的日子》。自1994年開始,劉小东在中央美術學院油畫系任教。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Liu Xiaodong and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:LIU Xiaodong, 劉小東, 1963, China (劉曉東)
Fang Wen: Liu Xiao Dong
cdn.aaa.org.hk/_source/lxdiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26638.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-liu-xiaodong/object/interview-liu-xiaodong-chinese-subtitles
-
26373
Digitised materials
Interview: Liu Xiaodong (English subtitles)
11577
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Liu Xiaodong 劉小東
online
Interview: Liu Xiaodong (English subtitles)
This interview was conducted at Liu Xiaodong's studio in Beijing on 9 July 2009. For more information please visit the Materials of the Future website. Biography: Liu Xiaodong (b. 1963, Liaoning Province) is an oil painter and teaches at the Central Academy of Fine Arts in Beijing. Liu received his B.A. and M.F.A. from the Department of Oil Painting at the Central Academy of Fine Arts in Beijing in 1985 and 1995, respectively. Early on in his career, during the late 1980s, Liu developed his signature style of oil paintings, which has been described as neo-academicism. Some of his earliest group exhibitions were ‘Sketch’ (Beijing, 1988), the ‘China/Avant-Garde Exhibition’ (National Art Museum of China, Beijing, 1989), the ‘Annual Exhibition of Chinese Oil Painting’ and ‘20th-Century China’ (Beijing, 1991). In 1992, Liu was the art director for the movie Beijing Bastards, and the following year, director Wang Xiaoshi cast him in the lead role of the movie The Days. Since 1994, Liu has been teaching at the Department of Oil Painting at the Central Academy of Fine Arts.簡歷︰劉小東,1963年生於遼寧。藝術家,並任教於中央美術學院油畫系。劉小東分別於1988年及1995年取得中央美術學院油畫系學士及碩士學位。劉小东自八十年代末發展起來的獨特油畫風格被評為「新學院派」。早期曾參與的群展包括《素描大展》(1988,北京中國美術館);《中國現代藝術展》(1988,北京中國美術館);《中國油畫年展》 (1991,北京中國美術館)和《二十世紀》(1991,北京中國美術館)。劉小东曾於1992年擔任電影《北京雜種》的美術指導,并於1993年主演王小帥導演的電影《冬春的日子》。自1994年開始,劉小东在中央美術學院油畫系任教。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Liu Xiaodong and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:LIU Xiaodong, 劉小東, 1963, China (劉曉東)
cdn.aaa.org.hk/_source/lxdiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26639.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-liu-xiaodong/object/interview-liu-xiaodong-english-subtitles
-
26377
Digitised materials
Interview: Liu Xiaochun (Chinese subtitles)
訪問:劉驍純
11571
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Liu Xiaochun 劉驍純
online
Interview: Liu Xiaochun (Chinese subtitles), 訪問:劉驍純
This interview was conducted at Liu Xiaochun's home in Beijing on 5 November 2007. Biography: Liu Xiaochun (b. 1941, Luoyang, Henan Province) is an art critic and co-founder of the 1980s newspaper Fine Arts in China (Zhongguo meishubao). Liu graduated from the Department of Art History at the Central Academy of Fine Arts in 1966. In 1979 he began studying for his postgraduate degree at the Chinese National Academy of Arts and received his M.A. and Ph.D. degrees in 1981 and 1985, respectively. In 1985, together with other art historians including Zhang Qiang, Liu founded Fine Arts in China (Zhongguo meishubao) and engaged Li Xianting as a fulltime editor. Liu has published over 200 books, articles and critical writings on art. Some of his significant works include ‘From Animal Pleasure to Human Aesthetics’ (Cong dongwu kuaigan dao ren de meigan) (doctoral dissertation, 1986) and Deconstruction and Reconstruction: About Chinese Contemporary Art (1996).簡歷︰劉驍純,1941年生於河南洛陽。藝術批評家,居於北京。1966年畢業於中央美術學院美術史系。1979年在中國藝術研究院研究生院攻讀美術學,並先後在1981及1985年獲碩士和博士學位。1985年,劉驍純與其他青年美術史學者如張薔等創辦《中國美術報》,並聘栗憲庭任專職編輯。 劉氏已發表的論著、論文、評論有200餘篇,代表作包括《從動物快感到人的美感》(博士論文)(濟南:山東文藝出版社,1987)、《解體與重建:論中國當代美術》(南京:江蘇美術出版社,1993)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Liao Xiaochun and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:LIU Xiaochun, 劉驍純, 1941, China (劉驍純)
Fang Wen: Liu Xiao Chun
cdn.aaa.org.hk/_source/lxciml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26636.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-liu-xiaochun/object/interview-liu-xiaochun-chinese-subtitles
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26379
Digitised materials
Interview: Liao Wen (Chinese subtitles)
訪問:廖雯
11569
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Liao Wen 廖雯
online
Interview: Liao Wen (Chinese subtitles), 訪問:廖雯
This interview was conducted at Liao Wen's home in Beijing on 6 November 2007. Biography: Liao Wen (b. 1961, Beijing) is an independent curator and art critic whose art interest includes the intersection of art and feminism. Liao graduated from the Department of Chinese Language at the Capital Normal University in 1984, and in 1987, was appointed as a journalist and editor of Fine Arts in China (Zhongguo meishubao). Liao helped to arrange the exhibition ‘China’s New Art, Post-1989’ (Hong Kong, 1993) and organized the exhibitions ‘Women’s Approach to Chinese Contemporary Art’ (1995), ‘Woman and Flowers’ (1997), ‘Personal Touch’ (1998), ‘Ouh La La Kitsch’ (1999), ‘Eros Untimely Death’ (2005) and ‘Floweriness’ (2006). Some of her publications include a book on feminism and women’s art (Nuxing zhuyi zuowei fangshi: nuxing yishu) (1999), No More Nice Girls: Interviews with the American Feminist Critics and Artists (2001) and a recent book about the female in the art of antiquity (Lufei hongshou: gudai xingxiang he guige yishu) (2005).簡歷︰廖雯,1961年生於北京。獨立策展人、批評家,女性藝術研究者。1984年畢業於北京首都師範大學中文系,1987年任《中國美術報》專職記者兼編輯。1993年起成為獨立策劃人和批評家。曾參與策劃的展覽包括《後八九中國新藝術展》(1993);《中國當代藝術中的女性方式》(1995);《女性與花》(1997);《兩性平臺》(1998);《跨世紀彩虹:艷俗藝術》(1999);《性殤》(2005);《花非花》(2006)等。主要著述有《女性主義作為方式:女性藝術》(吉林:吉林美術出版社,1999)、《不再有好女孩了:美國女性主義藝術家訪談錄》(河北:河北教育出版社,2001)及《綠肥紅瘦:古代藝術中的女性形像和閨閣藝術》(重慶:重慶出版社,2005)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Liao Wen and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:LIAO Wen, 廖雯, China
Fang Wen: Liao Wen
cdn.aaa.org.hk/_source/lwiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26634.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-liao-wen/object/interview-liao-wen-chinese-subtitles
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26381
Digitised materials
Interview: Li Shan (Chinese subtitles)
訪問:李山
11565
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Li Shan 李山
online
Interview: Li Shan (Chinese subtitles), 訪問:李山
This interview was conducted at Li Shan's studio in Shanghai on 4 March 2009. Biography:Li Shan (b. 1942, Heilongjiang Province) is an artist who lives and works in Shanghai.Li graduated from Heilongjiang University in 1963 and furthered his education at the Department of Theatre Design, specializing in oil painting, at the Shanghai Drama Institute between 1964 and 1968, where he became a teacher after graduation.From the late 1970s, Li Shan became an active member of the Shanghai contemporary art scene, participating in various exhibitions such as ‘’83 Experimental Painting' (Fudan University, Shanghai, 1983), ‘A State of Transition: Contemporary Painting from Shanghai’ (Hong Kong Arts Centre, 1987) and the first and second ‘Concave-Convex’ exhibitions (Shanghai, 1986 and 1988). In 1989, he performed Washing Feet in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China (NAMOC) in Beijing.Li was one of the leading members of the political pop movement that emerged in China in the 1990s. He continues to work as an artist and exhibits widely.簡歷︰李山,1942年出生於黑龍江蘭西,藝術家,現於上海工作和生活。1963年畢業於黑龍江大學。1964—1968年間就讀於上海戲劇學院,專研油畫,後任教於該校。自七十年代末開始活躍於上海當代藝術圈。八十年代參加的展覽包括《83階段—繪畫實驗展覽》(1983,上海復旦大學);第一、二屆《凹凸展》(1986,上海徐匯區文化館;1988,上海美術館);《轉變中:來自上海的現代繪畫》(1987,香港藝術中心)。1989年的《中國現代藝術展》中,他在中國美術館內演出了行為⟨洗腳⟩。 李山於九十年代被評為「政治波普」的重要藝術家之一,參加了國際上多個大型展覽。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Li Shan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:LI Shan, 李山, 1942, China
Fang Wen: Li Shan
cdn.aaa.org.hk/_source/lsiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26604.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-li-shan/object/interview-li-shan-chinese-subtitles
-
26387
Digitised materials
Interview: Li Xianting (Chinese subtitles)
訪問:栗憲庭
11567
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Li Xianting 栗憲庭
online
Interview: Li Xianting (Chinese subtitles), 訪問:栗憲庭
This interview was conducted at Li Xianting's home in Songzhuang, Beijing on 6 November 2007. Biography: Li Xianting (b. 1949) is an art critic and curator based in Beijing. Li graduated from the Department of Chinese Painting at the Central Academy of Fine Arts in Beijing in 1978. The following year, he became an editor of Art (Meishu) magazine, and in this capacity, encouraged the publication of articles about the 'Stars' exhibitions and other experimental art events. However, following the magazine’s January 1983 issue in which several articles about abstract art appeared, Li was criticized as a radical and suspended from his post. In 1985, Li Xianting became an editor of Fine Arts in China (Zhongguo meishubao) and spearheaded reporting about the ’85 New Wave. Li was a major organizer of the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China (Beijing, 1989). Since 1989, Li has worked as an independent art critic and curator. In 1993, Li Xianting co-curated ‘China’s New Art, Post-1989’ in Hong Kong. A selection of Li’s articles entitled The Significance is Not the Art (Zhongyao de bushi yishu) was published by Jiangsu Art Publishing House in 2000.簡歷︰栗憲庭,1949年生,藝術評論家及策展人。1978年畢業於中央美術學院國畫系。1979年獲《美術》雜誌何溶先生任用,成為《美術》雜誌三位編輯之一。栗憲庭在《美術》上首先介紹了《星星畫展》及其他實驗性藝術。在1983年第1期發表了一個關於抽象藝術的專題後,栗憲庭被停止編輯職務。1985年,栗憲庭應邀擔任《中國美術報》專職編輯,大量報導當時在全國興起的新潮美術。1989年2月,《中國現代藝術展》在北京中國美術館舉行,栗憲庭是該展覽的主要組織者之一。 自1989年起,栗憲庭開始從事獨立評論及策展的工作。1993年,栗憲庭與張頌仁共同策劃了《後八九中國新藝術》展覽。文集《重要的不是藝術》於2000年由江蘇美術出版社出版。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Li Xianting and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:LI Xianting, 栗憲庭, 1949, China (LI Xianting, LI Xian Ting, Xianting LI, 栗憲庭, 老栗, 李家屯, Lao LI, Old Li, Li Jiatun)
Fang Wen: Li Xian Ting
cdn.aaa.org.hk/_source/lxtiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26632.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-li-xianting/object/interview-li-xianting-chinese-subtitles
-
26388
Digitised materials
Interview: Li Xianting (English subtitles)
11567
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Li Xianting 栗憲庭
online
Interview: Li Xianting (English subtitles)
This interview was conducted at Li Xianting's home in Songzhuang, Beijing on 6 November 2007. Biography: Li Xianting (b. 1949) is an art critic and curator based in Beijing. Li graduated from the Department of Chinese Painting at the Central Academy of Fine Arts in Beijing in 1978. The following year, he became an editor of Art (Meishu) magazine, and in this capacity, encouraged the publication of articles about the 'Stars' exhibitions and other experimental art events. However, following the magazine’s January 1983 issue in which several articles about abstract art appeared, Li was criticized as a radical and suspended from his post. In 1985, Li Xianting became an editor of Fine Arts in China (Zhongguo meishubao) and spearheaded reporting about the ’85 New Wave. Li was a major organizer of the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China (Beijing, 1989). Since 1989, Li has worked as an independent art critic and curator. In 1993, Li Xianting co-curated ‘China’s New Art, Post-1989’ in Hong Kong. A selection of Li’s articles entitled The Significance is Not the Art (Zhongyao de bushi yishu) was published by Jiangsu Art Publishing House in 2000.簡歷︰栗憲庭,1949年生,藝術評論家及策展人。1978年畢業於中央美術學院國畫系。1979年獲《美術》雜誌何溶先生任用,成為《美術》雜誌三位編輯之一。栗憲庭在《美術》上首先介紹了《星星畫展》及其他實驗性藝術。在1983年第1期發表了一個關於抽象藝術的專題後,栗憲庭被停止編輯職務。1985年,栗憲庭應邀擔任《中國美術報》專職編輯,大量報導當時在全國興起的新潮美術。1989年2月,《中國現代藝術展》在北京中國美術館舉行,栗憲庭是該展覽的主要組織者之一。 自1989年起,栗憲庭開始從事獨立評論及策展的工作。1993年,栗憲庭與張頌仁共同策劃了《後八九中國新藝術》展覽。文集《重要的不是藝術》於2000年由江蘇美術出版社出版。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Li Xianting and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:LI Xianting, 栗憲庭, 1949, China (LI Xianting, LI Xian Ting, Xianting LI, 栗憲庭, 老栗, 李家屯, Lao LI, Old Li, Li Jiatun)
cdn.aaa.org.hk/_source/lxtiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26633.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-li-xianting/object/interview-li-xianting-english-subtitles
-
26393
Digitised materials
Interview: Li Shan (English subtitles)
11565
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Li Shan 李山
online
Interview: Li Shan (English subtitles)
This interview was conducted at Li Shan's studio in Shanghai on 4 March 2009. Biography:Li Shan (b. 1942, Heilongjiang Province) is an artist who lives and works in Shanghai.Li graduated from Heilongjiang University in 1963 and furthered his education at the Department of Theatre Design, specializing in oil painting, at the Shanghai Drama Institute between 1964 and 1968, where he became a teacher after graduation.From the late 1970s, Li Shan became an active member of the Shanghai contemporary art scene, participating in various exhibitions such as ‘’83 Experimental Painting' (Fudan University, Shanghai, 1983), ‘A State of Transition: Contemporary Painting from Shanghai’ (Hong Kong Arts Centre, 1987) and the first and second ‘Concave-Convex’ exhibitions (Shanghai, 1986 and 1988). In 1989, he performed Washing Feet in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China (NAMOC) in Beijing.Li was one of the leading members of the political pop movement that emerged in China in the 1990s. He continues to work as an artist and exhibits widely.簡歷︰李山,1942年出生於黑龍江蘭西,藝術家,現於上海工作和生活。1963年畢業於黑龍江大學。1964—1968年間就讀於上海戲劇學院,專研油畫,後任教於該校。自七十年代末開始活躍於上海當代藝術圈。八十年代參加的展覽包括《83階段—繪畫實驗展覽》(1983,上海復旦大學);第一、二屆《凹凸展》(1986,上海徐匯區文化館;1988,上海美術館);《轉變中:來自上海的現代繪畫》(1987,香港藝術中心)。1989年的《中國現代藝術展》中,他在中國美術館內演出了行為⟨洗腳⟩。 李山於九十年代被評為「政治波普」的重要藝術家之一,參加了國際上多個大型展覽。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Li Shan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:LI Shan, 李山, 1942, China
cdn.aaa.org.hk/_source/lsiml.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26605.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-li-shan/object/interview-li-shan-english-subtitles
-
26394
Digitised materials
Interview: Kong Chang'an (English subtitles)
11405
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Kong Chang'an 孔長安
online
Interview: Kong Chang'an (English subtitles)
This interview was conducted at Kong Chang'an's studio in Los Angeles on 5 April 2011. Biography: Kong Chang’an (b.1953, Xi’an) is an artist, critic and curator. In 1978-1982, he studied in English department, Xi'an International Studies University. During this period, he organized and participated in ‘Xi’an Modern Art Exhibition.’ In 1988, he graduated with a M.A. degree from art history department, Central Academy of Fine Arts, with a thesis on Duchamp. After graduation, he worked in of Beijing International Art Company and the art gallery of Central Academy of Fine Arts. He was in the organizing committee of the ‘China/Avant-Garde Exhibition’ in 1989. In 1991-1993, he got a scholarship and went to University of Bologna in Italy, studying in the visual art department. In early 1992, using the penname ‘Chan, Lauk'ung’, he published the influential early article ’Ten Years of the Chinese Avant-garde: Waiting for the Curtain to Fall’ in Flash Art. In 1993, he was one of the curators of ‘Aperto’, Venice Biennial. In late 1990s he moved to USA. He currently lives in works in California.簡歷︰孔長安,1953年出生於西安。藝術家、評論家及策展人。1978-1982年就讀於西安外語學院英語系。1981發起組織及參與《西安現代藝術展》。1985-1988年就讀於北京中央美術學院美術史系,獲碩士學位,畢業論文為《杜尚淺析》。畢業後到九十年代初曾任職於北京國際藝苑及中央美術學院畫廊。1989年《中國現代藝術展》組織人之一。1991-1993年於意大利博洛尼亞大學視覺藝術系進修西方當代藝術史。1992年年初,以Chan, Lauk'ung為筆名,在《FLASH ART》雜誌發表「Ten Years of the Chinese Avant-garde: Waiting for the Curtain to Fall」一文,為最早在歐美主流藝術雜誌專題介紹中國前衛藝術的文章之一。1993年任威尼斯雙年展「開放展」的策展人之一。九十年代後期旅居美國加州,居當地至今,從事個人創作及廣告設計。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Kong Chang'an and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:KONG Changan, 孔長安, China
cdn.aaa.org.hk/_source/kca.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26542.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-kong-changan/object/interview-kong-changan-english-subtitles
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26396
Digitised materials
Interview: Kong Chang'an (Chinese subtitles)
訪問:孔長安
11405
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Kong Chang'an 孔長安
online
Interview: Kong Chang'an (Chinese subtitles), 訪問:孔長安
This interview was conducted at Kong Chang'an's studio in Los Angeles on 5 April 2011. Biography: Kong Chang’an (b.1953, Xi’an) is an artist, critic and curator. In 1978-1982, he studied in English department, Xi'an International Studies University. During this period, he organized and participated in ‘Xi’an Modern Art Exhibition.’ In 1988, he graduated with a M.A. degree from art history department, Central Academy of Fine Arts, with a thesis on Duchamp. After graduation, he worked in of Beijing International Art Company and the art gallery of Central Academy of Fine Arts. He was in the organizing committee of the ‘China/Avant-Garde Exhibition’ in 1989. In 1991-1993, he got a scholarship and went to University of Bologna in Italy, studying in the visual art department. In early 1992, using the penname ‘Chan, Lauk'ung’, he published the influential early article ’Ten Years of the Chinese Avant-garde: Waiting for the Curtain to Fall’ in Flash Art. In 1993, he was one of the curators of ‘Aperto’, Venice Biennial. In late 1990s he moved to USA. He currently lives in works in California. 簡歷︰ 孔長安,1953年出生於西安。藝術家、評論家及策展人。 1978-1982年就讀於西安外語學院英語系。 1981發起組織及參與《西安現代藝術展》。 1985-1988年就讀於北京中央美術學院美術史系,獲碩士學位,畢業論文為《杜尚淺析》。畢業後到九十年代初曾任職於北京國際藝苑及中央美術學院畫廊。 1989年《中國現代藝術展》組織人之一。 1991-1993年於意大利博洛尼亞大學視覺藝術系進修西方當代藝術史。 1992年年初,以Chan, Lauk'ung為筆名,在《FLASH ART》雜誌發表'Ten Years of the Chinese Avant-garde: Waiting for the Curtain to Fall'一文,為早期少數發表在歐美主流藝術雜誌、專題介紹中國前衛藝術的文章。 1993年任威尼斯雙年展「開放展」的策展人之一。九十年代後期旅居美國加州,居當地至今,主要從事個人創作及廣告設計。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Kong Chang'an and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:KONG Changan, 孔長安, China
Fang Wen: Kong Chang An
cdn.aaa.org.hk/_source/kca.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26541.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-kong-changan/object/interview-kong-changan-chinese-subtitles
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26401
Digitised materials
Interview: Huang Zhuan (English subtitles)
11401
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Zhuan 黃專
online
Interview: Huang Zhuan (English subtitles)
This interview with Huang Zhuan was filmed at OCAT, Shenzhen on 18 June 2009. Biography: Huang Zhuan (b. 1958, Hunan Province) is Associate Professor at the Guangzhou Academy of Fine Arts and Director of OCAT Shenzhen. A graduate of the Department of History at Huazhong Normal University in 1982, Huang worked on the editorial team of Art Trends magazine (Meishu sichao) between 1985 and 1987. He received his M.A. degree in the History of Chinese Art from the Hubei Institute of Fine Arts in 1988 and was also granted an M.A. thesis award by the Wu Zuoren International Art Foundation. Between 1994 and 1996 Huang worked as an editor of Art Gallery (Hualang) magazine, and from 1997 has been working at the contemporary art space affiliated with the He Xiangning Museum, known as OCAT, where he has been Director since 2005. Since the 1990s, Huang has been active in curating exhibitions. Some of these exhibitions include the first Guangzhou Biennial (1992), the third Contemporary Art Triennial (Brisbane, Australia, 1999) and the first Guangzhou Triennial (2002), as well as numerous shows at OCAT Shenzhen.簡歷︰黃專, 1958年生,祖籍湖南。現任廣州美術學院副教授及深圳OCT當代藝術中心主任。1982年,黃專畢業於華中師範大學歷史系。1985—1987年間參與《美術思潮》的編輯工作。1988年獲湖北美術學院中國美術史專業文學碩士,並獲「吳作人國際藝術基金會碩士論文獎」。黃專於1994—1996年間主持編輯《畫廊》。自1997年起任何香凝美術館館聘研究員、策劃人,2005年開始出任何香凝美術館轄下OCT當代藝術中心主任。其當代中國藝術的專著有《當代藝術問題》(四川:四川美术出版社,1992),《中國當代美術圖鑒/觀念藝術分冊》(湖北:湖北教育出版社,2000)等。 黃專於九十年代開始積極進行策展工作,包括《首屆九十年代廣州雙年展》(1992,廣州);《首屆當代藝術學術邀請展》(1996,北京/香港);第三屆《亞太地區當代藝術三年展:超越未來》(中國部分)(1999,澳大利亞布裡斯班)及首屆《廣州三年展:重新解讀》(2002,廣州)等。近年主要在深圳OCT當代藝術中心從事策劃工作。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Huang Zhuan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:HUANG Zhuan, 黃專, China (黃專, 白荊, HUANG Zhuan, Zhuan HUANG, BAI Jing, Jing BAI)
cdn.aaa.org.hk/_source/hziml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26501.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-zhuan/object/interview-huang-zhuan-english-subtitles
-
26505
Digitised materials
Interview: Huang Zhuan (Chinese subtitles)
訪問:黃專
11401
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Zhuan 黃專
online
Interview: Huang Zhuan (Chinese subtitles), 訪問:黃專
This interview with Huang Zhuan was filmed at OCAT, Shenzhen on 18 June 2009. Biography: Huang Zhuan (b. 1958, Hunan Province) is Associate Professor at the Guangzhou Academy of Fine Arts and Director of OCAT Shenzhen. A graduate of the Department of History at Huazhong Normal University in 1982, Huang worked on the editorial team of Art Trends magazine (Meishu sichao) between 1985 and 1987. He received his M.A. degree in the History of Chinese Art from the Hubei Institute of Fine Arts in 1988 and was also granted an M.A. thesis award by the Wu Zuoren International Art Foundation. Between 1994 and 1996 Huang worked as an editor of Art Gallery (Hualang) magazine, and from 1997 has been working at the contemporary art space affiliated with the He Xiangning Museum, known as OCAT, where he has been Director since 2005. Since the 1990s, Huang has been active in curating exhibitions. Some of these exhibitions include the first Guangzhou Biennial (1992), the third Contemporary Art Triennial (Brisbane, Australia, 1999) and the first Guangzhou Triennial (2002), as well as numerous shows at OCAT Shenzhen.簡歷︰黃專, 1958年生,祖籍湖南。現任廣州美術學院副教授及深圳OCT當代藝術中心主任。1982年,黃專畢業於華中師範大學歷史系。1985—1987年間參與《美術思潮》的編輯工作。1988年獲湖北美術學院中國美術史專業文學碩士,並獲「吳作人國際藝術基金會碩士論文獎」。黃專於1994—1996年間主持編輯《畫廊》。自1997年起任何香凝美術館館聘研究員、策劃人,2005年開始出任何香凝美術館轄下OCT當代藝術中心主任。其當代中國藝術的專著有《當代藝術問題》(四川:四川美术出版社,1992),《中國當代美術圖鑒/觀念藝術分冊》(湖北:湖北教育出版社,2000)等。 黃專於九十年代開始積極進行策展工作,包括《首屆九十年代廣州雙年展》(1992,廣州);《首屆當代藝術學術邀請展》(1996,北京/香港);第三屆《亞太地區當代藝術三年展:超越未來》(中國部分)(1999,澳大利亞布裡斯班)及首屆《廣州三年展:重新解讀》(2002,廣州)等。近年主要在深圳OCT當代藝術中心從事策劃工作。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Huang Zhuan and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:HUANG Zhuan, 黃專, China (黃專, 白荊, HUANG Zhuan, Zhuan HUANG, BAI Jing, Jing BAI)
Fang Wen: Huang Zhuan
cdn.aaa.org.hk/_source/hziml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26494.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-zhuan/object/interview-huang-zhuan-chinese-subtitles
-
26510
Digitised materials
Interview: Huang Xiaopeng (Chinese subtitles)
訪問:黃小鵬
11399
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Xiaopeng 黃小鵬
online
Interview: Huang Xiaopeng (Chinese subtitles), 訪問:黃小鵬
This interview with Huang Xiaopeng was filmed at the Guangzhou Academy of Fine Arts on 26 October 2007. For more information, please visit the Materials of the Future website. 此訪談於2007年10月26日在廣州美術學院進行。詳情請瀏覽此頁。 Biography: Huang Xiaopeng (b. 1960, Shanxi Province) is a video and installation artist who lives and works in Guangzhou. Huang joined the Southern Artists Salon after graduating from the Oil Painting Department at the Guangzhou Academy of Fine Arts in 1983. In the late 1980s, he pursued his M.F.A. degree at the Slade College of Arts in London. On returning to China in 2003, Huang started teaching at the Guangzhou Academy where he runs the 5th Studio, a studio in which students are encouraged to explore contemporary methods and media. Some of Huang’s recent exhibitions include the ‘Lianzhou International Photo Festival’ (2007), ‘Departure: Contemporary Art Exhibition of Guangzhou, Shenzhen, Hong Kong and Macau' (2008) and the third Guangzhou Triennial: Farewell to Post-Colonialism (2008).簡歷︰黃小鵬,1960年生於山西。錄像及裝置藝術家,在廣州生活及工作。黃小鵬1983年畢業於廣州美術學院油畫系。他是「南方藝術家沙龍」成員之一,八十年代末赴英,1992年英國倫敦大學斯萊德美術學院研究生畢業。2003年回國,任教於廣州美術學院油畫系,主持鼓勵自由創作的「第五工作室」。 近年參加的展覽包括:第三屆《連州國際攝影年展》(2007);《出境:廣深港澳當代藝術展》(2008)、《第三屆廣州三年展:與後殖民說再見》(2008)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Huang Xiaopeng and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:HUANG Xiaopeng, 黃小鵬, 1960, China (黃小鵬)
Fang Wen: Huang Xiao Peng
cdn.aaa.org.hk/_source/hxpiml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26478.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-xiaopeng/object/interview-huang-xiaopeng-chinese-subtitles
-
26511
Digitised materials
Interview: Huang Xiaopeng (English subtitles)
11399
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Xiaopeng 黃小鵬
online
Interview: Huang Xiaopeng (English subtitles)
This interview with Huang Xiaopeng was filmed at the Guangzhou Academy of Fine Arts on 26 October 2007. For more information, please visit the Materials of the Future website. Biography: Huang Xiaopeng (b. 1960, Shanxi Province) is a video and installation artist who lives and works in Guangzhou. Huang joined the Southern Artists Salon after graduating from the Oil Painting Department at the Guangzhou Academy of Fine Arts in 1983. In the late 1980s, he pursued his M.F.A. degree at the Slade College of Arts in London. On returning to China in 2003, Huang started teaching at the Guangzhou Academy where he runs the 5th Studio, a studio in which students are encouraged to explore contemporary methods and media. Some of Huang’s recent exhibitions include the ‘Lianzhou International Photo Festival’ (2007), ‘Departure: Contemporary Art Exhibition of Guangzhou, Shenzhen, Hong Kong and Macau' (2008) and the third Guangzhou Triennial: Farewell to Post-Colonialism (2008).簡歷︰黃小鵬,1960年生於山西。錄像及裝置藝術家,在廣州生活及工作。黃小鵬1983年畢業於廣州美術學院油畫系。他是「南方藝術家沙龍」成員之一,八十年代末赴英,1992年英國倫敦大學斯萊德美術學院研究生畢業。2003年回國,任教於廣州美術學院油畫系,主持鼓勵自由創作的「第五工作室」。 近年參加的展覽包括:第三屆《連州國際攝影年展》(2007);《出境:廣深港澳當代藝術展》(2008)、《第三屆廣州三年展:與後殖民說再見》(2008)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Huang Xiaopeng and Asia Art Archive
event photograph/recording, interview documentation
Mandarin
Speaker:HUANG Xiaopeng, 黃小鵬, 1960, China (黃小鵬)
cdn.aaa.org.hk/_source/hxpiml-1.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/26484.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-xiaopeng/object/interview-huang-xiaopeng-english-subtitles
-
29185
Digitised materials
Zheng Chongbin's Sketchbook I
Allocated
鄭重賓的速寫本I
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin's Sketchbook I, 鄭重賓的速寫本I
In Copyright
sketch/sketchbook
Zheng Chongbin
Chinese - Simplified
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbins-sketchbook-i-i
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29186
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photo taken by Zheng Chongbin in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet
-
29864
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-29864
-
29865
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-29865
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29866
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-29866
-
29867
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-29867
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30093
Digitised materials
Interview with Wang Gongyi (Full Version)
Allocated
訪問:王公懿(完整版)
Chinese - Traditional
11611
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Gongyi 王公懿
onsite
Interview with Wang Gongyi (Full Version), 訪問:王公懿(完整版)
This interview was conducted at the UC Berkeley Art Museum, Berkeley on 7 April 2011. For more information please visit the Materials of the Future website. 此訪談於2011年4月7日在加州大學伯克利分校藝術博物館進行。詳情請瀏覽此頁。 Biography: Wang Gongyi (b. 1946) is an artist who lives in Portland, Oregon, in the United States. Wang Gongyi graduated in 1962 from the Affiliated High School of the Central Academy of Fine Arts in Beijing. She joined the Tianjin People’s Fine Arts Publishing House as an editor the following year. In 1978, she entered the Printmaking Department of the Zhejiang Academy of Fine Arts (now the China Academy of Fine Arts), and after receiving her degree there she remained as a teacher. In 1980, Wang was awarded the grand prize for her Qiu Jin series of woodcut prints at the ‘Second National Youth Art Exhibition’. Six years later, she set out to France on a cultural exchange programme. By 2001, the artist had moved to the United States. In 1992, Wang was awarded a scholarship from the French Ministry of Education. She met and worked with artists at L’école supérieure d’art d’Aix-en-Provence, and subsequently worked and studied at URDLA – Centre International Estampes & Livres (International Centre for Prints and Books) and ALMA Printmaking Studio in Lyon, France.Please click here to view the transcript of the video.簡歷︰王公懿,1946出生,藝術家,現居美國波特蘭。1962年中央美術學院附中畢業,1973年入天津人民美術出版社,1978年入中國美術學院版畫研究班,畢業後留系任教。1980年憑木刻組畫《秋瑾》獲全國第二屆青年美展大獎。1986年王公懿赴法國參加交流活動。1992年獲法國教育部獎學金,Aix美校訪問藝術家,在里昂的URDLA及ALMA版畫工作室工作、學習。2001年始旅居美國。近年在中國舉行的個展包括《王公懿版畫回顧展1979-2002》(2006年,廣東美術館),《王公懿藝術展》(2010年,天津美術學院美術館;2011年,中國美術學院)。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
event photograph/recording, interview documentation
Asia Art Archive
Mandarin
Speaker:WANG Gongyi, 王公懿, 1946, China, Tianjin (王公懿)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-gongyi/object/interview-with-wang-gongyi-full-version
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30302
Digitised materials
Working on Tapestries
Allocated
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
onsite
Working on Tapestries
China
china
In Copyright
event photograph/recording
Boriana Song
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/working-on-tapestries
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30369
Digitised materials
A Tapestry Studio
Allocated
編織工作間
Chinese - Traditional
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
onsite
A Tapestry Studio, 編織工作間
China
china
In Copyright
event photograph/recording
Boriana Song
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/a-tapestry-studio-30369
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30495
Digitised materials
Conference
Allocated
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
onsite
Conference
In Copyright
event photograph/recording
Boriana Song
Practitioner:XIAO Feng, 肖峰, China, Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/conference-30495
-
30830
Digitised materials
Interview with Wang Huangsheng (Full Version)
訪問:王璜生(完整版)
Chinese - Traditional
11381
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Huangsheng 王璜生
onsite
Interview with Wang Huangsheng (Full Version), 訪問:王璜生(完整版)
This interview with Wang Huangsheng was filmed in Guangdong Museum of Art, Guangzhou, 31 July 2007.Biography:Wang Huangsheng (b.1956 in Shantou, Guangdong Province) is a critic and curator, and Director of the Art Museum at the Central Academy of Fine Arts in Beijing, where he also teaches in the School of Chinese Painting.Wang received his B.A. and Ph.D. in Art History from the Nanjing Arts Institute in 1990 and 2006, respectively. Between 2000 and 2009 Wang acted as director of the Guangdong Museum of Art and promoted large-scale events such as the Guangzhou Triennial and the Guangzhou Photo Biennial.Interested in traditional Chinese painting and contemporary art, Wang has provided editorial support for publications such as Museum of Arts without Walls (2004), Reinterpretation: A Decade of Experimental Chinese Art, 1990–2000 (2002) and 1st Space for Contemporary Ink Work — China: 20 Years of Ink Experiment 1980–2001 (Diyijie dangdai shuimo kongjian: zhongguo shuimo shiyan ershinian) (2001).Please click here to view the transcript of the video. 簡歷:王璜生, 1956年生於廣東汕頭。藝術評論者、策展人。現擔任中央美術學院美術館館長,並在該美院的中國畫學院執教。1990年畢業於南京藝術學院美術史論專業,獲碩士學位;2006年於該校獲博士學位。王璜生曾出任廣東美術館館長(2000-09),期間積極推行《廣州三年展》、《廣州國際攝影雙年展》等大型藝術活動。王璜生於中國傳統與當代藝術皆有涉獵,個人則是多從事水墨創作。其編輯書著有《無牆的美術館》(2004)、《重新解讀︰中國實驗藝術十年(1990-2000)》(2002)、《第一屆當代水墨空間︰中國水墨實驗二十年, 1980-2001》(2001) 等。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
1
32
23
In Copyright
event photograph/recording, interview documentation
Asia Art Archive
Mandarin
Speaker:WANG Huangsheng, 王璜生, 1957, China (王璜生)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-huangsheng/object/interview-with-wang-huangsheng-full-version
-
30978
Digitised materials
Artwork by Liang Shaoji
Allocated
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
onsite
Artwork by Liang Shaoji
In Copyright
artwork documentation
Boriana Song
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/artwork-by-liang-shaoji
-
31438
Digitised materials
Daily Life Photo
Allocated
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
onsite
Daily Life Photo
In Copyright
event photograph/recording, personal record
Boriana Song
Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/daily-life-photo
-
31517
Digitised materials
An Unknown Artwork
Allocated
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
onsite
An Unknown Artwork
In Copyright
artwork documentation
Boriana Song
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/an-unknown-artwork-31517
-
31533
Digitised materials
Daily Life Photo
Allocated
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
onsite
Daily Life Photo
Daily Life Photo (From left: Maryn Varbanov, Zhu Wei, Xu Jin, Shi Hui, Gu Wenda) 生活照 (左起:萬曼、朱偉、徐進、施慧、谷文達)
In Copyright
personal record
Boriana Song
Practitioner:GU Wenda, 谷文達, 1955, China (谷文達), Practitioner:SHI Hui, 施慧, 1955, China (施慧), Practitioner:XU Jin, 徐進, 1958, China (徐進), Practitioner:ZHU Wei, 朱偉, China (Zhu Wei, Wei Zhu, 朱偉), Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/daily-life-photo-31533
-
31534
Digitised materials
Conference
Allocated
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
onsite
Conference
In Copyright
event photograph/recording
Boriana Song
Practitioner:XIAO Feng, 肖峰, China, Practitioner:Maryn VARBANOV, 萬曼, Bulgaria
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/conference
-
31605
Digitised materials
A Tapestry Studio
Allocated
編織工作間
Chinese - Traditional
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
onsite
A Tapestry Studio, 編織工作間
China
china
In Copyright
event photograph/recording
Boriana Song
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/a-tapestry-studio-31605
-
31635
Digitised materials
A Tapestry Studio
Allocated
編織工作間
Chinese - Traditional
5600
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.The Institute of Art Tapestry Varbanov 萬曼藝術壁掛研究所
onsite
A Tapestry Studio, 編織工作間
China
china
In Copyright
event photograph/recording
Boriana Song
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-the-institute-of-art-tapestry-varbanov/object/a-tapestry-studio
-
32684
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32684
-
32685
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32685
-
32686
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32686
-
32687
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin in Tibet
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32687
-
32688
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin in Tibet
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32688
-
32689
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin in Tibet
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32689
-
32690
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin in Tibet
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32690
-
32691
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin in Tibet
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32691
-
32692
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin in Tibet
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32692
-
32693
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin in Tibet
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32693
-
32694
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin in Tibet
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32694
-
32695
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin in Tibet
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32695
-
32958
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin in Tibet
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32958
-
32959
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin in Tibet
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32959
-
32960
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin in Tibet
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32960
-
32961
Digitised materials
Zheng Chongbin with Gu Wenda at West Lake
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin with Gu Wenda at West Lake
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China, Practitioner:GU Wenda, 谷文達, 1955, China (谷文達)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-with-gu-wenda-at-west-lake
-
32962
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin in Tibet
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-32962
-
32963
Digitised materials
Zheng Chongbin's Sketchbook II
Allocated
鄭重賓的速寫本II
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin's Sketchbook II, 鄭重賓的速寫本II
In Copyright
sketch/sketchbook
Zheng Chongbin
Chinese - Simplified
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbins-sketchbook-ii-ii
-
32964
Digitised materials
Zheng Chongbin's Sketchbook III
Allocated
鄭重賓的速寫本III
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Zheng Chongbin's Sketchbook III, 鄭重賓的速寫本III
In Copyright
sketch/sketchbook
Zheng Chongbin
Chinese - Simplified
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbins-sketchbook-iii-iii
-
32965
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110856_2.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-32965
-
32966
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110857_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-32966
-
32967
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110857_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-32967
-
33028
Digitised materials
Interview with Shao Hong (Full Version)
11707
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shao Hong 邵宏
onsite
2007/__/__
Interview with Shao Hong (Full Version)
1
9
13
In Copyright
event photograph/recording, interview documentation
Asia Art Archive
Mandarin
Speaker:SHAO Hong, 邵宏, China (邵宏)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shao-hong/object/interview-with-shao-hong-full-version
-
34067
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110858_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34067
-
34068
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110858_2.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34068
-
34069
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110859_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34069
-
34070
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110859_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34070
-
34071
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110900_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34071
-
34072
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
Zheng Chongbin standing on the second left in the photo.
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110900_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34072
-
34073
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
Zheng Chongbin standing on the left of the photo.
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110901_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34073
-
34074
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
Zheng Chongbin standing on the second right of the photo.
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110902_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34074
-
34075
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110902_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34075
-
34076
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110902_2.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34076
-
34077
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110903_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34077
-
34078
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110903_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34078
-
34079
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110904_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34079
-
34080
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110904_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34080
-
34081
Digitised materials
Press Conference of Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展─記者招待會
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
Press Conference of Zheng Chongbin Art Exhibition, 鄭重賓畫展─記者招待會
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/press-conference-of-zheng-chongbin-art-exhibition
-
34082
Digitised materials
Press Conference of Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展─記者招待會
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Press Conference of Zheng Chongbin Art Exhibition, 鄭重賓畫展─記者招待會
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/22d98a3b-42bf-4bc6-812b-b7bd6222ebc9.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/press-conference-of-zheng-chongbin-art-exhibition-34082
-
34083
Digitised materials
Press Conference of Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展─記者招待會
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Press Conference of Zheng Chongbin Art Exhibition, 鄭重賓畫展─記者招待會
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110905_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/press-conference-of-zheng-chongbin-art-exhibition-34083
-
34084
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/0966c17c-e461-4770-a527-43253494f024.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34084
-
34085
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110906_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34085
-
34086
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110907_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34086
-
34087
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110908_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34087
-
34088
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110908_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34088
-
34089
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110909_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34089
-
34090
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110909_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34090
-
34091
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110910_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34091
-
34092
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110910_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34092
-
34093
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110911_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34093
-
34094
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110911_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34094
-
34095
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
Zheng Chongbin standing on the second left in the photo.
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110912_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34095
-
34096
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110912_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34096
-
34097
Digitised materials
Zheng Chongbin and His Painting
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin and His Painting
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110912_2.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-and-his-painting
-
34098
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110913_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34098
-
34099
Digitised materials
Painting by Zheng Chongbin
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Painting by Zheng Chongbin
In Copyright
artwork documentation
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110914_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/painting-by-zheng-chongbin
-
34100
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
Zheng Chongbin standing in the middle of the photo.
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110914_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34100
-
34101
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110914_2.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34101
-
34102
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110915_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34102
-
34103
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110915_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34103
-
34104
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
Zheng Chongbin standing on the right of the photo.
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110916_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34104
-
34105
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110916_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34105
-
34106
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
Zheng Chongbin standing on the left of the photo.
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110917_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34106
-
34107
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110918_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34107
-
34108
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
Zheng Chongbin standing on the second right in the photo.
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110918_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34108
-
34109
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110918_2.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34109
-
34111
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110919_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34111
-
34371
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34371
-
34372
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34372
-
34373
Digitised materials
Zheng Chongbin in Tibet
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photos taken by Zheng Chongbin in Tibet, 1983. 鄭重賓在1983年到西藏時拍攝的照片。
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34373
-
34374
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photo taken by Zheng Chongbin in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34374
-
34375
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photo taken by Zheng Congbin in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34375
-
34376
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photo taken by Zheng Congbin in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34376
-
34377
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photo taken by Zheng Congbin in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34377
-
34378
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photo taken by Zheng Congbin in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34378
-
34380
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photo taken by Zheng Congbin in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34380
-
34381
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photo taken by Zheng Congbin in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34381
-
34382
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photo taken by Zheng Congbin in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34382
-
34384
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34384
-
34385
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34385
-
34386
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34386
-
34389
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34389
-
34390
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34390
-
34391
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34391
-
34392
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34392
-
34393
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34393
-
34394
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34394
-
34395
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34395
-
34396
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34396
-
34397
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34397
-
34498
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34498
-
34499
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110854_2.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34499
-
34500
Digitised materials
Foreword of Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展(展覽前言)
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
1988/__/__
Foreword of Zheng Chongbin Art Exhibition, 鄭重賓畫展(展覽前言)
China
china
In Copyright
event ephemera
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Chinese - Simplified
Author:LANG Shaojun, 郎紹君, 1939, China (郎紹君), Practitioner:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_154733_0.pdf
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/foreword-of-zheng-chongbin-art-exhibition
-
34501
Digitised materials
Ink as a Symbolic Language
Translated
水墨─作為象徵意味的語言
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
1986/__/__
Ink as a Symbolic Language, 水墨─作為象徵意味的語言
In Copyright
clipping, essay
Zheng Chongbin
Chinese - Simplified
Author:ZHENG Chongbin, 鄭重賓, 1961, China, Publisher:Painter, 畫家, China, Changsha (Hua Jia)
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/053a76fc-ee2c-406a-9631-c6f5e6ed4b68.pdf
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/ink-as-a-symbolic-language
-
34502
Digitised materials
In Search of an Abstract Vocabulary: On Zheng Chongbin's Ink Paintings
Translated
抽象語滙的尋找—鄭重賓水墨畫的啟示
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
1988/05/23
In Search of an Abstract Vocabulary: On Zheng Chongbin's Ink Paintings, 抽象語滙的尋找—鄭重賓水墨畫的啟示
Fine Arts in China
中國美術報
44
China
china
Beijing
21
In Copyright
clipping
Zheng Chongbin
Chinese - Simplified
Author:LANG Shaojun, 郎紹君, 1939, China (郎紹君), Practitioner:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_154736_0.pdf
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/in-search-of-an-abstract-vocabulary-on-zheng-chongbins-ink-paintings
-
34506
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34506
-
34509
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34509
-
34515
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34515
-
34524
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34524
-
34531
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34531
-
34536
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34536
-
34537
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110850_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34537
-
34538
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110850_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34538
-
34539
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110851_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34539
-
34540
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110851_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34540
-
34541
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110852_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34541
-
34542
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110852_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34542
-
34543
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110853_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34543
-
34544
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110853_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34544
-
34545
Digitised materials
Zheng Chongbin in Tibet
Allocated
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
onsite
1983/__/__
Zheng Chongbin in Tibet
Photograph of Zheng Chongbin taken in Tibet, 1983.
China
china
In Copyright
personal record
Zheng Chongbin
Author:ZHENG Chongbin, 鄭重賓, 1961, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-in-tibet-34545
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34546
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110853_2.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34546
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34547
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110854_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34547
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34548
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110854_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34548
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34549
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110855_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34549
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34550
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110855_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34550
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34551
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110856_0.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34551
-
34552
Digitised materials
Zheng Chongbin Art Exhibition
Allocated
鄭重賓畫展
Chinese - Traditional
5957
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Zheng Chongbin Art Exhibition, 鄭重賓畫展
In Copyright
event photograph/recording
Zheng Chongbin
Zheng Chongbin Art Exhibition , 鄭重賓畫展
Author:ZHENG Chongbin, 鄭重賓, 1961, China
cdn.aaa.org.hk/_source/digital_collection/windows/peggy/20160705_110856_1.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin/object/zheng-chongbin-art-exhibition-34552
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181325
Digitised materials
Interview with Wang Huangsheng (Transcript, Simplified Chinese)
Allocated
訪問:王璜生(抄本, 簡體中文)
Chinese - Simplified
11381
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Huangsheng 王璜生
online
Interview with Wang Huangsheng (Transcript, Simplified Chinese), 訪問:王璜生(抄本, 簡體中文)
This interview with Wang Huangsheng was filmed in Guangdong Museum of Art, Guangzhou, 31 July 2007.Biography:Wang Huangsheng (b.1956 in Shantou, Guangdong Province) is a critic and curator, and Director of the Art Museum at the Central Academy of Fine Arts in Beijing, where he also teaches in the School of Chinese Painting.Wang received his B.A. and Ph.D. in Art History from the Nanjing Arts Institute in 1990 and 2006, respectively. Between 2000 and 2009 Wang acted as director of the Guangdong Museum of Art and promoted large-scale events such as the Guangzhou Triennial and the Guangzhou Photo Biennial.Interested in traditional Chinese painting and contemporary art, Wang has provided editorial support for publications such as Museum of Arts without Walls (2004), Reinterpretation: A Decade of Experimental Chinese Art, 1990–2000 (2002) and 1st Space for Contemporary Ink Work — China: 20 Years of Ink Experiment 1980–2001 (Diyijie dangdai shuimo kongjian: zhongguo shuimo shiyan ershinian) (2001).Please click here to view the video. 簡歷:王璜生, 1956年生於廣東汕頭。藝術評論者、策展人。現擔任中央美術學院美術館館長,並在該美院的中國畫學院執教。1990年畢業於南京藝術學院美術史論專業,獲碩士學位;2006年於該校獲博士學位。王璜生曾出任廣東美術館館長(2000-09),期間積極推行《廣州三年展》、《廣州國際攝影雙年展》等大型藝術活動。王璜生於中國傳統與當代藝術皆有涉獵,個人則是多從事水墨創作。其編輯書著有《無牆的美術館》(2004)、《重新解讀︰中國實驗藝術十年(1990-2000)》(2002)、《第一屆當代水墨空間︰中國水墨實驗二十年, 1980-2001》(2001) 等。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/whs-ft-final.pdf
cdn.aaa.org.hk/_source/whs-pdf-image.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-huangsheng/object/interview-with-wang-huangsheng-transcript-simplified-chinese
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181355
Digitised materials
Interview with James Cox (Full Version)
11669
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Cox, James
online
Interview with James Cox (Full Version)
The interview was conducted at James Cox Gallery, Woodstock, New York on 10 November 2009.Biography:James Cox is an art dealer, appraiser and lecturer and currently resides in Woodstock, New York.Cox is the owner and Director of the James Cox Gallery in Woodstock, New York, a gallery specializing in 20th century American art. From 1976 to 1990, he served as Executive Director of the Grand Central Art Galleries in Manhattan, New York. In these capacities, for over 35 years, Cox has discovered and promoted new talent, written catalogues, organized shows and artists’ estates, as well as advised collectors and institutions on the acquisitions and sales of painting and sculpture. Alongside his specialization in American art, in 1985 Cox introduced the Western art world to five artists from the Central Academy of Fine Arts in Beijing—Chen Danqing, Wang Jida, Zhang Hongnian, Li Chuanwu and Jin Gao, and organized shows in New York for their works. In 1989, through the invitation of the then-Soviet government, Cox helped to establish the first Soviet-American art conference, Art Most, at the Tretyakov Gallery in Moscow.Please click here to view the transcript of the video.簡歷︰James Cox 是藝術商人、鑑定家、講師,現居紐約伍德斯托克。 Cox旗下的James Cox Gallery位於紐約伍德斯托克,專營二十世紀美國藝術。在1976至1990年間,Cox出任紐約曼克頓Grand Central Art Galleries的總監。多年來,Cox致力於發掘新藝術家、撰寫評論文章、策劃展覽及藝術區、並協助機構建立藝術收藏。 1985年Cox在紐約策劃了一個中國藝術家的展覽,其中五位藝術家皆來自中央美術學院︰陳丹青、王濟達、張紅年、李全武及金高。1989年,他受前蘇聯政府之邀,在莫斯科的Tretyakov Gallery舉辦了蘇聯美國藝術研討會。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
Michael Murray and Asia Art Archive
event photograph/recording, interview documentation
English
Speaker:Michael MURRAY, United States, Speaker:James COX, United States
cdn.aaa.org.hk/_source/jamescox.jpg
cdn.aaa.org.hk/_source/digital_collection/fedora_extracted/cox-james-nyc-1109.mp4
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-cox-james/object/interview-with-james-cox-full-version
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182281
Digitised materials
Interview with Zhu Qingsheng (Transcript, Simplified Chinese)
Allocated
訪問:朱青生(抄本, 簡體中文)
Chinese - Traditional
11647
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhu Qingsheng 朱青生
online
Interview with Zhu Qingsheng (Transcript, Simplified Chinese), 訪問:朱青生(抄本, 簡體中文)
This interview was conducted at the Chinese Modern Art Archive, Beijing University on 17 March 2009. Biography: Zhu Qingsheng (b. 1957, Zhenjiang) is an artist and professor at the School of Arts of Peking University. Zhu studied oil painting at Nanjing Normal University between 1978 and 1982 and gained his M.A. in Art History in 1985 from the Central Academy of Fine Arts (CAFA). Zhu remained at CAFA as a teaching assistant, and in 1986 initiated the Chinese Modern Art Archive. Between 1990 and 1995, Zhu pursued his Ph.D. under the supervision of Professor Lothar Ledderose in the Institute for East Asian Art History at the University of Heidelberg. In addition to his teaching and archiving work, Zhu continues to paint and exhibit widely.簡歷︰朱青生,1957年生於江苏鎮江。藝術家,北京大學藝術學院教授。1978—1982年於南京師範大學油畫專業就讀學士學位,1982—1985年於中央美術學院美術史系修讀碩士,導師為邵大箴。畢業後留校担任助教,並於1986—1987年間創立「中國現代藝術檔案」。1990—1995年間前往德國海德堡大學美術史研究所修讀博士學位,導師為雷德侯教授。 教學及存檔工作以外,亦持續創作,作品見於海內外展覽。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/zqs-ft-final.pdf
cdn.aaa.org.hk/_source/zqs-transcript.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhu-qingsheng/object/interview-with-zhu-qingsheng-transcript-simplified-chinese
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182301
Digitised materials
Interview with Zhou Yan (Transcript, Simplified Chinese)
Allocated
訪問:周彥(抄本, 簡體中文)
Chinese - Traditional
11645
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhou Yan 周彥
online
Interview with Zhou Yan (Transcript, Simplified Chinese), 訪問:周彥(抄本, 簡體中文)
This interview was conducted at Gao Minglu's studio in Beijing on 10 July 2009. Biography: Zhou Yan (b. 1954, Hunan Province) is a scholar, art critic and curator. He received his B.A. in Philosophy from the Sun Yat-Sen University in Guangzhou, his M.A. in Art History from the Central Academy of Fine Arts in Beijing, and his Ph.D. in Art History from Ohio State University in Columbus, Ohio. Zhou was one of the leading critics in the ’85 New Wave and a key organizer of the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing (1989). Zhou currently teaches the History of Chinese Art in Modern and Contemporary Times at Kenyon College in Ohio, where he is an Adjunct Professor of Art History and Curator of its Visual Resources Center. In addition to teaching, he publishes widely on topics relating to public art, urbanism and globalization.簡歷︰周彥,湖南人。學者、藝術批評家、策展人。廣州中山大學哲學學士,中央美術學院美術史系碩士,後於美國俄亥俄州立大學獲藝術史博士學位。 ’85新潮時期主要的批評家之一,1989年《中國現代藝術展》組委會成員。曾任北京中央美術學院講師,現為美國俄亥俄肯尼恩文理學院美術史系教授,教授中國美術史、中國現代及當代美術史;並任視覺資料室主任。出版多本著作,探索公共藝術範疇、地域性及全球化等主題
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/zy-ft-finalised.pdf
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhou-yan/object/interview-with-zhou-yan-transcript-simplified-chinese
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182303
Digitised materials
Interview with Zhang Xiaogang (Transcript, Simplified Chinese)
Allocated
訪問:張曉剛(抄本, 簡體中文)
Chinese - Traditional
11639
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Xiaogang 張曉剛
online
Interview with Zhang Xiaogang (Transcript, Simplified Chinese), 訪問:張曉剛(抄本, 簡體中文)
This interview was conducted at Zhang Xiaogang's studio in Beijing on 9 July 2009. Biography: Zhang Xiaogang (b. 1958, Kunming, Yunnan Province) is an artist and currently lives and works in Beijing. Zhang studied oil painting at the Sichuan Fine Arts Institute (SFAI) between 1978 and 1982. In 1985, Zhang collaborated with Mao Xuhui, Pan Dehai, Hou Wenyi, Zhang Long and others to organize the ‘New Concrete Image' exhibition in Shanghai and Nanjing, one of the earliest self-financed exhibitions of the ’85 New Wave. Zhang also helped to establish the Southwestern Art Research Group with friends in Kunming, and lectured at SFAI. In 1989, his work was exhibited in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing. In the early '90s, Zhang began to develop his painting series The Big Family, which referenced photographs taken during the Cultural Revolution. Zhang’s works have been collected by museums, galleries and private collectors, and are exhibited widely. Selected exhibitions include the Guangzhou Biennial (1992), ‘China’s New Art, Post-1989’ (Hong Kong, 1993), the 22nd Sao Paulo Biennial (Brazil, 1994) and the 46th Venice Biennale (1995), to name a few.簡歷︰張曉剛,1958年生於昆明。藝術家,現在北京生活及工作。1978—1982年間就讀於四川美術學院油畫系。1985年張曉剛與毛旭輝、潘德海等自費在上海、南京舉辦展覽《新具象》畫展,這是「八五新潮」中最早的自費展覽之一。隨後他又與朋友在昆明成立「西南藝術研究群體」,後參與了在北京中國美術館舉行的《中國現代藝術展》。自九十年代開始,他按舊照片創作⟨大家庭⟩系列,以表現革命時代的臉譜化肖像。 張晓刚多次參加國內外藝術展覽,作品被國內外多家美術館、畫廊及私人收藏。重要展覽包括《廣州 雙年展》(1992,廣州);《後八九中國新藝術展》(1993,香港);第22屆《聖保羅雙年展》(1994,巴西聖保羅);第46屆《威尼斯雙年展》(1995,威尼斯)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/zxg-ft-final.pdf
cdn.aaa.org.hk/_source/zxg.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-xiaogang/object/interview-with-zhang-xiaogang-transcript-simplified-chinese
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182347
Digitised materials
Interview with Guan Wei (Full Version)
Allocated
訪問:關偉(完整版)
Chinese - Traditional
11679
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Guan Wei 關偉
onsite
2009/__/__
Interview with Guan Wei (Full Version), 訪問:關偉(完整版)
This interview was conducted at Guan Wei's Studio in Beijing on 8 July 2009.Biography:Guan Wei (b. 1957, Beijing) is an artist who currently lives and works in Australia and Beijing.Following his graduation from the Department of Fine Arts at the Capital Normal University (Beijing, 1986), Guan worked as a painter and high school art teacher. In 1988, he was invited to organize an exhibition at the apartment of Nicholas Jose, the Cultural Counselor of the Australian Embassy in China at that time. In 1989, he was invited to partake in an artist residency program at the Tasmanian School of Art in Hobart, Australia. Guan subsequently became an Australian resident in 1993.Guan has exhibited widely. Some early international exhibitions include ‘Silent Energy: New Art from China’ (Modern Art Oxford, 1993) and ‘Mao Goes Pop: China Post-1989’ (Sydney Museum of Contemporary Art, 1993). More recent exhibitions include ‘The Rose Crossing: Contemporary Art in Australia’ (Sherman Galleries, Sydney, 1999), the second and third Asia-Pacific Triennials (Queensland Art Gallery, Australia, 1996 and 1999) and the Gwangju Biennale entitled ‘Man + Space’ (Gwangju Biennale Hall, South Korea, 2000).Please click here to view the transcript of the video.簡歷︰關偉,1957年生於北京。1986年畢業於北京首都師範學院,後任中學美術教員,期間一直獨立創作。1988年,關偉於在澳大利亚前駐華大使館文化參贊尼古拉斯‧ 周思的公寓舉辦展覽。1989年,獲邀到澳大利亚塔斯曼尼亞藝術學院作客座藝術家,1993年開始旅居澳大利亚悉尼。九十年代生活於悉尼。近年亦於北京生活及工作,並設立工作室。關偉早年的作品多於海外展出,其中包括 《靜穆的力量》 (1993年,牛津現代美術館),《毛走向波普:後八九中國藝術展》(1993年,悉尼現代藝術博物館)。並於不少大型國際藝術展覽中展出:包括 《玫瑰異緣:澳大利亞當代藝術》(1999年,悉尼謝曼畫廊),;第二、三屆《亞太藝術三年展》(1996、1999年,澳大利亞昆士蘭美術館),及韓國《光州雙年展:人+空間》(2000年)等。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
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In Copyright
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-guan-wei/object/interview-with-guan-wei-full-version
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182359
Digitised materials
Interview with Gao Minglu (Full Version)
Allocated
訪問:高名潞(完整版)
Chinese - Traditional
11673
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Gao Minglu 高名潞
onsite
Interview with Gao Minglu (Full Version), 訪問:高名潞(完整版)
This interview was conducted in Gao Minglu’s Studio in Beijing on 17 March 2009.Biography:Gao Minglu (b. 1949, Tianjin) is a scholar in contemporary Chinese art. Currently, he is a Research Professor in the Department of Art History and Architecture at the University of Pittsburgh, and is a Professor and Head of the Fine Arts Department at the Sichuan Fine Arts Institute.Gao was ‘re-educated’ in Inner Mongolia for five years during the Cultural Revolution. In 1978, he was admitted to the Tianjin Academy of Fine Arts, and received his master’s degree from the Chinese National Academy of Arts. Gao received a postdoctoral fellowship from the Committee on Scholarly Communication with China through the American Academy of Arts and Sciences in 1991. He then studied Art History at Ohio State University and received his Ph.D. from Harvard University.From 1984 to 1989, Gao served as editor of Art (Meishu) magazine and assisted in the editorial work of Fine Arts in China (Zhongguo meishubao). During this period, he engaged in a wide range of writing and curatorial projects relating to the development of experimental art in China, and especially, to promoting the ’85 New Wave Art movement. Among these events were the seminal ‘Large-Scale Slide Exhibition of New Wave Art’ at the Zhuhai Conference (Zhuhai, 1986) and the ‘China/Avant-Garde Exhibition’ (Beijing, 1989). Other significant exhibitions organized by Gao include ‘Fragmented Memory: The Chinese Avant-Garde in Exile’ (Ohio, 1993), ‘Inside Out: New Chinese Art’ (1998), ‘Chinese Maximalism’ (2003), ‘The Wall: Reshaping Contemporary Chinese Art’ (2005), ‘A Retrospective Exhibition of the No Name Group’ (2006–2007) and ‘Yi School: Thirty Years of Chinese Abstraction’ (2009), among others.Gao has written extensively on the history of the avant-garde and contemporary Chinese art, including publications such as China/Avant-Garde (1989), A History of Contemporary Art in China, 1985–1986 (1991) and Chinese Maximalism (2003). His English publications include Inside Out: New Chinese Art (1998) and The Wall: Reshaping Contemporary Chinese Art (2005), to name a few.Please click here to view the transcript of the video.簡歷︰高名潞,1949年生於天津。美國哈佛大學藝術史博士。現為担任美國匹茲堡大學藝術史及建築史系研究教授,四川美術學院特聘教授及美術系系主任。文革期間,高名潞氏曾於在內蒙古插隊五年。1978年,他於天津美術學院研習藝術史。後於中國藝術研究院研究生院獲碩士學位。 1984-—1989年間,高名潞為《美術》雜誌擔任編輯一職,同時亦參與《中國美術報》的編輯工作。此外,他積極為當時的前衛藝術作介紹及批評,並先後策劃了《85青年美術思潮新潮美術大型幻燈展暨學術研討會》(珠海會議,1986)和《中國現代藝術展》(1989),推動了中國的「85美術」運動。1991年,高名潞獲美國科學院的「美中學術交流委員會」博士後項目獎學金,以訪問學者的身份,先後在俄亥俄大學和哈佛大學藝術史系研究學習,獲哈佛大學博士學位。其策劃的重要展覽包括《支離的記憶:四位中國前衛藝術家》(1993年),《Inside Out: New Chinese Art 》(1998年),《豐收:當代藝術展》(2002年),《中國極多主義》(2003年),《牆》(2005年),《無名》(2006-07年),《公寓藝術》(2008年)和《意派——世紀思維》(2009年)等展覽。其中文專著包括《中國前衛藝術》(南京:江蘇美術出版社,1989年),《中國當代美術史1985-1986》((合著,上海:上海人民出版社,1991年)),《中國極多主義》(重慶:重慶出版社,2003年),及《意派:中國‘抽像’三十年意派論:一個顛覆再現的理論》(桂林:廣西師範大學出版社,2009年)等。英文專著包括 Inside Out: New Chinese Art (1998),及 The Wall: Reshaping Contemporary Chinese Art (2005)等。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
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In Copyright
event photograph/recording, interview documentation
English
Speaker:GAO Minglu, 高名潞, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-gao-minglu/object/interview-with-gao-minglu-full-version
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182385
Digitised materials
Interview with Zheng Shengtian (Transcript, English)
Allocated
訪問:鄭勝天(抄本, 英文)
Chinese - Traditional
11643
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Shengtian 鄭勝天
online
Interview with Zheng Shengtian (Transcript, English), 訪問:鄭勝天(抄本, 英文)
This interview was conducted in Brooklyn, New York on 31 October 2009. Biography: Zheng Shengtian (b. 1938, Henan Province) is an artist, writer and curator now based in Vancouver, Canada. Zheng graduated in 1958 from the Zhejiang Acadmy of Art in Hangzhou (now China Academy of Art), where he worked for more than thirty years as a professor and chair of the Oil Painting Department. He was also a visiting professor at the University of Minnesota and at San Diego State University in the 1980s. Zheng moved to Canada in 1990. From 1996 to 2000, he was Secretary of the Annie Wong Art Foundation and Director of the Art Beatus Gallery in Vancouver. Since 2002, he has been the Managing Editor of Yishu: Journal of Contemporary Chinese Art, the only English-language journal on contemporary Chinese art. He has also been a founding member and Board Director of the Vancouver International Centre for Contemporary Asian Art since 1999. As an independent curator, he has organized and curated numerous exhibitions including ‘Jiangnan: Modern and Contemporary Chinese Art' (Vancouver), the ‘Art of the Proletarian Cultural Revolution’ (Vancouver, Toronto, Winnipeg, Canada), ‘Shanghai Modern’ (Munich, Kiel, Germany), the Shanghai Biennale (Shanghai, 2004), ‘China Trade’ (Vancouver), ‘Reincarnation’ (Toronto) and ‘Art and China’s Revolution’ (New York). 簡歷︰鄭勝天,1938年生,河南人。華裔加拿大學者、策展人和油畫家。1958年畢業於杭州浙江美術學院(中國美術學院)。曾任中國美術學院油畫系主任、美國明尼蘇達大學和聖地牙哥州立大學客座教授、梁潔華藝術基金會秘書長。自2002年起擔任英文當代中國藝術學刊《YISHU》(典藏國際版)的總策劃。兼任溫哥華當代亞洲藝術國際中心創會理事、 上海《藝術當代》編委。 近年策劃的重要活動與展覽有《江南:現代和當代華人藝術展覽與國際學術研討會》(溫哥華);《無產階級文化大革命的藝術》(溫哥華,多倫多,溫尼帕);《上海摩登》(慕尼克,基爾);2004上海雙年展;《中國生意》(溫哥華);《轉世》(多倫多);《藝術和中國革命》(紐約)等。現擔任溫哥華雙年展亞洲資深策展人。論著經常在中外刊物上發表。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/zst-ft-finalised.pdf
cdn.aaa.org.hk/_source/zst.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-shengtian/object/interview-with-zheng-shengtian-transcript-english
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182389
Digitised materials
Interview with Zhao Chuan (Transcript, Simplified Chinese)
Allocated
訪問:趙川(抄本, 簡體中文)
11641
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhao Chuan 趙川
online
Interview with Zhao Chuan (Transcript, Simplified Chinese), 訪問:趙川(抄本, 簡體中文)
This interview was conducted in Shanghai on 9 June 2011. Biography: Zhao Chuan (b. 1967, Shanghai) is a writer and art critic who is also actively involved in the theatre scene. After graduating from the Affiliated Art High School of Shanghai University School of Fine Art in 1987, Zhao Chuan continued his studies in Australia. Zhao began writing professionally since 2000. His novella Mandarin Ducks and Butterflies won the Unitas Fiction Newcomer Award in 2001. In the following year, he was invited by the Cultural Affairs Bureau of Taipei City Government and Asialink of Australia, to partake in the Asialink Writing Residency Program in Taipei. Together with Tong Ren, Zhao founded the theatre troupe ‘Grass Stage’ in Shanghai in 2005, with a mission to promote new forms of social theater movement, to organize non-profit theater performances, and to encourage both national and international exchange activities. Zhao has published numerous novels and essays. His main focus in recent years has been the development of contemporary art in Shanghai since the late 70s. Published works include Shanghai Abstract Story.簡歷︰趙川,1967年出生於上海。作家、戲劇工作者以及藝術批評家。1987年畢業於上海大學美術學院附中,1988年赴澳大利亞留學。於2000年開始專事寫作,中篇小說《鴛鴦蝴蝶》獲2001年台灣《聯合文學》小說新人獎。 2002年獲台北市政府文化局邀請及澳洲Asialink委派,任台北駐市作家。 2005年,趙川與同仁於在上海創立「草台班」,致力推動新形式的社會劇場運動,策劃非營利的戲劇演出及國內國際互動。他已出版小說和隨筆集等多種,近年常撰寫關於早期上海當代藝術之文章,已出版有《上海抽象故事》等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/zc-ft-finalised.pdf
cdn.aaa.org.hk/_source/zc.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhao-chuan/object/interview-with-zhao-chuan-transcript-simplified-chinese
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182391
Digitised materials
Interview with Zhang Wei (Transcript, Simplified Chinese)
Allocated
訪問:張偉(抄本, 簡體中文)
Chinese - Traditional
11637
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Wei 張偉
online
Interview with Zhang Wei (Transcript, Simplified Chinese), 訪問:張偉(抄本, 簡體中文)
This interview was conducted at Zhang Wei's studio in Beijing on 9 July 2009. Biography: Zhang Wei (b. 1952, Beijing) is an artist and is based in Beijing. After returning from ‘re-education’ during the Cultural Revolution, Zhang met Zhao Wenliang, Yang Yushu, Shi Zhenyu and others and in 1971 became a member of the No Name Group. When their first exhibition was stopped by government authorities, Zhang organized an unofficial exhibition for the group on 31 December 1974 at his home in Beijing’s Western District. In 1986, along with ten other artists, Zhang made his first trip to the United States. He subsequently settled in the United States, but has returned to China and has made his base in Beijing.簡歷︰張偉,1952年出生於北京。畫家,現居北京。文革時期曾插隊,回京後自學畫畫。後認識趙文量、楊雨澍和石振宇等人,並於1971年加入「無名畫會」這一民間藝術組織。畫會首個展覽遭政府禁令後,1974年12月31日,張偉安排畫會將展覽在其家中舉行(西城區),是為「地下」展覽。 1986年,張偉連同十位中國的藝術家,應美國紐約藝術機構之邀,前往美國。此後於美國居留。近年返國,現居北京。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/zw-ft.pdf
cdn.aaa.org.hk/_source/zhw.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-wei/object/interview-with-zhang-wei-transcript-simplified-chinese
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182393
Digitised materials
"Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990" interview series: Zhang Peili (Transcript, Simplified Chinese)
Allocated
「未來的材料:紀錄1980-1990中國當代藝術」訪問系列:張培力(抄本, 簡體中文)
Chinese - Traditional
11635
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Peili 張培力
online
"Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990" interview series: Zhang Peili (Transcript, Simplified Chinese), 「未來的材料:紀錄1980-1990中國當代藝術」訪問系列:張培力(抄本, 簡體中文)
This interview was conducted at the China Academy of Art and Zhang Peili's studio in Hangzhou on 23 November 2008. For more information please visit the Materials of the Future website. 此訪談於2008年11月23日在杭州中國美術學院新媒體系和張培力工作室進行。詳情請瀏覽此頁。 Biography: Zhang Peili (b. 1957, Hangzhou) is an artist and Head of the New Media Department at the China Academy of Art in Hangzhou. Zhang graduated from the Oil Painting Department at the Zhejiang Academy of Fine Arts (now the China Academy of Art) in 1984. The following year, he helped organize the exhibition ‘New Space' in which his oil paintings, including Midsummer Swimmers, Please Enjoy Some Jazz and Interval, were also shown. In 1986, Zhang helped form the Pond Society with Geng Jianyi, Wang Qiang, Song Ling, Bao Jianfei, Cao Xuelei and others. In the late 1980s, he created a series of groundbreaking works like Yang’s Tai Chi, an innovative outdoor work, and two early experiments in conceptual, text-based art, About X?: Exhibition Procedures and Art Project No. 2. Zhang also created 30X30, a video work now recognized as the first video art piece in the history of Chinese contemporary art. In the early '90s, Zhang founded the New Media Department at the China Academy of Art, the first of its kind in China’s art academy system. He has also been an active participant in international exhibitions. In 2008, OCAT Shenzhen held a solo exhibition for Zhang, in conjunction with a comprehensive monograph entitled Artistic Working Manual of Zhang Peili.簡歷︰張培力,1957年生於杭州。藝術家,中國美術學院新媒體系主任。1984年畢業於浙江美院油畫系。1985年參與組織杭州《新空間畫展》,展出油畫作品⟨仲夏的泳者⟩、⟨水中的泳者⟩、⟨請你欣賞爵士⟩和⟨休止音符⟩。1986年參與組織「池社」(成員有耿建翌、王强、宋陵、包劍斐、曹學雷等);這期間創作的多個具突破意義的作品,包括⟨楊氏太極⟩是實驗性的公共作品、⟨關於X-先奏後斬的計劃⟩及⟨藝術計劃第二號⟩是文本藝術的早期實驗,⟨30X30⟩更可視為中國當代藝術中首個錄像作品。 九十年代初在中國美術學院創辦中國首個新媒體系。張培力的作品見於海內外;2008年在深圳OCAT舉辦個人展《靜音》,並出版檔案式專集《張培力︰藝術工作手冊》。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
interview documentation
Interviewee:ZHANG Peili, 張培力, 1957, China (Zhang Pei Li), Interviewer:Anthony YUNG, 翁子健, Hong Kong (WENG Zijian, Zijian WENG, Tszkin Yung, Yung Tszkin, Yung Tsz Kin, Tsz Kin Yung, Yung Anthony)
cdn.aaa.org.hk/_source/zpl-ft-final.pdf
cdn.aaa.org.hk/_source/zpl.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-peili/object/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-interview-series-zhang-peili-transcript-simplified-chinese-1980-1990
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182395
Digitised materials
Interview with Zhang Jianjun (Transcript, Simplified Chinese)
Allocated
訪問:張健君(抄本, 簡體中文)
Chinese - Traditional
11633
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Jianjun 張健君
online
Interview with Zhang Jianjun (Transcript, Simplified Chinese), 訪問:張健君(抄本, 簡體中文)
This interview was conducted at East China Normal University, Shanghai on 3 March 2009. Biography: Zhang Jianjun (b. 1955, Shanghai) is an artist and professor in the Department of Art and Art Professions at New York University’s (NYU) Steinhardt School and is also involved with the Shanghai Center of NYU’s Shanghai campus. In 1978, Zhang graduated from the Department of Fine Arts at the Shanghai Drama Institute. In 1983, he participated in the ‘’83 Experimental Painting' exhibition held at Fudan University in Shanghai. In 1987, Zhang became an assistant to the Director of the Shanghai Art Museum and received a fellowship from the Asian Cultural Council to visit the United States. Upon his return to Shanghai, Zhang took part in the performance The Last Supper and participated in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing (1989). Zhang moved to New York in 1989 and began teaching at NYU’s Steinhardt School in 1997. Since 2007, he has been teaching at NYU’s New York and Shanghai campuses. In addition to his teaching responsibilities, he continues to make art and recently participated in ‘Turn to Abstract: A Retrospective of Shanghai Experimental Art from 1976 to 1985’ (Shanghai, 2008).簡歷︰張健君,1955年生於上海。藝術家,現居紐約。1978年畢業於上海戲劇學院美術系油畫專業。1983年參與在上海復旦大學舉行的《’83階段——繪畫實驗展》。1987年出任上海美術館館長助理。1987年,受美國亞洲文化協會之資助赴美,從事當代藝術的考察與創作,1988年,返回中國;是年年底參加⟨最後的晚餐⟩行為演出。1989年参加在中國美術館舉辦的《中國現代藝術展》。1989年再次赴美國。 1997年起,在美國紐約大學Steinhardt School任教。2007年,紐約大學於上海設立教學中心,張健君也來往兩地教學。教學之外,亦持續創作。近年參與的展覽包括《轉向抽象:1976—1985上海實驗藝術回顧展》(2008,上海)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/zjj-ft-finalised.pdf
cdn.aaa.org.hk/_source/zjj.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-jianjun/object/interview-with-zhang-jianjun-transcript-simplified-chinese
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182397
Digitised materials
Interview with Zhang Hongtu (Transcript, English)
Allocated
訪問:張宏圖(抄本, 英文)
Chinese - Traditional
11631
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Hongtu 張宏圖
online
Interview with Zhang Hongtu (Transcript, English), 訪問:張宏圖(抄本, 英文)
This interview was conducted at Zhang Hongtu's studio in Brooklyn, New York on 14 October 2009. Biography: Zhang Hongtu (b. 1943, Pingliang, Gansu Province) is a New York-based artist. Zhang studied at the Central Academy of Arts and Crafts in Beijing and moved to New York in 1982, where he helped build a community for immigrant Chinese artists through the Chinese United Overseas Artists Association in 1987. Some of Zhang’s works use Mao's image to reference communist China, whilst other works, like his repainted shan-shui projects combine Chinese and Western imagery and technique. His most recent works focus on the relationship between nature and the human condition. Zhang has exhibited extensively, with shows at the Princeton University Art Museum, the Guangzhou Triennial, the Havana Biennial, PS1 New York, and the New Museum in New York.簡歷︰張宏圖,1943年出生於甘肅平涼,現居紐約。張宏圖早年就讀於中央工藝美術學院(北京),自1982年移居美國,為協助在海外的中國藝術家,他參與創立了Chinese United Overseas Artists Association(中國海外藝術家協會)。 張宏圖的早期作品中,運用毛澤東的形象以表達他對共產主義中國的感受。他的⟨山水畫再製⟩系列則重疊了中國山水大師的作品與西方風格,使這熟悉但陌生的兩者,產生混血的效果。他的近作則更多地關注自然和人類生存環境的關係。他的作品曾經在以下幾處展出:普林斯頓大學美術館,廣州三年展,哈瓦那雙年展,PS1美術館,新美術館等等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/zht-ft.pdf
cdn.aaa.org.hk/_source/zht.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-hongtu/object/interview-with-zhang-hongtu-transcript-english
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182399
Digitised materials
Interview with Zhou Chunya (Transcript, Simplified Chinese)
Allocated
訪問:周春芽(抄本, 簡體中文)
Chinese - Traditional
11653
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhou Chunya 周春芽
online
Interview with Zhou Chunya (Transcript, Simplified Chinese), 訪問:周春芽(抄本, 簡體中文)
This interview was conducted in Zhou Chunya's studio in Chengdu on 1 March 2010. Biography:Zhou Chunya (b. 1955, Chongqing) is an artist living and working in Chengdu.In the 1970s Zhou learned to paint at the 5.7 Arts School, a special art school established during the Cultural Revolution to cultivate artistic talent. In 1977, Zhou entered the Printmaking Department at the Sichuan Fine Arts Institute, and after graduating in 1982, was assigned to work at the Chengdu Painting Institute (also known as the Chengdu Art Academy).In 1986, Zhou moved to West Germany and in 1988 began teaching at an art school in Kassel, Germany. Zhou returned to China in 1989.Zhou continues to paint and exhibit widely.簡歷︰周春芽,1955年生於重慶。藝術家,居於成都。七十年代於成都的「五•七」文藝學校學習繪畫,此為在文化大革命期間培養美術人才而專門建立的新式藝術學校。1977年入讀四川美術學院版畫系,1982年畢業,分配到成都畫院。周春芽在八十年代初期的創作多以藏族人物作題材。至1986年赴西德留學,1988年入讀德國卡塞爾美術學院自由藝術系。1989年回國,至今居於成都。 周春芽的作品見於海內外展覽。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/zcy-ft-preaas.pdf
cdn.aaa.org.hk/_source/zcy.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhou-chunya/object/interview-with-zhou-chunya-transcript-simplified-chinese
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182409
Digitised materials
Interview with Zheng Chongbin (Transcript, Simplified Chinese)
Allocated
訪問:鄭重賓(抄本, 簡體中文)
Chinese - Traditional
11659
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zheng Chongbin 鄭重賓
online
Interview with Zheng Chongbin (Transcript, Simplified Chinese), 訪問:鄭重賓(抄本, 簡體中文)
This interview was conducted in Zheng Chongbin's studio in San Francisco on 7 April 2011. Biography:Zheng Chongbin (b.1961, Shanghai) is an artist who lives and works in both California and Shanghai.In 1984, Zheng Chongbin graduated from the Chinese painting department of the Zhejiang Academy of Fine Arts (now the China Academy of Fine Arts), and became a teacher at the Academy. His first solo exhibition was held at the Shanghai Art Museum in 1988. The following year, he received the San Francisco Art Institute’s first international fellowship. By 1991, he had graduated from the institute with an M.F.A.Zheng has taken part in many recent group exhibitions, including ‘From Chinese Ink to Abstraction’ (Chinese Culture Center of San Francisco, 1999); ‘The Third Chengdu Biennale’ (Chengdu, 2007); and ‘Shanghai’ (Asian Art Museum, San Francisco, 2010). He has also held solo exhibitions, such as ‘Emergent’ (Valentine Willie Fine Arts, Singapore, 2010); ‘White Ink’ (Chinese Culture Foundation, San Francisco, 2011)and ‘Xuan, Etc.’ (Shanghai Gallery of Art, 2011).簡歷︰鄭重賓,藝術家,1961年生於上海市,現居美國加州及上海。1984年,鄭重賓于江浙美術學院中國畫系畢業﹐留校任教。1988年在上海美術館舉辦《鄭重賓水墨個展》。1989年獲得三藩市藝術學院國際學者獎,並在1991年在該校獲得碩士學位,及後主要居於三藩市。近年,鄭重賓參加多個展覽,聯展包括︰《抽象水墨畫展》(1999,三藩市中國文化中心)、《重新啟動 – 成都水墨雙年展》(2007,成都)、《上海》(2010,三藩市亞洲藝術博物館)等。個展包括︰《浮現- 鄭重賓水墨,裝置個展》(2010,新加坡瓦侖丁美術館)、《白墨》(2011,三藩市中華文化基金會文化中心)、《宣》(2011,上海滬申畫廊)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/zcb-ft.pdf
cdn.aaa.org.hk/_source/zcb.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zheng-chongbin-11659/object/interview-with-zheng-chongbin-transcript-simplified-chinese
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182415
Digitised materials
Interview with Zhang Hongnian (Transcript, English)
Allocated
訪問:張紅年(抄本, 英文)
Chinese - Traditional
11661
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Hongnian 張紅年
online
Interview with Zhang Hongnian (Transcript, English), 訪問:張紅年(抄本, 英文)
This interview was conducted in New York on 10 Oct 2009. Biography:Zhang Hongnian (b. 1947, Nanjing) is a New York-based artist, whose work was exhibited at the Grand Central Art Galleries in New York, one of the first American shows of Chinese artists in 1986.Zhang studied painting at the Central Academy of Fine Arts in Beijing, and in the late-70s to early-80s, he was involved in the Scar Art movement. Two of Zhang’s Scar Art paintings, No! and We Were Young Then, were acquired for the National Art Museum of China’s permanent collection (Beijing, 1979–1980). His painting Preparing Hay for Winter (1982) is also housed in the National Art Museum’s collection in Beijing.Zhang moved to the United States in 1985, studied at the City College of New York, and has continued to work in a realist tradition, expanding his subjects from Tibetan to American themes. Four of his epic historical paintings have been collected by the National Geographic Society. Aside from his art practice, Zhang has taught painting at the New York Academy of Art (1997–2001) and at the Shanghai Institute of Visual Arts at Fudan University (2010).簡歷︰1947年生于南京,藝術家,居紐約。1986年 參加Grand Central画廊举办的《來自中國的現實主義畫展》,是為最早在紐約舉行的中國藝術家展之一。張紅年早年就讀於中央美術學院,七十年代末、八十年代初的創作多為傷痕美術風格。早期的兩幅作品〈不! 〉及〈那时我们正年輕〉被中國美術館永久收藏。1982年创作的〈准备冬草〉亦被中國美術館所收藏。 1985年赴美,入紐約市立大學美術系繼續讀研究生,創作涉及西藏及美國主題。四幅大型歷史性主題創作被國家地理協會收藏。除創作外,張紅年亦於紐約美術學院(1997—2010)及復旦大學上海視覺藝術學院(2010)任教。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/zhn-ft-finalised.pdf
cdn.aaa.org.hk/_source/zhn.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-hongnian/object/interview-with-zhang-hongnian-transcript-english
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182417
Digitised materials
Interview with Zhang Dali (Transcript, Simplified Chinese)
Allocated
訪問:張大力(抄本, 簡體中文)
Chinese - Traditional
11629
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Zhang Dali 張大力
online
Interview with Zhang Dali (Transcript, Simplified Chinese), 訪問:張大力(抄本, 簡體中文)
This interview was conducted at Zhang Dali's studio in Beijing on 18 July 2009. Biography: Zhang Dali (b. 1963, Harbin, Heilongjiang Province) is an artist currently residing in Beijing. In 1983, Zhang was admitted to the Department of Book Design at the Central Academy of Arts and Crafts in Beijing. Zhang worked from 1987 to 1989 as a professional painter in the area adjacent to the Old Summer Palace in Beijing’s Haidian District. In July 1989, Zhang moved to Bologna, Italy. In 1992, Zhang Dali began spray-painting human head profiles onto buildings in the city of Bologna, a practice which developed into his series Dialogue. After returning to Beijing in 1995, Zhang continued to work on this project, and in 1998, he began hollowing out some of his spray-painted profiles, which evolved into his Demolition series. In 2002, Zhang began a new project called One Hundred Chinese, in which he created resin models of the heads of a hundred immigrant workers in Beijing.簡歷︰張大力,1963年生於黑龍江哈爾濱。藝術家,現居於北京。張氏於1983年考入北京中央工藝美術學院書藉裝幀藝術系。1987至1989年間,他於北京海澱區圓明園作職業畫家。後於1989年7月旅居意大利北部城市波倫尼亞。 自1992年開始,張大力於波倫尼亞城塗鴉人頭像,並命名為⟨對話⟩。1995年回北京後,他繼續從事⟨對話⟩的創作;並於1998年開始開鑿人頭像,命名為⟨拆⟩。自2002年開始,張氏以石灰「拓」下100名北京民工的頭像,並把這些頭像結集成《一百個中國人》。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/zdl-ft-finalised.pdf
cdn.aaa.org.hk/_source/zdl.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-zhang-dali/object/interview-with-zhang-dali-transcript-simplified-chinese
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182419
Digitised materials
Interview with Yu Youhan (Transcript, Simplified Chinese)
Allocated
訪問:余友涵(抄本, 簡體中文)
Chinese - Traditional
11627
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Yu Youhan 余友涵
online
Interview with Yu Youhan (Transcript, Simplified Chinese), 訪問:余友涵(抄本, 簡體中文)
This interview was conducted at Yu Youhan's home in Shanghai on 3 March 2009. Biography: Yu Youhan (b. 1943, Shanghai) is an artist and currently lives and works in Shanghai. In 1973, after graduating from the Central Academy of Arts and Crafts in Beijing, Yu became a teacher at the Shanghai College of Arts and Crafts. His Mao series, which he developed in 1988, attracted international attention and in the 1990s became some of the most recognizable images of political pop in China. Yu’s works have appeared in many international exhibitions, including the 45th Venice Biennale (1993), the ‘China Avant-Garde Exhibition’ (Germany, 1993) and the 22nd Sao Paulo Biennial (1994), to name a few. Yu continues to paint and also exhibits widely.簡歷︰余友涵,1943年生於上海。藝術家,居於上海。1973年畢業於北京中央工藝美術學院藝術設計專業,其後獲分配到上海市工藝美術學校任教。1988年開始以波普方式創作,開展了他的《毛澤東》系列。九十年代,余友涵的《毛澤東》系列在國際藝術界嶄露頭角,成為中國政治波普最為人所知的代表之一。 余友涵的作品見於海內外,曾參與第45屆《威尼斯雙年展》(1993);《中國前衛藝術展》(1993,德國);第22屆《聖保羅雙年展》(1994)等重要展覽。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/yyh-ft-final.pdf
cdn.aaa.org.hk/_source/yyh.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-yu-youhan/object/interview-with-yu-youhan-transcript-simplified-chinese
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182421
Digitised materials
Interview with Ye Yongqing (Transcript, Simplified Chinese)
Allocated
訪問:葉永青(抄本, 簡體中文)
Chinese - Traditional
11625
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ye Yongqing 葉永青
online
Interview with Ye Yongqing (Transcript, Simplified Chinese), 訪問:葉永青(抄本, 簡體中文)
This interview was conducted at the Hong Kong Arts Centre on 5 April 2008. For more information please visit the Materials of the Future website. 此訪談於2009年3月5日在香港藝術中心進行。詳情請瀏覽此頁。 Biography: Ye Yongqing (b. 1958, Kunming, Yunnan Province) is an artist and currently lives and works in Beijing. He also teaches at the Sichuan Fine Arts Institute (SFAI). Ye graduated from SFAI in 1982, and by the mid-'80s was a leading artist in the Southwestern region of China. His paintings demonstrated his ability to unite Western art techniques with Chinese traditional painting practices. Apart from his art and teaching practices, Ye has also engaged in curatorial projects, as well as helping to organize the Upriver Club in Kunming (Yunnan), one of the earliest independent contemporary art spaces in China in the 1990s. Ye is a member of the Chinese Artists Association and continues to exhibit widely.簡歷︰葉永青,1958年生於雲南昆明。藝術家,居於北京。1982年毕业於四川美術學院油畫系。葉永青是八十年代中期「西南藝術家研究群體」的成員,是西南地區的重要藝術家。葉氏的繪畫以在中國傳統繪畫中注入西畫技法見稱。除創作外,葉氏自九十年代開始,參與多個藝術活動之策展及組織工作。1999年於雲南創建上河會館,是中國較早的非官方藝術文化組織之一。葉氏的作品見於海內外。現為中國美術家協會會員及四川美術學院教授。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/yyq-ft-final.pdf
cdn.aaa.org.hk/_source/yyq.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ye-yongqing/object/interview-with-ye-yongqing-transcript-simplified-chinese
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182429
Digitised materials
Interview with Yang Jiechang (Transcript, Simplified Chinese)
Allocated
訪問:楊詰蒼(抄本, 簡體中文)
Chinese - Traditional
11621
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Yang Jiechang 楊詰蒼
online
Interview with Yang Jiechang (Transcript, Simplified Chinese), 訪問:楊詰蒼(抄本, 簡體中文)
This interview was conducted at the Guangzhou Academy of Fine Arts, Guangzhou on 25 October 2007. For more information please visit the Materials of the Future website. 此訪談於2007年10月25日在廣州美術學院進行。詳情請瀏覽此頁。 Biography: Yang Jiechang (b. 1956, Foshan, Guangdong Province) is an artist who lives and works in Paris, France, and Heidelberg, Germany. In the 1970s, Yang studied at the Foshan Folk Art Research Institute, and in 1978, he entered the Chinese Painting Department at the Guangzhou Academy of Fine Arts (GAFA). After graduating, he became a teacher at GAFA, and during the mid-1980s, he studied Zen Buddhism and Taoism. In 1988, Yang, along with Hou Hanru, Chen Tong, Tang Songwu, and others engaged in the performance Language, Communication, Man at the Sun Yat-Sen Library in Guangzhou. In 1989, Yang was invited to participate in the exhibition ‘Magiciens de la Terre’ in Paris. Yang continues to work as an artist and exhibits widely. Selected exhibitions include the Venice Biennale (2003), the second Guangzhou Triennial (2005), the Liverpool Biennial (UK, 2006) and the Istanbul Biennial (2007).簡歷︰楊詰蒼,1956年出生,廣東佛山人。 藝術家,現於海德堡及巴黎生活及工作。七十年代,楊詰蒼於佛山民間藝術研究社學習,奠定了中國傳統媒介的基礎;1978年入讀廣州美術學院國畫系,1982 年畢業後任教於廣州美术学院。八十年代中期研習禪宗及道家思想,影響了其對藝術的觀念。1988年與侯瀚如、陳侗、唐頌武在廣州中山圖書館創作了⟨話•對•人⟩行為演出。1989年應邀往巴黎龐比杜中心參加《大地魔術師》展,後移居歐洲。 楊詰蒼的作品見於海內外。近年曾參與重要展覽包括:第50屆《威尼斯雙年展》(2003);第二屆《廣州三年展》(2005);《利物浦雙年展》(2006)及《伊斯坦堡雙年展》(2007)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/yjc-ft-final.pdf
cdn.aaa.org.hk/_source/yjc.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-yang-jiechang/object/interview-with-yang-jiechang-transcript-simplified-chinese
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182433
Digitised materials
Interview with Xu Tan (Transcript, Simplified Chinese)
Allocated
訪問:徐坦(抄本, 簡體中文)
Chinese - Traditional
11619
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Xu Tan 徐坦
online
Interview with Xu Tan (Transcript, Simplified Chinese), 訪問:徐坦(抄本, 簡體中文)
This interview was conducted at Beijing Normal University, Zhuhai on 28 October 2007. Biography: Xu Tan (b. 1957, Wuhan, Hubei Province) is an artist who lives and works in Guangzhou and Shenzhen. In 1979, Xu was admitted to the Guangzhou Academy of Fine Arts, where he received his B.A. and M.A. degrees in Oil Painting in 1983 and 1989 respectively. In 1993, Xu joined the Big-Tail Elephant Group, organized by Chen Shaoxiong, Lin Yilin and Liang Juhui, among others. Xu participated in two 'Big-Tail Elephant Group' exhibitions held in 1994 and 1996. Xu often uses text, images, video, performance and installation in his work to express his concern for a range of social issues. Xu’s works have appeared in major exhibitions such as ‘Cities on the Move’ (Vienna, Bordeaux, New York, Copenhagen, Bangkok and Thailand, 1997–1999), the 1998 Taipei Biennial, the third Asia-Pacific Triennial of Contemporary Art (Brisbane, 1999), the second Berlin Biennial (2002), the fourth Gwangju Biennale (South Korea, 2002), the second Guangzhou Triennial (2005), and the 50th and 53rd Venice Biennales (2003, 2009).簡歷︰徐坦,1957年生於湖北武漢。藝術家,現於廣州及深圳生活和工作。1979年入讀廣州美術學院油畫系,分別於1983及1989年獲得學士及碩士學位。1993年加入由陳劭雄、林一林、梁鉅輝組成的「大尾象工作組」,並於《沒有空間:大尾象》(1994,廣州)及《可能性:大尾象》(1996,廣州中心大廈)展出作品。 徐坦從事多種媒介的創作,包括文字、圖片、錄像、行為、裝置、網絡等。 徐坦的作品自九十年代在多個大型展覽中展出,包括《運動中的城市》(1997-1999,維也納,波而多,紐約,哥本哈根,倫敦,曼谷);《1998台北雙年展》(1998);第三屆《亞太當代藝術三年展》(1999,昆士蘭);第二屆《柏林雙年展》(2002);第四屆《光州雙年展》(2002);第二屆《廣州三年展》(2005)及第50屆、第53屆《威尼斯雙年展》(2003,2009)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/xt-ft-preaap.pdf
cdn.aaa.org.hk/_source/xut.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-xu-tan/object/interview-with-xu-tan-transcript-simplified-chinese
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182443
Digitised materials
Interview with Xu Bing (Transcript, Simplified Chinese)
Allocated
訪問:徐冰(抄本, 簡體中文)
Chinese - Traditional
11617
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Xu Bing 徐冰
online
Interview with Xu Bing (Transcript, Simplified Chinese), 訪問:徐冰(抄本, 簡體中文)
This interview was conducted at Today Art Museum, Beijing on 18 July 2009. Biography: Xu Bing (b. 1955, Chongqing) is an artist and the current Vice President of the Central Academy of Fine Arts in Beijing. Xu grew up in Beijing and graduated in 1981 from the Department of Printmaking at the Central Academy of Fine Arts) where he pursued his M.A. degree from 1984 to 1987. In 1987, Xu began working on the project A Book from the Sky, which featured the invention of more than two thousand pseudo-Chinese characters. The following year, Xu organized an exhibition of his own work at the National Art Museum of China, where he showed the first completed section of A Book from the Sky. He also exhibited the piece in the ‘China/Avant-Garde Exhibition’ in 1989. The next year, Xu began working on Ghosts Pounding the Wall (Gui daqiang), a large-scale, outdoor ink-on-paper rubbing from Beijing’s Jinshanling section of the Great Wall. In 1990, Xu accepted an invitation from the University of Wisconsin-Madison to visit the United States as an honorary fellow. Xu’s work has been widely exhibited, and in 1999, he was awarded a MacArthur Fellowship. He returned to China in 2008.簡歷︰徐冰,1955年生於重慶,在北京長大。藝術家,时任中央美術學院副院長。1977—1981年間就讀於中央美術學院版畫系。1984年開始攻讀該院碩士研究生, 1987年獲該院碩士學位。畢業後,徐冰開始設計及刻製兩千餘「偽漢字」,是為⟨天書⟩的組成部分。1988年在北京中國美術館舉行《徐冰版畫展》,並首次展出⟨天書⟩的第一階段。1989年在《中國現代藝術展》上也展出了⟨天書⟩。 1990年與學生和助手在北京金山嶺長城開始巨型作品⟨鬼打牆⟩的野外拓印工作。翌年,接受美國麥迪森 - 威斯康辛大學邀請,作榮譽藝術家赴美。自此旅居美國。九十年代及2000年代間,徐冰於歐美參與及舉行不少展覽,蜚聲國際。1999年獲得美國文化界最高獎:麥克•亞瑟獎(MacArthur Foundation ‘genius’ award)。2008年回到中國,出任中央美術學院副院長一職。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/xb-ft-final.pdf
cdn.aaa.org.hk/_source/xub.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-xu-bing/object/interview-with-xu-bing-transcript-simplified-chinese
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182531
Digitised materials
Interview with Gu Zheng (Full Version)
11677
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Gu Zheng 顧錚
onsite
Interview with Gu Zheng (Full Version)
This interview was conducted in Shanghai on 9 June 2011.Biography:Gu Zheng (b. 1959, Shanghai) is a photographer and scholar of photography and visual communication.In late 1970s and early 1980s, Gu Zheng first studied and then taught in the technical school of the Shanghai Camera Factory. In 1986, Gu and his friends formed the photography group “Beihemeng” (Alliance of the Northern River). In the same year, the group organized an exhibition titled “Seekers – Black and White Photography Exhibition” in both Beijing and Shanghai.From 1991 to 1993, Gu studied in the Graduate School of Intercultural Studies, Kobe University, Japan, and in 1998 he graduated from Osaka Prefecture University with a Ph.D. degree in comparative culture.Gu Zheng is currently professor of Journalism School, vice director of Research Center for Visual Culture and researcher for the Centre of Information and Communication at Fudan University. His research areas include history, theories and practices of photography and visual communications.Please click here to view the transcript of the video.簡歷︰顧錚,1959年出生於上海。攝影家、攝影及視覺傳播學者。七十年代末及八十年代初,顧錚就讀及任教於上海照相機總廠技校。1986年,他與其他攝影愛好者組成了攝影團體「北河盟」,同年分別在上海及北京舉辦《尋找者黑白攝影展》。1991-1993年進修於日本神戶大學國際文化系;1998年畢業於日本大阪府立大學人類文化研究科比較文化研究專業。現任復旦大學新聞學院教授,復旦大學視覺文化研究中心副主任,復旦大學資訊與傳播中心研究員。專事攝影理論與實踐、攝影史、視覺傳播。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
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In Copyright
event photograph/recording, interview documentation
Speaker:GU Zheng, 顧錚, 1959, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-gu-zheng/object/interview-with-gu-zheng-full-version
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182661
Digitised materials
Interview with Chen Shaoxiong (Transcript, Simplified Chinese)
Allocated
訪問:陳劭雄(抄本, 簡體中文)
Chinese - Traditional
11663
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Chen Shaoxiong 陳劭雄
online
Interview with Chen Shaoxiong (Transcript, Simplified Chinese), 訪問:陳劭雄(抄本, 簡體中文)
This interview was conducted at Asia Art Archive on 28 May 2007.Biography:Chen Shaoxiong (b. 1962, Shantou, Guangdong Province) is an artist living and working in Guangzhou and Beijing.Chen graduated from the Department of Printmaking at the Guangzhou Academy of Fine Arts in 1984. As a member of the Southern Artists Salon, Chen helped organize the first ‘Experimental Show of the Southern Artists Salon’ at the Student Centre of Sun Yat-Sen University, Guangzhou (1986–1987).In 1990, Chen participated in the Big-Tail Elephant Group along with other initial members including Lin Yilin, Liang Juhui and Xu Tan. Later, Chen became a frequent participant in exhibitions worldwide, including ‘Cities on the Move’ (Vienna, Bordeaux, Long Island New York, Denmark, London, Bangkok, Helsinki, 1997–1999), the first and second Guangzhou Triennials (2002, 2005), the Shanghai Biennale (2002), the Gwangju Biennale (South Korea, 2002) and ‘Z.O.U. – Zone of Urgency’ at the 50th Venice Biennale (2003).In recent years, Chen Shaoxiong has presented several solo exhibitions, such as ‘Anti-C.S.X.’ (Vitamin Creative Space, Guangzhou, 2003), ‘Let’s See Who’s Lucky’ (BizArt Art Centre, Shanghai, 2006) and ‘Visible and Invisible, Known and Unknown’ (Universal Studios, Beijing, 2007).Please click here to view the video.簡歷︰陳劭雄,藝術家,1962 生於廣東汕頭,現活躍於廣州及北京。1984年,陳劭雄畢業於廣州美術學院版畫系。1986—1987年間,陳劭雄為南方藝術家沙龍的成員,曾在廣州中山大學學生活動中心舉辦《南方藝術家沙龍第一回實驗展》。1990年,陳劭雄與林一林、梁钜輝組成 「大尾象工作組」。此後積極參加各國的展覽,包括:《移動中的城市》(1997-1999,維也納,波爾多,紐約長島,丹麥,倫敦,曼谷,赫爾辛基);第一屆《廣州三年展》(2002)、第二屆《廣州三年展》(2005);第四屆《上海雙年展》(2002);《2002 光州雙年展》(2002);第50屆《威尼斯雙年展》(2003)等。近年,陳劭雄舉辦了多次個展,包括︰《反—陳劭雄》(2003,廣州維他命創意空間)、《看誰運氣好》(2006,上海比翼藝術空間)、《看見的和看不見的,知道的和不知道的》(2007,北京Universal Studios)等等。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/csx-ft-finalised.pdf
cdn.aaa.org.hk/_source/chen-shaoxiong.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-chen-shaoxiong/object/interview-with-chen-shaoxiong-transcript-simplified-chinese
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182665
Digitised materials
Interview with Chen Tong (Transcript, Simplified Chinese)
Allocated
訪問:陳侗(抄本, 簡體中文)
Chinese - Traditional
11665
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Chen Tong 陳侗
online
Interview with Chen Tong (Transcript, Simplified Chinese), 訪問:陳侗(抄本, 簡體中文)
This interview was conducted at Borges Libreria Institute for Contemporary Art, Guangzhou on 24 October 2007.Biography:Chen Tong (b. 1962, Hunan Province) is an artist and founder of Borges Libreria and Borges Libreria Institute for Contemporary Art in Guangzhou.From 1979 to 1983, Chen studied Chinese painting at the Guangzhou Academy of Fine Arts. He became a teacher in its Department of Chinese Painting in 1986, where he still teaches today. In 1994, Chen founded the Borges Libreria bookstore, which has become one of the most important venues for contemporary art in Guangzhou, and in 2007, he established the Borges Libreria Institute for Contemporary Art.Chen has been an important publisher of texts on cultural studies. In 1992, he published the Experimental Art book series, which introduced the art community to a range of titles on contemporary art, cinema, photography and theory. Following this in 1998, Chen and Lu Yi organized the publication series Midnight, which presented and translated books published by Paris Edition de Minuit, in particular, the French nouveau roman. His own publications include My Own World: Art and Life in France (2002), A Sketch: An Aesthetic Way to View Life (2003) and Manet’s Railway (2005).
簡歷︰陳侗,1962年生於湖南,廣州博爾赫斯書店及廣州博爾赫斯書店當代藝術機構創辦人,藝術家。現居廣州。陳侗於1979—1983年間就讀於廣州美術學院國畫系,自1986年始任教於該系至今。1992年策劃出版《實驗藝術叢書》,內容涉及當代藝術、電影、攝影、理論等;1994年創辦博爾赫斯書店,並以書店之名,積極推動當代藝術活動及展覽。1998年,與魯毅合作成立出版工作室,並策劃《午夜文叢》,譯介法國午夜出版社,特別是法國新小說的作品。2007年成立博爾赫斯書店當代藝術機構。其著作包括《自己的世界:法國的生活與藝術》(長沙:湖南美術出版社,2002)、《速寫這件事:一種關於生活的美學態度》(臺北:三言社,2003)、《馬奈的鐵路》(長沙:湖南美術出版社,2005)
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/ct-ft-final.pdf
cdn.aaa.org.hk/_source/chen-tong.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-chen-tong/object/interview-with-chen-tong-transcript-simplified-chinese
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182669
Digitised materials
Interview with Ethan Cohen (Transcript, English)
Allocated
訪問:Ethan Cohen(抄本, 英文)
Chinese - Traditional
11667
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Cohen, Ethan
online
Interview with Ethan Cohen (Transcript, English), 訪問:Ethan Cohen(抄本, 英文)
The interview was conducted at Ethan Cohen Fine Arts, New York on 15 October 2009.Biography:Ethan Cohen is the owner of Ethan Cohen Fine Arts in New York, one of the first galleries in the United States to specialize in contemporary Chinese art.Cohen has produced a number of noteworthy art exhibitions and projects and has accrued a large portfolio of artists from Asia. An art advocate and educator, Cohen helped to establish the Asian Contemporary Art Consortium in 2002, a group comprising museum curators, collectors and gallery directors dedicated to advancing Asian art in New York City. For the last eight years, the Consortium, in association with the Asia Society, has hosted Asian Contemporary Art Week in New York City. In 2008, in collaboration with Scope Art Fair, Cohen founded the Art Asia Art Fair in Miami.Ethan Cohen Fine Arts has participated regularly in international art fairs in Miami, New York, Basel, Beijing and Melbourne. In partnership with Pace Editions, the gallery also publishes prints of the work of some of the leading Chinese artists.Please click here to view the video.簡歷︰Ethan Cohen 主持的紐約Ethan Cohen Fine Arts畫廊是最早代理中國當代藝術的美國畫廊之一。Cohen 策劃過很多亞洲藝術展,也代理了很多亞洲藝術家。在2002年,Cohen 協辦了亞洲當代藝術委員會,集中了在紐約從事有關亞洲藝術工作的美術館人士、收藏家及畫廊家。過去八年來, 委員會與亞洲協會合作,在紐約舉辦亞洲當代藝術周。2008年以來,Cohen 與觀望鏡博覽會合作, 在邁阿密舉辦Art Asia art fair。Ethan Cohen Fine Arts畫廊參加國際藝術博覽會,包括邁阿密、紐約、巴素爾、北京、墨爾本。畫廊與Pace Editions合作,也推出中國當代藝術家重要作品的版畫。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/ec-ft-finalised.pdf
cdn.aaa.org.hk/_source/cohen-ethan.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-cohen-ethan/object/interview-with-ethan-cohen-transcript-english-ethan-cohen
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182675
Digitised materials
Interview with Joan Lebold Cohen (Transcript, English)
Allocated
訪問:Joan Lebold Cohen(抄本, 英文)
Chinese - Traditional
11389
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Cohen, Joan Lebold
online
Interview with Joan Lebold Cohen (Transcript, English), 訪問:Joan Lebold Cohen(抄本, 英文)
The interview was conducted in New York on 15 October 2009.Biography:Joan Lebold Cohen is a photographer and art historian who specializes in Chinese art and film.A regular visitor to Asia since 1961, Cohen has lived for some time in Japan, Hong Kong and China, where she was witness to the post-Cultural Revolution period of 1979 to 1981. Her book The New Chinese Painting, 1949–1986 was one of the first English-language publications to introduce recent generations of Chinese artists to the West.Cohen has served as a curator for several exhibitions of new Chinese art in the United States as well as for the photographic exhibition ‘New York, the City and Its People’, in Beijing. Following a 22-year career as a lecturer at Tufts University’s School of the Museum of Fine Arts in Boston, Ms Cohen is now a Research Fellow at Harvard University’s Fairbank Center for East Asian Studies, as well as an Associate of Columbia University’s Modern China Seminar.簡歷︰Joan Lebold Cohen, 攝影家和藝術史學者,從事中國藝術及電影研究。自1961年始,Cohen多次前往亞洲,曾旅居日本、香港及中國大陸,在1979–1981年間在大陸,見證了處於後文革時期的中國。她的《The New Chinese Painting, 1949–1986》 (New York: Harry N. Abrams, 1987)是最早於西方出版、介紹新中國藝術的英文著作。 Cohen在美國策劃過數個新中國藝術的展覽,亦在北京策劃過攝影展覽, 如《New York, the City and Its People》。Cohen在波士頓塔夫茲夫茲大學美術館分院任教二十二年之久,現任哈佛大學費正清東亞研究中心及哥倫比亞大學現代中國研究協會研究員。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/jlc-ft-finalised.pdf
cdn.aaa.org.hk/_source/cohen-joan.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-cohen-joan-lebold/object/interview-with-joan-lebold-cohen-transcript-english-joan-lebold-cohen
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Digitised materials
Interview with James Cox (Transcript, English)
Allocated
訪問:James Cox(抄本, 英文)
Chinese - Traditional
11669
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Cox, James
online
Interview with James Cox (Transcript, English), 訪問:James Cox(抄本, 英文)
The interview was conducted at James Cox Gallery, Woodstock, New York on 10 November 2009.Biography:James Cox is an art dealer, appraiser and lecturer and currently resides in Woodstock, New York.Cox is the owner and Director of the James Cox Gallery in Woodstock, New York, a gallery specializing in 20th century American art. From 1976 to 1990, he served as Executive Director of the Grand Central Art Galleries in Manhattan, New York. In these capacities, for over 35 years, Cox has discovered and promoted new talent, written catalogues, organized shows and artists’ estates, as well as advised collectors and institutions on the acquisitions and sales of painting and sculpture. Alongside his specialization in American art, in 1985 Cox introduced the Western art world to five artists from the Central Academy of Fine Arts in Beijing—Chen Danqing, Wang Jida, Zhang Hongnian, Li Chuanwu and Jin Gao, and organized shows in New York for their works. In 1989, through the invitation of the then-Soviet government, Cox helped to establish the first Soviet-American art conference, Art Most, at the Tretyakov Gallery in Moscow.Please click here to view the video.簡歷︰James Cox 是藝術商人、鑑定家、講師,現居紐約伍德斯托克。 Cox旗下的James Cox Gallery位於紐約伍德斯托克,專營二十世紀美國藝術。在1976至1990年間,Cox出任紐約曼克頓Grand Central Art Galleries的總監。多年來,Cox致力於發掘新藝術家、撰寫評論文章、策劃展覽及藝術區、並協助機構建立藝術收藏。 1985年Cox在紐約策劃了一個中國藝術家的展覽,其中五位藝術家皆來自中央美術學院︰陳丹青、王濟達、張紅年、李全武及金高。1989年,他受前蘇聯政府之邀,在莫斯科的Tretyakov Gallery舉辦了蘇聯美國藝術研討會。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/jcox-ft.pdf
cdn.aaa.org.hk/_source/cox-james.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-cox-james/object/interview-with-james-cox-transcript-english-james-cox
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182687
Digitised materials
Interview with Deng Jianjin (Transcript, Simplified Chinese)
Allocated
訪問:鄧箭今(抄本, 簡體中文)
11671
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Deng Jianjin 鄧箭今
online
Interview with Deng Jianjin (Transcript, Simplified Chinese), 訪問:鄧箭今(抄本, 簡體中文)
This interview was conducted in Guangzhou Academy of Fine Arts on 1 August 2007.Biography:Deng Jianjin (b. 1961, Guangdong) is an Associate Professor at the Guangzhou Academy of Fine Arts.In 1986, Deng graduated from the Art Department of Jingdezhen Ceramic College in Jiangxi Province, and then started to teach at the Department of Oil Painting at the Guangzhou Academy of Fine Arts. Together with Li Zhengtian and Yang Yao, among others, he was a member of 105 Studio, a group that encouraged experiments in oil painting.Deng’s work has been exhibited widely. His earliest shows include the ‘Art Exhibition of Deng Jianjin’ (Guangzhou Xinghe Exhibition Centre, 1988), as well as three exhibitions at the National Art Museum of China: the seventh ‘National Art Exhibition’ (1989), the second ‘Documentary Exhibition of Contemporary Chinese Art’ (1994) and the second ‘Chinese Oil Painting Exhibition’ (1994).Please click here to view the video.簡歷︰鄧箭今,1961年生於廣東。現任廣州美術學院副教授。1986年畢業於江西景德鎮陶瓷學院美術系雕塑專業,獲學士學位,畢業後任教於廣州美術學院油畫系。當年廣州「105畫室」成員之一,與李正天、楊堯等畫家一起推動繪畫實驗。鄧箭今早期參加的展覽包括︰《鄧箭今藝術展》(1988,廣州星和展覽中心);《第七屆全國美展》(1989,北京中國美術館);《第二屆中國當代藝術文獻資料展》(1992,廣州美術學院圖書館)及《第二屆中國油畫年展》(1994,北京中國美術館)等。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/djj-ft-finalised.pdf
cdn.aaa.org.hk/_source/deng-jianjin.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-deng-jianjin/object/interview-with-deng-jianjin-transcript-simplified-chinese
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182691
Digitised materials
Interview with Ding Fang (Transcript, Simplified Chinese)
Allocated
訪問:丁方(抄本, 簡體中文)
Chinese - Traditional
11385
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ding Fang 丁方
online
Interview with Ding Fang (Transcript, Simplified Chinese), 訪問:丁方(抄本, 簡體中文)
This interview was conducted at Ding Fang's studio in Nanjing on 5 March 2009. Biography: Ding Fang (b. 1956, Shanxi Province) is an artist, living and working in Beijing and Nanjing. Between 1978 and 1982, Ding studied at the Nanjing Arts Institute and specialized in traditional Chinese figure painting. He then switched to oil painting to pursue his master’s degree under the supervision of Su Tianci, a well-known painter at the Institute. In the mid-1980s, Ding, along with Yang Zhilun, Xu Lei, Chai Xiaogang and others, formed the Red Brigade Group in Nanjing, which quickly gained recognition as one of the distinctive regional art groups in Jiangsu. From 1988 to 1990, Ding served as an editor of the influential art newspaper Fine Arts in China (Zhongguo meishubao).簡歷︰丁方,1956年生於陝西。1978-—1982年間就讀於南京藝術學院工藝美術系,專攻傳統人物繪畫。1983年攻讀該院美術系油畫專業研究生,師從著名畫家蘇天賜教授,並於1986年獲碩士學位。與此同時,丁方與南京藝術家楊志麟、徐累、柴小剛等,成立「紅色.旅」群體,成為85新潮江蘇地區具代表性的藝術群體。於1988-—1990年間受聘,任《中國美術報》的執行編輯。八十年代至今,丁方一直從事油畫創作,現生活及工作於北京及南京。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/df-ft-preaas.pdf
cdn.aaa.org.hk/_source/ding-fang-2.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ding-fang/object/interview-with-ding-fang-transcript-simplified-chinese
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182699
Digitised materials
Interview with Ding Yi (Transcript, Simplified Chinese)
Allocated
訪問:丁乙(抄本, 簡體中文)
11391
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ding Yi 丁乙
online
Interview with Ding Yi (Transcript, Simplified Chinese), 訪問:丁乙(抄本, 簡體中文)
This interview was conducted at Ding Yi's studio in Shanghai on 26 November 2008. For more information visit the Materials of the Future website. Biography: Ding Yi (b. 1962, Shanghai) is an artist and has been a professor at the Shanghai Institute of Visual Arts at Fudan University since 2005. Between 1980 and 1983, Ding was enrolled at the Shanghai College of Arts and Crafts, an important art school in Shanghai at the time. Other noteworthy members of this school include Yu Youhan, Chen Zhen and Wang Ziwei to name a few. After graduating, Ding became a designer in the Number 12 Toy Factory in Shanghai, and he began to experiment with abstract oil paintings. In 1986, Ding exhibited his work at the first ‘Concave-Convex' exhibition, one of the first showcases for experimental art in Shanghai. In 1988, Ding began to use an abstract pattern of crosses in his paintings, which later developed into his celebrated series Appearance of Crosses. Ding continues to paint and exhibit widely, both internationally and in China. Most recently, his work appeared in a group show called ‘Shanghai’ held at the San Francisco Asian Art Museum (2010).Please click here to view the transcript of the video.簡歷︰丁乙,藝術家,1962年生於上海。2005年至今在,任復旦大學上海視覺藝術學院任教授。丁乙在1980年入讀上海市工藝美術學校。當時的工藝美術學校是上海的重要的美術學校,其時的老師中有余友涵,學生有陳箴、王子衛等。1983年畢業后,在上海玩具十二廠擔任設計師。同時開始創作抽象油畫。1986年參加上海新潮美術的重要展覽《凹凸展》。1988年起在畫中使用十字圖案,並借用印刷術語「十示」以命名,成為藝術家最廣為人知的系列作品。丁乙在中國及海外展出頻繁。最近,舊金山亞洲藝術博物館策劃展覽《上海》(2010年),丁乙是參展藝術家之一。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/dy-ft-preaap.pdf
cdn.aaa.org.hk/_source/ding-yi.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ding-yi/object/interview-with-ding-yi-transcript-simplified-chinese
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182701
Digitised materials
Interview with Fei Dawei (Transcript, Simplified Chinese)
Allocated
訪問:費大為(抄本, 簡體中文)
Chinese - Traditional
11393
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Fei Dawei 費大為
online
Interview with Fei Dawei (Transcript, Simplified Chinese), 訪問:費大為(抄本, 簡體中文)
This interview was conducted at Fei Dawei's home in Beijing on 18 March 2009. Biography: Fei Dawei (b. 1954, Shanghai) is an independent art critic and curator, currently based in Paris and Beijing. During the Cultural Revolution, Fei worked at a jade factory in Shanghai. In 1981, he enrolled in the Art History Department at the Central Academy of Fine Arts in Beijing. As a student, he extensively studied the philosophy of Henri Bergson, and after graduating in 1985, became an editor of the Academy’s journal Art Research. In October 1986, Fei participated in an eight-month exchange program in France organized by the French Ministry of Culture, at which time he visited art schools and museums and lectured on avant-garde art in China. The following year Fei returned to China and travelled with Jean-Hubert Martin, then-director of the Centre Pompidou, visiting artists in preparation for the exhibition ‘Magiciens de la Terre’. In 1989, Fei helped to organize the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China, before returning to France for an international forum held in connection with ‘Magiciens de la Terre’. In 1990, Fei curated ‘Chine Demain pour Hier’ in Pourrières, France, which presented the work of Huang Yongping, Gu Wenda, Yan Peiming, Chen Zhen, Yang Jiechang and Cai Guoqiang. In 1991, he curated ‘Exceptional Passage’, an exhibition held in Fukuoka, Japan. In October 2002, Fei became the director of The Guy and Myriam Ullens Foundation. Between 2007 and 2008, Fei Dawei served as the director of the Ullens Center for Contemporary Art in Beijing. He curated the Center’s first exhibition, ‘'85 New Wave’, a large-scale historical retrospective, and later presented ‘House of Oracles: A Huang Yongping Retrospective’, an exhibition originally shown at the Walker Art Center in Minnesota.簡歷︰費大為,1954年生於上海,文革期間於上海玉石雕刻工廠做工人。1981年入讀北京中央美術學院美術史系,早年主力研究亨利·柏格森的哲學。1985年畢業留校任《美術研究》雜誌編輯。1986 年十月接受法國文化部的邀請到法國講學、工作八個月,期間大量介紹中國前衛藝術。1987年回中國,並協助龐比杜藝術中心館長馬爾丹到各地訪問中國藝術家,為後來的《大地魔术师》展覽準備。1989年,為在北京中國美術館舉行之《中國現代藝術展》的組織者之一。同年赴法參加《大地魔術師》展之國際研討會,後留居法國。1990年在法國南部策劃了《獻給昨天的中國明天》展覽,參加的藝術家有黃永砅、谷文達、嚴培明、陳箴、楊詰蒼及蔡國強;1991年在日本福岡策劃了《非常口》展覽,此後在國際上陸續策劃中國當代藝術展覽,並參與各種學術活動。2002年10月,費大為出任尤倫斯基金會主任,負責建立中國當代藝術的收藏,大量贊助並參與中國當代藝術在海外的展覽活動。2007年,費大為在北京創辦尤倫斯當代藝術中心(UCCA)並擔任館長,策劃了該館的開幕展《八五新潮》,為歷來最大型的八五新潮回顧展。後又將美國Walker Art Center 舉辦的《占卜者之屋──黃永砅回顧展》巡迴至北京展出。2008年離任,繼續獨立策展及評論之工作,現居巴黎及北京。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/fdw-ft.pdf
cdn.aaa.org.hk/_source/fei-dawei.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-fei-dawei/object/interview-with-fei-dawei-transcript-simplified-chinese
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182705
Digitised materials
Interview with Chen Aikang (Full Version)
11383
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Chen Aikang 陳愛康
onsite
2009/__/__
Interview with Chen Aikang (Full Version)
This interview with Chen Aikang was filmed in Brooklyn, New York on 31 Oct 2009. Biography:Chen Aikang (b. 1945, Yan’an) is an artist and art teacher, based in Vancouver.From 1959 to 1964, Chen studied in the Central Academy's High School in Beijing. From 1965 to 1970, she enrolled as an undergraduate in the Oil Painting Department at the Academy’s Hangzhou campus. When university education resumed in China following a break during the Cultural Revolution, Chen returned to her alma mater to teach in the Oil Painting Department. Among her students were many artists now well known, including Huang Yongping, Wang Guangyi and Zhang Peili, to name a few.Since 1990, Chen has lived and worked in Vancouver where she also teaches art.簡歷︰陳愛康,藝術家兼繪畫教師,1945年生於陝西延安。1959至1964年就讀於中央美術學院附中。1965-—1970年於杭州浙江美術學院(現中國美術學院)油畫系學習。文革後,陳愛康任教於浙江美術學院油畫系,也是77屆油畫班的班主任。八十年代在浙江美術學院讀書、今天已成為著名藝術家的,包括黃永砅、王廣義、張培力等,很多都曾是她的學生。陳愛康自1990年起移居加拿大,現居溫哥華。
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48
In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:CHEN Aikang, 陳愛康, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-chen-aikang/object/interview-with-chen-aikang-full-version
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182725
Digitised materials
Interview with Gao Minglu (Transcript, English)
Allocated
訪問:高名潞(抄本, 英文)
Chinese - Traditional
11673
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Gao Minglu 高名潞
online
Interview with Gao Minglu (Transcript, English), 訪問:高名潞(抄本, 英文)
This interview was conducted in Gao Minglu’s Studio in Beijing on 17 March 2009.Biography:Gao Minglu (b. 1949, Tianjin) is a scholar in contemporary Chinese art. Currently, he is a Research Professor in the Department of Art History and Architecture at the University of Pittsburgh, and is a Professor and Head of the Fine Arts Department at the Sichuan Fine Arts Institute.Gao was ‘re-educated’ in Inner Mongolia for five years during the Cultural Revolution. In 1978, he was admitted to the Tianjin Academy of Fine Arts, and received his master’s degree from the Chinese National Academy of Arts. Gao received a postdoctoral fellowship from the Committee on Scholarly Communication with China through the American Academy of Arts and Sciences in 1991. He then studied Art History at Ohio State University and received his Ph.D. from Harvard University.From 1984 to 1989, Gao served as editor of Art (Meishu) magazine and assisted in the editorial work of Fine Arts in China (Zhongguo meishubao). During this period, he engaged in a wide range of writing and curatorial projects relating to the development of experimental art in China, and especially, to promoting the ’85 New Wave Art movement. Among these events were the seminal ‘Large-Scale Slide Exhibition of New Wave Art’ at the Zhuhai Conference (Zhuhai, 1986) and the ‘China/Avant-Garde Exhibition’ (Beijing, 1989). Other significant exhibitions organized by Gao include ‘Fragmented Memory: The Chinese Avant-Garde in Exile’ (Ohio, 1993), ‘Inside Out: New Chinese Art’ (1998), ‘Chinese Maximalism’ (2003), ‘The Wall: Reshaping Contemporary Chinese Art’ (2005), ‘A Retrospective Exhibition of the No Name Group’ (2006–2007) and ‘Yi School: Thirty Years of Chinese Abstraction’ (2009), among others.Gao has written extensively on the history of the avant-garde and contemporary Chinese art, including publications such as China/Avant-Garde (1989), A History of Contemporary Art in China, 1985–1986 (1991) and Chinese Maximalism (2003). His English publications include Inside Out: New Chinese Art (1998) and The Wall: Reshaping Contemporary Chinese Art (2005), to name a few.簡歷︰高名潞,1949年生於天津。美國哈佛大學藝術史博士。現為担任美國匹茲堡大學藝術史及建築史系研究教授,四川美術學院特聘教授及美術系系主任。文革期間,高名潞氏曾於在內蒙古插隊五年。1978年,他於天津美術學院研習藝術史。後於中國藝術研究院研究生院獲碩士學位。 1984-—1989年間,高名潞為《美術》雜誌擔任編輯一職,同時亦參與《中國美術報》的編輯工作。此外,他積極為當時的前衛藝術作介紹及批評,並先後策劃了《85青年美術思潮新潮美術大型幻燈展暨學術研討會》(珠海會議,1986)和《中國現代藝術展》(1989),推動了中國的「85美術」運動。1991年,高名潞獲美國科學院的「美中學術交流委員會」博士後項目獎學金,以訪問學者的身份,先後在俄亥俄大學和哈佛大學藝術史系研究學習,獲哈佛大學博士學位。其策劃的重要展覽包括《支離的記憶:四位中國前衛藝術家》(1993年),《Inside Out: New Chinese Art 》(1998年),《豐收:當代藝術展》(2002年),《中國極多主義》(2003年),《牆》(2005年),《無名》(2006-07年),《公寓藝術》(2008年)和《意派——世紀思維》(2009年)等展覽。其中文專著包括《中國前衛藝術》(南京:江蘇美術出版社,1989年),《中國當代美術史1985-1986》((合著,上海:上海人民出版社,1991年)),《中國極多主義》(重慶:重慶出版社,2003年),及《意派:中國‘抽像’三十年意派論:一個顛覆再現的理論》(桂林:廣西師範大學出版社,2009年)等。英文專著包括 Inside Out: New Chinese Art (1998),及 The Wall: Reshaping Contemporary Chinese Art (2005)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/gml-ft-final.pdf
cdn.aaa.org.hk/_source/gao-minglu-english.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-gao-minglu/object/interview-with-gao-minglu-transcript-english
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182727
Digitised materials
Interview with Gu Chengfeng (Transcript, Simplified Chinese)
Allocated
訪問:顧承峰(抄本, 簡體中文)
Chinese - Traditional
11675
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Gu Chengfeng 顧承峰
online
Interview with Gu Chengfeng (Transcript, Simplified Chinese), 訪問:顧承峰(抄本, 簡體中文)
This interview was conducted at Nanjing Arts Institute on 5 March 2009.Biography:Gu Chengfeng is a Chinese art critic and editor.Gu obtained his M.A. in Art History from the Chinese National Academy of Arts in 1988 and went on to become an editor of Jiangsu Pictorial (Jiangsu huakan).Some of his recent publications include Being Lured (Ganshou youhuo) (1999), Chinese Conceptual Art (2002) and Installation Art (Zhuangzhi yishu), co-published with He Wanli (2003). Gu is also editor of a book series called Zhongguo yishu shizuo biaoxilie congshu about the history of Chinese art (2006).簡歷︰顧丞峰,1957年出生于遼寧 ,藝術批評家。1988年獲中國藝術研究院研究生部美術史碩士學位,八十年代末任《江蘇畫刊》編輯。近年的著作包括《感受誘惑》(重慶:重慶出版社,1999年)、《觀念藝術的中國方式:觀念與中國當代架上藝術》(長沙:湖南美術出版社,2002年)、《裝置藝術》(與賀萬裡合著,長沙:湖南美術出版社,2003年),並及主編《中國藝術史座標系列叢書》(長春:吉林美術出版社,2006年)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/gcf-ft-preaap.pdf
cdn.aaa.org.hk/_source/gu-zhengfeng.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-gu-chengfeng/object/interview-with-gu-chengfeng-transcript-simplified-chinese
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182731
Digitised materials
Interview with Gu Wenda (Transcript, English)
Allocated
訪問:谷文達(抄本, 英文)
Chinese - Traditional
11395
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Gu Wenda 谷文達
online
Interview with Gu Wenda (Transcript, English), 訪問:谷文達(抄本, 英文)
This interview was conducted in Brooklyn, New York on 4 November 2009. For more information, please visit the Materials of the Future website. Biography: Gu Wenda (b. 1955, Shanghai) is an artist and currently resides in Brooklyn, New York. He also maintains studio practices in Shanghai and Xi’an. In 1976, Gu graduated from the Shanghai School of Arts and Crafts, and in 1981, from the Zhejiang Academy of Fine Arts, Hangzhou (now the China Academy of Art), where he studied traditional Chinese landscape painting under Lu Yanshao. Gu moved to the United States in 1987 and has been a frequent exhibitor in international exhibitions and biennials in China, Japan, Australia, South Africa, Italy, Poland and the United States, among others. In his early career, Gu was known for his experimentations in installation and performance art and for his creative subversion of China’s millennia-old traditions of calligraphy and ink painting. Later on, Gu gained a reputation for his large-scale projects, and in particular, his use of human hair in installations such as his multi-year United Nations Project. Since 2005, Gu has focused on public, site-specific art and has recently displayed installations such as Heavenly Lanterns: Tea Palace in Brussels, and China Park in Shanghai.簡歷︰谷文達,1955年生於上海,現居紐約,並於上海及西安設工作室。1976年畢業於上海工藝美術學院,其後入讀浙江美術學院(今中國美術學院),隨陸儼少習中國畫,1981年畢業,獲碩士學位。1987年移居美國,積極參與國際性展覽及雙年展,作品於在中國、日本、澳洲大利亚、南非、意大利、波蘭及美國等地展出。谷文達的早期創作中,以裝置及行為的新方法演繹中國傳統書法及水墨畫。移居美國後,他的大型作品引起國際關注,其中作品包括製作歷時多年的、以頭髮製作的《聯合國》。2005年以來,谷文達創作大型公共作品,如在布鲁塞尔的《天堂紅燈-茶宮》及在上海的《中園》。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/gwd-ft-final.pdf
cdn.aaa.org.hk/_source/gwd-english.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-gu-wenda/object/interview-with-gu-wenda-transcript-english
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182733
Digitised materials
Interview with Gu Zheng (Transcript, Simplified Chinese)
Allocated
訪問:顧錚(抄本, 簡體中文)
Chinese - Traditional
11677
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Gu Zheng 顧錚
online
Interview with Gu Zheng (Transcript, Simplified Chinese), 訪問:顧錚(抄本, 簡體中文)
This interview was conducted in Shanghai on 9 June 2011.Biography:Gu Zheng (b. 1959, Shanghai) is a photographer and scholar of photography and visual communication.In late 1970s and early 1980s, Gu Zheng first studied and then taught in the technical school of the Shanghai Camera Factory. In 1986, Gu and his friends formed the photography group “Beihemeng” (Alliance of the Northern River). In the same year, the group organized an exhibition titled “Seekers – Black and White Photography Exhibition” in both Beijing and Shanghai.From 1991 to 1993, Gu studied in the Graduate School of Intercultural Studies, Kobe University, Japan, and in 1998 he graduated from Osaka Prefecture University with a Ph.D. degree in comparative culture.Gu Zheng is currently professor of Journalism School, vice director of Research Center for Visual Culture and researcher for the Centre of Information and Communication at Fudan University. His research areas include history, theories and practices of photography and visual communications.Please click here to view the video.簡歷︰顧錚,1959年出生於上海。攝影家、攝影及視覺傳播學者。七十年代末及八十年代初,顧錚就讀及任教於上海照相機總廠技校。1986年,他與其他攝影愛好者組成了攝影團體「北河盟」,同年分別在上海及北京舉辦《尋找者黑白攝影展》。1991-1993年進修於日本神戶大學國際文化系;1998年畢業於日本大阪府立大學人類文化研究科比較文化研究專業。現任復旦大學新聞學院教授,復旦大學視覺文化研究中心副主任,復旦大學資訊與傳播中心研究員。專事攝影理論與實踐、攝影史、視覺傳播。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/gz-ft.pdf
cdn.aaa.org.hk/_source/gu-zheng.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-gu-zheng/object/interview-with-gu-zheng-transcript-simplified-chinese
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182743
Digitised materials
Interview with Guan Wei (Transcript, Simplified Chinese)
Allocated
訪問:關偉(抄本, 簡體中文)
Chinese - Traditional
11679
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Guan Wei 關偉
online
Interview with Guan Wei (Transcript, Simplified Chinese), 訪問:關偉(抄本, 簡體中文)
This interview was conducted at Guan Wei's Studio in Beijing on 8 July 2009.Biography:Guan Wei (b. 1957, Beijing) is an artist who currently lives and works in Australia and Beijing.Following his graduation from the Department of Fine Arts at the Capital Normal University (Beijing, 1986), Guan worked as a painter and high school art teacher. In 1988, he was invited to organize an exhibition at the apartment of Nicholas Jose, the Cultural Counselor of the Australian Embassy in China at that time. In 1989, he was invited to partake in an artist residency program at the Tasmanian School of Art in Hobart, Australia. Guan subsequently became an Australian resident in 1993.Guan has exhibited widely. Some early international exhibitions include ‘Silent Energy: New Art from China’ (Modern Art Oxford, 1993) and ‘Mao Goes Pop: China Post-1989’ (Sydney Museum of Contemporary Art, 1993). More recent exhibitions include ‘The Rose Crossing: Contemporary Art in Australia’ (Sherman Galleries, Sydney, 1999), the second and third Asia-Pacific Triennials (Queensland Art Gallery, Australia, 1996 and 1999) and the Gwangju Biennale entitled ‘Man + Space’ (Gwangju Biennale Hall, South Korea, 2000).Please click here to view the video.簡歷︰關偉,1957年生於北京。1986年畢業於北京首都師範學院,後任中學美術教員,期間一直獨立創作。1988年,關偉於在澳大利亚前駐華大使館文化參贊尼古拉斯‧ 周思的公寓舉辦展覽。1989年,獲邀到澳大利亚塔斯曼尼亞藝術學院作客座藝術家,1993年開始旅居澳大利亚悉尼。九十年代生活於悉尼。近年亦於北京生活及工作,並設立工作室。關偉早年的作品多於海外展出,其中包括 《靜穆的力量》 (1993年,牛津現代美術館),《毛走向波普:後八九中國藝術展》(1993年,悉尼現代藝術博物館)。並於不少大型國際藝術展覽中展出:包括 《玫瑰異緣:澳大利亞當代藝術》(1999年,悉尼謝曼畫廊),;第二、三屆《亞太藝術三年展》(1996、1999年,澳大利亞昆士蘭美術館),及韓國《光州雙年展:人+空間》(2000年)等。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/gw-ft-finalised.pdf
cdn.aaa.org.hk/_source/guan-wei.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-guan-wei/object/interview-with-guan-wei-transcript-simplified-chinese
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182751
Digitised materials
Interview with Guo Zhen (Transcript, Simplified Chinese)
Allocated
訪問:郭楨(抄本, 簡體中文)
Chinese - Traditional
11681
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Guo Zhen 郭楨
online
Interview with Guo Zhen (Transcript, Simplified Chinese), 訪問:郭楨(抄本, 簡體中文)
This interview was conducted in Brooklyn, New York on 15 October 2009.Biography:Guo Zhen is an artist living and working in New York.Guo graduated from the Shandong Art School in 1976 and from the Zhejiang Academy of Fine Arts (now the China Academy of Art) in 1982, where she taught in the Chinese Art Department until 1986. In the 1980s, her work picked up awards in a number of major national art exhibitions. Guo moved to the United States in the late 1980s and continued her art education at the San Francisco Art College, The New School and the Fashion Institute of Technology in New York.Her work has been exhibited in the United States, Canada and China, including shows with Ethan Cohen Fine Arts (New York), the Rizhao City Museum (China), the B Street Gallery (San Diego) and the Pacific Asia Museum (Pasadena), to name a few.簡歷︰郭楨,1952年出生於山東日照,藝術家,現居紐約。1976年畢業於山東藝術學校,1982年畢業於浙江美術學院(今中國美術學院),後任教於該校中國畫系至1986年。八十年代期間,她的作品在中國的全國美術展覽中屢次獲獎。八十年代末移居美國,於三藩市藝術學院、新學院大學(紐約)及 時裝技術學院(紐約)進修。 她的作品在美國、加拿大及中國多次展出,其中包括Ethan Cohen Fine Arts(紐約)、日照市美術館(中國)、B Street Gallery(聖達哥)及亞太博物館 (帕薩迪納市)等舉辦展覽。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/gz-ft-final.pdf
cdn.aaa.org.hk/_source/guo-zheng.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-guo-zhen/object/interview-with-guo-zhen-transcript-simplified-chinese
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182755
Digitised materials
Interview with Hou Hanru (Transcript, Simplified Chinese)
Allocated
訪問:侯瀚如(抄本, 簡體中文)
Chinese - Traditional
11397
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Hou Hanru 侯瀚如
online
Interview with Hou Hanru (Transcript, Simplified Chinese), 訪問:侯瀚如(抄本, 簡體中文)
This interview was conducted at Asia Art Archive, Hong Kong on 9 January 2008. For more information please visit the Materials of the Future website. 此訪談於2008年1月9日在香港亞洲藝術文獻庫進行。詳情請瀏覽此頁。 Biography: Hou Hanru (b. 1963, Guangzhou) is an internationally renowned art critic and curator. In the 1980s, Hou studied Art History at the Central Academy of Fine Arts (CAFA) in Beijing. In 1985, Hou assisted Maryn Varbanov in organizing the ‘Tapestry Art Exhibition’ in the National Art Museum of China (NAMOC). In 1988, alongside Yang Jiechang, Chen Tong and Tang Songwu and others, Hou staged the performance Language, Communication, Man in the Sun Yat-Sen Library in Guangzhou. That same year, he translated and published Concepts of Modern Art by Nikos Stangos, and the following year, he was one of the organizers of the ‘China/Avant-Garde Exhibition’ in Beijing. After moving to Paris in 1990, Hou became an active curator and has organized and co-organized numerous important exhibitions such as ‘Cities on the Move’ (Vienna, Bordeaux, New York Long Island, Denmark, London, Bangkok and Helsinki, 1997–2000); the second Johannesburg Biennale (1997); the Venice Biennale’s French Pavilion (1999); ‘Z.O.U. – Zone Of Urgency’ at the Venice Biennale (2003); the Chinese Pavilion’s ‘Everyday Miracles’ at the Venice Biennale (2007); the third Asia-Pacific Triennial of Contemporary Art (Australia, 1999); the third Shanghai Biennial (2000); the Gwangju Biennial (South Korea, 2002); the second Guangzhou Triennial (2005); the 10th Istanbul Biennial (2007); and the 10th Lyon Biennale (France, 2009).簡歷︰侯瀚如,1963年生於廣州,國際知名獨立策展人及藝評家。1981年在中央美術學院主修藝術史,從事藝術及建築相關的研究,並於1988年取得碩士學位。1990年移居巴黎,現任羅馬當代美術館MAXXI的藝術總監。 八十年代,侯瀚如主要活躍於北京。1985年11月協助萬曼先生(Maryn Varbanov)在中國美術館舉辦《壁掛藝術展》。1989年為《中國現代藝術展》組織者之一。另外,他還保持與廣州的關係,特別是1988年與楊詰蒼、陳侗、唐頌武在廣州中山圖書館舉行了行為演出⟨話•對•人⟩。他並在1988年出版了譯作《現代藝術觀念》(Nikos Stangos, Concepts of Modern Art)(四川:四川美术出版社,1988)。 移居巴黎後, 1997—2000年間,侯瀚如與漢斯•烏爾裡希•奧布裡斯特合作,策劃世界巡迴展《運動中的城市》,先後於世界七大城市,包括維也納、波爾多、紐約、路易斯安那、倫敦、曼谷及赫爾辛基。侯瀚如曾策劃的其他展覽包括:第二屆《約翰內斯堡雙年展》(1997);《威尼斯雙年展》(1999,法國館;2003,《緊急地帶》 主題展;2007中國館《日常奇蹟》);第三屆《亞太藝術三年展》(1999);第三屆《上海雙年展》(2000);韓國《2002光州雙年展》(2002);第二屆《廣州三年展》(2005);第二屆《地拉那雙年展》(2005,阿爾巴尼亞);第十屆《伊斯坦堡雙年展》(2007);第十屆《里昂雙年展》(2009)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/hhr-ft-finalised.pdf
cdn.aaa.org.hk/_source/hhr.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-hou-hanru/object/interview-with-hou-hanru-transcript-simplified-chinese
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182761
Digitised materials
Interview with Huang Rui (Transcript, Simplified Chinese)
Allocated
訪問:黃銳(抄本, 簡體中文)
Chinese - Traditional
11683
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Rui 黃銳
online
Interview with Huang Rui (Transcript, Simplified Chinese), 訪問:黃銳(抄本, 簡體中文)
This interview was conducted at He Xiangning Art Museum, Shenzhen on 11 November 2007.Biography:Huang Rui (b.1952, Beijing) is an artist, curator and writer, based in Beijing.Huang was one of the principal organizers of the Stars Group and 'Stars' exhibition in 1979. The 'Stars' exhibitions, of which the second took place in 1980 at the National Art Museum of China, were groundbreaking for introducing new artistic forms and subject matter in the post-Mao era. In 1984, Huang moved to Japan and was mostly a painter throughout the 1980s. In the '90s, Huang began to experiment with installation, performance, photography and printmaking.After returning to Beijing, Huang established his studio and the 798 Space Gallery in the 798 (Dashanzi) Art District in 2002. Since 2004, he has been on the organizing committee of the Dashanzi International Art Festival and an active force in the development of this art zone.簡歷︰黃銳,1952年生於北京。藝術家,亦從事寫作及策展工作。1979年星星畫會和《星星美展》的發起者之一。翌年,第二屆美展於北京中國美術館舉行。黃銳自1984年開始旅居日本。其八十年代的作品以繪畫為主。九十年代開始從事裝置、行為藝術、攝影、版畫等創作。黃銳於2000年代初回北京後,於2002年在798(大山子)藝術區開設藝術工作室及「時態空間」。自2004年起,他積極策劃《大山子國際藝術節》,成為大山子藝術區最重要的構想者和推動者之一。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/hr-ft-final.pdf
cdn.aaa.org.hk/_source/huang-rui.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-rui/object/interview-with-huang-rui-transcript-simplified-chinese
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182765
Digitised materials
Interview with Ding Yi (Full Version)
11391
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ding Yi 丁乙
onsite
Interview with Ding Yi (Full Version)
This interview was conducted at Ding Yi's studio in Shanghai on 26 November 2008. For more information visit the Materials of the Future website. Biography: Ding Yi (b. 1962, Shanghai) is an artist and has been a professor at the Shanghai Institute of Visual Arts at Fudan University since 2005. Between 1980 and 1983, Ding was enrolled at the Shanghai College of Arts and Crafts, an important art school in Shanghai at the time. Other noteworthy members of this school include Yu Youhan, Chen Zhen and Wang Ziwei to name a few. After graduating, Ding became a designer in the Number 12 Toy Factory in Shanghai, and he began to experiment with abstract oil paintings. In 1986, Ding exhibited his work at the first ‘Concave-Convex' exhibition, one of the first showcases for experimental art in Shanghai. In 1988, Ding began to use an abstract pattern of crosses in his paintings, which later developed into his celebrated series Appearance of Crosses. Ding continues to paint and exhibit widely, both internationally and in China. Most recently, his work appeared in a group show called ‘Shanghai’ held at the San Francisco Asian Art Museum (2010).Please click here to view the transcript of the video.簡歷︰丁乙,藝術家,1962年生於上海。2005年至今在,任復旦大學上海視覺藝術學院任教授。丁乙在1980年入讀上海市工藝美術學校。當時的工藝美術學校是上海的重要的美術學校,其時的老師中有余友涵,學生有陳箴、王子衛等。1983年畢業后,在上海玩具十二廠擔任設計師。同時開始創作抽象油畫。1986年參加上海新潮美術的重要展覽《凹凸展》。1988年起在畫中使用十字圖案,並借用印刷術語「十示」以命名,成為藝術家最廣為人知的系列作品。丁乙在中國及海外展出頻繁。最近,舊金山亞洲藝術博物館策劃展覽《上海》(2010年),丁乙是參展藝術家之一。抄本連結
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In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:DING Yi, 丁乙, 1962, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ding-yi/object/interview-with-ding-yi-full-version
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182817
Digitised materials
Interview with Huang Yongping (Full Version)
Allocated
訪問:黃永砅(完整版)
Chinese - Traditional
11403
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Yongping 黃永砅
onsite
2008/__/__
Interview with Huang Yongping (Full Version), 訪問:黃永砅(完整版)
This interview was conducted at Asia Art Archive, Hong Kong on 3 March 2008. Biography: Huang Yongping (b.1954, Xiamen, Fujian) is a Paris-based artist. In 1977, Huang entered the Department of Oil Painting at the Zhejiang Academy of Fine Arts (now the China Academy of Art), as one among the first group of students to enroll there since the Cultural Revolution. In 1981, for his thesis project, Huang produced a series of paintings made with industrial paint sprayers. After graduating, Huang became a secondary school teacher in Xiamen. There he organized a number of experimental art events, including the ‘Five-Person Exhibition’ (1983), the ‘Xiamen Dada Exhibition’ (1986) in which the Huang and his artists colleagues burned their own artwork, and an exhibition of scrap material at the Fujian Provincial Museum (1986). For the ‘China/Avant-Garde Exhibition’ in 1989, Huang exhibited A History of Chinese Painting and A Concise History of Modern Painting Washed in a Washing Machine for Two Minutes. That same year, Huang was invited to participate in ‘Magiciens de la Terre’ at the Centre Pompidou in Paris, a city which he soon made his home. In 1990, Huang participated in ‘Chine Demain pour Hier’, curated by Fei Dawei, and in 1999, Huang represented France in the Venice Biennale. In 2005, the Walker Art Center in Minneapolis organized ‘The House of Oracles: A Huang Yongping Retrospective’ in conjunction with a comprehensive catalogue of his work. In 2008, the exhibition was presented at the Ullens Center for Contemporary Art in Beijing.簡歷︰黃永砅,1954年生於福建廈門。藝術家,現居巴黎。1977年入讀浙江美術學院(現杭州中國美術學院)油畫系,為文革後第一批學生。1981年畢業,畢業作品為以大型工業噴槍製作的繒畫。畢業後被分配往廈門,于任教中學,並在廈門進行活動,包括1983年的《五人藝術展》、1986年的《廈門達達展》(焚燒事件)及《發生在福建省美術展覽館內的事件展覽》。1989年的《中國現代藝術展》,展出了黃永砅的作品〈《中國繪畫史》和《現代繪畫簡史》在洗衣機裡攪拌兩分鐘〉。1989年獲邀請參加《大地魔術師》(1989,法國龐比杜文化藝術中心),此後定居巴黎。後來又參加了費大為策劃的《獻給昨天的中國明天》(1990,法國南部)。在2005年美國明尼蘇達Walker Art Center策劃了黃永砅的回顧展《占卜者之屋》,並出版詳盡畫冊。此展覽在2008年巡迴至北京尤倫斯當代藝術中心展出。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
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17
In Copyright
event photograph/recording, interview documentation
Asia Art Archive
Mandarin
Speaker:HUANG Yong Ping, 黃永砅, 1954, China, Xiamen (黃永砯, HUANG Yong Ping, Huang Yongping, Yongping Huang)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-yongping/object/interview-with-huang-yongping-full-version
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182823
Digitised materials
Interview with Huang Xiaopeng (Transcript, Simplified Chinese)
Allocated
訪問:黃小鵬(抄本, 簡體中文)
Chinese - Traditional
11399
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Xiaopeng 黃小鵬
online
Interview with Huang Xiaopeng (Transcript, Simplified Chinese), 訪問:黃小鵬(抄本, 簡體中文)
This interview with Huang Xiaopeng was filmed at the Guangzhou Academy of Fine Arts on 26 October 2007. For more information, please visit the Materials of the Future website. 此訪談於2007年10月26日在廣州美術學院進行。詳情請瀏覽此頁。 Biography: Huang Xiaopeng (b. 1960, Shanxi Province) is a video and installation artist who lives and works in Guangzhou. Huang joined the Southern Artists Salon after graduating from the Oil Painting Department at the Guangzhou Academy of Fine Arts in 1983. In the late 1980s, he pursued his M.F.A. degree at the Slade College of Arts in London. On returning to China in 2003, Huang started teaching at the Guangzhou Academy where he runs the 5th Studio, a studio in which students are encouraged to explore contemporary methods and media. Some of Huang’s recent exhibitions include the ‘Lianzhou International Photo Festival’ (2007), ‘Departure: Contemporary Art Exhibition of Guangzhou, Shenzhen, Hong Kong and Macau' (2008) and the third Guangzhou Triennial: Farewell to Post-Colonialism (2008).簡歷︰黃小鵬,1960年生於山西。錄像及裝置藝術家,在廣州生活及工作。黃小鵬1983年畢業於廣州美術學院油畫系。他是「南方藝術家沙龍」成員之一,八十年代末赴英,1992年英國倫敦大學斯萊德美術學院研究生畢業。2003年回國,任教於廣州美術學院油畫系,主持鼓勵自由創作的「第五工作室」。 近年參加的展覽包括:第三屆《連州國際攝影年展》(2007);《出境:廣深港澳當代藝術展》(2008)、《第三屆廣州三年展:與後殖民說再見》(2008)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/hxp-ft-pa.pdf
cdn.aaa.org.hk/_source/huang-xiaopeng.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-xiaopeng/object/interview-with-huang-xiaopeng-transcript-simplified-chinese
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Digitised materials
Interview with Huang Yali (Transcript, Simplified Chinese)
Allocated
訪問:黃雅莉(抄本, 簡體中文)
Chinese - Traditional
11685
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Yali 黃雅莉
online
Interview with Huang Yali (Transcript, Simplified Chinese), 訪問:黃雅莉(抄本, 簡體中文)
This interview was conducted in Beijing on 15 July 2011.Biography:Huang Yali (b.1954, Enshi, Hubei Province) is an artist based in Vancouver.Huang graduated from Hubei Institute of Fine Arts, Wuhan, China in 1978. From 1978-1989, she worked in the sculpture studio at Hubei Art Academy. Her work Spring was awarded Prize of Excellence at 6th National Art Exhibition in 1984, and was collected by the National Art Museum of China.Early in her career, Huang was active in Hubei and her focus was mainly on modern ceramics and experimental sculpture. In 1989, she participated in ‘China Avant-Garde Art Exhibition’ at the National Art Museum of China and in the same year, she was invited to partake in an artist residency program at The Banff Centre in Canada. Huang subsequently relocated to Vancouver. In 1991, she participated in ‘1st Chinese Artistic Creation Seminar’, held at San Diego State University Art Gallery, USA.Recent exhibitions include: ‘Yipai - Century Thinking Contemporary Art Exhibition’ (2008-2009, Italy, Spain, China); ‘Trends in Hubei and Hunan: Chinese Contemporary Art in Hubei and Hunan 1985-2009’ (2009, Guangdong Museum of Art). 簡歷︰黃雅莉,1954年出生于湖北恩施,藝術家,現居溫哥華。1978年畢業於湖北藝術學院,1978到1989年任湖北省美術院雕塑工作室藝術家。1984年《第六屆全國美術作品展》上,她的作品〈泉〉獲優秀作品獎,中國美術館收藏。黃雅莉是活躍于湖北的現代藝術家,早期從事現代陶藝及各種雕塑形式實驗。1989年作品參加《中國現代藝術展》;1989年赴加拿大班芙藝術中心任客居藝術家,後旅居住溫哥華; 1991年參加在美國加州聖地牙哥大學舉行的《第一屆中國美術創作研討會》。近年參加展覽包括︰《意派》(2008-2009,義大利、西班牙、中國);《兩湖潮流—湖北.湖南當代藝術展1985-2009》(2009,中國廣東美術館)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/hyl-ft.pdf
cdn.aaa.org.hk/_source/huang-yali.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-yali/object/interview-with-huang-yali-transcript-simplified-chinese
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Digitised materials
Interview with Huang Zhuan (Transcript, Simplified Chinese)
Allocated
訪問:黃專(抄本, 簡體中文)
Chinese - Traditional
11401
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Zhuan 黃專
online
Interview with Huang Zhuan (Transcript, Simplified Chinese), 訪問:黃專(抄本, 簡體中文)
This interview with Huang Zhuan was filmed at OCAT, Shenzhen on 18 June 2009. Biography:Huang Zhuan (b. 1958, Hunan Province) is Associate Professor at the Guangzhou Academy of Fine Arts and Director of OCAT Shenzhen.A graduate of the Department of History at Huazhong Normal University in 1982, Huang worked on the editorial team of Art Trends magazine (Meishu sichao) between 1985 and 1987. He received his M.A. degree in the History of Chinese Art from the Hubei Institute of Fine Arts in 1988 and was also granted an M.A. thesis award by the Wu Zuoren International Art Foundation.Between 1994 and 1996 Huang worked as an editor of Art Gallery (Hualang) magazine, and from 1997 has been working at the contemporary art space affiliated with the He Xiangning Museum, known as OCAT, where he has been Director since 2005.Since the 1990s, Huang has been active in curating exhibitions. Some of these exhibitions include the first Guangzhou Biennial (1992), the third Contemporary Art Triennial (Brisbane, Australia, 1999) and the first Guangzhou Triennial (2002), as well as numerous shows at OCAT Shenzhen.Please click here to view the video.簡歷︰黃專, 1958年生,祖籍湖南。現任廣州美術學院副教授及深圳OCT當代藝術中心主任。1982年,黃專畢業於華中師範大學歷史系。1985—1987年間參與《美術思潮》的編輯工作。1988年獲湖北美術學院中國美術史專業文學碩士,並獲「吳作人國際藝術基金會碩士論文獎」。黃專於1994—1996年間主持編輯《畫廊》。自1997年起任何香凝美術館館聘研究員、策劃人,2005年開始出任何香凝美術館轄下OCT當代藝術中心主任。其當代中國藝術的專著有《當代藝術問題》(四川:四川美术出版社,1992),《中國當代美術圖鑒/觀念藝術分冊》(湖北:湖北教育出版社,2000)等。 黃專於九十年代開始積極進行策展工作,包括《首屆九十年代廣州雙年展》(1992,廣州);《首屆當代藝術學術邀請展》(1996,北京/香港);第三屆《亞太地區當代藝術三年展:超越未來》(中國部分)(1999,澳大利亞布裡斯班)及首屆《廣州三年展:重新解讀》(2002,廣州)等。近年主要在深圳OCT當代藝術中心從事策劃工作。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/hz-ft-final.pdf
cdn.aaa.org.hk/_source/huang-zhuan.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-zhuan/object/interview-with-huang-zhuan-transcript-simplified-chinese
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Digitised materials
Interview with Martina Köppel-Yang (Transcript, Simplified Chinese and English)
Allocated
訪問:楊天娜(抄本, 簡體中文及英文)
Chinese - Traditional
11687
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Köppel-Yang, Martina 楊天娜
online
Interview with Martina Köppel-Yang (Transcript, Simplified Chinese and English), 訪問:楊天娜(抄本, 簡體中文及英文)
This interview was conducted in Guangzhou on 19 Jan 2008.Biography:Martina Köppel-Yang is an art historian and curator based in Paris, Germany and China.Köppel-Yang studied at the Central Academy of Fine Arts in Beijing in the mid-1980s and received her Ph.D. in East Asian Art History and Sinology from the University of Heidelberg.A member of the advisory board for Yishu Journal for Contemporary Chinese Art, Köppel-Yang has written extensively on contemporary Chinese art and in 2003 published Semiotic Warfare: A Semiotic Analysis of the Chinese Avant-Garde, 1979–1989. In the past 15 years, Köppel-Yang has curated numerous exhibitions relating to contemporary Chinese art. Together with her husband, Yang Jiechang, she established Mühlgasse 40: Centre for Contemporary Chinese Art, in Heidelberg, Germany (2003).簡歷︰楊天娜,德國美術史學家及策展人,從事中國當代藝術評論及策劃的工作。八十年代曾留學中央美術學院,後在海德堡大學獲得美術史博士學位。楊天娜任《典藏國際版》顧問,同時撰述了不少關於當代中國藝術的文章。其個人著作有《Semiotic Warfare: The Chinese Avant-garde 1979-1989》(香港:東八時區,2003)。自九十年代中開始,楊天娜在德國及中國积极策劃多項關於中國當代藝術的展覽;2003年更與丈夫楊詰蒼在海德堡成立Mühlgasse 40當代中國藝術中心。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/mky-ft-finalised.pdf
cdn.aaa.org.hk/_source/martina.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-koppel-yang-martina/object/interview-with-martina-koppel-yang-transcript-simplified-chinese-and-english
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Digitised materials
Interview with Kong Chang'an (Transcript, Simplified Chinese)
Allocated
訪問:孔長安(抄本, 簡體中文)
Chinese - Traditional
11405
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Kong Chang'an 孔長安
online
Interview with Kong Chang'an (Transcript, Simplified Chinese), 訪問:孔長安(抄本, 簡體中文)
This interview was conducted in Kong Chang'an's studio in Los Angeles on 5 April 2011.Biography:Kong Chang’an (b.1953, Xi’an) is an artist, critic and curator.In 1978-1982, he studied in the English department at the Xi'an International Studies University. During this period, he organized and participated in ‘Xi’an Modern Art Exhibition.’ In 1988, he graduated with a M.A. degree from the art history department of the Central Academy of Fine Arts, with a thesis on Duchamp. After graduation, he worked at the Beijing International Art Company and the Art Gallery of Central Academy of Fine Arts. He was in the organizing committee of the ‘China/Avant-Garde Exhibition’ in 1989.In 1991-1993, Kong got a scholarship and went to the University of Bologna in Italy, studying in the visual art department. In early 1992, using the penname ‘Chan, Lauk'ung’, he published the influential early article ’Ten Years of the Chinese Avant-garde: Waiting for the Curtain to Fall’ in Flash Art. In 1993, he was one of the curators of ‘Aperto’ at the Venice Biennial. In late 1990s he moved to USA. He currently lives and works in California.簡歷︰孔長安,1953年出生於西安。藝術家、評論家及策展人。1978-1982年就讀於西安外語學院英語系。1981發起組織及參與《西安現代藝術展》。1985-1988年就讀於北京中央美術學院美術史系,獲碩士學位,畢業論文為《杜尚淺析》。畢業後到九十年代初曾任職於北京國際藝苑及中央美術學院畫廊。1989年《中國現代藝術展》組織人之一。1991-1993年於意大利博洛尼亞大學視覺藝術系進修西方當代藝術史。1992年年初,以Chan, Lauk'ung為筆名,在《FLASH ART》雜誌發表「Ten Years of the Chinese Avant-garde: Waiting for the Curtain to Fall」一文,為最早在歐美主流藝術雜誌專題介紹中國前衛藝術的文章之一。1993年任威尼斯雙年展「開放展」的策展人之一。九十年代後期旅居美國加州,居當地至今,從事個人創作及廣告設計。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/kca-ft.pdf
cdn.aaa.org.hk/_source/kong-changan.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-kong-changan/object/interview-with-kong-changan-transcript-simplified-chinese
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Digitised materials
Interview with Robert Lee (Transcript, English)
訪問:Robert Lee(抄本, 英文)
11691
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Lee, Robert
online
Interview with Robert Lee (Transcript, English), 訪問:Robert Lee(抄本, 英文)
This interview was conducted at Asian American Arts Centre in New York City on 31 October 2009.Biography:Robert Lee is the Executive Director and Curator of the Asian American Arts Centre in New York. In the 1980s, Lee provided exhibition opportunities for several recently arrived artists from China. In 1982, he initiated the first archive of Asian American artists in the United States. He is currently launching a digital archive marking the history of Asian American creative practices from 1945 to the present time. Through exhibitions, artist residencies, panel discussions and professional gatherings, Lee has helped to bring Asian American art professionals together to form dialogues and discussions in furthering the study of Asian American art. Lee served for many years with The Association of American Cultures, a national advocacy organization supporting diversity in the arts. He is a member of the Cultural Equity Group in New York, which seeks equitable funding for community art groups of colour. In 1983, he co-founded the Asian American Arts Alliance of New York City, which he chaired in its infancy for six years. Currently he is a member of the Chinatown Working Group planning for the future of New York's Chinatown and its cultural potential.簡歷︰Robert Lee是紐約亞美藝術中心的執行總監及策展人。八十年代,Lee為一些初到美國的中國藝術家舉辦展覽。1982年,他開始建立一個旅美亞洲藝術家的資料庫,現正在建立一個關於1945年至今旅美亞洲藝術家的電子檔案庫。通過舉辦展覽、駐留計劃、研討會及聚會等,Lee團結了在美國藝術界的亞洲人,有助於進一步之研究。Lee多年為美國文化協會工作,致力於推動藝術的多元化。他是紐約文化平等組織的成員,為社區藝術爭取及提供資助。1983年,他協辦紐約亞美藝術聯盟,並於創會首六年中擔任主席。現任Chinatown Working Group成員,工作是籌劃紐約的唐人街及其文化設施。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
cdn.aaa.org.hk/_source/rl-ft-final.pdf
cdn.aaa.org.hk/_source/lee-robert.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-lee-robert/object/interview-with-robert-lee-transcript-english-robert-lee
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183087
Digitised materials
Interview with Li Shan (Transcript, Simplified Chinese)
Allocated
訪問:李山(抄本, 簡體中文)
Chinese - Traditional
11565
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Li Shan 李山
online
Interview with Li Shan (Transcript, Simplified Chinese), 訪問:李山(抄本, 簡體中文)
This interview was conducted at Li Shan's studio in Shanghai on 4 March 2009. Biography:Li Shan (b. 1942, Heilongjiang Province) is an artist who lives and works in Shanghai.Li graduated from Heilongjiang University in 1963 and furthered his education at the Department of Theatre Design, specializing in oil painting, at the Shanghai Drama Institute between 1964 and 1968, where he became a teacher after graduation.From the late 1970s, Li Shan became an active member of the Shanghai contemporary art scene, participating in various exhibitions such as ‘’83 Experimental Painting' (Fudan University, Shanghai, 1983), ‘A State of Transition: Contemporary Painting from Shanghai’ (Hong Kong Arts Centre, 1987) and the first and second ‘Concave-Convex’ exhibitions (Shanghai, 1986 and 1988). In 1989, he performed Washing Feet in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China (NAMOC) in Beijing.Li was one of the leading members of the political pop movement that emerged in China in the 1990s. He continues to work as an artist and exhibits widely.簡歷︰李山,1942年出生於黑龍江蘭西,藝術家,現於上海工作和生活。1963年畢業於黑龍江大學。1964—1968年間就讀於上海戲劇學院,專研油畫,後任教於該校。自七十年代末開始活躍於上海當代藝術圈。八十年代參加的展覽包括《83階段—繪畫實驗展覽》(1983,上海復旦大學);第一、二屆《凹凸展》(1986,上海徐匯區文化館;1988,上海美術館);《轉變中:來自上海的現代繪畫》(1987,香港藝術中心)。1989年的《中國現代藝術展》中,他在中國美術館內演出了行為⟨洗腳⟩。 李山於九十年代被評為「政治波普」的重要藝術家之一,參加了國際上多個大型展覽。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/ls-ft-final.pdf
cdn.aaa.org.hk/_source/li-shan.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-li-shan/object/interview-with-li-shan-transcript-simplified-chinese
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183091
Digitised materials
Interview with Li Xianting (Transcript, Simplified Chinese)
Allocated
訪問:栗憲庭(抄本, 簡體中文)
Chinese - Traditional
11567
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Li Xianting 栗憲庭
online
Interview with Li Xianting (Transcript, Simplified Chinese), 訪問:栗憲庭(抄本, 簡體中文)
This interview was conducted at Li Xianting's home in Songzhuang, Beijing on 6 November 2007. Biography: Li Xianting (b. 1949) is an art critic and curator based in Beijing. Li graduated from the Department of Chinese Painting at the Central Academy of Fine Arts in Beijing in 1978. The following year, he became an editor of Art (Meishu) magazine, and in this capacity, encouraged the publication of articles about the 'Stars' exhibitions and other experimental art events. However, following the magazine’s January 1983 issue in which several articles about abstract art appeared, Li was criticized as a radical and suspended from his post. In 1985, Li Xianting became an editor of Fine Arts in China (Zhongguo meishubao) and spearheaded reporting about the ’85 New Wave. Li was a major organizer of the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China (Beijing, 1989). Since 1989, Li has worked as an independent art critic and curator. In 1993, Li Xianting co-curated ‘China’s New Art, Post-1989’ in Hong Kong. A selection of Li’s articles entitled The Significance is Not the Art (Zhongyao de bushi yishu) was published by Jiangsu Art Publishing House in 2000.簡歷︰栗憲庭,1949年生,藝術評論家及策展人。1978年畢業於中央美術學院國畫系。1979年獲《美術》雜誌何溶先生任用,成為《美術》雜誌三位編輯之一。栗憲庭在《美術》上首先介紹了《星星畫展》及其他實驗性藝術。在1983年第1期發表了一個關於抽象藝術的專題後,栗憲庭被停止編輯職務。1985年,栗憲庭應邀擔任《中國美術報》專職編輯,大量報導當時在全國興起的新潮美術。1989年2月,《中國現代藝術展》在北京中國美術館舉行,栗憲庭是該展覽的主要組織者之一。 自1989年起,栗憲庭開始從事獨立評論及策展的工作。1993年,栗憲庭與張頌仁共同策劃了《後八九中國新藝術》展覽。文集《重要的不是藝術》於2000年由江蘇美術出版社出版。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/lxt-ft-final.pdf
cdn.aaa.org.hk/_source/li-xianting.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-li-xianting/object/interview-with-li-xianting-transcript-simplified-chinese
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183093
Digitised materials
Interview with Liao Wen (Transcript, Simplified Chinese)
Allocated
訪問:廖雯(抄本, 簡體中文)
Chinese - Traditional
11569
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Liao Wen 廖雯
online
Interview with Liao Wen (Transcript, Simplified Chinese), 訪問:廖雯(抄本, 簡體中文)
This interview was conducted at Liao Wen's home in Beijing on 6 November 2007. Biography: Liao Wen (b. 1961, Beijing) is an independent curator and art critic whose art interest includes the intersection of art and feminism. Liao graduated from the Department of Chinese Language at the Capital Normal University in 1984, and in 1987, was appointed as a journalist and editor of Fine Arts in China (Zhongguo meishubao). Liao helped to arrange the exhibition ‘China’s New Art, Post-1989’ (Hong Kong, 1993) and organized the exhibitions ‘Women’s Approach to Chinese Contemporary Art’ (1995), ‘Woman and Flowers’ (1997), ‘Personal Touch’ (1998), ‘Ouh La La Kitsch’ (1999), ‘Eros Untimely Death’ (2005) and ‘Floweriness’ (2006). Some of her publications include a book on feminism and women’s art (Nuxing zhuyi zuowei fangshi: nuxing yishu) (1999), No More Nice Girls: Interviews with the American Feminist Critics and Artists (2001) and a recent book about the female in the art of antiquity (Lufei hongshou: gudai xingxiang he guige yishu) (2005).簡歷︰廖雯,1961年生於北京。獨立策展人、批評家,女性藝術研究者。1984年畢業於北京首都師範大學中文系,1987年任《中國美術報》專職記者兼編輯。1993年起成為獨立策劃人和批評家。曾參與策劃的展覽包括《後八九中國新藝術展》(1993);《中國當代藝術中的女性方式》(1995);《女性與花》(1997);《兩性平臺》(1998);《跨世紀彩虹:艷俗藝術》(1999);《性殤》(2005);《花非花》(2006)等。主要著述有《女性主義作為方式:女性藝術》(吉林:吉林美術出版社,1999)、《不再有好女孩了:美國女性主義藝術家訪談錄》(河北:河北教育出版社,2001)及《綠肥紅瘦:古代藝術中的女性形像和閨閣藝術》(重慶:重慶出版社,2005)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/lw-ft-final.pdf
cdn.aaa.org.hk/_source/liao-wen.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-liao-wen/object/interview-with-liao-wen-transcript-simplified-chinese
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183097
Digitised materials
Interview with Li Xiaoshan (Transcript, Simplified Chinese)
Allocated
訪問:李小山(抄本, 簡體中文)
Chinese - Traditional
11693
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Li Xiaoshan 李小山
online
Interview with Li Xiaoshan (Transcript, Simplified Chinese), 訪問:李小山(抄本, 簡體中文)
This interview was conducted in Nanjing Square Gallery of Contemporary Art on 5 March 2009.Biography:Li Xiaoshan (b. 1957) is an art critic and Director of the Nanjing Square Gallery of Contemporary Art.Between 1980 and 1987, Li studied as an undergraduate and postgraduate at the Nanjing Arts Institute. He has taught at the school since his graduation and is now its Deputy Director of Contemporary Art Research.In July 1985, Li published the controversial article titled 'My View on Contemporary Chinese Painting' in the Jiangsu Pictorial (Jiangsu huakan) about the state of Chinese ink painting at that time. The article aroused much debate and became one of the most important critical essays of the 1980s. Li’s other published works include History of Painting in China (Zhongguo xiandai huihua shi) (1986), What Are We Facing? (Women miandui shenme) (2002), and The Epic of the Trojan Horse (Muma shishi) (2003), to name a few.Please click here to view the video.簡歷︰李小山, 1957年出生,藝術評論家。南京四方當代美術館館長。1980年考入南京藝術學院美術系;1984年考取同校碩士研究生;1987年畢業後留校任教至今。現亦兼任該校當代美術研究所副所長。李小山曾於1985年7月的《江蘇畫刊》上刊登 〈當代中國畫之我見〉,引起極大爭論。 其他著作有《中國現代繪畫史》(與張少俠合著,南京:江蘇美術出版社,1986)、《我們面對什麼》(長沙:湖南美術出版社,2002)及《木馬史詩》(長沙:湖南美術出版社,2003)等。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/lxs-ft-final.pdf
cdn.aaa.org.hk/_source/li-xiaoshan.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-li-xiaoshan/object/interview-with-li-xiaoshan-transcript-simplified-chinese
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183101
Digitised materials
Interview with Li Zhengtian (Transcript, Simplified Chinese)
Allocated
訪問:李正天(抄本, 簡體中文)
Chinese - Traditional
11695
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Li Zhengtian 李正天
online
Interview with Li Zhengtian (Transcript, Simplified Chinese), 訪問:李正天(抄本, 簡體中文)
This interview was conducted in Li Zhengtian's Studio in Guangzhou on 25 October 2007.Biography:Li Zhengtian (b. 1942, Hubei Province) is a philosopher and oil painter who teaches at the Guangzhou Academy of Fine Arts (GAFA). Imprisoned during the Cultural Revolution, he published several books on philosophy after his release, and in the 1980s, established the 105 Studio at GAFA to encourage innovation in contemporary oil painting.簡歷︰李正天,1942年生於湖北。油畫家及哲學家,居於廣州。現為廣州美術學院教師。文革期間,李正天曾入獄。平反後,李正天發表不少哲學著作。八十年代始任教於廣州美術學院,創立105畫室,提倡當代油畫創作。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/lzt-ft.pdf
cdn.aaa.org.hk/_source/li-zhengtian.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-li-zhengtian/object/interview-with-li-zhengtian-transcript-simplified-chinese
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183103
Digitised materials
Interview with Li Yilin (Transcript, Simplified Chinese)
Allocated
訪問:林一林(抄本, 簡體中文)
Chinese - Traditional
11697
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Lin Yilin 林一林
online
Interview with Li Yilin (Transcript, Simplified Chinese), 訪問:林一林(抄本, 簡體中文)
This interview was conducted in Lin Yilin's Studio in Guangzhon on 1 August 2007.Biography:Lin Yilin(b. 1964, Guangzhou) is a performance and installation artist, who lives and works in Beijing and New York.Lin studied sculpture at the Guangzhou Academy of Fine Arts and graduated in 1987. Between 1986 and 1987, he became an active member of the Southern Artists Salon.At the end of 1990, Lin, Chen Shaoxiong and Liang Juhui formed the art group Big-Tail Elephant in Guangzhou. Some of Lin’s early exhibitions include the ‘Exhibition of the Big-Tail Elephant Group’ (Guangzhou No. 1 Worker’s Palace, Guangzhou), the ‘Joint Exhibition of the Big-Tail Elephant Group’ (Guangdong Broadcast/Television, Guangzhou, 1992), ‘China Avant-Garde’ (Haus de Kulture der Welt, Berlin, 1993), the ‘Third Exhibition of Big-Tail Elephant Group’ (Red Ants Bar, Guangzhou, 1993), ‘China New Art Exhibition’ (Exhibition Centre, Guangzhou, 1994), ‘No Room — Big-Tail Elephant’ (Guangzhou, 1994) and ‘Possibility — Big-Tail Elephant’ (Zhongguang Building, Guangzhou, 1996).Some of his recent exhibitions include ‘Cities on the Move’ (Denmark, London, Bangkok and Helsinki, 1999), ‘Paris-Pekin’’ (Paris, 2002), the first and second Guangzhou Triennials (Guangzhou, 2002 and 2005), the fourth Gwangju Biennale (Gwangju, South Korea, 2002) and Documenta 12 (Kassel, 2007).簡歷︰林一林,1964年生於中國廣州。行為及裝置藝術家,現於北京及紐約生活和工作。1987年畢業於廣州美術學院雕塑系,1986-1987年加入“南方藝術家沙龍”,是骨幹成員之一。1990年底,林一林與廣州的陳劭雄和梁巨輝,組成「大尾象工作組」。「大尾象」沒特定宣言及方向,主張較自由的創作方式。其早年的展覽包括:《大尾象工作組藝術展》(廣州第一工人文化宮,1991)、《大尾象聯合藝術展》(廣東廣播電視大學,1992)、《中國前衛藝術展》(柏林世界文化宮,1993)、《大尾象工作組第三回藝術活動》(紅螞蟻酒吧,廣州,1993)、《中國新藝術展》(廣州交易會,1994)、《沒有空間:大尾象》(廣州,1994)、《可能性:大尾象》(廣州中心大廈,1996)等。近年曾參加之大型展覽包括《運動中的城市》(丹麥、倫敦、曼�、赫爾辛基,1999)、《巴黎.北京》(卡丹藝術中心,巴黎,2002)、首屆及第二屆《廣州三年展》(廣東美術館,廣州,2002及2005)、第四屆《光州雙年展》(光州,韓國,2002 )、《第12屆卡塞爾文件展》(卡塞爾,2007)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/lyl-ft-finalised.pdf
cdn.aaa.org.hk/_source/lin-yilin.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-lin-yilin/object/interview-with-li-yilin-transcript-simplified-chinese
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183109
Digitised materials
Interview with Liu Dahong (Transcript, Simplified Chinese)
Allocated
訪問:劉大鴻(抄本, 簡體中文)
11699
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Liu Dahong 劉大鴻
online
Interview with Liu Dahong (Transcript, Simplified Chinese), 訪問:劉大鴻(抄本, 簡體中文)
This interview was conducted in Liu Dahong's Studio at Shanghai Normal University on 26 Novemeber 2008.Biography:Liu Dahong (b. 1962, Qingdao) is an artist and professor at Shanghai Normal University.Liu enrolled at the Department of Oil Painting at Shandong University of Arts in 1978. From 1981 to 1985, he studied at the Zhejiang Academy of Fine Arts (now the China Academy of Art) and took master classes with Zao Wu-ki in 1985. After graduation, he began to teach at the College of Fine Art at Shanghai Normal University. He currently supervises the University’s postgraduate students and manages the Shuangbai Studio, which encourages experimental art education.Please click here to view the video.簡歷︰劉大鴻,1962年生於青島。藝術家,於上海師範大學美術學院任教。1978年考入山東藝術學院美術系油畫專業。1981—1985年就讀於浙江美術學院油畫系,其間在趙無極大師繪畫學習班學習。畢業後一直在上海師範大學美術系(2002年改稱美術學院)任教至今,設「雙百工作室」,推動當代藝術實驗教學。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/ldh-ft.pdf
cdn.aaa.org.hk/_source/liu-dahong.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-liu-dahong/object/interview-with-liu-dahong-transcript-simplified-chinese
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183111
Digitised materials
Interview with Liu Xiaochun (Transcript, Simplified Chinese)
Allocated
訪問:劉驍純(抄本, 簡體中文)
Chinese - Traditional
11571
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Liu Xiaochun 劉驍純
online
Interview with Liu Xiaochun (Transcript, Simplified Chinese), 訪問:劉驍純(抄本, 簡體中文)
This interview was conducted at Liu Xiaochun's home in Beijing on 5 November 2007. Biography: Liu Xiaochun (b. 1941, Luoyang, Henan Province) is an art critic and co-founder of the 1980s newspaper Fine Arts in China (Zhongguo meishubao). Liu graduated from the Department of Art History at the Central Academy of Fine Arts in 1966. In 1979 he began studying for his postgraduate degree at the Chinese National Academy of Arts and received his M.A. and Ph.D. degrees in 1981 and 1985, respectively. In 1985, together with other art historians including Zhang Qiang, Liu founded Fine Arts in China (Zhongguo meishubao) and engaged Li Xianting as a fulltime editor. Liu has published over 200 books, articles and critical writings on art. Some of his significant works include ‘From Animal Pleasure to Human Aesthetics’ (Cong dongwu kuaigan dao ren de meigan) (doctoral dissertation, 1986) and Deconstruction and Reconstruction: About Chinese Contemporary Art (1996).Please click here to view the video.簡歷︰劉驍純,1941年生於河南洛陽。藝術批評家,居於北京。1966年畢業於中央美術學院美術史系。1979年在中國藝術研究院研究生院攻讀美術學,並先後在1981及1985年獲碩士和博士學位。1985年,劉驍純與其他青年美術史學者如張薔等創辦《中國美術報》,並聘栗憲庭任專職編輯。 劉氏已發表的論著、論文、評論有200餘篇,代表作包括《從動物快感到人的美感》(博士論文)(濟南:山東文藝出版社,1987)、《解體與重建:論中國當代美術》(南京:江蘇美術出版社,1993)等。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/lxc-ft-final.pdf
cdn.aaa.org.hk/_source/liu-xiaochun.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-liu-xiaochun/object/interview-with-liu-xiaochun-transcript-simplified-chinese
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183115
Digitised materials
Interview with Liu Xiaodong (Transcript, Simplified Chinese)
Allocated
訪問:劉小東(抄本, 簡體中文)
Chinese - Traditional
11577
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Liu Xiaodong 劉小東
online
Interview with Liu Xiaodong (Transcript, Simplified Chinese), 訪問:劉小東(抄本, 簡體中文)
This interview was conducted at Liu Xiaodong's studio in Beijing on 9 July 2009. For more information please visit the Materials of the Future website. 此訪談於2009年7月9日在劉小東位於北京的工作室進行。詳情請瀏覽此頁。 Biography: Liu Xiaodong (b. 1963, Liaoning Province) is an oil painter and teaches at the Central Academy of Fine Arts in Beijing. Liu received his B.A. and M.F.A. from the Department of Oil Painting at the Central Academy of Fine Arts in Beijing in 1985 and 1995, respectively. Early on in his career, during the late 1980s, Liu developed his signature style of oil paintings, which has been described as neo-academicism. Some of his earliest group exhibitions were ‘Sketch’ (Beijing, 1988), the ‘China/Avant-Garde Exhibition’ (National Art Museum of China, Beijing, 1989), the ‘Annual Exhibition of Chinese Oil Painting’ and ‘20th-Century China’ (Beijing, 1991). In 1992, Liu was the art director for the movie Beijing Bastards, and the following year, director Wang Xiaoshi cast him in the lead role of the movie The Days. Since 1994, Liu has been teaching at the Department of Oil Painting at the Central Academy of Fine Arts.Please click here to view the video.簡歷︰劉小東,1963年生於遼寧。藝術家,並任教於中央美術學院油畫系。劉小東分別於1988年及1995年取得中央美術學院油畫系學士及碩士學位。劉小东自八十年代末發展起來的獨特油畫風格被評為「新學院派」。早期曾參與的群展包括《素描大展》(1988,北京中國美術館);《中國現代藝術展》(1988,北京中國美術館);《中國油畫年展》 (1991,北京中國美術館)和《二十世紀》(1991,北京中國美術館)。劉小东曾於1992年擔任電影《北京雜種》的美術指導,并於1993年主演王小帥導演的電影《冬春的日子》。自1994年開始,劉小东在中央美術學院油畫系任教。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/lxd-ft-final.pdf
cdn.aaa.org.hk/_source/liu-xiaodong.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-liu-xiaodong/object/interview-with-liu-xiaodong-transcript-simplified-chinese
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Digitised materials
Interview with Lu Peng (Transcript, Simplified Chinese)
Allocated
訪問:呂澎(抄本, 簡體中文)
Chinese - Traditional
11579
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Lu Peng 呂澎
online
Interview with Lu Peng (Transcript, Simplified Chinese), 訪問:呂澎(抄本, 簡體中文)
This interview was conducted at Lu Peng's home in Chengdu on 1 March 2010. For more information, please visit the Materials of the Future website. Biography: Lu Peng (b. 1956, Chongqing) is an art historian and curator, and currently lives and works in Chengdu. Lu graduated from the Political Education Department at Sichuan Normal University in 1982. He then became an editor for the magazine Theatre and Film (Xiju yu dianying), where he worked for three years. In the 1980s, Lu focused his research on Western art history and helped put several publications together, including Correspondences of Cezanne, Van Gogh, Gauguin (1986), Wassily Kandinsky’s The Spirit in Art (1986) and Kenneth Clark’s Landscape into Art (1988). From 1986 to 1991, Lu was the deputy secretary-general of the Sichuan Dramatists Association and coordinated the oil painting exhibition ‘1988 Southwest Art’ (1988). From 1990 to 1993, Lu became the executive editor of Art and Market (Yishu shichang) magazine. In 1992, he was one of the main organizers of the first Guangzhou Biennial. Lu has produced a number of books on contemporary Chinese art. In 1992, he published A History of Modern Art in China, 1979–1989 (written with Yi Dan), followed in 2000 by A History of Contemporary Art in China, 1990–1999. Other notable publications are Art Operation (Yishu caozuo) (1994), and more recently, A History of Art in Twentieth-Century China (2009).簡歷︰呂澎,1956年出生於重慶。藝術史學者及策展人,居於成都。 1977—1982年在四川師範學院政治教育系讀書。1982—1985年任《戲劇與電影》雜誌社編輯。早期研究西方藝術史,譯作有:《塞尚、凡•高、高更書信選》(成都:四川美術出版社,1986)、《論藝術的精神》(The Spirit in Art by W. Kandinsky,成都:四川美術出版社,1986)、《風景進入藝術》(Landscape into Art by K. Clark,成都:四川美術出版社,1988)等。 1986—1991年任四川戲劇家協會副秘書長,在1988年促成及統籌了在成都舉行的《西南藝術展》。1990—1993年任《藝術•市場》雜誌執行主編。1992年為《廣州雙年展》藝術主持。著作包括:《中國現代藝術史:1979—1989》(與易丹合著,長沙:湖南美術出版社,1992)、《藝術操作》(成都:成都出版社,1994)、《中國當代藝術史:1990—1999》(長沙:湖南美術出版社,2000)、《20世紀中國藝術史》(北京:北京大學出版社,2009)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/lp-ft-finalised.pdf
cdn.aaa.org.hk/_source/lu-peng.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-lu-peng/object/interview-with-lu-peng-transcript-simplified-chinese
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Digitised materials
Interview with Ma Kelu (Transcript, Simplified Chinese)
Allocated
訪問:馬可魯(抄本, 簡體中文)
Chinese - Traditional
11581
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ma Kelu 馬可魯
online
Interview with Ma Kelu (Transcript, Simplified Chinese), 訪問:馬可魯(抄本, 簡體中文)
This interview was conducted at Ma Kelu's studio in Beijing on 18 March 2009. For more information please visit the Materials of the Future website. 此訪談於2009年3月18日在馬可魯北京的工作室進行。詳情請瀏覽此頁。 Biography: Ma Kelu (b. 1954, Shanghai) is an artist living and working in Beijing. After being sent to the countryside for ‘re-education’ during the Cultural Revolution, Ma studied painting in Beijing from 1973 to 1974. During the late 1970s and early 1980s, Ma was an active member of the No Name Group. After meeting Zhao Wenliang and Yang Yushu in 1974, Ma took part in a series of unofficial exhibitions, including the ‘Eleven Persons' exhibition held in Zhang Wei’s apartment (1985), the ‘Beijing Landscape' painting exhibition (Jingshan Park, Beijing, 1978), the first and second 'No Name Group' exhibitions (1979, 1981), the ‘Ten Persons' painting exhibition (Chaoyang Theatre, Beijing, 1985) and the ‘Seven Persons' painting exhibition held in an American journalist’s apartment in Beijing (1985). After moving to New York City in 1987, he returned in 2006 to Beijing where he continues to live and work as an artist.簡歷︰馬可魯,1954 出生上海。藝術家,現居北京。馬可鲁於1960年隨父移居北京。文革時期曾下鄉插隊,其間堅持作畫。後於1973—1974年間在北京文化宮美術學習班学习繪畫。馬可魯是七、八十年代「無名畫會」的重要成員。自1974年認識趙文量及楊雨澍等畫家後,他積極參與各類非官方畫展,其中包括《十一人地下畫展》(1985,張偉家)、《北京風景畫展》(1978,北京景山公園)、無名畫會第一、二屆公開畫展(1979、1981,北海畫舫齋)、《塗畫展覽會十人畫展》(1985,北京朝陽劇場)、《七人畫展》(1985,美國記者何模樂的公寓)等。1987年,馬可魯旅居紐約,並參加國外展覽。2006年開始於北京生活及工作。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/mkl-ft-finalised.pdf
cdn.aaa.org.hk/_source/ma-kelu.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ma-kelu/object/interview-with-ma-kelu-transcript-simplified-chinese
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183121
Digitised materials
Interview with Mao Xuhui (Transcript, Simplified Chinese)
Allocated
訪問:毛旭輝(抄本, 簡體中文)
Chinese - Traditional
11583
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Mao Xuhui 毛旭輝
online
Interview with Mao Xuhui (Transcript, Simplified Chinese), 訪問:毛旭輝(抄本, 簡體中文)
This interview was conducted at Mao Xuhui's home in Kunming on 17 September 2009. Biography: Mao Xuhui (b. 1956, Chongqing) is an artist who currently lives in Kunming and teaches at the Yunnan Academy of Art and Design. Mao graduated from the Oil Painting Department at the Yunnan Academy of Fine Arts in 1982 and became the art director of a film company in Kunming. Mao, along with Zhang Xiaogang, Hou Wenyi, Zhang Long, Pan Dehai and others, organized one of the first self-funded exhibitions in China, titled the ‘New Concrete Image' (Shanghai, 1985). This exhibition was later shown in Nanjing, Kunming and Chongqing, with the inclusion of additional works by young artists from the southwestern region. In 1986, Mao introduced the works of artists from the southwestern region at the ‘Large-Scale Slide Exhibition of ’85 New Wave Art’ at the 1986 Zhuhai Conference, and with Pan Dehai, Zhang Xiaogang and Ye Yongqing, formed the Southwestern Art Research Group. Works by Mao, Pan, Zhang, and Ye were shown at the ‘China/Avant-Garde Exhibition’ in Beijing (National Art Museum of China, 1989). Mao continues to work as an artist and exhibits widely.簡歷︰毛旭輝,1956年生於重慶。藝術家,現居昆明,任教於雲南大學藝術與設計學院。1982年畢業於雲南藝術學院美術系油畫專業,後於昆明市電影公司任美術師。1985年,毛旭輝與朋友張曉剛、潘德海,及在上海的候文怡、張隆等合作,自費在上海舉辦了第一次《新具象》展。此展覽後來在南京、昆明及重慶展出,加入了其他在西南地區從事現代藝術創作的青年藝術家。 1986年,毛旭輝參加「珠海會議」幻燈交流會,介紹西南地區的現代藝術。其後,他與潘德海、張曉剛、葉永青組成了「西南藝術家研究群體」;1989年,四人參加了在北京舉行的《中國現代藝術展》。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/mxh-ft-final.pdf
cdn.aaa.org.hk/_source/mao-xuhui.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-mao-xuhui/object/interview-with-mao-xuhui-transcript-simplified-chinese
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Digitised materials
Interview with Michael Murray (Transcript, English)
Allocated
訪問:Michael Murray(抄本, 英文)
Chinese - Traditional
11585
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Murray, Michael
online
Interview with Michael Murray (Transcript, English), 訪問:Michael Murray(抄本, 英文)
This interview was conducted at Michael Murray's home in New York City on 31 October 2009. Biography: Michael Murray is a Professor of Philosophy at Vassar College, New York. Murray received his Ph.D. in Philosophy from Yale University in 1968, his M.A. from the University of Texas in 1965 and his B.A. from the University of Notre Dame in 1963. As Professor of Philosophy at Vassar College since 1970, Murray has specialized in Continental Philosophy (the work of Hegel, Nietzsche, Heidegger, Foucault and Derrida) with current interests in the philosophy of art, deconstruction, ethics and queer theory. He has also held visiting appointments at Yale University, the University of Turin (Italy) and Peking University. Murray is the author of several books, including Heidegger: Critical Essays (editor and contributor), Modern Critical Theory and Recent Developments in Aesthetics: Hermeneutics and Deconstruction (in Chinese, and originally entitled Hermeneutics, Deconstruction and the Great Wall of China). In the 1980s, Murray lectured at Peking University on Western philosophy and curated one of the earliest exhibitions of experimental art from China, called 'Avant-Garde Chinese Art: Beijing/New York' at the City Gallery in New York (1986).簡歷︰Michael Murray 是紐約瓦瑟學院的哲學教授。Murray 於1963年聖母大學獲文學士學位、1965年在德克薩斯州立大學獲碩士學位、1968年獲得耶魯大學哲學博士學位。1970年起任瓦瑟學院哲學教授,教授歐陸哲學(黑格爾、尼采、海德格爾、福柯、德理達等著作),尤其關注哲學裡的藝術、解構、道德及酷兒理論等議題。他也是耶魯大學、都靈大學、北京大學的訪問學者。 Murray 的著作包括 Heidegger: Critical Essays (任編輯及作者之一)、Modern Critical Theory 及 Recent Developments in Aesthetics: Hermeneutics and Deconstruction (原題目為 Hermeneutics, Deconstruction and the Great Wall of China)。 八十年代Murray 在北京大學主講西方哲學講座。1986年,他在紐約City Gallery策劃了《Avant-Garde Chinese Art - Beijing-New York》展,是在紐約最早的中國前衛藝術展之一。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/mm-ft-final.pdf
cdn.aaa.org.hk/_source/michael-murray.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-murray-michael/object/interview-with-michael-murray-transcript-english-michael-murray
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Digitised materials
Interview with Ni Haifeng (Transcript, Simplified Chinese)
Allocated
訪問:倪海峰 (抄本, 簡體中文)
Chinese - Traditional
11701
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ni Haifeng 倪海峰
online
Interview with Ni Haifeng (Transcript, Simplified Chinese), 訪問:倪海峰 (抄本, 簡體中文)
This interview was conducted in Beijing on 15 July 2011.Biography:Ni Haifeng (b.1964, Zhoushan, Jiezhang Province) is an artist based in Amsterdam.Ni Haifeng graduated from the Zhejiang Academy of Fine Arts (now the China Academy of Art) in 1986. In the same year, he formed a group with his classmates and organized the exhibition ‘75% Red, 20% Black, 5% White’ at the Academy. The exhibition showcased experimental works the group had made using industrial materials, found objects and text.After his graduation, Ni returned to his hometown of Zhoushan where he became an art teacher at a high school. During this period, he started his ‘Zero Degree writing’–where he wrote and drew numbers and symbols in outdoor and abandoned spaces.Ni participated in the 'Garage' exhibition (Shanghai, 1991), ‘China’s New Art, Post-1989’ (Hong Kong Arts Centre, 1993) and the ‘China Avant-Garde Exhibition’ (Germany, the Netherlands, the United Kingdom and Denmark, 1993). In 1994, he moved to the Netherlands. The artist continues to live and work in Amsterdam.簡歷︰倪海峰,1964年出生於浙江省舟山市。藝術家。1986年畢業於浙江美術學院,同年與同學以藝術小組名義於美院內舉行《75%紅20%黑5%白》展,展出以工業材料、日常物品、語言文字作的實驗創作。畢業後回到舟山任中學美術教師,此期間他開始一種「零度寫作」,即在戶外或廢棄空間寫上大量數位及符號。1991年參與在上海教育會堂舉行的《車庫展》。1993年參加在香港的《後八九-中國新藝術》及在柏林的《中國前衛藝術》展覽,1994年旅居荷蘭阿姆斯特丹,生活在當地至今。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/nhf-ft.pdf
cdn.aaa.org.hk/_source/ni-haifeng.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ni-haifeng/object/interview-with-ni-haifeng-transcript-simplified-chinese
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183127
Digitised materials
Interview with Peng De (Transcript, Simplified Chinese)
Allocated
訪問:彭德 (抄本, 簡體中文)
Chinese - Traditional
11589
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Peng De 彭德
online
Interview with Peng De (Transcript, Simplified Chinese), 訪問:彭德 (抄本, 簡體中文)
This interview was conducted at Xi'an Academy of Arts, Xi'an on 18 September 2009. For more information please visit the Materials of the Future website. 此訪談於2009年9月18日在西安美術學院進行。詳情請瀏覽此頁。 Biography: Peng De (b. 1946, Hubei Province) is a renowned art critic. He lives and works in Xi’an and teaches at the Xi’an Academy of Fine Arts. Peng De graduated from the Department of Chinese at Huazhong Normal University in 1970. In 1985, Peng helped found Art Trends (Meishu sichao) magazine where he served as chief editor until 1989, when the publication ceased. Art Trends was one of the most influential magazines of the 1980s focusing on experimental art and ideas. Peng has published several books including The Visual Revolution (Shijue geming, 1990) and Chinese Style Criticism (Zhongshi piping, 2002). He is currently based in Xi’an where he continues to write and teach.簡歷︰彭德,1946年生於湖北。藝術評論家,居於西安,現為西安美術學院教授。彭德1970年畢業於華中師範大學中文系。1985年創辦《美術思潮》雜誌,並擔任主編,直至1989年停刊。《美術思潮》是八十年代最重要的美術雜誌之一,積極推動美術實驗及思辯。 出版文集包括:《視覺革命》(南京:江蘇美術出版社,1990)、《走出冷宮的雅藝術》(南京:江蘇美術出版社,2001)及《中式批評》(長沙:湖南美術出版社,2002)。現居西安,從事藝術評論及教學工作。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/pd-ft-finalised.pdf
cdn.aaa.org.hk/_source/peng-de.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-peng-de/object/interview-with-peng-de-transcript-simplified-chinese
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183129
Digitised materials
Interview with Pi Daijian (Transcript, Simplified Chinese)
Allocated
訪問:皮道堅 (抄本, 簡體中文)
Chinese - Traditional
11703
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Pi Daojian 皮道堅
online
Interview with Pi Daijian (Transcript, Simplified Chinese), 訪問:皮道堅 (抄本, 簡體中文)
This interview was conducted at South China Normal University, Guangzhou on 19 February 2009.Biography:Pi Daojian (b. 1941, Hubei Province) is an art critic and expert in contemporary Chinese ink painting.Pi became a teacher at the Hubei Institute of Fine Arts where he also received his postgraduate degree in the History of Art in 1981. During the 1980s, he helped establish Art Trends (Meishu sichao) and became the assistant chief editor of the magazine. Since 1992, Pi has been a professor in the Art Department of Southern China Normal University in Guangzhou. In recent years, Pi has focused his research on contemporary ink painting about which he writes and lectures widely.簡歷︰皮道堅,1941年生於湖北。1981年畢業於湖北藝術學院研究生班美術史論專業,畢業後留校任教。八十年代曾參與《美術思潮》的創辦及任副主編。1992年調往廣州華南師範大學美術系,現為該校美術學院教授。近年,皮道堅致力於當代水墨藝術之研究、評論及策展工作。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/pdj-ft-aap.pdf
cdn.aaa.org.hk/_source/pi-daojian.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-pi-daojian/object/interview-with-pi-daijian-transcript-simplified-chinese
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183131
Digitised materials
Interview with Andreas Schmid (Transcript, English)
Allocated
訪問:Andreas Schmid(抄本, 英文)
Chinese - Traditional
11705
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Schmid, Andreas 施岸笛
online
Interview with Andreas Schmid (Transcript, English), 訪問:Andreas Schmid(抄本, 英文)
This interview was conducted at Asia Art Archive, Hong Kong on 27 April 2008.Biography:Andreas Schmid (b. 1955, Stuttgart, Germany) is an independent curator, art critic and artist who lives and works in Berlin.From 1983 to 1986, Schmid was a student in the Chinese Painting Department at the Zhejiang Academy of Fine Arts (now the China Academy of Art), where he started collecting material about the ’85 New Wave movement. In 1993, he co-organized ‘China Avant-Garde’, a significant exhibition of contemporary Chinese art at Haus der Kulturen der Welt (House of World Cultures) in Berlin, with Hans van Dijk from The Netherlands and Jochen Noth from Berlin. He was also one of the editors of the exhibition catalogue China Avant-Garde: Counter-Currents in Art and Culture, published in Hong Kong (1994).Schmid writes extensively about contemporary Chinese art for several German and international art publications. In 2008, he collaborated with Dorothee Albrecht, Alf Lohr and Moira Zoitl on an art research project called ‘Dream of Art Spaces Collected’ for the Internationale Gesellschaft der Bildenden Künste (IGBK) in cooperation with Deutscher Künstlerbund.簡歷︰施岸笛(Andreas Schmid),1955年生於德國斯圖加特。獨立策展人,藝評人及藝術家,現於柏林居住及工作。1983-1986年間,施岸笛為杭州浙江美術學院(現中國美術學院)中國畫系學生,同時開始搜集關於’85新潮的資料。1993年,聯同荷蘭的Hans van Dijk及柏林的Jochen Noth,策劃在德國柏林世界文化宮舉辦的《中國前衛藝術》展覽,亦兼任该次展覽圖錄的主編。該畫冊的中文版於1994年由香港牛津大學出版社出版。 施岸笛現為德國及海外多家藝術雜誌的藝評撰稿人,評述中國當代藝術的發展。2008年,他聯同Dorothee Albrecht、Alf Lohr及Moira Zoitl等人策劃「Dream of Art Spaces Collected」。該計劃由Internationale Gesellschaft der Bildenden Künste及Deutscher Künstlerbund主辦。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/as-ft-final.pdf
cdn.aaa.org.hk/_source/andreas-schmid.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-schmid-andreas/object/interview-with-andreas-schmid-transcript-english-andreas-schmid
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183133
Digitised materials
Interview with Shao Dazhen (Transcript, Simplified Chinese)
Allocated
訪問:邵大箴(抄本, 簡體中文)
Chinese - Traditional
11591
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shao Dazhen 邵大箴
online
Interview with Shao Dazhen (Transcript, Simplified Chinese), 訪問:邵大箴(抄本, 簡體中文)
This interview was conducted on 18 March 2009 at the Central Academy of Fine Arts, Beijing. For more information please visit the Materials of the Future website. 此訪談於2009年3月18日在北京中央美術學院進行。詳情請瀏覽此頁。 Biography: Shao Dazhen (b. 1934, Jiangsu Province) is an art historian, art critic and Professor at the Central Academy of Fine Arts. Shao studied art history at an art school in Leningrad (now St. Petersburg) from 1955 to 1960. After returning to China, he became a professor of art history at the Central Academy of Fine Arts in Beijing. Shao has also been the secretary of the Chinese Artists Association and is currently the Director of its Theory Committee. In his roles as editor of both World Art (Shijie meishu) and Art (Meishu) magazines in the 1980s, Shao was an important figure in the development of contemporary Chinese art. Over the last decades, he has been researching the history of Western art and modern Chinese art and his published works include Brief Discussion on Modern Art (1982), Traditional Art and Modern Art (1983), Western Modern Art Thought (1990) and The Nude in Oil Paintings from China (1993).簡歷︰邵大箴,1934年出生,江蘇鎮江人。中國美術史學家,美術評論家。現任中央美術學院教授,及中國美術家協會美術理論委員會主任。1955—1960年間,邵大箴赴蘇聯列寧格勒列賓美術學院(現為俄羅斯聖彼得堡美術學院),修讀美術史系。畢業回國後,在中央美術學院美術史系任教。曾任中國美術家協會書記處書記,及《世界美術》和《美術》雜誌的主編,是主催當代藝術發展的重要人物。 多年來,邵大箴從事西方美術史和中國現代美術的研究,部份著作包括《現代派美術淺議》(石家莊:河北美術出版社,1982)、《傳統美術與現代派》(成都:四川人民出版社,1983)、《西方現代美術思潮》(成都:四川美術出版社,1990)、《大陸人體油畫》(臺北:藝術圖書公司,1993)、《霧裡看花·當代中國美術問題》(廣西︰廣西美術出版社,1999)、《藝術格調·邵大箴論藝術》(濟南: 山東美術出版社,2002)及《美術:穿越中西》(北京︰首都師範大學出版社,2009)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/sdz-ft-finalised.pdf
cdn.aaa.org.hk/_source/shao-dazhen.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shao-dazhen/object/interview-with-shao-dazhen-transcript-simplified-chinese
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183135
Digitised materials
Interview with Shao Hong (Transcript, Simplified Chinese)
Allocated
訪問:邵宏(抄本, 簡體中文)
11707
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shao Hong 邵宏
online
Interview with Shao Hong (Transcript, Simplified Chinese), 訪問:邵宏(抄本, 簡體中文)
This interview was conducted at Guangzhou Academy of Fine Arts on 26 October 2007.Biography:Shao Hong (b. Hubei Province) is an art historian and Professor of Art History at the Guangzhou Academy of Fine Arts.In the 1980s, Shao studied art history with Professor Qi Ke in the Guangzhou Academy of Fine Arts.Some of his notable publications include Art History and Its Significance (Yishushi de Yiyi) (2001), Art History and Its Conceptions (Meishushi de guannian) (2003) and The Extended Meaning of Qi Yun: Studying the History of Chinese Painting Theory (Yanyi de ‘qiyun’: zhongguo hualun de guannianshi yanjiu) (2005).簡歷︰邵宏,湖北人,現為廣州美術學院美術史系教授。八十年代在廣州美術學院隨遲柯教授習藝術史,獲碩士學位。他的專著包括:《藝術史的意義》(與楊小彥合著,長沙:湖南美術出版社,2001),《美術史的觀念》(杭州:中國美術學院出版社,2003)及《衍義的「氣韻」:中國畫論的觀念史研究》(南京:江蘇教育出版社,2005)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/sh-ft-finalised.pdf
cdn.aaa.org.hk/_source/shao-hong.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shao-hong/object/interview-with-shao-hong-transcript-simplified-chinese
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183137
Digitised materials
Interview with Shen Yuan (Transcript, Simplified Chinese)
Allocated
訪問:沈遠(抄本, 簡體中文)
Chinese - Traditional
11593
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shen Yuan 沈遠
online
Interview with Shen Yuan (Transcript, Simplified Chinese), 訪問:沈遠(抄本, 簡體中文)
This interview was conducted at Asia Art Archive, Hong Kong on 3 March 2008. Biography: Shen Yuan (b. 1959, Xianyou, Fujian Province) is an artist who lives and works in Paris. Shen was in the first group of students admitted to Zhejiang Academy of Fine Arts (now the China Academy of Art) after the Cultural Revolution. She studied Chinese painting, and on graduating in 1982, took part in many of the experimental art activities in Xiamen in the mid-1980s. In 1989, her work Water Bed was shown in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China (Beijing, 1989). In 1990, Shen moved to Paris with her partner, Huang Yongping. Since then, she has participated in many international exhibitions, including ‘Cities on the Move’ (Vienna, Bordeaux, New York, Copenhagen, London, Bangkok and Helsinki, 1997–1999), the second Guangzhou Triennial (2005), the 52nd Venice Biennale (2007) and the ‘’85 New Wave’ (Beijing, 2007–2008).簡歷︰沈遠,1959年出生於福建仙游。藝術家,現居巴黎。沈遠是文化大革命後第一屆考入浙江美術學院(現中國美術學院)國畫系的學生,於1982年畢業。八十年代中期參加在廈門發生的激進藝術活動。她的作品⟨水床⟩參加1989年《中國現代藝術展》(北京中國美術館)。1990年與丈夫黃永砅移居法國巴黎。自九十年代開始,她參與的國際性大型展覽包括:《運動中的城市》(1997—1999,維也納,波爾多,紐約,哥本哈根,倫敦,曼谷,赫爾辛基);第二屆《廣州三年展》(2005,廣州);第52屆《威尼斯雙年展》(2007,威尼斯)及《’85新潮》(2007—2008,北京)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/sy-ft-final.pdf
cdn.aaa.org.hk/_source/shen-yuan.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shen-yuan/object/interview-with-shen-yuan-transcript-simplified-chinese
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183139
Digitised materials
Interview with Shi Hui (Transcript, Simplified Chinese)
Allocated
訪問:施慧(抄本, 簡體中文)
Chinese - Traditional
11709
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shi Hui 施慧
online
Interview with Shi Hui (Transcript, Simplified Chinese), 訪問:施慧(抄本, 簡體中文)
This interview was conducted at China Academy of Art, Hangzhou on 27 November 2008.Biography:Shi Hui (b. 1955, Shanghai) is an artist and professor in the Sculpture Department at the China Academy of Art, Hangzhou.Shi received a B.A. from the Zhejiang Academy of Fine Arts (now the China Academy of Art) in 1982. From 1982 to 1984, she taught at Shanghai Light Industry College, and from 1984 to 1993, at her alma mater, where she had the opportunity from 1986 to 1989 to study with Maryn Varbanov at the Institute Art Tapestry Varbanov (IATV).In the late 1980s, Shi’s work was displayed in numerous exhibitions including the ‘Contemporary China Tapestry Exhibition’ (Shanghai, 1987), the ‘Chinese Modern Art’ exhibition (Gifu, Japan, 1988), the 13th Lausanne International Biennale of Tapestry (Lausanne, Switzerland, 1987), the ‘Chinese Modern Tapestry Exhibition’ (Hong Kong, 1988) and the ‘Special Exhibition of Chinese Tapestry’ (Lakeside Gallery, Chicago, USA, 1989).Shi continues to work as an artist and exhibits widely.簡歷︰施慧,1955年出生於上海。藝術家,現居杭州,任教於中國美術學院雕塑系第五工作室。1978—1982年就讀於浙江美術學院(今中國美術學院)工藝系,獲學士學位。1982—1984年任教於上海輕工業專科學校。1984—1993年在浙江美術學院任講師,其間於1986—1989年在該院的萬曼藝術研究所研修。自1987年以來,施慧活躍於藝術圈及學術界。其作品多次參與展覽,包括:〈蘊〉參加《中國現代壁掛藝術展覽》(1987,上海);《中國現代美術展》(1988,日本岐阜);〈壽〉參加第十三屆《洛桑國際壁掛雙年展》(1987,瑞士洛桑);〈藍〉參加 《中國現代壁掛藝術展》(1988,香港);〈梭〉參加《中國壁掛特展》(1989,美國芝加哥湖畔畫廊)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/sh-ft-final.pdf
cdn.aaa.org.hk/_source/shi-huui.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shi-hui/object/interview-with-shi-hui-transcript-simplified-chinese
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183141
Digitised materials
Interview with Shu Qun (Transcript, Simplified Chinese)
Allocated
訪問:舒群(抄本, 簡體中文)
Chinese - Traditional
11595
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shu Qun 舒群
online
Interview with Shu Qun (Transcript, Simplified Chinese), 訪問:舒群(抄本, 簡體中文)
This interview was conducted at OCAT, Shenzhen on 18 June 2009. For more information please visit the Material of the Future website. 此訪談於2009年6月18日在深圳OCAT當代藝術中心進行。詳情請瀏覽此頁。 Biography: Shu Qun (b. 1958, Jilin Province) is an artist, and in 1984, was one of the founders of the Northern Art Group, along with Wang Guangyi, Ren Jian and Liu Yan, among others. In 1982, Shu graduated from the Lu Xun Academy of Fine Arts in Shenyang. In the mid-1980s, he helped organize conferences and exhibitions, including the 'Large-Scale Slide Exhibition of New Wave Art' at the Zhuhai Conference (1986) and the Northern Art Group Biennale (Jilin College of the Arts, Changchun, 1987). In 1987, Shu was interviewed by China Central Television (CCTV), and in 1989, he participated in the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing. In addition, Shu published numerous articles in the 1980s and early 1990s, such as ‘Form Follows Content’ in Art (Meishu) magazine (no. 7, 1986), ‘A Monologue about Rational Painting’ in Jiangsu Pictorial (Jiangsu huakan) (no. 9, 1989) and ‘Rational Painting’ in Art Panorama (Yishu guangjiao) (no. 5, 1991). Shu continues to work as an artist in Chengdu and exhibits widely.簡歷︰舒群,1958年生於吉林。藝術家,現活躍於成都。1982年畢業於魯迅美術學院中國畫系。在1984年與王廣義、任戬、劉彥等藝術家組織「北方藝術群體」。八十年代中期,舒群積極參與和舉辦各大型展覽和研討會活動,其中包括參與組織《85青年美術思潮大型幻燈展暨學術研討會》(1986,珠海會議)。1987年,組織《北方藝術群體雙年展》(吉林藝術學院,长春),並接受中央電視台專題采訪。1989年參加《中國現代藝術展》(北京中國美術館)。 舒群發表的文章包括:⟨內容決定形式⟩(《美術》第7期,1986),⟨理性繪畫自白⟩(《江蘇畫刊》第9期專欄,1989),⟨理性繪畫⟩(《藝術廣角》第5期專欄,1991)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/sq-ft-finalised.pdf
cdn.aaa.org.hk/_source/shu-qun.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shu-qun/object/interview-with-shu-qun-transcript-simplified-chinese
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183223
Digitised materials
Interview with Song Yongping (Transcript, Simplified Chinese)
Allocated
訪問:宋永平(抄本, 簡體中文)
Chinese - Traditional
11597
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Song Yongping 宋永平
online
Interview with Song Yongping (Transcript, Simplified Chinese), 訪問:宋永平(抄本, 簡體中文)
This interview was conducted at Song Yongping's studio in Beijing on 11 July 2009. For more information please visit the Materials of the Future website. 此訪談於2009年7月11日在宋永平位於北京的工作室進行。詳情請瀏覽此頁。 Biography: Song Yongping (b. 1961, Taiyuan, Shanxi) is an artist who works with a variety of media including photography, painting and performance. Song graduated from the Painting Department at the Tianjin Academy of Fine Arts in 1983. In 1985, he organized the ‘Seven Persons Modern Art Exhibition’ in Shanxi, and in the following year, the ‘Modern Ceramics’ exhibition and ‘Art Events in the Village’. In 1986, Song partnered with China Central Television (CCTV) to film art activities in Shanxi for a proposed television program about New Wave Art. He also exhibited at the ‘China/Avant-Garde Exhibition’ held at the National Art Museum of China (Beijing, 1989). Song currently works in Beijing and exhibits widely.簡歷︰宋永平,1961年生於山西。畫家,現居北京。宋永平於1983年在天津美術學院繪畫系畢業。1985及1986年,他分別在山西太原組織了《七人現代藝術展》和《現代陶藝展》。1986年,宋氏組織了「鄉村藝術活動」,又配合中央電視台《新潮美術》攝制組拍攝了山西的群體活動。在1989年的《中國現代藝術展》上,宋永平展出了一幅帶血腥感的三聯油畫作品。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/syp-ft-final.pdf
cdn.aaa.org.hk/_source/song-yongping.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-song-yongping/object/interview-with-song-yongping-transcript-simplified-chinese
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183225
Digitised materials
Interview with Song Haidong (Transcript, Simplified Chinese)
Allocated
訪問:宋海東(抄本, 簡體中文)
11715
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Song Haidong 宋海東
online
Interview with Song Haidong (Transcript, Simplified Chinese), 訪問:宋海東(抄本, 簡體中文)
This interview was conducted in Song Haidong's home in Shanghai on 4 March 2009.Biography:Song Haidong (b. 1958, Yangzhou) is an artist lives and works in Shanghai.Since graduating from the Department of Sculpture at the Zhejiang Academy of Fine Arts (now the China Academy of Art) in 1985, Song began teaching in the Fine Art College of Shanghai University. In 1986, Song and fellow artists formed the collective M Art Group and held a performance work at the Shanghai Workers Cultural Palace (Shanghai, 1986).Song is considered to be one of the earliest artists to experiment with installation art in China. His work The Earth from Alien Eyes was exhibited at the ‘China/Avant-Garde Exhibition’ in Beijing in 1989.Other selected exhibitions of Song’s work include 'Contemporary Chinese Art Now' (Tokyo Gallery, 1989), the 'Garage' exhibition (Shanghai, 1991), 'Solo Exhibition of Song Haidong' (Shanghai Oil Painting and Sculpture Institute, 1993), the 45th Venice Biennale (1993), ''85 New Wave' (Beijing Ullens Center for Contemporary Art, 2007) and ‘History in the Making: Shanghai, 1979–2009’ (Shanghai, 2009). Since 1994, Song studies Buddhism and traditional art.簡歷︰宋海冬,1958年出生於江蘇揚州。1985年畢業於浙江美術學院﹝今中國美術學院﹞雕塑系研究生班,後任教於上海大學美術學院至今。1986年在上海組成「M藝術群體」,在上海工人文化宮舉行了一次行為演出。宋海冬被認為是最早實驗裝置藝術的中國藝術家之一,其作品〈外星人眼中的地球〉曾在《中國現代藝術展》展出。曾參與當代藝術展覽包括︰《中國現代美術「今」展》(1989,東京畫廊),《車庫藝術展》(1991,上海教育會堂),《宋海冬个人展》(1993,上海油畫雕塑院),第45屆《威尼斯雙年展》(1993,意大利威尼斯),《八五新潮》(2007,北京尤倫斯當代藝術中心)及《上海灘1979—2009:當代藝術回顧展》(2009,上海)等。宋海冬在94年皈依佛教,三年後開戒,始研習傳統藝術。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/shd-ft-finalised.pdf
cdn.aaa.org.hk/_source/song-haidong.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-song-haidong/object/interview-with-song-haidong-transcript-simplified-chinese
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183229
Digitised materials
Interview with Tang Qingnian (Transcript, Simplified Chinese)
Allocated
訪問:唐慶年(抄本, 簡體中文)
Chinese - Traditional
11599
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Tang Qingnian 唐慶年
online
Interview with Tang Qingnian (Transcript, Simplified Chinese), 訪問:唐慶年(抄本, 簡體中文)
This interview was conducted on 15 July 2011 in Beijing. For more information please visit the Materials of the Future website. 此訪談於2011年7月15日在北京進行。詳情請瀏覽此頁。 Biography: Tang Qingnian (b.1956, Beijing) is an artist and art critic based in Los Angeles, in the United States. Tang Qingnian graduated in 1984 from the Central Academy of Arts and Crafts in Beijing. He subsequently became an editor of Meishu magazine, where he reported and commented on the New Wave art phenomenon that was emerging in the mid-1980s. By 1989, Tang became the Deputy Director of Meishu’s Editorial Department and was also a member of the organizing committee of the seminal 'China/Avant-Garde Exhibition'. In 1991, Tang played a role in organizing the exhibition 'I Don't Want to Play Cards With Cezanne' and 'Other Works: Selections from the Chinese 'New Wave' and 'Avant-Garde' Art of the Eighties' at the Pacific Asia Museum, Pasedena, California. In the same year, he moved to the United States. Tang continues to live and work in Los Angeles.簡歷︰唐慶年,1956年出生於北京,藝術家及批評家。1984年畢業於中央工藝美術學院,後任《美術》雜誌編輯,期間致力於報導及評論八十年代中期出現的新潮美術現象。1989年,他任《美術》雜誌編輯部副主任,是《中國現代藝術展》組織委員會成員和展覽負責人之一。1991年幫助美國亞太博物館舉辦《不與塞尚玩牌——中國新潮藝術展》。1991年移居美國,從事多種不同媒介的視覺創意。現居美國洛杉磯。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/tqn-ft.pdf
cdn.aaa.org.hk/_source/tang-qingnian.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-tang-qingnian/object/interview-with-tang-qingnian-transcript-simplified-chinese
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183231
Digitised materials
Interview with Tang Song (Transcript, Simplified Chinese)
Allocated
訪問:唐宋(抄本, 簡體中文)
Chinese - Traditional
11717
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Tang Song 唐宋
online
Interview with Tang Song (Transcript, Simplified Chinese), 訪問:唐宋(抄本, 簡體中文)
This interview was conducted in Tang Song's Studio, Hangzhou on 27 November 2009.Biography:Tang Song studied at the Zhejiang Academy of Fine Arts (now the China Academy of Art) during the 1980s. He is noted for his collaboration with the artist Xiao Lu in the ‘China/Avant-Garde Exhibition’ on 5 February 1989 at the National Art Museum of China. At this exhibition Xiao shot at her own work, Dialogue. However, Tang, mistaken as the shooter, was arrested until Xiao confessed to her gunshot. Both artists were subsequently detained. Tang and Xiao immigrated to Australia in December of that year, but have since returned to China.簡歷︰唐宋,八十年代就讀於浙江美術學院(今中國美術學院)中國畫系。最廣為人知的事件為在1989年2月5日,唐宋應邀參加在中國美術館舉行的《中國現代藝術展》,並協助藝術家肖魯以開槍的方法,完成〈對話〉這一作品。肖魯開槍後,唐宋被誤為開槍者而被捕。其後肖魯自首,二人一同受拘留。1989年12月唐與肖移居澳大利亚;近年兩人回國。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/ts-ft.pdf
cdn.aaa.org.hk/_source/tang-song.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-tang-song/object/interview-with-tang-song-transcript-simplified-chinese
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183233
Digitised materials
Interview with Wang Du (Transcript, Simplified Chinese)
Allocated
訪問:王度(抄本, 簡體中文)
Chinese - Traditional
11609
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Du 王度
online
Interview with Wang Du (Transcript, Simplified Chinese), 訪問:王度(抄本, 簡體中文)
This interview was conducted at Borges Libreria Institute for Contemporary Art, Guangzhou on 18 January 2008. Biography: Wang Du (b. 1956, Wuhan) is a Paris-based artist and exhibits widely. Wang began his art studies at the Department of Sculpture in the Guangzhou Academy of Fine Arts (GAFA) in 1981. In 1986, he helped establish the Southern Artists Salon, in which Huang Xiaopeng, Chen Shaoxiong and Lin Yilin, among others, were also active members. They co-organized a showing of their work at the first ‘Experimental Show of the Southern Artists Salon’ at the Sun Yat-Sen University in Guangzhou. Since moving to Paris in 1990, his work has been featured in many international exhibitions such as the 48th Venice Biennale’s French Pavilion (1999), the Taipei Biennial: The Sky is the Limit (2000), the exhibition ‘Contemporary Chinese Art in 2000: Time of Reviving’ (Chengdu, China, 2000) and the 10th Istanbul Biennial (2007).簡歷︰王度,1956年生於湖北武漢。藝術家,現於巴黎生活及工作。王度于1981年入讀廣州美術學院雕塑系。1986年創立「南方藝術家沙龍」﹝成員包括黃小鵬、陳劭雄及林一林等﹞,並策劃了在中山大學校園內進行的《南方藝術家沙龍第一回实验展》。 自1990年移居巴黎。近年參加的展覽包括第48屆《威尼斯雙年展──法國館》(1999);《台北雙年展:無法無天》(2000);《轉世時代: 2000中國當代藝術展》(2000,成都);第10屆《伊斯坦堡雙年展》(2007)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/wd-ft.pdf
cdn.aaa.org.hk/_source/wad.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-du/object/interview-with-wang-du-transcript-simplified-chinese
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183237
Digitised materials
Interview with Wang Gongyi (Transcript, Simplified Chinese)
Allocated
訪問:王公懿(抄本, 簡體中文)
Chinese - Traditional
11611
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Gongyi 王公懿
online
Interview with Wang Gongyi (Transcript, Simplified Chinese), 訪問:王公懿(抄本, 簡體中文)
This interview was conducted at the UC Berkeley Art Museum, Berkeley on 7 April 2011. For more information please visit the Materials of the Future website. 此訪談於2011年4月7日在加州大學伯克利分校藝術博物館進行。詳情請瀏覽此頁。 Biography: Wang Gongyi (b. 1946) is an artist who lives in Portland, Oregon, in the United States. Wang Gongyi graduated in 1962 from the Affiliated High School of the Central Academy of Fine Arts in Beijing. She joined the Tianjin People’s Fine Arts Publishing House as an editor the following year. In 1978, she entered the Printmaking Department of the Zhejiang Academy of Fine Arts (now the China Academy of Fine Arts), and after receiving her degree there she remained as a teacher. In 1980, Wang was awarded the grand prize for her Qiu Jin series of woodcut prints at the ‘Second National Youth Art Exhibition’. Six years later, she set out to France on a cultural exchange programme. By 2001, the artist had moved to the United States. In 1992, Wang was awarded a scholarship from the French Ministry of Education. She met and worked with artists at L’école supérieure d’art d’Aix-en-Provence, and subsequently worked and studied at URDLA – Centre International Estampes & Livres (International Centre for Prints and Books) and ALMA Printmaking Studio in Lyon, France.Please click here to view the video.簡歷︰王公懿,1946出生,藝術家,現居美國波特蘭。1962年中央美術學院附中畢業,1973年入天津人民美術出版社,1978年入中國美術學院版畫研究班,畢業後留系任教。1980年憑木刻組畫《秋瑾》獲全國第二屆青年美展大獎。1986年王公懿赴法國參加交流活動。1992年獲法國教育部獎學金,Aix美校訪問藝術家,在里昂的URDLA及ALMA版畫工作室工作、學習。2001年始旅居美國。近年在中國舉行的個展包括《王公懿版畫回顧展1979-2002》(2006年,廣東美術館),《王公懿藝術展》(2010年,天津美術學院美術館;2011年,中國美術學院)。錄像連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/wgy-ft.pdf
cdn.aaa.org.hk/_source/wang-gongyi.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-gongyi/object/interview-with-wang-gongyi-transcript-simplified-chinese
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183243
Digitised materials
Interview with Wang Guangyi (Transcript, Simplified Chinese),
Allocated
訪問:王廣義(抄本, 簡體中文)
Chinese - Traditional
11719
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Guangyi 王廣義
online
Interview with Wang Guangyi (Transcript, Simplified Chinese), , 訪問:王廣義(抄本, 簡體中文)
This interview was conducted in Cave Café, 798, Beijing on 4 November 2007.Biography:Wang Guangyi (b. 1957, Harbin, Heilongjiang Province) is an artist and currently lives and works in Beijing.In 1984, Wang graduated from the Department of Oil Painting at the Zhejiang Academy of Fine Arts (now the China Academy of Art). After graduating, he returned to his hometown of Harbin where he established the Northern Art Group with friends who shared his interest in art, literature and philosophy. One of the leading experimental artists in the 1980s, Wang helped organize the 'Large-Scale Slide Exhibition of New Wave Art', which took place at the Zhuhai Conference in 1986, and in 1989, his painting series Mao Zedong MAO was exhibited at the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China in Beijing.In 1990, Wang began teaching at the Hubei College of Technology in Wuhan. In the same year, he began creating his oil painting series The Great Criticism, which was exhibited at the ‘Cocart-International Invited Exhibition of Post-Pop Art’ (Milan, Italy, 1991). His work was also published on the cover of Flash Art magazine (1991) and in Beijing Youth News (Beijing qingnianbao) (March 22, 1991). This series was subsequently exhibited at the ‘China/Avant-Garde Exhibition’ in Germany (Haus der Kulturen der Welt, Berlin, 1993), as well as in ‘China’s New Art, Post-1989’ (Hong Kong Arts Centre, 1993) and at the 45th Venice Biennale (1993).簡歷︰王廣義,1957年生於黑龍江哈爾濱。藝術家,現居北京。1984年畢業於杭州浙江美術學院(現中國美術學院)油畫系。畢業後,王廣義回到哈爾濱,與從事藝術、文學、哲學的朋友成立「北方藝術群體」。王廣義在八十年代積極推動中國當代藝術的發展,積極參與策劃珠海舉行的《85青年美術思潮大型幻燈展及學術討論會》。而其〈毛澤東MAO〉系列在《中國現代藝術展》(1989,北京中國美術館)展出。 1990年於武漢湖北工業學院(現湖北工業大學)任教,並開始創作〈大批判〉油畫系列。翌年,此系列作品獲邀參加 《Cocart-後波普國際邀請展》(1991,意大利米蘭),並發表在意大利《Flash Art》封面(1991),及《北京青年報》的專題版(〈王廣義現像〉,1991年3月22日文化版)。此系列作品其後於不同的展覽展出,包括《中國前衛藝術展》(1993,德國柏林世界文化宮);《後八九中國新藝術》(1993,香港藝術中心);第45屆《威尼斯雙年展》(1993,意大利威尼斯)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/wgy-wsz-ft-final.pdf
cdn.aaa.org.hk/_source/wgy-2.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-guangyi/object/interview-with-wang-guangyi-transcript-simplified-chinese
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183247
Digitised materials
Interview with Wang Jianwei (Transcript, Simplified Chinese)
Allocated
訪問:汪建偉(抄本, 簡體中文)
Chinese - Traditional
11721
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Jianwei 汪建偉
online
Interview with Wang Jianwei (Transcript, Simplified Chinese), 訪問:汪建偉(抄本, 簡體中文)
This video was conducted at Wang Jianwei's Studio in Beijing on 9 July 2009.Biography:Wang Jianwei (b. 1958, Sichuan) is an artist who lives and works in Beijing.Between 1983 and 1985, Wang studied at the Chengdu Painting Institute or Chengdu Art Academy should be CAA not CPI, and in 1984, his painting Dearest Mother received a Gold Award at the ‘Sixth National Art Exhibition’held at the National Art Museum of China. In 1985, he was admitted to the Department of Oil Painting at the Zhejiang Academy of Fine Arts (now the China Academy of Art) in Hangzhou, and he received his postgraduate degree in 1987.Since the 1990s, Wang Jianwei has been exploring the interdisciplinary influence on the contemporary art. He has been crossing over a variety of disciplines in search of a new language. Hence, his works become multifaceted and adopts various forms, ranging from cinema, theatre, multimedia, public art to painting, etc.He has participated in numerous exhibitions in Hong Kong, China, the United States and Australia, including a solo exhibition in Beijing (1991). His work has also been shown at the 10th Documenta (1997), the 25th Sao Paulo Biennial (2002) and the 50th Venice Biennale (2005).簡歷︰汪建偉,1958年生於四川。藝術家,現於北京生活及工作。1983-1985年間就讀于成都畫院,期間作品〈親愛的媽媽〉于1984年獲《第六屆全國美術作品展覽》金獎。1985-1987年於浙江美術學院(今中國美術學院)油畫系攻讀研究生班進修,並獲碩士學位。九十年代起,汪建偉一直在探索知識綜合與跨學科對當代藝術的影響,嘗試使用不同學科的方法去創造新的藝術語言,為此,其藝術作品呈現多元樣式,跨越電影、戲劇、多媒體、公共藝術、繪畫等領域。1991年在北京舉辦首個個展後,陸續於香港、美國、悉尼等地參與展覽,亦曾參與國際性展覽,包括第十屆《德國卡塞爾文獻展》(1997)、第25屆《聖保羅雙年展》(2002)、第50屆《威尼斯雙年展》(2005)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/wjw-ft-final.pdf
cdn.aaa.org.hk/_source/wjw.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-jianwei/object/interview-with-wang-jianwei-transcript-simplified-chinese
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Digitised materials
Interview with Wang Keping (Transcript, Simplified Chinese)
Allocated
訪問:王克平(抄本, 簡體中文)
Chinese - Traditional
11613
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Keping 王克平
online
Interview with Wang Keping (Transcript, Simplified Chinese), 訪問:王克平(抄本, 簡體中文)
This interview was conducted at 10 Chancery Lane Gallery, Hong Kong on 28 March 2009. Biography: Wang Keping (b. 1949, Beijing) is an artist who currently lives and works in France. As one of the initial members of the Stars Group, Wang helped organize the 'Stars' exhibitions of 1979 and 1980, where he also showed his works. Wang works primarily in sculpture, and was an important artist of post-Mao China. From 1983 onwards, Wang’s sculpture has been exhibited in numerous international exhibitions and also collected by the Paris Municipal Government, la Musée d’Art Moderne de la Ville de Paris, the Seoul Olympic Park, Boston University, the Taiwan Museum of Art and by private collectors worldwide.簡歷︰王克平,1949生於北京。雕塑家,居於法國。文革後一位重要藝術家、雕塑家,亦曾從事戲劇工作。「星星畫會」發起人之一,於1979及1980年舉辦和參展《星星美展》,引起各界哄動。後移居法國,作品被巴黎市政府、巴黎市現代美術館、首爾奧林匹克公園、台灣美術館收藏。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/wkp-ft-final.pdf
cdn.aaa.org.hk/_source/wkp.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-keping/object/interview-with-wang-keping-transcript-simplified-chinese
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183251
Digitised materials
Interview with Wang Luyan (Transcript, Simplified Chinese)
Allocated
訪問:王魯炎(抄本, 簡體中文)
11723
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Luyan 王魯炎
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Interview with Wang Luyan (Transcript, Simplified Chinese), 訪問:王魯炎(抄本, 簡體中文)
This interview was conducted in Wang Luyan's Studio, Beijing on 16 March 2009.Biography:Wang Luyan (b. 1956, Beijing) is an artist based in Beijing.Wang participated in the 'Stars' exhibitions in 1979 and 1980. In 1985, he collaborated with ten artists, including Gu Dexin and Tang Pinggang, to organize the ‘Ten Persons' painting exhibition (Chaoyang Theatre, Beijing), which was cancelled by the authorities on its opening day. That same year, Wang, alongside other artists including Zhang Wei, Zhu Jinshi and Ma Kelu, to name a few, organized the ‘Seven Persons' painting exhibition at the apartment of an American journalist in Beijing. In 1988, Wang helped found the New Measurement Group, which featured works in the ‘China/Avant-Garde Exhibition’ held at the National Art Museum of China in Beijing (1989). In the early 1990s, the First Work of the New Measurement Group was displayed in the exhibition ‘Exceptional Passage’ (Fukuoka, Japan, 1991). The Second Work of the New Measurement Group was shown at the exhibition ‘China’s New Art, Post-1989’ (Hong Kong Arts Centre, 1993).Wang has exhibited widely and recently had a solo exhibition entitled ‘The Saw Being Sawn’, held at Arario Gallery in Beijing and at OCAT Shenzhen’s He Xiangning Gallery in 2007.簡歷︰王魯炎,1956年出生。中學時代開始學畫。曾先後參加第一、二屆《星星美展》(1979、1980,北京)。1985年與顧德新、唐平剛等人共組《塗畫展覽會十人畫展》(北京朝陽劇場),但展覽當日被官方所取締。同年又與張偉、朱金石、馬可魯等人,假北京美國記者何模樂的外交公寓組織 《七人畫展》。1988—1995年間,與顧德新、陳少平等人組成「新刻度小組」,1989年參加《中國現代藝術展》(北京中國美術館)等。 1991年,其〈新刻度小組作品1〉參加日本福岡舉行的 《非常口:中國前衛藝術展》,1992年〈刻度小組作品2〉參加 《後八九中國新藝術展》(1993,香港藝術中心)。近年王鲁炎的作品見於海內外,如個展 《被鋸的鋸?》(2007,阿拉里奧北京藝術空間、深圳何香凝美術館OCT當代藝術中心)等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/wly-ft.pdf
cdn.aaa.org.hk/_source/wly.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-luyan/object/interview-with-wang-luyan-transcript-simplified-chinese
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183253
Digitised materials
Interview with Wang Youshen (Transcript, Simplified Chinese)
Allocated
訪問:王友身(抄本, 簡體中文)
Chinese - Traditional
11725
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wang Youshen 王友身
online
Interview with Wang Youshen (Transcript, Simplified Chinese), 訪問:王友身(抄本, 簡體中文)
This interview was conducted in Wang Youshen's Studio, Beijing on 8 July 2009.Biography:Wang Youshen (b. 1964, Beijing) is an artist, now living and working in Beijing.After graduating from the Central Academy of Fine Arts in 1988, Wang became the art editor of Beijing Youth News (Beijing qingnianbao) where he continues to work today. In 1991, Wang organized the exhibition ‘New Generation Art’ at the Chinese History Museum in Beijing. Other exhibitions in which Wang participated include the ‘China/Avant-Garde Exhibition’ (National Art Museum of China, Beijing, 1989), the 45th Venice Biennale (1993), the Taipei Biennial (2000) and the Shanghai Biennial (2004), to name a few.簡歷︰王友身,1964年生於北京。觀念及裝置藝術家。居於北京。1988年畢業於中央美術學院。曾任《北京青年報》藝術編輯多年。1991年,他組織了《新生代藝術展》(北京中國歷史博物館)。其他參與的展覽包括︰《中國現代藝術展》(1989);第45屆《威尼斯雙年展》(1993)、《台北雙年展》(2000)及 《上海雙年展》(2004) 等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/wys-ft-finalised.pdf
cdn.aaa.org.hk/_source/wys.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wang-youshen/object/interview-with-wang-youshen-transcript-simplified-chinese
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183255
Digitised materials
Interview with Wu Liang (Transcript, Simplified Chinese)
Allocated
訪問:吳亮(抄本, 簡體中文)
Chinese - Traditional
11615
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wu Liang 吳亮
online
Interview with Wu Liang (Transcript, Simplified Chinese), 訪問:吳亮(抄本, 簡體中文)
This interview was conducted at the Shanghai Writers Association, Shanghai on 4 March 2009. For more information please visit the Materials of the Future website. 此訪談於2009年3月4日在上海作家協會進行。詳情請瀏覽此頁。 Biography: Wu Liang (b. 1955, Shanghai) is an art and literary critic, and Chief Editor of Shanghai Culture (Shanghai wenhua). In the 1980s, Wu was well known in literary circles for his biting commentary. In the 1990s, as he became increasingly drawn to art and artists, Wu turned his commentary towards the visual arts. Recently, he has resumed his interest in literature and cultural studies. Some of his notable publications include Literature Selections (Wenxue de xuanze) (1985), Conversations between the Artist and a Friend (Yige yishujia yu youren de tanhua) (1987), Discovering Criticism (Piping de faxian) (1988), Autumn Monologue (Qiutian de dubai) (1988), Notes of a City (Chengshi biji) (1990) and The Past and the Dream (Wangshi yu mengxiang) (1991).簡歷︰吳亮,廣東潮陽人,1955年生於上海。文學批評家及藝術批評家,當代文學批評雜誌《上海文化》主編。八十年代以辛辣文字見稱於學界。九十年代開始由文學轉向藝術,關注中國畫家及其作品。吳亮活躍於文學及文化現象領域,發表了一系列有影響力的批評作品,當中包括《文學的選擇》(1985)、《藝術家與友人的談話》(上海:上海文藝出版社,1987)、《批評的發現》(1988)、《秋天的獨白》(杭州:浙江文藝出版社,1988)、《城市筆記》(杭州:浙江文藝出版社,1990)、《往事與夢想》(上海:上海人民出版社,1991) 等。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/wl-ft-pa.pdf
cdn.aaa.org.hk/_source/wul.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wu-liang/object/interview-with-wu-liang-transcript-simplified-chinese
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183259
Digitised materials
Interview with Wu Shanzhaun (Transcript, Simplified Chinese)
Allocated
訪問:吳山專(抄本, 簡體中文)
Chinese - Traditional
11727
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Wu Shanzhuan 吳山專
online
Interview with Wu Shanzhaun (Transcript, Simplified Chinese), 訪問:吳山專(抄本, 簡體中文)
This interview was conducted at Shanghai Gallery of Art, Shanghai on 9 September 2009.Biography:Wu Shanzhuan (b. 1960, Zhoushan, Zhejiang Province) graduated from the Zhejiang Academy of Fine Arts in Hangzhou (now the China Academy of Art).Wu is one of China’s most enigmatic conceptual artists whose work involves language, pseudo-text, humour and symbolism from everyday life. Some of his most celebrated works of the 1980s include his installation Red Humour International (1986), and Selling Shrimps, which was performed at the ‘China/Avant-Garde Exhibition’ at the National Art Museum of China (Beijing, 1989).After moving to Europe in the late '80s, Wu obtained a master’s degree from the College of Fine Arts at the University of Fine Arts of Hamburg (Hochschule für Bildende Künste, 1989). After residing in Germany and Iceland for over ten years, he now has a base in Shanghai.Wu continues to work as an artist and exhibits widely. A large retrospective of Wu’s work was recently organized at the Guangdong Museum of Art (2008).簡歷︰吳山專,1960年生於浙江舟山。藝術家,現居上海。畢業於杭州浙江美術學院(今中國美術學院)。吳山專一直堅持觀念藝術的探討。八十年代中期,透過偽造漢字、波譜語言,及幽默語言符號的運用和創作, 1986年的〈國際紅色幽默〉裝置藝術為其標誌性作品。後以〈賣蝦〉行為藝術參與 1989年在中國美術館舉行之《中国現代藝術展》。 1989年後旅居歐洲,獲德國漢堡藝術學院碩士學位,並在德國和冰島生活工作達十年之久。吳山專的作品見於海內外。2008年,吳山專的個人回顧展在廣州廣東美術館舉行。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
cdn.aaa.org.hk/_source/wsz-ft-final.pdf
cdn.aaa.org.hk/_source/wsz.jpg
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-wu-shanzhuan/object/interview-with-wu-shanzhaun-transcript-simplified-chinese
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Digitised materials
Interview with Liu Xiaochun (Full Version)
Allocated
訪問:劉驍純(完整版)
Chinese - Traditional
11571
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Liu Xiaochun 劉驍純
onsite
2007/__/__
Interview with Liu Xiaochun (Full Version), 訪問:劉驍純(完整版)
This interview was conducted at Liu Xiaochun's home in Beijing on 5 November 2007. Biography: Liu Xiaochun (b. 1941, Luoyang, Henan Province) is an art critic and co-founder of the 1980s newspaper Fine Arts in China (Zhongguo meishubao). Liu graduated from the Department of Art History at the Central Academy of Fine Arts in 1966. In 1979 he began studying for his postgraduate degree at the Chinese National Academy of Arts and received his M.A. and Ph.D. degrees in 1981 and 1985, respectively. In 1985, together with other art historians including Zhang Qiang, Liu founded Fine Arts in China (Zhongguo meishubao) and engaged Li Xianting as a fulltime editor. Liu has published over 200 books, articles and critical writings on art. Some of his significant works include ‘From Animal Pleasure to Human Aesthetics’ (Cong dongwu kuaigan dao ren de meigan) (doctoral dissertation, 1986) and Deconstruction and Reconstruction: About Chinese Contemporary Art (1996).Please click here to view the transcript of the video.簡歷︰劉驍純,1941年生於河南洛陽。藝術批評家,居於北京。1966年畢業於中央美術學院美術史系。1979年在中國藝術研究院研究生院攻讀美術學,並先後在1981及1985年獲碩士和博士學位。1985年,劉驍純與其他青年美術史學者如張薔等創辦《中國美術報》,並聘栗憲庭任專職編輯。 劉氏已發表的論著、論文、評論有200餘篇,代表作包括《從動物快感到人的美感》(博士論文)(濟南:山東文藝出版社,1987)、《解體與重建:論中國當代美術》(南京:江蘇美術出版社,1993)等。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:LIU Xiaochun, 劉驍純, 1941, China (劉驍純)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-liu-xiaochun/object/interview-with-liu-xiaochun-full-version
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Digitised materials
Interview with Liu Dahong (Full Version)
Allocated
訪問:劉大鴻(完整版)
Chinese - Traditional
11699
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Liu Dahong 劉大鴻
onsite
2009/__/__
Interview with Liu Dahong (Full Version), 訪問:劉大鴻(完整版)
This interview was conducted in Liu Dahong's Studio at Shanghai Normal University on 26 Novemeber 2008.Biography:Liu Dahong (b. 1962, Qingdao) is an artist and professor at Shanghai Normal University.Liu enrolled at the Department of Oil Painting at Shandong University of Arts in 1978. From 1981 to 1985, he studied at the Zhejiang Academy of Fine Arts (now the China Academy of Art) and took master classes with Zao Wu-ki in 1985. After graduation, he began to teach at the College of Fine Art at Shanghai Normal University. He currently supervises the University’s postgraduate students and manages the Shuangbai Studio, which encourages experimental art education.Please click here to view the transcript of the video.簡歷︰劉大鴻,1962年生於青島。藝術家,於上海師範大學美術學院任教。1978年考入山東藝術學院美術系油畫專業。1981—1985年就讀於浙江美術學院油畫系,其間在趙無極大師繪畫學習班學習。畢業後一直在上海師範大學美術系(2002年改稱美術學院)任教至今,設「雙百工作室」,推動當代藝術實驗教學。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
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event photograph/recording, interview documentation
Mandarin
Speaker:LIU Dahong, 劉大鴻, 1962, China (劉大鴻)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-liu-dahong/object/interview-with-liu-dahong-full-version
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Digitised materials
Interview with Ethan Cohen (Full Version)
Allocated
訪問:Ethan Cohen(完整版)
Chinese - Traditional
11667
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Cohen, Ethan
onsite
2009/__/__
Interview with Ethan Cohen (Full Version), 訪問:Ethan Cohen(完整版)
The interview was conducted at Ethan Cohen Fine Arts, New York on 15 October 2009.Biography:Ethan Cohen is the owner of Ethan Cohen Fine Arts in New York, one of the first galleries in the United States to specialize in contemporary Chinese art.Cohen has produced a number of noteworthy art exhibitions and projects and has accrued a large portfolio of artists from Asia. An art advocate and educator, Cohen helped to establish the Asian Contemporary Art Consortium in 2002, a group comprising museum curators, collectors and gallery directors dedicated to advancing Asian art in New York City. For the last eight years, the Consortium, in association with the Asia Society, has hosted Asian Contemporary Art Week in New York City. In 2008, in collaboration with Scope Art Fair, Cohen founded the Art Asia Art Fair in Miami.Ethan Cohen Fine Arts has participated regularly in international art fairs in Miami, New York, Basel, Beijing and Melbourne. In partnership with Pace Editions, the gallery also publishes prints of the work of some of the leading Chinese artists.Please click here to view the transcript of the video.簡歷︰Ethan Cohen 主持的紐約Ethan Cohen Fine Arts畫廊是最早代理中國當代藝術的美國畫廊之一。Cohen 策劃過很多亞洲藝術展,也代理了很多亞洲藝術家。在2002年,Cohen 協辦了亞洲當代藝術委員會,集中了在紐約從事有關亞洲藝術工作的美術館人士、收藏家及畫廊家。過去八年來, 委員會與亞洲協會合作,在紐約舉辦亞洲當代藝術周。2008年以來,Cohen 與觀望鏡博覽會合作, 在邁阿密舉辦Art Asia art fair。Ethan Cohen Fine Arts畫廊參加國際藝術博覽會,包括邁阿密、紐約、巴素爾、北京、墨爾本。畫廊與Pace Editions合作,也推出中國當代藝術家重要作品的版畫。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
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event photograph/recording, interview documentation
English
Speaker:Ethan COHEN, United States
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-cohen-ethan/object/interview-with-ethan-cohen-full-version-ethan-cohen
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Digitised materials
Interview with Huang Zhuan (Full Version)
Allocated
訪問:黃專(完整版)
Chinese - Traditional
11401
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Zhuan 黃專
onsite
2009/__/__
Interview with Huang Zhuan (Full Version), 訪問:黃專(完整版)
This interview with Huang Zhuan was filmed at OCAT, Shenzhen on 18 June 2009. Biography:Huang Zhuan (b. 1958, Hunan Province) is Associate Professor at the Guangzhou Academy of Fine Arts and Director of OCAT Shenzhen.A graduate of the Department of History at Huazhong Normal University in 1982, Huang worked on the editorial team of Art Trends magazine (Meishu sichao) between 1985 and 1987. He received his M.A. degree in the History of Chinese Art from the Hubei Institute of Fine Arts in 1988 and was also granted an M.A. thesis award by the Wu Zuoren International Art Foundation.Between 1994 and 1996 Huang worked as an editor of Art Gallery (Hualang) magazine, and from 1997 has been working at the contemporary art space affiliated with the He Xiangning Museum, known as OCAT, where he has been Director since 2005.Since the 1990s, Huang has been active in curating exhibitions. Some of these exhibitions include the first Guangzhou Biennial (1992), the third Contemporary Art Triennial (Brisbane, Australia, 1999) and the first Guangzhou Triennial (2002), as well as numerous shows at OCAT Shenzhen.Please click here to view the transcript of the video.簡歷︰黃專, 1958年生,祖籍湖南。現任廣州美術學院副教授及深圳OCT當代藝術中心主任。1982年,黃專畢業於華中師範大學歷史系。1985—1987年間參與《美術思潮》的編輯工作。1988年獲湖北美術學院中國美術史專業文學碩士,並獲「吳作人國際藝術基金會碩士論文獎」。黃專於1994—1996年間主持編輯《畫廊》。自1997年起任何香凝美術館館聘研究員、策劃人,2005年開始出任何香凝美術館轄下OCT當代藝術中心主任。其當代中國藝術的專著有《當代藝術問題》(四川:四川美术出版社,1992),《中國當代美術圖鑒/觀念藝術分冊》(湖北:湖北教育出版社,2000)等。 黃專於九十年代開始積極進行策展工作,包括《首屆九十年代廣州雙年展》(1992,廣州);《首屆當代藝術學術邀請展》(1996,北京/香港);第三屆《亞太地區當代藝術三年展:超越未來》(中國部分)(1999,澳大利亞布裡斯班)及首屆《廣州三年展:重新解讀》(2002,廣州)等。近年主要在深圳OCT當代藝術中心從事策劃工作。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
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event photograph/recording, interview documentation
Mandarin
Speaker:HUANG Zhuan, 黃專, China (黃專, 白荊, HUANG Zhuan, Zhuan HUANG, BAI Jing, Jing BAI)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-zhuan/object/interview-with-huang-zhuan-full-version
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184733
Digitised materials
Interview with Li Xiaoshan (Full Version)
Allocated
訪問:李小山(完整版)
Chinese - Traditional
11693
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Li Xiaoshan 李小山
onsite
2009/__/__
Interview with Li Xiaoshan (Full Version), 訪問:李小山(完整版)
This interview was conducted in Nanjing Square Gallery of Contemporary Art on 5 March 2009.Biography:Li Xiaoshan (b. 1957) is an art critic and Director of the Nanjing Square Gallery of Contemporary Art.Between 1980 and 1987, Li studied as an undergraduate and postgraduate at the Nanjing Arts Institute. He has taught at the school since his graduation and is now its Deputy Director of Contemporary Art Research.In July 1985, Li published the controversial article titled 'My View on Contemporary Chinese Painting' in the Jiangsu Pictorial (Jiangsu huakan) about the state of Chinese ink painting at that time. The article aroused much debate and became one of the most important critical essays of the 1980s. Li’s other published works include History of Painting in China (Zhongguo xiandai huihua shi) (1986), What Are We Facing? (Women miandui shenme) (2002), and The Epic of the Trojan Horse (Muma shishi) (2003), to name a few.Please click here to view the transcript of the video.簡歷︰李小山, 1957年出生,藝術評論家。南京四方當代美術館館長。1980年考入南京藝術學院美術系;1984年考取同校碩士研究生;1987年畢業後留校任教至今。現亦兼任該校當代美術研究所副所長。李小山曾於1985年7月的《江蘇畫刊》上刊登 〈當代中國畫之我見〉,引起極大爭論。 其他著作有《中國現代繪畫史》(與張少俠合著,南京:江蘇美術出版社,1986)、《我們面對什麼》(長沙:湖南美術出版社,2002)及《木馬史詩》(長沙:湖南美術出版社,2003)等。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
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In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:LI Xiaoshan, 李小山, 1957, China (李小山)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-li-xiaoshan/object/interview-with-li-xiaoshan-full-version
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Digitised materials
Interview with Ma Kelu (Full Version)
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Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ma Kelu 馬可魯
onsite
2009/__/__
Interview with Ma Kelu (Full Version)
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In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:MA Kelu, 馬可魯, 1954, China (MA Ke Lu, Ke Lu MA, 馬克魯)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ma-kelu/object/interview-with-ma-kelu-full-version
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Digitised materials
Interview with Liu Xiaodong (Full Version)
Allocated
訪問:劉小東(完整版)
Chinese - Traditional
11577
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Liu Xiaodong 劉小東
onsite
2009/__/__
Interview with Liu Xiaodong (Full Version), 訪問:劉小東(完整版)
This interview was conducted at Liu Xiaodong's studio in Beijing on 9 July 2009. For more information please visit the Materials of the Future website. 此訪談於2009年7月9日在劉小東位於北京的工作室進行。詳情請瀏覽此頁。 Biography: Liu Xiaodong (b. 1963, Liaoning Province) is an oil painter and teaches at the Central Academy of Fine Arts in Beijing. Liu received his B.A. and M.F.A. from the Department of Oil Painting at the Central Academy of Fine Arts in Beijing in 1985 and 1995, respectively. Early on in his career, during the late 1980s, Liu developed his signature style of oil paintings, which has been described as neo-academicism. Some of his earliest group exhibitions were ‘Sketch’ (Beijing, 1988), the ‘China/Avant-Garde Exhibition’ (National Art Museum of China, Beijing, 1989), the ‘Annual Exhibition of Chinese Oil Painting’ and ‘20th-Century China’ (Beijing, 1991). In 1992, Liu was the art director for the movie Beijing Bastards, and the following year, director Wang Xiaoshi cast him in the lead role of the movie The Days. Since 1994, Liu has been teaching at the Department of Oil Painting at the Central Academy of Fine Arts.Please click here to view the transcript of the video.簡歷︰劉小東,1963年生於遼寧。藝術家,並任教於中央美術學院油畫系。劉小東分別於1988年及1995年取得中央美術學院油畫系學士及碩士學位。劉小东自八十年代末發展起來的獨特油畫風格被評為「新學院派」。早期曾參與的群展包括《素描大展》(1988,北京中國美術館);《中國現代藝術展》(1988,北京中國美術館);《中國油畫年展》 (1991,北京中國美術館)和《二十世紀》(1991,北京中國美術館)。劉小东曾於1992年擔任電影《北京雜種》的美術指導,并於1993年主演王小帥導演的電影《冬春的日子》。自1994年開始,劉小东在中央美術學院油畫系任教。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
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37
In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:LIU Xiaodong, 劉小東, 1963, China (劉曉東)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-liu-xiaodong/object/interview-with-liu-xiaodong-full-version
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185355
Digitised materials
Interview with Deng Jianjin (Full Version)
Allocated
訪問:鄧箭今(完整版)
Chinese - Traditional
11671
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Deng Jianjin 鄧箭今
onsite
Interview with Deng Jianjin (Full Version), 訪問:鄧箭今(完整版)
This interview was conducted in Guangzhou Academy of Fine Arts on 1 August 2007.Biography:Deng Jianjin (b. 1961, Guangdong) is an Associate Professor at the Guangzhou Academy of Fine Arts.In 1986, Deng graduated from the Art Department of Jingdezhen Ceramic College in Jiangxi Province, and then started to teach at the Department of Oil Painting at the Guangzhou Academy of Fine Arts. Together with Li Zhengtian and Yang Yao, among others, he was a member of 105 Studio, a group that encouraged experiments in oil painting.Deng’s work has been exhibited widely. His earliest shows include the ‘Art Exhibition of Deng Jianjin’ (Guangzhou Xinghe Exhibition Centre, 1988), as well as three exhibitions at the National Art Museum of China: the seventh ‘National Art Exhibition’ (1989), the second ‘Documentary Exhibition of Contemporary Chinese Art’ (1994) and the second ‘Chinese Oil Painting Exhibition’ (1994).Please click here to view the transcript of the video.簡歷︰鄧箭今,1961年生於廣東。現任廣州美術學院副教授。1986年畢業於江西景德鎮陶瓷學院美術系雕塑專業,獲學士學位,畢業後任教於廣州美術學院油畫系。當年廣州「105畫室」成員之一,與李正天、楊堯等畫家一起推動繪畫實驗。鄧箭今早期參加的展覽包括︰《鄧箭今藝術展》(1988,廣州星和展覽中心);《第七屆全國美展》(1989,北京中國美術館);《第二屆中國當代藝術文獻資料展》(1992,廣州美術學院圖書館)及《第二屆中國油畫年展》(1994,北京中國美術館)等。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
1
16
43
In Copyright
event photograph/recording, interview documentation
Cantonese
Speaker:DENG Jianjin, 鄧箭今, 1961, China (鄧箭今)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-deng-jianjin/object/interview-with-deng-jianjin-full-version
-
185359
Digitised materials
Interview with Chen Shaoxiong (Full Version)
Allocated
訪問:陳劭雄 (完整版)
Chinese - Traditional
11663
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Chen Shaoxiong 陳劭雄
onsite
Interview with Chen Shaoxiong (Full Version), 訪問:陳劭雄 (完整版)
This interview was conducted at Asia Art Archive on 28 May 2007.Biography:Chen Shaoxiong (b. 1962, Shantou, Guangdong Province) is an artist living and working in Guangzhou and Beijing.Chen graduated from the Department of Printmaking at the Guangzhou Academy of Fine Arts in 1984. As a member of the Southern Artists Salon, Chen helped organize the first ‘Experimental Show of the Southern Artists Salon’ at the Student Centre of Sun Yat-Sen University, Guangzhou (1986–1987).In 1990, Chen participated in the Big-Tail Elephant Group along with other initial members including Lin Yilin, Liang Juhui and Xu Tan. Later, Chen became a frequent participant in exhibitions worldwide, including ‘Cities on the Move’ (Vienna, Bordeaux, Long Island New York, Denmark, London, Bangkok, Helsinki, 1997–1999), the first and second Guangzhou Triennials (2002, 2005), the Shanghai Biennale (2002), the Gwangju Biennale (South Korea, 2002) and ‘Z.O.U. – Zone of Urgency’ at the 50th Venice Biennale (2003).In recent years, Chen Shaoxiong has presented several solo exhibitions, such as ‘Anti-C.S.X.’ (Vitamin Creative Space, Guangzhou, 2003), ‘Let’s See Who’s Lucky’ (BizArt Art Centre, Shanghai, 2006) and ‘Visible and Invisible, Known and Unknown’ (Universal Studios, Beijing, 2007).Please click here to view the transcript of the video.
簡歷︰陳劭雄,藝術家,1962 生於廣東汕頭,現活躍於廣州及北京。1984年,陳劭雄畢業於廣州美術學院版畫系。1986—1987年間,陳劭雄為南方藝術家沙龍的成員,曾在廣州中山大學學生活動中心舉辦《南方藝術家沙龍第一回實驗展》。1990年,陳劭雄與林一林、梁钜輝組成 「大尾象工作組」。此後積極參加各國的展覽,包括:《移動中的城市》(1997-1999,維也納,波爾多,紐約長島,丹麥,倫敦,曼谷,赫爾辛基);第一屆《廣州三年展》(2002)、第二屆《廣州三年展》(2005);第四屆《上海雙年展》(2002);《2002 光州雙年展》(2002);第50屆《威尼斯雙年展》(2003)等。近年,陳劭雄舉辦了多次個展,包括︰《反—陳劭雄》(2003,廣州維他命創意空間)、《看誰運氣好》(2006,上海比翼藝術空間)、《看見的和看不見的,知道的和不知道的》(2007,北京Universal Studios)等等。抄本連結
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents. As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
2
35
10
In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:CHEN Shaoxiong, 陳劭雄, 1962 - 2016, China (CHEN Shao Xiong, Shao Xiong CHEN, 陳邵雄)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-chen-shaoxiong/object/interview-with-chen-shaoxiong-full-version
-
185445
Digitised materials
Interview with Inma Gonzalez (Full Version)
4301
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Interviews 訪問
onsite
Interview with Inma Gonzalez (Full Version)
1
5
19
In Copyright
event photograph/recording, interview documentation
English
Speaker:Inma GONZALEZ, Spain
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-interviews/object/interview-with-inma-gonzalez-full-version
-
185457
Digitised materials
Interview with Hou Hanru (Full Version)
11397
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Hou Hanru 侯瀚如
onsite
Interview with Hou Hanru (Full Version)
2
11
53
In Copyright
event photograph/recording, interview documentation
Cantonese
Speaker:HOU Hanru, 侯瀚如, 1963, China (HOU Han Ru, Han Ru HOU, HOU Han-Ru, Han-Ru HOU)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-hou-hanru/object/interview-with-hou-hanru-full-version
-
185459
Digitised materials
Interview with Huang Rui (Full Version)
11683
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Rui 黃銳
onsite
Interview with Huang Rui (Full Version)
2
8
32
In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:HUANG Rui, 黃銳, 1952, China (黄锐, 黃銳, The Stars Group, 星星畫會)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-rui/object/interview-with-huang-rui-full-version
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185461
Digitised materials
Interview with Huang Xiaopeng (Full Version)
11399
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Huang Xiaopeng 黃小鵬
onsite
2007/__/__
Interview with Huang Xiaopeng (Full Version)
1
4
27
In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:HUANG Xiaopeng, 黃小鵬, 1960, China (黃小鵬)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-huang-xiaopeng/object/interview-with-huang-xiaopeng-full-version
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185471
Digitised materials
Interview with Li Xianting (Full Version)
11567
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Li Xianting 栗憲庭
onsite
Interview with Li Xianting (Full Version)
In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:LI Xianting, 栗憲庭, 1949, China (LI Xianting, LI Xian Ting, Xianting LI, 栗憲庭, 老栗, 李家屯, Lao LI, Old Li, Li Jiatun)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-li-xianting/object/interview-with-li-xianting-full-version
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185545
Digitised materials
Interview with Ni Haifeng (Full Version)
11701
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Ni Haifeng 倪海峰
onsite
2007/__/__
Interview with Ni Haifeng (Full Version)
1
24
35
In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:NI Haifeng, 倪海峰, 1964, China (倪海峰)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-ni-haifeng/object/interview-with-ni-haifeng-full-version
-
185599
Digitised materials
Interview with Peng De (Full Version)
訪問:彭德(完整版)
11589
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Peng De 彭德
onsite
2009/__/__
Interview with Peng De (Full Version), 訪問:彭德(完整版)
This interview was conducted at Xi'an Academy of Arts, Xi'an on 18 September 2009.Biography:Peng De (b. 1946, Hubei Province) is a renowned art critic. He lives and works in Xi’an and teaches at the Xi’an Academy of Fine Arts.Peng De graduated from the Department of Chinese at Huazhong Normal University in 1970. In 1985, Peng helped found Art Trends (Meishu sichao) magazine where he served as chief editor until 1989, when the publication ceased. Art Trends was one of the most influential magazines of the 1980s focusing on experimental art and ideas.Peng has published several books including The Visual Revolution (Shijue geming, 1990) and Chinese Style Criticism (Zhongshi piping, 2002). He is currently based in Xi’an where he continues to write and teach.簡歷︰彭德,1946年生於湖北。藝術評論家,居於西安,現為西安美術學院教授。彭德1970年畢業於華中師範大學中文系。1985年創辦《美術思潮》雜誌,並擔任主編,直至1989年停刊。《美術思潮》是八十年代最重要的美術雜誌之一,積極推動美術實驗及思辯。 出版文集包括:《視覺革命》(南京:江蘇美術出版社,1990)、《走出冷宮的雅藝術》(南京:江蘇美術出版社,2001)及《中式批評》(長沙:湖南美術出版社,2002)。現居西安,從事藝術評論及教學工作。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s. AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
2
5
59
In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:PENG De, 彭德, 1946, China (PENG De, De PENG, 彭德, 楚遲, CHU Chi, Chi CHU)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-peng-de/object/interview-with-peng-de-full-version
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185625
Digitised materials
Interview with Pi Daojian (Full Version)
11703
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Pi Daojian 皮道堅
onsite
2009/__/__
Interview with Pi Daojian (Full Version)
1
27
22
In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:PI Daojian, 皮道堅, 1941, China (皮道堅, 松實, Daojian PI, PI Daojian, PI Dao Jian, Dao Jian PI, SONG Shi, Shi Song)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-pi-daojian/object/interview-with-pi-daojian-full-version
-
185647
Digitised materials
Interview with Shao Dazhen (Full Version)
11591
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shao Dazhen 邵大箴
onsite
2009/__/__
Interview with Shao Dazhen (Full Version)
1
11
41
In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:SHAO Dazhen, 邵大箴, 1934, China (邵大箴)
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shao-dazhen/object/interview-with-shao-dazhen-full-version-185647
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186009
Digitised materials
Interview with Shen Yuan (Full Version)
11593
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Shen Yuan 沈遠
onsite
2008/__/__
Interview with Shen Yuan (Full Version)
1
4
20
In Copyright
event photograph/recording, interview documentation
Mandarin
Speaker:SHEN Yuan, 沈遠, 1959, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-shen-yuan/object/interview-with-shen-yuan-full-version-186009
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188629
Digitised materials
Interview with Chen Tong (Full Version)
11665
Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990 未來的材料:記錄1980-1990年的中國當代藝術.Chen Tong 陳侗
onsite
2007/__/__
Interview with Chen Tong (Full Version)
This interview was conducted at Borges Libreria Institute for Contemporary Art, Guangzhou on 24 October 2007.Biography: Chen Tong (b. 1962, Hunan Province) is an artist and founder of Borges Libreria and Borges Libreria Institute for Contemporary Art in Guangzhou. From 1979 to 1983, Chen studied Chinese painting at the Guangzhou Academy of Fine Arts. He became a teacher in its Department of Chinese Painting in 1986, where he still teaches today. In 1994, Chen founded the Borges Libreria bookstore, which has become one of the most important venues for contemporary art in Guangzhou, and in 2007, he established the Borges Libreria Institute for Contemporary Art. Chen has been an important publisher of texts on cultural studies. In 1992, he published the Experimental Art book series, which introduced the art community to a range of titles on contemporary art, cinema, photography and theory. Following this in 1998, Chen and Lu Yi organized the publication series Midnight, which presented and translated books published by Paris Edition de Minuit, in particular, the French nouveau roman. His own publications include My Own World: Art and Life in France (2002), A Sketch: An Aesthetic Way to View Life (2003) and Manet’s Railway (2005).
簡歷︰陳侗,1962年生於湖南,廣州博爾赫斯書店及廣州博爾赫斯書店當代藝術機構創辦人,藝術家。現居廣州。陳侗於1979—1983年間就讀於廣州美術學院國畫系,自1986年始任教於該系至今。1992年策劃出版《實驗藝術叢書》,內容涉及當代藝術、電影、攝影、理論等;1994年創辦博爾赫斯書店,並以書店之名,積極推動當代藝術活動及展覽。1998年,與魯毅合作成立出版工作室,並策劃《午夜文叢》,譯介法國午夜出版社,特別是法國新小說的作品。2007年成立博爾赫斯書店當代藝術機構。其著作包括《自己的世界:法國的生活與藝術》(長沙:湖南美術出版社,2002)、《速寫這件事:一種關於生活的美學態度》(臺北:三言社,2003)、《馬奈的鐵路》(長沙:湖南美術出版社,2005)
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
1
36
38
In Copyright
event photograph/recording, interview documentation
Cantonese
Speaker:CHEN Tong, 陳侗, China
https://aaa.org.hk/collection/search/archive/materials-of-the-future-documenting-contemporary-chinese-art-from-1980-1990-1980-1990-chen-tong/object/interview-with-chen-tong-full-version